Who can refute me? The problem of dragons and Babu. Preferably a Buddhist.

First of all, despise the landlord's sophistry

Tianlong Babu is more like a fable, and the rationality of the plot gives way to artistic conception and meaning.

Tian Ba Long Bu is perhaps the most ambiguous and controversial novel in Jin Yong's novels.

Jin Yong's novels have experienced "the establishment, change, doubt and rebellion of chivalry". Jin Yong wrote that Guo Jing was the foundation of chivalry, Yang Guo was the change of chivalry, Xiao Feng was the suspicion of chivalry, and Wei Xiaobao was the rebellion of chivalry. Those godlike heroes, Gao Shi, no matter whether they are righteous or not, whether they are superb in martial arts or not, can't escape the horror and tragic damage in Tian Ba Long Department, which is a query on the supremacy of chivalry in the trilogy. The so-called chivalry in Tian Bu is like the decline of heaven and man: Tian Bu, the highest god in Tian Bu, was originally the most blessed of all beings, but it could not escape the pain of reincarnation. Tian Bu describes the decline and is full of sympathy.

After five volumes of Tian Ba Long Department, Jin Yong himself attached an envelope of Mr. Chen, which was quite interesting. This paragraph is an excuse for "loose structure":

"Don't read" Tianlong Babu ". I still remember the wedge chapter, which shows that "injustice and crossing" is fully played. The plot of the characters in the book can be said that no one is unjust and all beings are guilty. To write incisively and vividly, we must write the natural feelings of ordinary people strangely; The world in the book is Lang Lang's world, but there are ghosts everywhere, which can be exposed and satirized at any time. To give up such a bad world, how can we not teach loose structures? Such a character plot and the world are shrouded in the boundless detachment of Buddhism, which is sometimes revealed. In every touching place, we will feel the so-called horror and pity in Greek tragedy theory. To put it more bluntly, the so-called' strangeness and looseness' can probably be called' the unity of form and content'. "

People who don't like Eight Dragons either can't accept the strangeness and looseness in the book, or can't find the chivalry in the book, and the dance forest world is full of "no one is unjust, all beings are guilty", which is completely different from the bright world of good and evil in the trilogy "The Condor Heroes" and the secular world of mortals in the legendary swordsman and Duke of Lushan.

The characters in Tian Ba Long Department are bizarre, and the rationality of the plot gives way to artistic conception and moral, which are extraordinary. There are emperors and princes, Jianghu tycoons, immortal warlocks, young people in their prime, immortal beauties and heaven, incredible martial arts, conspiracy, revenge, frame-up, misunderstanding ... Tian Bu, human and inhuman, from Buddhism. Such a magnificent and extraordinary life, but the conclusion is crazy. Mu Rongfu is immersed in the fantasy of the emperor in the grave, and a group of children are laughing and playing the role of subjects in exchange for sugar. An obvious fable: beauty's talent, achievement, ambition, love and hate are like dew, and dreams are like bubbles. Under this fable, the excitement of the first five volumes belongs to a phantom, showing compassion for others. The strange karma in Eight Dragons is not necessarily a subversion of heroism, but at least it has deep sadness and suspicion, which makes the protagonist a hero.

In his interpretation of famous works, Jin Yong hinted that he was using the eight great points of Buddhism to symbolize the characters in the novel. These eight supernatural creatures "have their own unique personalities and magical powers." Although they are all beings outside the secular world, they also have worldly joys and sorrows. " The supernatural of Tianlong Babu originated from Hinduism, which is weird and magical. In the competition with Hinduism, Buddhism often fabricates stories about their conversion to Buddhism, which is also listed as the Eight Protectors in Buddhist Scriptures. Just as Mr. Liao Chaoyang (the legendary structure of Tianlong Babu) said, although the Eight Eccentrics have the same Buddhism, they have different ways to get rid of their fate in the world, just as the Shurangama Sutra said.

