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Characteristics of Kazak costumes

Wang Guangzhou, a Kazakh clothing factory, analyzes the characteristics of Kazakh clothing. 1. Characteristics and cultural psychology of Kazak costumes. Since ancient times, cattle and sheep have formed an indissoluble bond with Kazakhs' food, clothing, housing and transportation. Sheepskin robe, fox fur hat, felt drum, leather boots, etc. It has become an important symbol of grassland clothing. What is further than sewing animal skins with bone needles is the innovation and creation of clothing fabrics, which can be designed according to human characteristics. Shirts with collars, lapels, sleeves and trousers with front and rear crotch have appeared, and their modeling and sewing techniques are more flexible and diverse, reflecting the continuous progress of human clothing development. Most of Kazak ancestors lived in northern Xinjiang and Central Asia, and always maintained a lifestyle dominated by agriculture and animal husbandry. With cattle and sheep as companions, they merged foreign cultures in their long-term life and labor, and gradually formed their own unique artistic taste and aesthetic standards. Colorful black and white and lingering decorative patterns have become the main aesthetic characteristics of Kazakh costumes. This unique costume art is the carrier of Kazak's long history and culture, which can reflect the aesthetic cultural psychology and national emotional accumulation of Kazak people. The basic patterns of Kazak costumes are mostly single or square continuous plant patterns, triangles, geometric shapes or continuous patterns, and the complementarity and harmony of patterns can be found between squares and circles. Among a large number of archaeological discoveries in Xicheng, triangular pattern is the most common motif. Most Kazakh herders live in plateau and mountainous areas, with distinct seasons, strong light and bright colors, which are the favorite colors of Kazakhs. Living in the cool environment of Gobi desert in grassland, they choose red to decorate their yurts and costumes, which can resist the cold outside and adjust the monotonous environment of color psychology. The inheritance and geographical environment of the past dynasties have become the main factors affecting the color and aesthetic psychology of Kazak costumes. On the theme of the pattern, it takes the traditional plants, fruits and horns as the prototype and mutates into various geometric shapes, which has a strong national meaning. In the development of Kazak costumes, we can feel that costumes are closely related to totem worship and witchcraft etiquette. Both symbolic mimicry and witchcraft activities are inseparable from fiery songs and dances, and these songs and dances must be able to touch people's hearts and arouse the devout worship of believers. Therefore, the costumes of people who perform totem worship or witchcraft ceremonies are often the most typical parts of tribal and national costumes, and with the passage of time, the consciousness of totem worship and symbolic objects are gradually transformed into specific patterns and preserved in costumes. For example, the owl symbolizes pink justice, and people can put its feathers on their heads to ward off evil spirits and keep one side safe. The feathers of English owls inserted at the top of Chinese Kazak children's takya crown represent that they will stay away from disease and Italy forever. Due to different totem worship, the same nation or branch will have corresponding performances in clothing. Historically, influenced by shamanism, the Yugur Kazak people regarded the white swan as one of their important totems. The white swan is the embodiment of God and soul. Kazakhs regard the white swan as a divine bird, which is doubly protected. If they can get a few feathers, it will be even more precious. Kazakhs living in Central Asia still call fire "the goddess of fire", and their clothes are decorated with red to symbolize this kind of nature worship and totem worship. 2. The characteristics of costumes of Kazakhs in different countries and regions As an important carrier of national culture, costumes are a window to show national culture. Through the splendid and rich national costumes, we can find the unique cultural psychology and costume characteristics formed by Kazak people gradually adapting to different living environments during the long historical changes. The costume art of Kazaks in Central Asia is difficult to find the shadow of the influence of traditional religion, and more embodies the pursuit of beauty. After Russia entered Central Asia at the end of the century, its industrial civilization began to spread in Kazakh residential areas, and the textile industry developed. Traditional coarse wool products can be replaced by producing fine cotton and linen products. At the same time, artistic tastes and concepts have gradually changed. In the decoration of Kazak clothing, modern techniques such as color matching and printing have gradually replaced the traditional folk homemade materials and pattern combinations, preferring Russian national style, with rich patterns and pure colors, forming an extremely noble and elegant style. Adoption machine ... >>

* * * Features of Erfu * * The material of Erfu is generally the famous "Idris".

