Brief introduction to the life of Zhenwu, a painter in Yuan Dynasty

Zhenwu (1280? 1354), painter of Yuan Dynasty. Word,No. Meihua Taoist, TasteNo. Meihua Taoist. Jiashan, Zhejiang. He taught in rural schools in his early years and later studied under Liu Tianji. The study of heaven and man? He lives in seclusion and sells divination for a living. The following is a brief introduction to the life of Zhenwu, a painter of the Yuan Dynasty. I hope you like it!

A brief introduction to Zhenwu's life

Zhenwu, painter, 1280, born in Jiashan, Zhejiang. Zhenwu liked fencing when he was young. As an adult, I followed my brother Liu Tianji from Piling as a teacher and studied the Book of Changes. The main content of learning is the study of heaven and man, which runs through Confucianism, Taoism and Buddhism and is famous for its students.

Zhenwu moved from the capital of song dynasty to Jiaxing when he was young, and then settled in Jiaxing, Zhejiang. Zhenwu was lonely all his life and didn't like to make friends with powerful people. I used to teach in a private school in the village, and I also did divination in Qiantang and other places. The painter Zhenwu began to learn painting a little late, and it was already eighteen or nineteen years old.

At that time, Zhenwu traveled around, passing through Hangzhou, Xing Wu and other places. The natural scenery in these areas broadened Zhenwu's horizons, from which he got creative inspiration and made many excellent paintings. Zhenwu is mainly good at ink and wash landscape painting, in which ink bamboo and figures are the main ones. Especially in his later years, Zhenwu devoted himself almost wholeheartedly to Zhu Mo's creation, leaving many excellent works for the world. Zhenwu always writes poems on it after painting. Zhenwu's poems are close to Tao Yuanming's style, and he often uses metaphors to express his depressed mood.

Zhenwu's calligraphy is also excellent, combining the strengths of Wang Xizhi and Huai Su, creating Zhenwu's unique style. Poetry and calligraphy in Zhenwu paintings set each other off and became interesting, which was called by people at that time? Three musts? . Zhenwu, as a famous painter in Yuan Dynasty, had a great influence on the development of landscape painting in Ming and Qing Dynasties. Together with Wang Meng, Huang and Ni Zan, he was called by later generations.

Zhenwu's works

Zhenwu, a painter in Yuan Dynasty, has a certain position in landscape painting. Zhenwu has many types of works, most of which are the most famous landscape paintings. Zhenwu likes to use wet ink in landscape painting, but it doesn't mean Zhenwu can't use dry ink. Many of his ink paintings and bamboo paintings use dry ink, and the effect is not bad.

Zhenwu likes to use wet ink, which is also related to the artistic conception Zhenwu wants to express. The feelings in Zhenwu's heart are often expressed through painting, and only with wet ink can it show a sad and quiet atmosphere that Zhenwu wants to render. So people often say that Zhenwu's works will give people a kind of? Is the ink dripping wet? This feeling.

The real martial artist studied under Dong Yuan and Ju Ran, but neither of them was a professional painter. However, because Dong Ju and his wife are located in the south of the Yangtze River, facing the natural scenery, they naturally created relatively plain and powerful landscape paintings, and their landscape paintings can just show the charm and charm of mountains and rivers. This style of painting has a great influence on Zhenwu's landscape painting. Zhenwu also carefully studied Dong Ju's painting style before creating his own landscape painting style.

At present, the oldest Zhenwu work should be "Double Pine Picture Axis". This work was created in February 1328. The whole picture shows two pine trees standing upright on the flat ground, tall and lush, and the scene is strange and ancient. Only two pine trees occupy the whole picture, which is quite unyielding. There is also a fishing picture in Dongting, which was created in A.D. 1344. This picture is a classic among Zhenwu fishermen's works. The two pine trees in the painting echo the fisherman returning from afar, which well expresses the personality portrayal of the literati in the Yuan Dynasty who like to be alone.

Real martial arts

Zhenwu likes to use wet ink when painting landscapes, but Zhenwu uses dry ink well. Dozens of ink bamboo handed down from Zhenwu are almost all drawn with dry ink, and good results have been achieved. The reason why Zhenwu uses wet ink in landscape painting has a lot to do with the realm that Zhenwu wants to express through landscape painting. Landscape painting in the Northern Song Dynasty pursues a kind of scenery that can be visited and lived, and the use of pen and ink is subject to the true expression of the sense of landscape entity; Yuan people used mountains and rivers as the media to pursue a kind of scenery with me. Pen and ink are not only used to express forms, but also as a medium to express emotions. In Yuan Dynasty, both Wu and Ni were famous for painting water, Ni Xi used dry ink and Wu Xi used wet ink. Ni used dry ink and grass to create a deserted and quiet environment; Wu Ze painted a sad and quiet environment with wet ink. Look closely at each landscape painting of Zhenwu for people? Is the ink dripping wet? This feeling. Whether it's mountains, trees, water, boats, fishermen or houses, whether it's a close shot or a distant view, it's like taking a shower in the water, which sets off the distant scenery thousands of miles away and creates a sad, secluded and lonely artistic atmosphere.

The ink effect in Zhenwu's paintings is closely related to his flexible use of various brushwork and ink methods. Wet ink is by no means simply adding water. Wu Liyun:? There are two volumes, Endless Rivers and Mountains and the Yangtze River. Guy Gui Zhong is good at this, which is beyond the reach of later scholars. ? Are all five inks ready? It is the superb place of Zhenwu ink. In order to give full play to the effect of ink painting, Zhenwu is very particular about the selection of painting materials. He likes to draw plum and bamboo with paper and landscapes with silk. Why do you choose silk for painting landscapes? Because silk has thickness and toughness, it can be rendered many times without wrinkling. Zhenwu is very familiar with the characteristics of pen and ink and silk. Five kinds of ink in his paintings are applied at the same time without being greasy, and repeatedly rubbed without swelling, resulting in artistic effects of being thick and moist, wet and thick, astringent but not dry, and dry but not dry. Zhenwu is as light as water, with strong penetrating power. Looking at Zhenwu's works today, we can still clearly distinguish their organizational relationship through them. Wang Qing Yuan Qi said: Taoist Mei splashed ink, and there were many literati, all of whom were vulgar and confused, boastful and had no dreams at all. No wonder there are ink pigs. ? Wang's comments reflect that Zhenwu's ink skills are beyond ordinary people's knowledge. Wu's Mohism has been attracting the attention of all previous dynasties since the Yuan Dynasty. Shen Zhou, Wen Zhiming, Yun Nantian, Wang Si, Wu Li and Badashanren all praised Zhenwu's Mohism.

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