Fortune Telling Collection - Free divination - The most accurate translation of Zuiweng Pavilion in Jiangsu Education Edition! ! ! Moreover, the translation of Yueyang Tower is best accompanied by the translation of key words. Appreciate! ! ! Oh,

The most accurate translation of Zuiweng Pavilion in Jiangsu Education Edition! ! ! Moreover, the translation of Yueyang Tower is best accompanied by the translation of key words. Appreciate! ! ! Oh,

The most accurate translation of Zuiweng Pavilion in Jiangsu Education Edition! ! ! Moreover, the translation of Yueyang Tower is best accompanied by the translation of key words. Appreciate! ! ! Oh, give me a hand The Chu River (chú) is surrounded by mountains. Its southwest peak, He Lin (hè) You Mei, is impressive and beautiful, and so is Langya. After walking six or seven miles on the mountain, I gradually heard the sound of water gurgling (chán), which overflowed between two peaks and gave off the sound of spring water. When the peak turns, there are pavilion wings on the spring, and the pavilion is also drunk. Who is the pavilion? Monks in the mountains are also wise and immortal. Who's the name? The satrap calls himself. Taishou and his guests come here to drink, but they get drunk when they drink less (zhé), and they are the oldest, so they are called "drunkards". The meaning of drunkenness is not wine, but also between mountains and rivers. The joy of mountains and rivers, the place where the heart belongs, the place where the wine belongs. When the husband rises, the forest flies, and the clouds return to the cave (xué) (míng). When dusk changes, it is dusk in the mountains. The wild fragrance is rich, the wood is beautiful and the shade is beautiful, the wind and frost are noble and clean, and the water is clear, and it is also in the mountains at four o'clock. Returning home in the morning and evening, the scenery at four o'clock is different and the joy is endless. As for the loser who sings on the way, the walker rests in the tree, the former cries, and the latter answers. The loser who keeps going back and forth will swim in the Chu River. Fishing near the stream, deep fish in the stream, brewing spring wine, fragrant spring wine (liè), wild mountain vegetables (yáo). However, those who muddle along are too cautious to feast. The joy of feasting (hān) is not silk or bamboo. Among the shooters, the chess player (Y) won, the chess player (gūng) staggered, and the guests were happy when they sat up noisily. White-haired, decadent (tuí) However, those who are well-behaved are almost drunk with jealousy. Sunset in the mountains, people scattered, the satrap returned, and the guests followed. The Woods are overcast, singing and singing, tourists go and birds are happy. However, birds know the joy of mountains, but they don't know the joy of people; People know that swimming from Taishou is fun, but they don't know that Taishou is fun. Being drunk can be fun, and people who wake up and can tell stories in words are too defensive. Who is the satrap? Lu Xiu also.