* * * The traditional costumes of the Er nationality are very distinctive: men wear "producing" robes, with a correct collar and no buttons, and they wear rectangular scarves or cloth towels; Rural women often wear double-breasted vests outside wide-sleeved dresses; Urban women now wear more suits, tops and skirts; * * * Er men and women like to wear leather shoes and boots, leather boots and rubber overshoes; Men, women and children wear four small flower hats; * * * The flower caps of Er nationality are embroidered with black and white or colored silk thread, and some are decorated with colored beads; Women often use earrings, bracelets and necklaces as decorations.

What's the difference between Kazakh costumes and * * * Er costumes? The differences between Kazakh costumes and * * * Er costumes are as follows.

Kazak costumes, Kazakh herders wear long leather boots for both men and women, and stockings sewn with felt keep warm in winter. Clothes are made of fur, with wide and long sleeves. There are some differences in different regions. Men usually wear winter sheepskin coats in winter, and generally don't hang cloth. Men have a coat made of camel hair, called Cooper, with a belt decorated with metal patterns at the waist and a knife on the right. Pants are sewn with multiple layers of leather. Women wear dresses and like red. When it's cold, they cover them with cotton-padded clothes. Girls wear trousers embroidered with cloth, decorated with silver dollars and silver products, and they move secretly.

* * * The clothing of Er nationality is characterized by loose style and strong color contrast. Women like to wear dresses with wide sleeves and light weight, and the material is generally the famous "Idris Silk". Men's robes are called "loops". Right lapel diagonal collar, no buttons, a long square scarf. In the past, most women wore wide-sleeved dresses and black double-breasted vests. Wear more suits, jackets and skirts today. * * * We people, regardless of sex, age and age, wear dopa (flower hat) embroidered with various patterns. Women like to wear earrings, bracelets, necklaces and other decorations. In the past, girls had more than ten braids, and long hair was beautiful. After marriage, it is generally changed to two, and the braids are scattered. Instead of making a moon-shaped comb on the head for decoration, there are also double braids tied into a bun.

Write an article about Kazak costumes (within 400~600 words).

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Wang guang Zhou Hou

An analysis of the facial makeup of Kazak costumes.

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Luxury and vulgarity

First, the clothing characteristics and cultural psychology of Kazak people

Since ancient times, cattle, sheep and Kazakhs have had food, clothing and shelter.

There is an indissoluble bond under the line: sheepskin robe, fox fur hat and felt.

Barrels and leather boots have become an important symbol of grassland clothing.

Sewing animal skins with bone needles is a further innovation of clothing fabrics.

With creation, clothes can appear according to people's characteristics.

Tops with collars, lapels and sleeves, and pants with front and rear crotch were introduced.

Son, its modeling and sewing techniques are also more flexible and diverse, reflecting the

It shows the continuous progress of human clothing development.

The ancestors of most Kazakhs lived in the northern part of New Nepal.

Central Asia and other regions have always maintained a life dominated by agriculture and animal husbandry.

Lifestyle. They lived with cattle and sheep for a long time.

In the process of migration, it merged with foreign cultures and gradually formed its own independence.

Special artistic taste and aesthetic standards. in black and white check

Bright colors and lingering decorative patterns have become

The main aesthetic characteristics of Kazak costumes. This unique

Clothing art is the carrier of Kazak's long history and culture.

It can reflect the aesthetic and cultural heart of Kazak people.

Rationality and the accumulation of national emotion.

The basic patterns of Kazak costumes are mostly individual.

Or quadrilateral continuous plant patterns, triangles and geometric shapes.

Or a continuous pattern shape, find the shape between square and circle.

In a large number of archaeological discoveries in Xicheng, the complementarity and harmony of styles were found.

The middle and triangle patterns are the most common decorative patterns, Kazak.

Most herders live in plateau and mountainous areas, with four distinct seasons.

Obviously, the light is strong, and the bright color is Hassan.

Croats are forced to love colors. Cool color of Gobi in grassland

Living environment, they choose red to decorate yurts and

Clothing, in color psychology, can resist the cold outside.

The effect of cold harmony on regulating environmental monotony has been passed down from generation to generation.

Rational environment has become a factor that affects the color and aesthetic heart of Kazak costumes.

The main factor of rationality. On the theme of the pattern, most of them are traditional.

Plants, fruits and horns are all prototypes, which mutate into various geometric shapes.

