Samuel Hui, the originator of modern Cantonese pop music.

The so-called palace, literally means palace, extended to decisive. It refers to people and works who have made outstanding achievements, made great contributions and far-reaching influence in a certain field, and is a very high evaluation. Then let Constellation Star introduce Samuel Hui, the originator of modern Cantonese pop music among the top ten singers in China. Chinese name: samuelHui mbth: Samuel Hui alias: A Sam, singing god occupation: singer, actor, musician constellation: Virgo's representative works: double star love songs, the dream of genius idiots, the voice of the prodigal son, half a catty, silence is golden, the arrival of the God of Wealth and other major achievements: the Eighth Chinese Top Ten Golden Melody Award, Yugujin Award, Yugujin Top Ten Golden Melody Award, 1967 released the first album "JustALittle". 197 1, the song "Lingyun Tower" attracted attention. 1974 released the Cantonese album Ghost Horse and Double Star, which opened the curtain of Cantonese pop music in Hong Kong. 1977 won the centennial award of 1 Golden Record Award for his album "Half a catty and eight liang". 1985 won the top ten golden melody awards of the 8th Chinese Golden Melody Awards, and became the first Hong Kong singer to win this honor. 1986 won the honorary award of pure jade gold at the top ten pure jade gold awards ceremony. 199 1 won the 10 hong kong film awards for best movie song award for "laughing at the sea" in. 1992 announced his retirement from music and returned in 2004. In 2005, he won the CASH Golden Sail Music Award and the Music Achievement Award. Samuel Hui is known as the originator of modern Cantonese pop music in Hong Kong pop music. His oral deduction in Hong Kong initiated a new era of local songs in Hong Kong, completed the grafting of classical and popular songs, and played a key role in the promotion and development of modern Cantonese songs. -"Daily News" Samuel Hui's significance to the Hong Kong music scene lies not in the high market share of his songs, but in the fact that he attracted people who originally despised Cantonese songs to listen to his songs. His appearance is an important part of the localization of Hong Kong music. -Xiang Xue Huai