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Chuzhou city is surrounded by mountains. Among the peaks in the southwest, forests and valleys are especially beautiful. Looking from afar is Langya Mountain, with lush trees and beautiful scenery. After walking six or seven miles in the mountains, I gradually heard the gurgling sound of running water. Far away, I saw the brewing spring pouring down from between the two peaks. The mountain has a ring and the road has a bend. There is a pavilion (with four corners standing obliquely), such as a bird spreading its wings, close to the spring water, which is called Zuiweng Pavilion. Who built this pavilion? A monk and a wise fairy in the mountains. Who named the pavilion? The satrap was named after his nickname ("drunkard"). The satrap and his guests came here to drink, and they got drunk after drinking a little. At the dinner, they were the oldest and called themselves "drunkards". An alcoholic's interest lies not in drinking, but in (appreciating) the scenery in the mountains and rivers. Enjoy the joy of mountains and rivers, grasp it in your heart and pin it on drinking. As for when the sun comes out, the fog in the forest dissipates, the smoke clouds gather, and the caves in the valley look dim; The scene of (or) darkness (or) light alternation is the scenery in the mountains in the morning and evening. In spring, wild flowers are in full bloom, giving off a delicate fragrance. (Summer) Beautiful trees flourish and form a thick shade. (Autumn), the autumn wind in Gao Shuang is frosty. In winter, the scenery exposed by the dripping rocks of the stream is the scenery of the four seasons in the mountains. Go (to the mountains) in the morning and come back at night. The scenery in the four seasons is different, so there is endless happiness. As for the people who sing with things on their backs on the road, the people who walk are resting under the trees, the people in front are shouting, the people behind are answering, the old people are walking with their backs bent, and the children are led by adults, coming and going in an endless stream. This is a tour of Chuzhou people. Fishing near the stream, deep fish fat in the stream, making wine with spring water, clear and mellow, and wild game and wild vegetables are placed in front of you. This is the prefect's banquet for guests. The fun of feasting is not music. The pot player hits the target, the chess player wins, the wine glass interacts with the wine crumbs, or the guests get up or sit down loudly. (One) is a drunk with an old face and gray hair sitting in the middle of the crowd, (that is) a drunk satrap. Soon, the sunset hung on the mountain, and people and shadows were scattered all over the floor. The satrap went home, so did the other guests. Trees are thick and shady, and birds are singing everywhere. At this time, tourists leave and birds are happy. But birds know the happiness of mountains, but they don't know the happiness of people; Tourists only know that it is fun to play with the satrap, but they don't know that the satrap regards the happiness of tourists as happiness. People who are drunk and can entertain themselves with everyone, and who can describe this pleasure in the article after waking up, are the satrap. Who is the satrap? It's Ouyang Xiu from Luling.

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Ouyang Xiu (1007 ~ 1072), whose real name was Yongshu, was a drunkard, and in his later years he was named Liu Yiju (I have a collection of 1000 ancient books, 10,000 books, a piano and a chess game, and always buy a pot of wine, which I always use for June 1st). A native of Yongfeng, Jizhou (now Yongfeng, Jiangxi), Mianzhou (now Mianyang, Sichuan), a writer, politician, historian and poet of the Northern Song Dynasty, originally from Luling County, Han nationality. The eight masters in Tang and Song Dynasties were Han Yu and Liu Zongyuan in Tang Dynasty, and Su Shi, Su Xun, Su Zhe (Su Shi, Su Xun and Su Zhe are called together), Ouyang Xiu, Wang Anshi and Ceng Gong (who once worshipped Ouyang Xiu as a teacher) in Song Dynasty. Because there is a thousands of books, a epigraphy, a piano, a chess game, a pot of wine and an old man at home, it is called June 1. He calls himself an alcoholic because "he will get drunk if he drinks less", which shows that he is easily drunk and highlights the word "drunk". Among the people who drank with him, Ouyang Xiu was the oldest, so he got the word "Weng". Posthumous title Wenzhong, also known as Ouyang Wenzhong, was a bachelor of imperial edict Hanlin in Renzong. Yingzong, the official to the secretary of the Council, and political affairs; The Zongshen dynasty moved the Ministry of War ministers and took Prince Shao Shi as the official. A pawn is Wen Zhong. He advocated political and literary innovation. He is not only a supporter of Fan Zhongyan's Qingli New Deal, but also a leader of the poetry innovation movement in the Northern Song Dynasty. He is also happy to reward and punish backward, Su Shi and his son, Ceng Gong and Wang Anshi are all out of his door. The creative achievements are also brilliant and impressive, and poems, words and essays are all outstanding at present. Prose is eloquent, lyrical and euphemistic; Poetry style is similar to prose, emphasizing momentum, smooth and natural; His poems are deep and beautiful, inheriting the lingering wind of the Southern Tang Dynasty. Co-edited the Book of the New Tang Dynasty with Song Qi, and independently wrote the History of the New Five Dynasties. I also like to collect epigraphy and compile it into Records of the Historians. There is Ouyang Wenzhong's official document collection. The poem "Walking on Shakespeare". He also wrote the famous Zuiweng Pavilion. Ouyang Xiu was buried in Xinzheng, Kaifeng (now Xinzheng, Henan) after his death. Ouyang Xiu Cemetery, located in Ouyang Temple Village, xindian town, xinzheng city, is a state-level cultural relic protection unit. In addition, there is an ancestral temple named Liuyitang in the southern suburb of Mianyang today. Ouyang Xiu's works are numerous, rich in content and remarkable in achievements. In addition to literature, the study of Confucian classics also has unique views on the study of The Book of Songs, The Book of Changes and The Spring and Autumn Annals. As a pioneering work, epigraphy has compiled thousands of epigraphy artifacts and inscriptions from Zhou Dynasty to Sui and Tang Dynasties, and written more than 400 articles in ten volumes, referred to as "Collection of Ancient Records", which is the earliest extant epigraphy work. You Wei has made great achievements in historiography. He not only participated in the revision of the 250 volumes of the Book of the New Tang Dynasty, but also wrote the History of the Five Dynasties (the New History of the Five Dynasties), summarizing the historical experience of the Five Dynasties, in order to play a warning role. This article is selected from Selected Essays of Ouyang Xiu (Shanghai Ancient Books Publishing House, 1997). Su Jiao Edition, selected from Wen Zhong Ji; Jilin special edition, selected from the complete works of Ouyang Xiu.