Form, with a strong national meaning.

In the development of Kazak costumes, we can

Only in this way can we feel the close relationship between clothing and totem worship and witchcraft etiquette.

Break off the relationship. Whether it is symbolic mimicry or witchcraft.

Activities are inseparable from hot songs and dances, and these songs and dances

Must be able to move people's hearts and arouse the devout worship of believers.

Therefore, those who perform totem worship or witchcraft rituals

The costumes of tribes and nationalities are often the most distinctive.

The typical part, over time,

Some totem worship consciousness and representative spirit are gradually transformed into tools.

The body pattern remains in the clothes. Such as owl symbol powder

Justice, people with its feathers on their heads can avoid evil and protect themselves.

On the one hand, it is safe, and the Kazak children's Taya hat in China.

The black owl feather inserted at the top of the crown represents

Stay away from illness and leave the same nation or the same nation forever.

Because totem worship is different, the branch will also be in clothing.

There are corresponding embodiments. Historically, Kazakhs received pizza.

Under the influence of Manchu religion, the white swan is regarded as one of its important totems.

The white swan is the embodiment of God and soul, Kazak.

Take the white swan as a sacred bird, protect it more, if you can get it.

A few feathers are even more precious. Living in Central Asia

Up to now, Kazakhs regard fire as the "queen of fire" and serve it.

Use red decoration to symbolize this kind of nature worship and totem worship.

Second, the clothing characteristics of Kazakhs in different countries and regions

As an important carrier of national culture, clothing is a kind of display.

A window of national culture, through the splendid and rich nationalities.

Clothing, we can find Kazaks in the long river of history.

In the process of change, I gradually adapt to different living environments.

Unique cultural psychology and clothing characteristics.

Clothing Art of Kazak in Central Asia

Kazak costume art in Central Asia is hard to find.

The shadow of the influence of traditional religion is more reflected in the trial.

The pursuit of beauty. Since the end of last century, Russia has entered Central Asia.

After the district, its industrial civilization entered the life of Kazakhs.

The living quarters have begun to expand, and the textile industry has developed and can

Produce advanced products, such as high-quality cotton and flax, instead of

Traditional coarse wool products in the past. At the same time, artistic taste

And the concept has gradually changed.

In the decoration of Kazakh clothing, modern color matching,

Printing and other technologies have gradually replaced the traditional folk homemade materials.

The pattern combination is more inclined to Russian national style and figure.

