How to evaluate a person's borrowed China culture?

It is often said that Under One Man is a cartoon borrowed from the cultural keel of China. In my opinion, this sentence brilliantly summarizes the advantages under one person. So, what is the so-called "keel of China culture" in One Man?

I have read many novels about urban self-cultivation and power.

The works also dabble in China's traditional folk customs, myths and strange stories, Confucianism, Buddhism and Taoism, and various metaphysics, but compared with Under One Man, in my eyes, these works are less "cultural truth".

More than 2,000 years ago, the Confucian and Taoist cultures in China formed and became the two pillars of the traditional culture in China. Confucianism and Taoism are two sides of the soul of China people. On the one hand, China people are influenced by Confucianism, paying attention to reality and keeping their feet on the ground. On the other hand, Taoism left a romantic outlook on life in the hearts of China people.

Teacher Mier, the author of Under One Man, once mentioned her tendency towards Taoist culture in an interview. He has studied Taoist culture for more than ten years, and has also visited Taoist holy places such as Qingyang Palace and Qingcheng Mountain. His knowledge and understanding of Taoist culture and more traditional China culture is very profound, and this profound insight is also shown in his cartoons.

Not to mention the technology, after all, the author is an old driver.

The technique is very skillful. But the best thing about this cartoon is that it really has the essence of China tradition.

In fact, those past relationships, whether China's or not, are very unconventional in logic. Just like the so-called ancient wind circle, it is just a batch of China skins. The core is not antique at all, thinking that there are antique languages and pictures.

The stories in this cartoon are all set in the modern background. The author's painting style is basically Japanese, and he is very restrained in the use of traditional elements such as Taoist robes and gossip, and only uses them when he has to. However, you will find that compared with those cartoons that use traditional elements crazily, his sense of antiquity is much stronger, and you will feel strongly that only China people can draw such cartoons, which is unique to China culture.

This is because the author really understands the ideas contained in traditional culture, which are in the same strain in the hearts of China people. The interpretation of The Journey to the West is based on The Journey to the West's theory of Dan Shu. Although it has surpassed the level of most comic writers, it does not explain the level of the author, because the theory was put forward by others and may be the author's opinion. However, the author's interpretation of the Almighty School shows that the author does have a feeling of understanding traditional concepts.