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In the fifth year of Qing Song Renzong (1045), Fan Zhongyan and others were dismissed for participating in politics, and Ouyang Xiu wrote a letter to defend them and was demoted to Chuzhou for two years. After taking office, he was depressed, but he was able to play the style of "tolerance, simplicity and no disturbance" and made some achievements. The Preface to Drunk Pavilion was written in this period. This paper describes the deep and beautiful natural scenery of Chuzhou, the peaceful and quiet life of Chuzhou people, especially the author's pleasure in enjoying a feast in the mountains. The full text runs through the word "music" and contains more complicated and tortuous contents. One implies the feeling that a feudal local governor can "have fun with the people", and the other hides the unspeakable difficulties behind the scenery. In the prime of his forties, he claimed to be an alcoholic and he traveled a lot. In addition, his performances such as "Drunk with Less Drink" and "Fall Down in the Midway" all show that Ouyang Xiu used the joy of mountains and rivers to relieve the anguish of exile.

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The Zuiweng Pavilion was written in six years (AD 1046), and Ouyang was appointed as the magistrate of Chuzhou. Ouyang Xiu came to Chuzhou after Li Qing was demoted in five years. Before he was demoted, he had served as Taichangcheng Zhijian Hospital, Youbao and Hebei Dubao. He was demoted because he always supported Han Qi, Fan Zhongyan, Fu Bi and others to take part in the reform movement in the Northern Song Dynasty to promote the New Deal, but opposed the conservative Lv Yijian and Xia Song. Han Fan and others were demoted as early as January of five years in Li Qing. In August of this year, Ouyang Xiu was accused of a relative's crime and was dismissed and demoted to Chuzhou. Ouyang Xiu practiced lenient policies and developed production in Chuzhou, which enabled the local people to live a peaceful and stable life, with rich wealth and intoxicating landscapes, which made Ouyang Xiu feel extremely happy. But at that time, the whole Northern Song Dynasty was dark and evil spirits prevailed. Some people who are interested in reform and strive for strength have been hit one after another, and seeing the country's accumulated disadvantages and the scene of decline and death is increasing day by day, which makes him feel heavy anxiety and pain. This is his mood when he wrote "Drunk Pavilion", with sadness and joy. These two aspects are mixed together and expressed in his works.

