"Youth Classroom" Where is your youth?

Writer Wang Xiaobo once described an enthusiastic man like this: I was twenty-one years old that day. In the golden age of my life, I had many extravagant hopes. I want to love, I want to eat, and I want to instantly become a half-bright and half-dark cloud in the sky. Mike (played by Ah Fu and Yue),, and Wei Wu in the movie Youth Class are such four gifted teenagers with superior IQ. They are under eighteen, but they are full of blood like soldiers. The only difference is that Wei Wu (Dong Zijian) has no intention of knowing that he was elected to the juvenile class to protect the precious talented young students. Just like throwing catfish into a tuna pond to keep tuna fresh for a long time, the teacher has a famous saying (played by Sun). At this point, the story began with a slightly humorous tone, which also laid a sad foreshadowing. Because it tells the story of the 1990s, the film is accompanied by music, showing a strong nostalgia. In addition to using background music that is highly compatible with the story, another major feature of the film is the characterization. The images of several young protagonists are lifelike. On the one hand, they are endowed with a sense of escape full of dramatic tension, but at the same time they have a natural life atmosphere, which is very vivid and touching. Especially in the role of tachileik, the discomfort is brought into full play, which makes the emotional saturation naturally sublimate at the end of the film and become a major memory point of the film. In recent years, youth movies have coincided with the climax, and the story centered on the youth class group is unique in Qiong Yao-style youth movies. Director Xiao Yang, as a former graduate of Xi Jiaotong University's juvenile class, combined with his own real experience, created a fantastic and real journey for the audience. "Youth Class" belongs to the kind of film that gets better and better. The director properly found a balance between the voyeuristic ambition to satisfy the audience's "genius complex" and the self-expression of the film author. Youth Classroom is neither a painful diary of youth moaning and entertaining to death, nor a difficult and obscure self-monologue. The originality of the film lies in that while quietly tearing a hole, it constructs an ideal utopia and shows the audience a bloody life, which is both romantic and heavy. This is also the key for the audience who are addicted to the poetic atmosphere of the story to still have a strong sense of realism and substitution after watching the movie. Whether Orfila, who is eager to integrate into a small group of talented people, or Orfila, who is carefully in love with Zhou Lan (Zhou Dongyu), is really like a catfish in a tuna can. Embarrassment and truth are the youth and daily life of most people reflected in the film. Secret love, the sense of powerlessness that can't be shaken off in the collective, and the burning heart that reaches out for a warm response are anxiety, embarrassment and helplessness. These emotions constructed by collective memory are strong and powerful. The film seems to tell the story of a gifted teenager. In the final analysis, it is still a trajectory of your youth growth.