Zhang Huichong's artistic talent

After the founding of New China, under the care of the CPC Central Committee, Zhang Huichong ushered in the most glorious period of his artistic career. 195 1 year, Zhang Huichong rebuilt the Magic Troupe, and staged it in Shanghai Longmen Grand Theatre for 18 months. Three programs were changed before and after, each with as many as 100 sets of giant magic tricks, which were sold out after one performance, setting a record for the longest continuous performance and the largest audience in China. Later, he led an expedition, covering North China, Northwest China, Central South China, Southwest China and East China 14 provinces, and the venue was full. At this time, the "Southern School" magic system has basically taken shape. /kloc-in the autumn of 0/958, Zhang Huichong led a delegation to perform in Beijing for the fourth time, and performed in theaters such as Jixiang, Chang 'an, Labor Park and Zhongshan Park Concert Hall. Foreign VIPs and central leaders often come to watch, and leaders such as Zhu De, He Long, Chen Yi and Luo Ruiqing all attend in person. On September 6th, 2008, Premier Zhou Enlai invited him to perform in Huairentang, Zhongnanhai. After watching the whole performance, Premier Zhou hosted a banquet and had a cordial conversation in Ziguangge for an hour.

Zhang Huichong is a pioneer in the field of modern magic in China who put magic on the formal art stage in the form of large-scale special performances. He called for "trolls", with a huge lineup, one big show after another changing rapidly, and a magnificent stage. For example, Zhang Huichong's "Crystal Ball", in the 1930s and 1940s, put the folk divination circulated among gypsies on the artistic stage through creation. This magic trick can understand the hidden doubts of the audience by staring at the crystal ball, and it caused a sensation as soon as the program started. "Ma Dun", a tall horse, disappeared in the fence, but became the magician Zhang Huichong himself. In Woolball, the actress was stuffed into a huge searchlight. The actress disappeared as soon as the button was pressed. At this time, a huge wool ball appeared overhead, which pulled out these "wool" thicker than the rope, and the actress was at the core of the ball. In "Red, Yellow and Blue", three big wardrobes were erected on the stage, and there were three girls dressed in red, yellow and blue. They can switch places according to the audience's designation and appear in another closet. "Blink", put the actor in the box, and suddenly, there was nothing left, so he hid. The knife box escapes, making people empty from the knife cluster. The "Water Babel Box", a small model wooden box, is placed on a high platform and constantly filled with water. A lot of water disappeared, and animals such as chickens, ducks and sheep were continuously transformed into boxes. Finally, the four doors were wide open, and nothing seemed to change. However, as soon as the lid was closed, three girls changed at the same time! There are too many wonderful programs such as water escape, shooting beauty, lengthening hands and feet, changing nail boxes, Shuangshui Crystal Hall, clothes of the Seven Kingdoms and so on. , it's dizzying. Almost every prop occupies the whole stage, and people call it a troll. In the late 1950s, Zhang Huichong created a crystal ball, a mermaid, coming and going without a trace, Shui Ge, a giant hand of the people, workers, peasants and soldiers, shadow escape, light escape, three points of the human body, a big cross box, a wishful scale, a beauty pavilion and butterflies.