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The genre of stylistic records appeared very early and reached its peak in the Tang and Song Dynasties. It is an ancient prose genre. It can remember people and things, mountains and rivers, artifacts and buildings, so it is also called "Miscellaneous Notes". In writing, most of them are mainly narrative, with both argumentative and lyrical elements. The purpose of remembering scenery is often to express the author's feelings and ambitions (feelings and opinions) and to explain some of the author's views. "Ji" is a genre of prose, which can be narrative, scenery and tangible (taking notes, notes). The literal meaning of "remember" is memory. On the basis of this significance, Ji gradually gained its stylistic significance and became a style specially recorded in the history of classics. As a style, "Ji" gained stylistic life in the Six Dynasties, entered in the Tang Dynasty, and expanded in content and became more stable in the Song Dynasty. During the Ming and Qing Dynasties, subjectivity became more intense and gradually became mature and stable. According to the number of famous books in Historical Records, the changes of literary works and the increase or decrease of categories, we can more objectively understand the changes of Ji as a stylistic connotation.

Pronunciation of a word

Chu (chú) Lin Gu (hè) Langya (láng yá) babbling (chán) monk (sēng) Mo (zhé) Fei (fēi) Yi (míng) listless (y)

The meaning of a word

1. Wai Chu: Wai Chuzhou City. Chuzhou is in Langya District, Chuzhou City, Anhui Province. Ring: Left and right. 2. all: all, all. 3. All: All. 4. Forest Valley: Forest Valley. 5. Wei Ran: lush appearance. 6. Deep show: deep and beautiful. 7. Mountain: Along the mountain road. 8. Good: Go ahead. 9. The peak turns: the mountain turns, and the road turns with the mountain. 10. Cycle: cycle, winding. 1 1. Wings are on the spring: the four corners are tilted, like a bird spreading its wings and perching on the spring. Yiran: Like a bird spreading its wings 12. Pro: Near, located in. 13. Work: construction. 14. Name: nouns are used flexibly as verbs; Name 15. Taishou claimed that Taishou was named after his nickname (Drunken Man). Address: naming and addressing. 16. Mo: Just. 17. Own number: Give yourself another name: title. 18. Yue: This is called. 19. Meaning: fun. 20. Hu: Yu, preposition. 2 1. The joy of mountains and rivers, the wine in the heart, is also the joy of (appreciating) mountains and rivers (beautiful scenery), which is held in the heart and pinned on wine. 22. got it: got it. 23. Accommodation: sustenance. 24. if: as for if: like it. Dave: That. 25. and: just, the conjunction of the table. 26. Lin Fei: Fog in the forest. Fei: It used to mean rain and fog, but here it means fog. 27. open: spread out. 28. Yungui: Yunju. 29. Cave: Valley. 30. It's dark. 3 1. Darkness: Darkness. 32. Chao: In the morning. 33. Dusk: Evening. 34. Fang: flowers. 35. It's open. 36. good: beautiful. 37. Show: Plants blossom and bear fruit. Here it means prosperity and development. 38. Numerous: rich. 39. High: Gao Shuang. 40. Poverty: exhaustion. 4 1. Negative: carry. 42. Hugh: Rest. 43. Should: Answer. 44. Bend: hunchback, here refers to the elderly. 45. Support: Help and guidance, here refers to children. 46. Fishing: Fishing, with nouns as verbs. 47. Brew spring: (noun as adverbial) Brew spring. 48. in favor: come on. 49. Pro: Come on. 50. Huan: pure alcohol. 5 1. Mountain vegetables: game. 52. Wild bream: wild vegetables. 53. Miscellaneous: various. 54. Front: In front. 55. Chen: Spread out. 56. Humor: Enjoy drinking. 57. Non-silk and non-bamboo: It has nothing to do with music. 58. Silk: a synonym for stringed instruments. 59. Bamboo is synonymous with wind instruments. 60. Shooting: This refers to a game of feasting, that is, throwing an arrow into the pot to see if it can be thrown into the decisive battle. This is called throwing the pot. It may also be a guess. It was also called shooting in ancient times. 6 1. Chess: playing chess. 62. Staggered: Wine glasses and wine slices are mixed together. 63. Wine glasses. 64. Chips: Chips used for raising wine, ordering food at banquets or calculating alcohol consumption during competitions. 65. Cang Yan: His face is old. Cang: Old. 66. Depression: The appearance of depression. It looks drunk here. 67. Hu: It is equivalent to "Yu". 68. Follow. 69. Shade: describes dense foliage. 70. reeling: covering. 7 1. Sing up and sing down: It means that birds are singing everywhere. 72. Up and down: refers to the upper and lower parts of the tree. 73. Le: Fun. 74. Have fun: treat the happiness of tourists as happiness. The first kind of happiness is to enjoy happiness. The second joy, joy. 75. Description: Description. 76. Say: Yes, yes. 77. Luling: Luling County is Jizhou. Now Ji 'an City, Jiangxi Province.

