Venice's famous oil paintings

Do you mean what oil paintings you can see in Venice, or what are the representative works of the Venetian school of painting = |||||?

You can see Venice's famous oil paintings in the Corell Museum in Venice, but the most famous one should not be seen.

If you ask the Venetian school, you can look here:

Venice school of painting

There are many changes in the use of colors in the Venetian school, with thick piles of colors. Some painters use high-intensity light to strengthen the main characters and blend the secondary characters into the shadows. Technically, they are not constrained by tradition, but are free and unrestrained. They use oil paints to finish their works on canvas, because the humid Venice climate is not suitable for using egg-colored paintings on walls and woodcuts.

Giovanni Bei Lini

Giovanni Bei Lini (about1430-1516) is the founder of the Venetian school of painting. It is Giovanni Bei Lini who makes color occupy an overwhelming position in painting, and his technique has changed from egg painting to oil painting. His students, giorgione and Titian, and later Tintoretto and Willoni, inherited and developed the techniques of the Venetian School, making the works of the Venetian School fine and perfect. /kloc-Italian painters in the 0/7th century, such as Caravaggio and Carazzi, were all influenced by the Venetian School.

Giovanni Bei Lini's full use of the characteristics of light can be seen in Hieronymus Reading, and the whole picture is covered with warm golden yellow.

In Prayer in the Garden, we find that Giovanni Bei Lini has a good understanding of light, with bright colors and soft atmosphere.

Titian

Titian (about 1487- 1576) is the most outstanding representative of Venice painting school. He was a student of Giovanni Bei Lini and was influenced by Giorgione in technique. Titian's artistic career almost ran through the whole15th century. He was one of the most diverse and best painters in the Renaissance. His works combine giorgione's situational creation with Mantania's dreamy realistic style. Titian's early and middle oil paintings are bright in color, meticulous in painting style and steady and powerful in pen; Later works are bold and bold with pens, and the colors are simple and changeable. Titian had a great influence on later paintings in Europe.

The appearance of Christ in front of Mary Magdalene (also called don't touch me) shows the outstanding young Titian as a color master.

Carnival in Dionysus was written by Titian on behalf of Duke Ferrara. The picture is colorful, bold and dissolute, and the atmosphere is warm and unrestrained, which shows Titian's uninhibited attitude towards life and the spirit of challenging the concept of abstinence.

Tintoretto

Tintoretto (1518-1594) was a student of Titian, whose original name was Jacob Robusti. Because he was born in a dyehouse, people call him Tintoretto. It means "the son of a dyer". Tintoretto's ambition is to "combine the color of Titian with Michelangelo's figure". His paintings are magnificent in composition and bold in brushwork, highlighting the contrast between light and shadow on a dark brown background, and often creating an exaggerated and tense atmosphere with intense human movements. His works contain the strongest unrestrained feelings of human beings and are worshipped by later Flemish master Rubens.

The miracle of St. Kyle is actually a scene of the tragic experience of Venetians through the cloak of religion.

Susanna after the Bath is one of his outstanding works with the theme of naked women. Susanna comes from the Hebrew legend that circulated with the Bible. In Hebrew folktales, she is a symbol of virginity.

Willoni

Willoni (1528— 1588) was inspired by the color method of his teacher Titian, and combined with his bright silver-gray tone, the picture was bright and decorative.

Cana's wedding reception is based on stories in the Bible.

Mars and Venus is based on Roman mythology. Although this is a celestial world, Willoni shows a strong secular hedonism with rich and heavy colors and decorative character movements.

Giorgione

Giorgione (about 1476— 15 10) inherited the technology of his teacher Giovanni Bei Lini. Although he died young, he created a generation of painting style with extraordinary genius. Giorgione was a pioneer of Venetian easel painting. He pays attention to the light and dark levels of color, making the color simple and rich, and the picture is not only beautiful but also full of humanistic connotation. His later works had a great influence on Titian in technique.

Sleeping Venus is a familiar and kind work.

Qiao Erqiao used color boldly and harmoniously in The Three Philosophers, which fully showed the characteristics of Venetian painting school.

This "The Shepherd Comes to Worship" deals well with the relationship between light and color. The color of the picture is still bright, and the scenery in the painting is likely to be scented.

Here are some pictures. Actually, I suggest you search for Titian and giorgione's paintings separately, so that you can get more goods.

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