"If there is a paradise, I will be happy with my family and I will make it successful. If there are dragons, they will be happy. I will talk about it now and let them succeed. ..... If all non-humans, tangible and intangible, have thoughts but no thoughts and have fun. I showed myself in front of him, and I used it as a statement to make it successful. "

What is written in the novel is precisely the unity of all beings, and all roads lead to the same goal. The birth of Duan Yu and Xiao Feng's entry into the WTO are mutual evidences. They are always close brothers. Xu Zhu's coincidence and Qiao Feng's experience also confirm each other. They are also friends on the same avenue.

Some people put the dragon and Eight Branches into the characters in the book, such as Xiao Feng as the sky and Duan Yu as the dragon, which is quite far-fetched. I'm afraid Jin Yong didn't have such a clear mapping when he wrote it himself He just wrote some bizarre characters, just like those "non-human" beings who live in heaven and earth with mortals in Buddhist mythology. But the martial arts in the book is the most magical, and the master bard has the deepest blessing, much like a middleman in heaven. Before his death, the "casual workers" were the five decline of heaven and man, and Guanghua faded away and died.

Xiao Feng

I once read an article saying that Xiao Feng was a great warrior deeply influenced by the Confucian concept of benevolence and righteousness, and even that Xiao Feng had the temperament of a poet and Confucianism, which was rather puzzling. Confucius said that the brave are rude and chaotic. Xiao Feng was rejected by the so-called propriety of the Wulin in the Central Plains all his life, and there was no way to express himself. He also simply scoffed at "courtesy" and rushed to kill. With his natural innocence and pride, he did whatever he wanted, which was really what Confucius called a gentleman's chaos.

The state at the beginning of Tian Ba Long Department should be a so-called "chivalrous leader" who tries to perform etiquette. His behavior standard was similar to that of Guo Jing as an adult, but his life was suddenly interrupted, no matter how absurd or small the reason was-a woman's petty resentment opened the curtain of the crazy world, and Qiao Feng's bright road was interrupted. The whole story is about Qiao Feng's demise from such a stable state. His experience in Tianlong is entangled with self-awareness and revenge. He was framed, mixed with the original sin brought by his bloodline. He was suspected by the Central Plains Wulin tycoon who raised him and alienated by the so-called loyal subjects and patriots. He is indeed full of doubts, contradictions, anger, misunderstanding and the collapse of values. On the road of revenge and rehabilitation, no one can escape the disaster, and whoever is condemned by heaven is a hero. Although he finally accepted his Khitan identity, he could no longer identify with the so-called Central Plains Wulin. But he couldn't fit into the Khitan camp, so he died in extreme loneliness. There are typical western tragic factors in Xiao Feng: self-awareness and revenge. Xiao Feng was furious when he took the crown, killing people like hemp, and he was really fierce when he had a bloody attack. He pursued his life, killed countless people, and was tenacious and resolute, which Guo Jing would not do. Indeed, he also admitted: I have a barbaric attack, and I care nothing. Xiao Feng's tattoo of the wolf's head on his chest and the roar in the sky are all metaphors that can't be ignored, symbolizing a primitive explosive force, which comes from mysterious bloodline.