polysemy

Music: ① I don't know the joy of the satrap: (the first song) conation usage, taking pleasure in ... (the second kind of fun) Fun ② I learned from the satrap that people like to travel: the name of fun: 1. Who is famous: Naming 2. I can't say it anywhere: say it: 1. The wine from the heart is also: understanding 2. I have read many books: I can. What is the business of selling charcoal? Acquisition meaning: 6544. 0. And the highest year: Big 2. Wind, frost and noble: Gao Shuang Banquet: 1. Taishou Banquet: Banquet II. Pleasure of making a banquet: out of the banquet: 1. Get to the bottom of it: exposure 2. People who gradually hear the sound of water gurgling between the two peaks: Brewing Spring: 1. Hanging on the return: ① the satrap returns, and the guests follow: go back; ② The cloud returns to the cave to stay: returning to the gathering means: ① the satrap calls himself; Who does the satrap refer to: doing it, yes: ① surrounding the Chu River and all the mountains; Expressing monks and immortals in the mountains: expressing concern for mountains and rivers; Mood particles are meaningless and beautiful: ① those who are natural and beautiful: beautiful and beautiful. Here refers to prosperity and growth: ① those who have pavilions and wings but are near springs: anglers near streams: Lai: 3. Facing the wind: ① Concerned about the scenery: in the middle: in the middle: 1. The table is tied for 2. Table inheritance 3. Form transition 5. Table modification 6. Conjunction, unintentional 1, those who gradually hear the gurgling sound between the two peaks: face bearing 2, the highest annual ring: face advancing 3, deep stream and fish fat: conjunction, juxtaposition with face 4, people who mix with the past decorate 5, but they don't know the joy of people: face turning 6, wild fragrance, beautiful wood and beautiful shade: face juxtaposition 7, and the morning light fades away.

Flexible use of parts of speech

(1) Who's famous (name: noun as verb, naming, naming) (2) Who doesn't know the fun of being a satrap (music: conative usage "take ... as happiness") (3) Six or seven miles up the mountain (mountain: noun as adverbial, along the mountain road) (4) Who's ahead (front: front)

Different meanings of ancient and modern times

The meaning of drunkenness is not in the old meaning of wine: taste. Today's meaning or wish: as for the loser, the song goes to the ancient meaning: today's transporter: the loser goes, and the birds are happy. Stay in the present: those who are in it are in the ancient meaning: today's drunkenness: decadent state and wild fragrance. Ancient meaning: fragrant flower today: fragrant shooter in ancient meaning: throwing pot today: beautiful archery, too much yin. It means lush in ancient times. Silky object

Special sentence patterns

Inverted sentence: ① The loser sings on the way and the walker rests on the tree. (The normal word order should be "Brother Yu Tu" and "Yu Shuxiu". People carrying things sing on the road, and pedestrians rest under the tree. (2) Those who are awake and can talk about the text are the satrap. (Narrating by text: Narrating by text is not only an ellipsis sentence, but also an inversion sentence, which is an adverbial postposition sentence. The person who can describe this pleasure after waking up in an article is a satrap. ) true or false: ① There are mountains around the Chuhe River. ("Ye" indicates the tone of judgment. Chuzhou is surrounded by mountains. (2) Twilight changers are also in the mountains. ("… who, … also", the symbol of judging sentence patterns. This scene of alternating light and dark is the morning and evening in the mountains. (3) If there is a pavilion wing on the spring, the pavilion will be drunk. ("Those who are ... those who are ... are also", indicating judgment. There is a pavilion above the spring, like a bird spreading its wings. This is Zuiweng Pavilion. (4) It is awkward to look deep and beautiful. From a distance, the trees are lush, deep and beautiful, and it is Langya. ) ellipsis: the wine in the heart is also in the wine. (After the supplement, it should be "get its (in) heart, including its (in) wine." I know that I am pinning on drinking. )

Edit the idioms in this paragraph.