The case is rich and pure in color and extremely noble ... >>

What are the characteristics of minority costumes? China's ethnic costumes are very rich in quality, color, style and collocation. Yunnan province, which has 24 ethnic minorities, held the first national arts festival in September, 1988. Thousands of ethnic minority literary and art teams, that is, thousands of ethnic minority costume performance teams, have amazed Chinese and foreign guests. The Kunming National Song and Dance Troupe presented a national costume party with the theme of "Sun, Moon, Wind and Fire". Three hundred sets of national costumes were displayed in four scenes: Beautiful Spring, Dissolution of Xia Yue, Cool Autumn Wind, and Fire in Winter. The varieties, styles, colors and varieties are amazing. The performance of just one and a half hours convincingly proved that Yunnan is not only an ocean of songs and dances, but also an ocean of national costumes. This is a microcosm of multi-ethnic China. Secondly, due to the differences in natural environment, national customs and aesthetic tastes, China's national costumes show great differences between the north and the south, mountains and grasslands, showing different styles and characteristics. The natural conditions in China are very different between the north and the south: the north is cold and snowy, with vast forests and grasslands, and most of the northern ethnic minorities living in it live on hunting and animal husbandry; The south is humid and rainy, with mountains, basins and mountains alternating, and most of the ethnic minorities living there are engaged in farming. Different natural environments, modes of production and lifestyles lead to different national personalities and psychology, as well as different clothing styles and characteristics. Mongolian, Tibetan, Kazak, Kirgiz, Tajik, Yugur, Tu and other ethnic minorities who live in plateau grasslands and engage in animal husbandry mostly dress in animal fur. Clothes, trousers and coats sewn with sheepskin are mostly plain, and some are inlaid with colored cloth or fine wool on the collar, cuffs, skirt and hem. Tibetan and Kirgiz robes and skirts are decorated with precious fur and look elegant and heavy. The Kazakh "Kupu" is a kind of coat made of camel hair, which is very light and warm. Their clothing style is wide robe and big sleeves, heavy and solemn. The southern minority areas are suitable for growing hemp and cotton; Self-woven linen and homespun are the main materials of the dress. Most of the tools used are simple, but the fabrics are exquisite and the patterns are wonderful. Due to the hot and humid weather, it is necessary to expose the chest and legs, so the dress is short, narrow and light, and the style is lively and changeable. In a word, the styles are diverse, distinctive and outstanding, which constitutes another feature of minority costume culture. Thirdly, due to historical, geographical, political, economic and other reasons, China's ethnic minorities are still in different stages of social development and corresponding productivity levels until the middle of this century, and the resulting differences are very profound and have not been completely overcome so far, so the cultural content displayed by ethnic minority costumes has obvious levels. Due to various historical, geographical, political and economic reasons, before liberation, some ethnic minorities in China had obviously sprouted capitalism, while others remained at the end of primitive communes, showing great imbalance in social development. In this respect, Yunnan province, which is called "a living history of social development" by ethnologists, can be regarded as a typical representative. Before liberation, among the 24 ethnic minorities in Yunnan, the capitalist factors of Bai, Hui and some Yi have developed quite well. The vast number of Zhuang, Hani, Naxi, Bai and Yi nationalities have entered the feudal landlord system. Dai people entered the feudal Lord system; The Yi nationality in Xiaoliangshan is a typical slavery. However, a considerable number of ethnic minorities, such as Jinuo, Bulang, Jingpo, Dulong, Nu, some Wa, and so on, still remain at the end of the primitive commune. The Naxi nationality (Mosuo people) in Yongning still retains the remnants of matriarchal system. In other provinces where ethnic minorities live in concentrated communities, this situation also exists to varying degrees, but it is not as complete and typical as Yunnan. In this way, the cultural content reflected by minority costumes is hierarchical. At the same time, this hierarchical system also determines the hierarchical system of minority costume culture. Some people have a misunderstanding, as if all the distinctive features in ethnic costumes are "primitive" and are concrete manifestations of primitive culture, which obviously does not conform to the facts. The grading system of minority costumes should be analyzed according to the actual situation.

* * * The clothes of the Er nationality are different from those of our Kazak nationality. There is no difference between a vest and a long skirt, but the hexagonal hat is a feature of the Er nationality, because if it is Kazakh, it must have feathers. Uighurs wear long vests, while Kazaks wear short vests.

What kind of clothes do Kazakhs wear? Kazakhs have their own national costumes.

But everyday wear is the same as that of Han nationality.

Kazak customs introduction group), likes to eat mutton. There are rich folk creations, such as legendary stories, lyric poems and satire. Most Kazak costumes are made of animal fur. Women wear long-flowered dresses in summer and like to decorate them with silver dollars or silver products. The winter coat is a double-breasted coat, and the coat is mostly sewn with winter sheepskin. Women wear a white cloth hijab and a white cloth headscarf, which is heel-length, and the left upper end of the headscarf is decorated with ornaments. The young woman is wearing a round hat and the roof is crowned with owl feathers. In winter, men wear sheepskin, fox skin, wolf skin and camel hair wadding coats, with a belt around their waist, a sword on the right side and cowhide sewn into their trousers, which is called "Summer Ba". Both men and women wear long leather boots because they often ride horses. Kazakhs are traditional nomadic people, and eventually,