Xiao Feng, a hero who tried to stay awake in a crazy world, lived for 30 years. With natural courage and self-improvement spirit, Qiao Feng received a noble and decent chivalrous education from an early age. In his view, there is no doubt that the world is right and wrong. He is confident that his martial arts talent can also help him to strengthen his strength and destroy traitors. He is also self-restrained, righteous and determined, and confident that his friends and subordinates will obey him and love him. However, in Xinglin, the world he knew suddenly turned upside down in the past 30 years. He couldn't distinguish everything from betrayal, frame-up and misunderstanding. The trust and friendship he had seen suddenly turned into suspicion and alienation. In all this fog, what shocked him most was his identity and lineage, and his premise of innocence and selflessness was questioned. It can even be said that Xiao Feng began a painful self-reconstruction. The irrationality and madness of the world oppressed Xiao Feng, and he got deeper and deeper in the framing. In Juxian Village, Feng Xiao responded to other Han people's world martial arts with a set of Mao Changquan, and at this time he has played an ironic role among orthodox Han people. Outside Yanmenguan, people * * * cry for land. At that time, he had completely mocked the national orthodoxy, and the rest was the heart of revenge. A bloody case, like a ghost, trapped his confrontation with the Central Plains Wulin. Some people say that Hu Jun's eyes are often confused and he thinks he is ill. I don't know if that actor did it on purpose. When Feng Xiao got along with Ah Zhu, he still remembered many of his doubts. Before Xinglin, his mind was sober and calm, and on the road of revenge, his mind was shocked and confused. It is because of this confusion that he lost Zhu. Xiao Feng was deceived by Kangmin to kill the king of Zhennan, but he was not in a very calm and sober state. Arju's manslaughter made him suddenly wake up, and also made him realize the deep feelings between him and Arju. His revenge is ridiculous under this sacrifice of love. When he found Kang Min, he was powerless to retaliate. Feng Xiaoyuan went to Liaodong, and later went in and out of Liaoguo and Jurchen tribes, and no longer recognized the Central Plains as his homeland. In fact, his return home is an eternal wandering. Xiao Feng lost his hometown. In his early years, Qiao Feng obviously served the country unconditionally. Later, although he admitted that he was a "brave Khitan", he had reservations about his loyalty to Liao. There is no doubt that his moral concept also has the noble promise, noble behavior, resistance to violence and sympathy for the poor and weak, but he has relied on his own conscience. The chivalrous men in the Northern Song Dynasty were entangled in ethnic disputes. All the chivalrous men who entered the WTO must be loyal to one country and cannot be individualistic rangers in the pre-Qin era. Xiao Feng's early education prevented him from being born like Xu Zhu, and he was only content with personal happiness. Heroes who leave the land look down on the world and are too indifferent. When Yan Yun rode the Shaolin Temple on the 18th, his self-awareness was probably the words to Mu Rongfu: It's a pity that the heroes in Xiao Feng are as famous as you! Xiao Feng is lonely. Xiao Feng behind Shaolin Temple is a pure "hero". In order to stop the Liao-Han War, he lost his last shelter and had no hometown to return to. Facing the corpses of the national war, Duan Yu lamented that "knowing that weapons are sharp weapons to kill, saints should use them". This sentence went deep into Xiao Feng's heart, and his trust in force also weakened. Xiao Fengchang sang the Xiongnu's Qilian Mountain song "The death of Qilian Mountain makes my six animals unhappy". The death of Yanqi Mountain makes my daughter colorless, but it doesn't mean that she is willing to work for the expansion of Qidan's territory. He is sad, but the six animals brought by the war are not sweet, and the women are colorless, so there is no place for this "great hero". Xiao Feng's last promise is better to say that "Andrew's strong men will guard the Tianhe River and will not wash their armour for a long time", forcing Emperor Liao to make a peace treaty. The Liao emperors knew this, but Xiao Feng didn't necessarily understand it. He lost interest and committed suicide.

Zhu Zishuangshu

Zhu Xi's sisters in Eight Dragons pestered Xiao Feng's fate, which proved that Xiao Feng, the hero, also made sacrifices for Xiao Feng.

Arjun is the victim of Xiao Feng's revenge, and Ah Zi is the victim of Xiao Feng's morality. Xiao Feng is a hero created by his pleasure, hatred and virtue, and Zhu Zishuangshu is the victim of the hero.

Arjun is very active in his relationship with Xiao Feng. This is a woman who lived and died for Xiao Feng. At first, Xiao Feng laid down his life for her in Juxianzhuang. One is that she is a "bosom friend" maid, and the other is somewhat relieved after being framed by the Central Plains Wulin. Here, for the first time, he confronted his former friends head-on, putting aside his insistence on comity and friendship. On the Wulin side of the Central Plains, he had long thought that Xiao Feng was "not my race". The narrow escape of Juxianzhuang made Xiao Feng completely get rid of the identity of the Wulin in the Central Plains. Arjun pursued Xiao Feng after deserting from Xiao Feng, which made Xiao Feng feel that she loved his "hero" essence, not his life experience and honor and disgrace.

At this moment, Xiao Feng got rid of the confusion of identity, but he still couldn't get rid of the obsession of revenge. He fell into a series of detective stories, and his life was occupied by confusion and sadness. After fulfilling Arjun's love, his company made him happy, but in this happiness, he was bound to be distracted, and the plot and mystery of vendetta expanded again and again. His life is like a burning house in Bai Yujing. The fire spread and he quickly put it out.