A patchwork of wine vessels mixed with wine crumbs. Describe the feast. Peak turn, also known as "mountain turn". ① refers to winding mountain roads and circuitous roads. Now it is often used to indicate that things will have a new turn after twists and turns. Many kiss the baby for the nurse’s sake. Ouyang Xiu's Drunken Pavilion in Song Dynasty: later used as a metaphor, the original intention is not here, but in other aspects, it also means ulterior motives. Tracing back to Song Ouyang Xiu's Preface to Drunk Pavilion: This means that the stone is exposed after the water level drops. Later, it was used to describe the truth of the matter. Mountain products, game and wild vegetables. Wind, frost, noble weather, frost in Gao Shuang.

gist of the article

This paper describes the beautiful environment and natural scenery of Zuiweng Pavilion, outlines a picture of Taishou having fun with the people, and expresses the author's political thoughts and feelings for mountains and rivers, so as to dispel the complicated feelings of being hit. The author's eulogy of Chuzhou's beautiful scenery, his efforts and yearning for building a peaceful, stable and happy ideal society together with the people, especially the author's euphemistic and implicit confession of depression, are undoubtedly an objective exposure of the dark politics in the Song Renzong era, and naturally shine with the light of thought. In particular, the language of this article is accurate, vivid and beautiful, and the sentence patterns are neat and diverse. The sentence pattern of "de ... Zhe ... Ye" is used repeatedly in the whole text, and the combination of 2 1 word "Ye" enhances the unique sense of rhythm of the article. The central idea expresses the poet's broad-minded feelings and the idea of having fun with the people after being demoted through the description of the natural scenery and the satrap banquet scene of Zuiweng Pavilion.

Appreciate editing this paragraph

Enjoy 1

Immerse yourself in a leisurely and quiet situation and get a sense of balance and harmony. This feeling pervades the Zuiweng Pavilion, making the article picturesque, elegant and natural, and smooth. Drunk Pavilion is beautiful and poetic. This paper consists of two parts: the first part focuses on pavilions; The second part focuses on writing a travel note. But the word "music" runs through the whole article. This paper describes the changes of Chuzhou mountains and the scenery of the four seasons at dusk, as well as the author's amusement with Chuzhou people, which shows his mind of "entertaining the people" and is full of literati's leisurely mood, and shows the author's own achievements in governing Chuzhou from the side.