Characteristics of People's Clothing in Grassland (Ethnic Minorities) An Overview of Mongolian Clothing includes robes, belts, boots, jewelry, etc. However, due to different regions, there are also differences in styles. Take women's robes as an example. Influenced by Manchu, Mongolians in Horqin and Harqin wear wide, straight and slit robes, and the neckline and cuffs are decorated with various colors. Mongolians in Xilingol grassland wear Mongolian robes with large narrow sleeves and no slits; Buryat women wear robes with waist skirts and shoulders; Ordos women's robes are divided into three pieces, the first is a close-fitting dress with sleeves reaching to the wrist, the second is a coat with sleeves reaching to the elbow, and the third is a collarless double-breasted vest with straight flashing buttons. The robes worn by Mongolians in Qinghai are similar to those of Tibetans. Except Qinghai, there is little difference in men's wear. Wear double robes in spring and autumn, single robe in summer, cotton robe or fur robe in winter. Mongolians usually like to wear cloth clothes, and they usually wear brocade-rimmed clothes on holidays. Men's wear is mainly blue and brown, while women's wear likes to use red, pink, green and sky blue. Belt is an important part of Mongolian costume, made of satin or cotton cloth, three or four meters long. Men's belts are often decorated with knives, irons and snuff bottles. Mongolian boots are divided into leather boots and cloth boots. Mongolian boots are fine in workmanship and have exquisite patterns on their surfaces. Wearing jewelry and hats is a habit of Mongolians. Hats in different regions also have local characteristics. Mongolian hats in Inner Mongolia and Qinghai have a high top and a flat edge, lined with white felt, and decorated with leather or purple-green felt, which is thick in winter and thin in summer. The hat top is decorated with tassels, and the hat belt is made of silk, which can be worn by both men and women. In Hu Ba and Buryat Mongolia in Hulunbeier, men wear shawl hats and women wear pointed-brimmed hats. Precious raw materials such as agate, jade, coral, pearls and silver make Mongolian jewelry rich and luxurious. Men's colors are mostly blue and dark brown, and some people wrap their heads with silk. Women usually wrap their heads in red and blue headscarves and wear conical hats like men in winter. Mongolian men wear robes to tie their waists, women's sleeves are embroidered with lace patterns, and their coats are high-necked, which seems to be similar to ethnic groups. Women like to wear clothes of three different lengths. The first one is a close-fitting dress with sleeves reaching to the wrist, the second one is a coat with sleeves reaching to the elbow, and the third one is a collarless double-breasted vest with straight rows of flashing buttons, which is particularly eye-catching. [Edit this paragraph] Mongolian costume features Mongolian costumes have a strong grassland style. Because Mongolians have lived in Saibei grassland for a long time, both men and women like to wear robes. Winter clothes in pastoral areas are mostly smooth leather, satin and cotton-padded clothes. Summer clothes are more cloth. Robe with big end, long sleeve, red, yellow and dark blue. The hem of men's and women's robes is not open Red and green ribbons. Men's belts are often decorated with knives, irons and snuff bottles. I like to wear soft cowhide boots to my knees. Farmers wear cloth clothes, such as open robes and cotton-padded clothes. In winter, there are many felt boots and high boots are rare, and the custom of tying the waist has been retained. Most men wear blue and dark brown hats, and some people tie their heads with silk. Women usually wrap their heads in red and blue headscarves and wear conical hats like men in winter. Unmarried women split their hair from the middle of the front and tied two hair roots with two big round beads decorated with agate, coral and jasper. There is also a distinctive Mongolian wrestling suit. Mongolian wrestling suit is a kind of Mongolian clothing technology. Wrestling clothes include vest, trousers, trousers, colored silk belts, etc. The vest shows the chest. Pants are very wide. Pants are rich in patterns, such as moire, plant pattern, longevity pattern and so on. The pattern is rough and powerful, and the color contrast is strong. * * * hypertrophy, made of10m fabric. Conducive to heat dissipation and avoid sweat sticking to the body surface; Also adapted to the characteristics of wrestling, it is difficult for opponents to use leg wrapping. Pants are made of tough cloth or flannel. At the knee, a pattern is spliced and combined with fabrics of various colors, which is generous and solemn, indicating good luck. All parts of the clothing are properly matched and integrated, which has brave national characteristics. Kazak costumes Kazak is a nation characterized by nomadic grassland culture, and its costumes are easy to ride. Most of its national costumes are made of sheepskin, fox skin, deer skin and wolf skin, which embodies the life characteristics of all ethnic groups in mountainous grassland. Men wear turtleneck shirts inside, and young people have colorful patterns embroidered on their collars. They wear western-style vests with cloth or fur coats outside, belts around their waists, knives that are convenient for eating and drinking, and large crotch leather pants when riding. The hats they wear are divided into winter, spring, summer and autumn. In winter and spring, the hat is a pointed four-sided hat made of fox skin or sheepskin. There are two ear fans on the left and right, and a long tail fan on the back. The top of the hat has four ribs, which can keep out the wind and snow and keep out the cold. Hats in summer and autumn are white felt made of lamb wool ... >>