Arjun completely followed Xiao Feng's train of thought. Her wisdom enabled her to fully understand Xiao Feng's heart, and her admiration for Xiao Feng made her have no doubt that his decision would go wrong. Therefore, when she found out that she was the daughter of the object of revenge, she believed that love could not be achieved, and she only hoped to delay Xiao Feng's revenge with love martyrdom. When Arjun died, Xiao Feng suddenly realized the value of the covenant between cattle and sheep. The fire of revenge is extinguished by heavy rain, and love takes precedence over revenge when it is lost. In the TV series, he promised to pick up Arjun, who was dying, and run to the old man, but the door to happiness was closed. Feng Xiao has the heart of double suicide, but he soon discovered Kang Min's lies. There is a paragraph of handwriting on his face. Crazy and terrible pain proved his sobriety, and revenge was no longer the first belief in his life.

A Zi didn't change Xiao Feng like Arjun did, but like her sister, she was doomed by Xiao Feng. Jin Yong said that "evil purple captures Zhu", but in western culture, purple has many meanings of dignity, suffering and rebirth. A Zi is selfish and vicious, but her persistent love for Xiao Feng is like Arjun's rebirth. A Zi's evil and pain, the purpose is to ask Xiao Feng to respect his love, just as he treated Arjun. Evil people have the same love and dignity. A Zi finally failed to break through Xiao Feng's moral barrier. Although A Zi has done bad things and terrible things, she is not a disaster for Xiao Feng. On the contrary, Xiao Feng's cleverness and integrity are her fears and disasters.

After all, Xiao Feng was brought up under the most orthodox, strict and even ascetic moral training. All his teachers were afraid of his alien ancestry and demanded his moral perfection doubly. When Xiao Feng lost interest in orthodoxy, loyalty, chivalry, contentment and hatred of the rich, he still kept abstinence and lead a totally clean life in his personal behavior. Zhu died for love. Naturally, he also thinks that he should not have a new lover. The combination of abstinence and self-punishment completely buried his desire for personal happiness. Even if A Zi is not unruly and evil, he can't break his emotional barriers. He saved A Zi only as a remedy for Arjun's death. And his love for A Zi is A Zi's only hope of redemption.

A Zi's story is indeed full of infinite sympathy: anyone who doesn't understand and sympathize with A Zi ... won't feel the pain of his dark life. (A Zi's most fundamental wish is hard to satisfy. She will fall into evil more and more, and the darkness of life will unfold indefinitely. Her blindness, she would rather swim peacefully and commit suicide with Xiao Feng, which is also profound. A Zi finally carried Xiao Feng's body and followed him to the eternal dark hell, completing her dark dignity.

Xu Zhu

If you want to find a role that can best compare with Feng Xiao in "Eight Dragons", it is Xu Zhu, not Mu Rongfu, who is equally famous with Feng Xiao. If the eight monsters are compared to the masters in Dragon, Xu Zhu and Xiao Feng undoubtedly belong to different species. They have the same roots and different fates, and they are all top experts in the world. Death and life do not mean mutual negation of value, but they show the polymorphism and impermanence of the natural way. This is the endless world in the book Eight Dragons.

Like Xiao Feng, Xu Zhu is also facing the problem of losing his identity: this young monk, who obediently abides by the precepts, is forced by the adventure of fate and cannot live in Shaolin Temple, where he has lived since childhood. The loss of monk identity is as depressing as the loss of Han identity. The true origin of Xiao Feng is the original sin in blood, and the true identity of Xu Zhu is the original sin in morality. However, Xu Zhu was not condemned for this, he just felt sorry for his parents. He has no superhuman conscious burden on rivers and lakes or society, so he has power and influence, and only does some good deeds such as uprooting symbols of life and death, and cannot become an authority of justice. The Buddhist thought of liberation from birth, which he accepted since childhood, made him remember that' all beings have no self, and happiness is at their disposal'. Xiao Feng is a genius and hero, an ascetic, fighting against the ominous fate; However, Xu Zhu survived naturally because of his ordinary and docile nature and fate, and it was his irresistible passion that helped him finally "obey his fate".