Appreciate II

Poetic and picturesque, colorful-on Ouyang Xiu's drunken pavilion. His Zuiweng Pavilion is a beautiful essay. This essay is poetic and unique in style, which is really rare in China's ancient literary works. Beautiful artistic conception. Good prose should be poetry, creating beautiful artistic conception. The so-called artistic conception, including meaning and context, is an artistic picture that permeates the author's subjective feelings. Excellent prose should have beautiful pictures, giving readers a unique aesthetic feeling and pleasing to the eye. The ideological meaning of Zuiweng Pavilion is a word of "music", which is the music in "drunkenness", like a colored line, connecting various pictures. And "the meaning of drunkenness is not wine" and "care about mountains and rivers". Indulge in trees and mountains is the author's real intention. The conception of prose is like setting up a notebook, and the author writes a beautiful "environment" according to this "meaning", so as to achieve the blending of emotion and scenery and the harmony between meaning and environment. The author describes the realm of prose from these aspects. First, the beauty of mountains and rivers. In the author's pen, the distance of Zuiweng Pavilion is a landscape painting. There are mountains, springs, forests and pavilions. But the author does not use ink in isolation, but interweaves it together, which is both beautiful and diverse. The "magnificent" Langshan Mountain is picturesque and winding. With mountains as the background and spring all around. Shenlin Road is winding, and the spring flows winding, so "there are pavilions on the spring", which is surrounded by mountains and waters, showing the clearness of the spring, while pavilions and pavilions are located by the spring, which has a unique scenery. In this way, without mountains, the brewing spring is not beautiful; Without spring, Qingshan is lonely. Without a pavilion, the mountain spring is eclipsed; With springs, pavilions are more interesting. The mountain springs depend on each other, and the spring pavilions set each other off. In a painting, there are all kinds of landscapes and pavilions, which reflect colors and form a poetic and beautiful realm. Second, the beauty of change in the morning and evening. The author wrote about the beautiful scenery of Zuiweng Pavilion changing in the morning and evening. "The rising sun rises, flowers bloom in the forest, clouds return to the cave, changes are bright, and sooner or later in the mountains." On Dongshan Mountain, the sun shines directly on the earth. The lush forest was originally shrouded in gauze-like fog, but after the sun shone, the fog disappeared and showed a fresh green color. In the evening, as the sun sets, the cave is in complete darkness. The author vividly described the different scenery in the morning and evening. Because the morning and evening are different, the tone and atmosphere of the author's pen are also different. In the morning, there is a quiet and fresh breath, and at night, there is a dark image and a hazy atmosphere. The author's observation of landscape changes is thorough and meticulous, and his brushwork is like silk, and he writes different realms according to different scenes. Third, the change of the four seasons is beautiful. The author not only wrote the scenery in the morning and evening, but also spread the pen and ink around the Zuiweng Pavilion to describe the monotonous scenery of the four seasons, the same scenery, a brushwork and a modality. What are the benefits? ! Ouyang Xiu always pays attention to the dynamic and static changes of things in this essay. Let's talk about the dynamic and static contrast between scenery and scenery first. The majestic Wolf Mountain is static, the gurgling spring is dynamic, the mountains are lush and pleasing to the eye, and the sounds are beautiful, which set each other off. "The Woods are overcast, singing above and singing below", and the silence of the trees contrasts with the singing of birds, which complement each other. Let's talk about the contrast between the scenery and the characters. "Sunset in the mountains, the characters are scattered, and the guests are smooth." The setting sun resting on the top of the mountain is its quietness, the figure moves away and returns to dusk one after another is its movement. Static scenery and dynamic people set each other off. Finally, the dynamic and static contrast between the characters. "The loser sings on the way, and the walker rests on the tree." There is singing and resting, and there is movement and silence. "All the guests are happy when they sit up and make noise. The white hair is white, and the middle one is too drunk. " In contrast to the noisy movements of the guests and the quiet silence of self-restraint, it is full of life. Due to the author's comparison in many aspects, the artistic conception of the prose is vivid and vivid, and the scenery, water color, human feelings and drunkenness are integrated into one painting, each with his own feelings. Exquisite structure: prose, as the name implies, should be scattered, but it is not irrelevant to be scattered, but it should be scattered without chaos. The ingenious structure of Zuiweng Pavilion deserves serious study. Gold thread and beaded beads: Although the story of Zuiwengting is sometimes covered with mountains and water flows into the box, sometimes human feelings are scattered on