Feeling abandoned, it hurts deeply —— Interpretation of Meng, the most beautiful abandoned wife poem in The Book of Songs

Feeling abandoned, it hurts deeply —— Interpretation of Meng, the most beautiful abandoned wife poem in The Book of Songs

@ Tieshan Qingshi (laughing alone) [Editor's Note]

ordinary people

@ [Spring and Autumn Wei] Anonymous [Poetry]

Embrace trade silk for self-protection. When robbers came to trade silk, they came to me. Sending a child involves gas, as for Dunqiu. When I was a robber, I had no good media. There is no anger in the child, and autumn lasts.

(Tieshan Qingshi Note: Meng, foreign civilian, Chinese. Pants, children "before", rustic laughter. Embracing silk and cloth, some scholars believe that it is actually "cloth currency", that is, cloth with monetary function, which is credible; Trading is easy, and trading is also. Bandit, through "nothing", the sound is still not. That is, near. Find, draw and explore eyebrows. Qi, Qi water also, originated in Linxian County, Henan Province, and flowed into Weihe River in Qixian County, East longitude. Dunqiu, now Puyang, Henan, is rich in products and the ancient hills are deceitful. Win, lose, delay, be modest. Will, desire, hope and tune. It's okay, pass "no" and say no today. )

Take the other side of the wall to get back to the customs. I didn't see the resumption of customs, so I cried. Seeing the resumption of GATT, I was full of laughter and laughter. Well, Parr, the body is not responsible. Driving your car to bribe me to move.

(Tieshan Qingshi Note: Take, board also. Yan Yuan: The wall was also destroyed; Hey, it's ruined, and the sound is awkward; Wall, low wall. After re-entry, ancient and modern scholars have always interpreted it as a portal place name, or as a place for "self-protection". Now some scholars think that it is actually the matchmaker who answers the notice and answers immediately. My meaning is quite credible. Talking and laughing, that is, talking and laughing; Used as an auxiliary word, such as "song and dance", the sound is there. Buerger, that is, Naibu Naijia; Ancient and modern scholars often train "er" as "you", which I mean as an auxiliary word; Divination is divination, and divination is interpreted by sound. There is no blame in the body, which means that there is no sign of disaster in divination (no disaster does not mean no happiness); Strange, evil. Come with a car, use a car, and send a car; Come on, come back, come back. Bribe me to move, make; Bribery, wealth, refers to dowry; Move, move. )

Mulberry leaves flourish before they fall. There are no mulberries in the nest! I'm a woman, what's there to worry about! It can be said that scholars are worried. You can't say a woman is worried.

(Tieshan Qingshi Note: Falling, withering, falling. Volo, Volan, moist. Yu, Xu Ye, it sounds like. Turtle, namely turtledove, is a metaphor for the heroine. In ancient times, it was thought that turtle dove would get drunk if she ate more mulberries, which would hurt her sex. No, Mo Ye, don't. Indulge in it, Yin Dan. Say, take off, that sounds like. )

Mulberry fell, yellow, and fell. Self-pity, poor three years old. Qishui soup, curtain skirt. Women are unhappy, and scholars do their best. Scholars are also extremely useless.

(Tieshan Qingshi Note: Falling, falling. Gu Er, Gu Er, Wang Er, pronounced as coarse upper voice; Well, I can't say "you", only "you" and "near". Three years old, untrue, and talked for many years. Poor, lacking. Soup soup, the water is mighty; Soup, sound injury. Gradually, the stains are wet, and the sounds are all. Curtains, curtains by the car. Also, auxiliary words. Great, bad, and wrong. Second, ancient and modern scholars have different interpretations; Or some scholars think that this is a word error "in", which means "special", which is what I yearn for; The king of Qing Dynasty quoted the book On Classic Righteousness and said, "Second, it should be Huang Zhi's fault. Huang Yin, on the other hand, borrowed the word' special'. " Can be called the same goal; "Guangya Interpretation IV" said: "Te, poor." Nothing, nothing, the voice is still disconsolate. Ok, let's borrow books and sail. Very, often, definitely. )

Being a woman at the age of three is exhausting. Sleepless all night, there must be a dynasty. As for violence, what you say must be done. My brother didn't know, but he smiled. Calm down and think about it, and you will bow your head and feel sorry for yourself.

(Tieshan Qingshi Note: It is a waste of time, but it is still a waste of time; Impulsive, invincible, causative usage. Sleeping at night, still talking about getting greedy early; At the beginning of rewelding, also, voice; Xing, qi also. There was a dynasty that said it would not be like this one day; Frustrated, no. Words and auxiliaries. What's done is done, and the wish has come true. Yi, Yi smiled and spoke softly. Bow, body also. Sad, sad, hurt. Think quietly, but still think quietly; Words and auxiliaries. )

Being together always makes me complain. Qi has a shore and discipline has a plate. General's corner banquet, talking and laughing. Swear, forget it. On the contrary, I don't think about it, I have lost my mind.