On the contrary, Xu Zhu and Xiao Feng are mediocre, not keen on martial arts, gentle and kind, and it is difficult to see the shadow of his father's leadership temperament and his mother's extreme temperament in him. If the Wulin in the Central Plains can predict that he will master the martial arts in the world, I'm afraid Xu Zhu will be subjected to harsh moral admonition and strict ethical compulsory education like Xiao Feng, so he is unlikely to face the desire of life calmly. Xu Zhu's breaking the precepts is nothing more than breaking the persistence. Although the bard seems to be a Taoist priest, it is still his childhood Buddhist thoughts that helped Xu Zhu complete the transformation from Shaolin to Xiaoyao.

Xu's martial arts are incredibly high, but he is hard to be hurt, not because of the protection of martial arts, but because of his indomitable soul. His final destination can be described by a fable in Zhuangzi's "Happy Travel": "There are big trees today, but they are useless. Why not plant them in a land with nothing, plant them in a vast wilderness, wander around doing nothing, sleep under them, and suffer without killing an axe? " Lingjiugong is an empty place.

Minstrel

The bard's family style is superior to that of other places in the world. It is said that both men and women are handsome and intelligent, and their martial arts are elegant and excellent. They enjoy exquisite taste in the land like a paradise, and the five ducks are proficient in all kinds of elegant gameplay. Grandmothers of Tianshan children drive away hawkers in Jianghu, kill them if they want, and rob them if they want. Li Qiushui is a peerless beauty, and countless people fall at her feet. Human suffering seems far away from them. Virtual bamboo can't resist the temptation of personal happiness, break the precepts and return to vulgarity, and be at ease. They are like heaven and man in the Dragon and Eight Branches.

Buddhism says that all beings are in The six great divisions in the wheel of karma: heaven, human beings, Asura, hell, hungry ghosts and wild animals. Heaven is the happiest place among the six paths. They live longer than people, have more well-informed ability, like music and literature, and incarnate in heaven. They must be people who practiced ten good deeds in their previous lives. It seems that Xu Zhu's entry into the bard is also a godsend adventure of devout Buddhists in reincarnation. However, although the sky is in the highest and most superior position among all sentient beings and can enjoy all kinds of things, it is still not out of circulation. Once the previous industries dry up, they will die and fall into the cycle again. "Heaven" had five symptoms before he died: dirty clothes, withered flowers on his head, smelly body, sweating under his arms, and dissatisfaction with his seat. This is the so-called "Five Decays of Heaven and Man", which is the greatest sorrow of Heaven. Li Qiushui was elegant and proud all his life, but eventually his limbs were withered and broken.

Indra, the leader of the Ministry of Heaven, was originally one of the gods of ancient Hinduism. Under Brahma, it is recorded in the Venetian Sutra that Indra, after the sign of "Fifty Years of Heaven and Man", was miserable and unhappy, and led 80,000 sons of heaven, Asura's daughter and Ganda woman to appeal to the Buddha. Indra asked, "What is the root cause of the reincarnation of Buddha, man and nonhuman, dragon and hag?" The Buddha told him: "Ladies and gentlemen, the fundamental reason why all beings are addicted to reincarnation is jealousy and meanness." Buddha widely preached the noumenon, nature and karma of jealousy and meanness. Indra joyfully praised the merits of Buddha and said, "Buddha, I have removed all doubts and pains and gained extraordinary wisdom." Indra was reborn, no longer respectful to Brahma, converted to Sakyamuni and became the protector.

The struggle between Tin Muk and was in pain because of the envy of all beings. When they died, they found that there was no cliff, and they didn't forget any of them, which broke the absurdity of jealousy and eliminated the confusion and pain. "Laugh together, and everything will be empty in the end." The pain of Wuyazi comes from the obsession of Pygmalion and the greed of his disciples in Greek mythology. Wu Yazi's outstanding talent in many aspects makes it difficult for him to immerse himself in the love of women in the real world. Like King Bemarion of Cyprus, he carved perfect stone statues, thus ignoring women in reality. I prefer to believe that his infatuation with Li Xiaomei is not just an excuse. Jin Yong wrote nothing about Tian Mu's death, not jealousy. What the five ducks really can't extricate themselves from is the perfect woman they made or imagined. Wuyazi's talent is as high as the omnipotent creator, which will only bring disaster to his plain life. After all, "heaven" cannot be separated from the sufferings and limitations of all sentient beings.