paper, which seems to be messy, but it is not messy at all. The first reason is that the author has a gold thread in his hand. This golden thread is the author's subjective feelings-"music" and "music" in drunkenness. Because of this, the beginning, inheritance, transformation and combination of the article are all dominated by the ups and downs of the author's subjective feelings and experiences. Writing about mountains and rivers is to express the joy of "winning the heart"; The endless journey of tourists is written to show the joy of human feelings; It is the expression of "the joy of feasting" to write the wine-making spring as wine and set up wild vegetables and flowers. Writing songs and flying in the forest is to show the "joy of birds" and also to show the "pleasure of swimming" of satrap narcissism. I'm happy about everything, and I enjoy it. The full text is happy because of the scenery, and lyrical because of joy. In this way, writing all the way down is not a fragmented fragment, but a unified whole, just like a golden thread wearing a thousand pearls and jade, and a condenser collecting thousands of rays of sunshine. It is precisely because of a focus and a main skeleton that the dispersion of writing will be transformed into characteristics and appear calm and balanced. The more dispersed, the richer the flesh and blood of prose, the more vitality and content of prose. A winding path leads to a secluded place: There is a saying in the story of drunken pavilion: "The peak turns around and there is a pavilion." It is appropriate to use this sentence to describe the structural characteristics of this essay. The author's writing of different scenes and colorful scenery at four o'clock in the morning can be described as ingenious and painstaking. The author put a lot of thought into writing the location of Zuiweng Pavilion. He didn't say it directly, but wrote it zigzag. At the beginning of the article, there are five layers of pen and ink, "all the mountains around Chu", one layer; "Southwest Group Peak", the first floor; Deep show "Lang", the first floor; Gurgling spring, first floor; "Pavilion with wings", first floor. The five layers of pen and ink are not evenly divided, but baked and dyed layer by layer, step by step. The third feature of the structural arrangement of Zuiwengting is to use a large lens and a long lens first, then push it into a small lens and a short lens, and finally jump into a special lens. The article begins with: "Who's the name? Taishou calls himself. " But the satrap is also "whose name"? Press the table temporarily, bury seeds, and urge people to read. It was not until the end of the article that he said, "Who is the satrap? Fuling Ouyang Xiu also. " Play the photo effect from beginning to end. For example, "Taishou Music" echoes "The Music of Mountains and Rivers", and the music comes from mountains and rivers, so Taishou Music has a basis. "White-haired, self-effacing, Taishou drunk" takes care of "Taishou and guests come here to drink, drink less and get drunk, reaching the highest age". Old age, and beautiful scenery, too drunk. Another example is "the sunset is in the mountains, and people are scattered". Because the season is late, it just takes care of the above-mentioned "returning at dusk" and concretizes this sentence. Paying attention to echo and care everywhere will make the internal structure of the article clear, rigorous and meticulous, and impeccable. Excellent language: The language of Zuiweng Pavilion is very distinctive, with beautiful style, concise words and sonorous syllables, which can be called perfect, with exquisite pictures and music. First of all, the language of Zuiwengting is highly generalized and rich in meaning. The most prominent thing is that the idea of "getting drunk is not for the sake of wine" and "getting to the bottom" advocated by the author in this paper has been used by contemporary and later writers. For example, when Su Shi wrote about the scenery on the river at the turn of autumn and winter in his famous poem "Red Wall Fu", he directly borrowed the word "getting to the bottom". Moreover, due to the author's clever use of words and extensive generalization, "the meaning of drunkenness is not in wine" and "getting to the bottom" has evolved into a stable and standardized idiom, which has played its extended significance. Secondly, the language of Zuiweng Pavilion is concise, crystal clear and fluent. This is the result of the author's good observation of things, incisively capturing the essential characteristics of things and refining them. For example, there are morning sentences, such as "Fish near the stream, the stream is deep and fish is fat" and "Brewing spring wine, spring fragrance and wine fragrance". Although the author was influenced by parallel prose, he did not eat it, but created it, melted to the bottom of the pen and became natural. No affectation, no affectation. This makes the tongue feel smooth; Listening, I feel clear, rhythmic and musical. Ouyang Xiu played a special role in the literary innovation movement in the Northern Song Dynasty. He swept away the flashy literary trend in the Tang and Five Dynasties and established a fresh, beautiful, vigorous and euphemistic literary style. This "drunken pavilion" is the best artistic practice advocated by his literature. (Selected from Appreciation of China Classical Literature, Shanxi People's Publishing House, 1982 edition)

Appreciation 3