(Tieshan Qingshi Note: Grow old together, which means what the heroine's husband said before marriage. Ji, wetland also, acoustics also. Pan, Pan Ye, sounds like people. Quanjiao is also a childhood. In ancient times, minors tied their hair into two bun, which were separated upward and shaped like a horn. Total, group gathering also. Feast, joy also. Yan Yan has a gentle appearance. Don't think about the opposite, reverse, return, return. On the contrary, this is also the reverse side, and this is also the reverse side. It's already embarrassing, so I still say "forget it" because there's nothing to say; Alas, the ancient sound; Except for the word "Ji", the other three words are function words)

Tieshan Qingshi solves the problem

This poem comes from the style of The Book of Songs. It is the most distinctive and charming masterpiece of the abandoned wives' poems in The Book of Songs, and it is also the second longest narrative poem in The Book of Songs (the longest is "The National Wind and Golden Phoenix in July"). The whole poem is divided into six paragraphs, each with ten sentences, totaling 240 words.

The six paragraphs are roughly divided into three parts: the first and second paragraphs record the marriage process and elaborate more words and ambush pens; The third and fourth paragraphs describe the pain of marriage (lovelorn), all of which are words of regret and interest; The fifth and sixth paragraphs express the feelings of repatriation, all of which are lamentations and climaxes.

The rhetorical features of this poem are mainly concentrated in the fifth and sixth paragraphs. The five conjunctions in the fifth paragraph are extremely extravagant, and the last word uses "one" as an auxiliary word without any sense of procrastination. Instead, it makes the story more intense and thorough. Of the four words in the last sentence of the sixth paragraph, except for the word "Ji", the other three words are function words, and their usage is also very strange.

As a long narrative poem with the theme of love and marriage, some scholars commented on the poem, saying that as far as love and marriage stories are concerned, its narrative is not complete and detailed enough. I think this poem is famous for abandoning his wife because the whole poem is abandoned by the heroine. Although this poem may be slightly inferior to the later similar representative poems of Han Yuefu, such as "Ancient Poems Picking up Mountains" and "Ancient Poems for Jiao Zhongqing's Wife", it is also incomparable in emotional expression.

Confucius called it "Zheng Shengyin", while "Book of Rites and Music" called it "The Voice of Zhengwei", which was as powerful as Zheng Sheng. Therefore, from the Han Dynasty to the Qing Dynasty, Taoism did not abuse the content of poetry, and Zhu even falsely accused the heroine of "chanting women". It was not until the Qing Dynasty that Yurun marked the theme of this poem as "Writing for Abandoning a Wife" and compared it with "Ancient Poems for Jiao Zhongqing's Wife" (see the original Book of Songs, Volume 4).

What's more worth mentioning is that Qing Yurun's evaluation in The Book of Songs is also objective and in place for the heroine who suffered from "self-protection" in the poem: "A spoony woman may make mistakes again and again, but as for it, the more she turns to save herself, the more she knows her feelings."

Interpretation of Tieshan Qingshi's Poetry

The rhyme and understanding of the text of ancient poetry Meng.

@ Tieshan Qingshi (laughing alone) [adapted]

Mulberry leaves are full of beauty and moisture.

Lament that the turtledove eats mulberries.

Why not be ignorant of women and worry about people,

Men's feelings are denied by women.

Mulberry leaves will wither and fall,

Married for three years, I am sleepy.

The water is boundless and the car is getting closer and closer.

A woman will drown on a bad trip.

Working hard for women for three years,

Getting up early and going to bed late doesn't happen overnight.

Violence with your own eyes,

I only looked down in thought.

Vowing to grow old together will eventually lead to hatred,

Look back at Qi 'an.

Suddenly remind of the general mood in Wen Rong,

Why should I argue when people have no faith?

Tieshan Qingshi's Note: This ancient poem is adapted from the third to sixth paragraphs of the original poem "Meng", with a close-knit sentence pattern, with one rhyme for every two sentences and eight rhymes for every sixteen sentences. (20 19 April 1)

Two comments by the poet

"Meng" combines personal consciousness, rhetoric and narrative structure very well, all of which are excellent.

The whole process from unmarried to abandoned in Mang Fu has a clear narrative level and a strong logical connection between chapters. However, in Gu Feng with similar themes, it is difficult for us to find such a similar logical relationship.

In Gu Feng, the narrative level between chapters is far less clear than that in Feng Meng (the complicated chapter structure is like a divorced wife's uneasy heart).

It can be said that in the whole Book of Songs, few people can achieve such a clear narrative structure as Meng.

At the same time, the emotional expression of "Meng" is also very strong, whether it is "not seeing re-entry, crying." The infatuation of "seeing the resumption of GATT, laughing and laughing" or the determination of "how to be awkward without making progress" are all very powerful. The contrast between Mulberry Falls and Mulberry Falls also embodies the greatest artistic feature of The Book of Songs, which is highly literary as a whole.

-Excerpted from Tieshan Qingshi's Self-knowledge Question and Answer. What is unique in the Book of Songs? The answer to "Zhang Bu Da" (all that is left is death) (released at 22: 40 on 2065438+07-02-24)

In the short poem of 240 words in six paragraphs of Meng, women call men by their names several times, which has a subtle connection with the ups and downs of women's emotions and is worth pondering.

The subtle change of appellation in this poem makes people lament the careful observation and experience of our ancestors. The change of address is not random, but the context of female emotional ups and downs, and it is also a clue for us to interpret this relationship.

-Tieshan Qingshi is extracted from Emotional Implication of Chinese Appellation Change written by Zhao Linxia, a Chinese teacher in Xinyang No.2 Middle School, Henan Province (originally published in Middle School Chinese No.9, 20 17).

(The third to sixth paragraphs were briefly annotated in July, 20 15, and the whole poem was answered in detail in March, 20 19).