The lifelong skills of the carefree people are imported into Xu Zhu, which is similar to the rebirth of "Heaven". The rebirth of "heaven" is a sudden reincarnation of the soul, with abundant magical powers and life. Good karma comes from the will of past lives. Judging from the thoughts of Laozi and Zhuangzi, those who seek Tao also advocate indifference, emptiness and tranquility. The embodiment of the carefree three old people is an ugly and ordinary virtual bamboo, which can also show the ridicule and sympathy given by Jin Yong, as well as more detached compassion.

Bards rarely preach the secular morality of benevolence and kindness, nor do they talk about the secular ethics of the old and young order. He only respects talents and decides whether they are good or bad. Even if they don't look for the root cause from the thoughts of Laozi and Zhuangzi, they are as knowledgeable as immortals and can make them ignore morality. Bards are best friends, Ding Chunqiu is greedy, evil and flattering, Su Xinghe is eloquent and incompetent, and the Eight Friends of Hangu have their own artistic and technical skills, all of which have the demeanor of wandering around the world. They all have the genius power of "Heaven" more or less, but they are also unable to escape the pain of the world. People in Xinghai are crazier. People's talent and intelligence, like horses leaving Xinjiang, have become endless dark nightmares under the evil of human nature. The bard series is the most elegant and bizarre group in the Eight Branches of the Dragon, which also brings the elegance and strangeness like a paradise to the Eight Branches of the Dragon.

Duan Yu

Duan Yu is a figure who connects Feng Xiao and Xu Zhu. Duan Yu and Xiao Feng bet on wine to compete for strength, but they won't get drunk for a thousand cups. They flew like the wind, bold and free, and let Xiao Feng fall. Duan Yu and confide in wine, talk about Buddhist scriptures, bemoan lovesickness, be single as a flower, be infatuated with kindness with the cloud as the center, and make the heart close. Duan Yu's indiscretion or an epiphany made him implicated in Xiao Feng when he became sworn with Xu Zhu, but if Xiao Feng met Xu Zhu, it must be a lover, and it is not easy to become sworn brothers immediately. Although he left his biological parents with Shaolin heritage as a baby, the differences between them are as big as the agreement between them. They fell in love with Duan Yu at first sight, which just reflected the harmony between the two extremes at the secret level. Liao Chaoyang said, "Without Duan Yu, Xu Zhu's meekness would be fatuous and Xiao Feng's dancing would be cruel. With Duan Yu, the two can be included in a meaningful space for trilateral communication. "

Duan Yu's ending is also the connection between Feng Xiao and Xu Zhu. Emperor Dali embodied Xiao Feng's sense of social responsibility after entering WTO, married a stunning beauty and realized Xu Zhu's personal happiness. However, Duan Yu is hardly an ideal figure of Jin Yong. He is just a compromise. As the prince of Dali, Duan Yu's identity and upbringing could not be as independent as Xu Zhu's. He is deeply influenced by Buddhism, hates violence and has little nostalgia for power, and travels around the world. Like Xu Zhu and Xiao Feng, he has the secrets of his life experience, but the secrets of his life experience bring him the least confusion and pain. The secret suddenly leaked out without warning. Although it brought him embarrassment, it also gave him a bright future in personal happiness-he could marry his sweetheart as he wished.

Duan Yu's martial arts are easier than Xiao Feng's and more time-consuming than Xu Zhu's. He is not aggressive and unstable in martial arts. Although Duan Yu is regarded as crazy by the world, his existence has the nature of light comedy, but it has played a role in containing the crazy world, no matter how thrilling and magical this containment is. Throughout the story, Duan always interrupts the violence and desire of others, involving more bizarre and complicated scenes. His own love is full of surprises. At the beginning of the novel, he refused his parents' request to let him learn martial arts and ran away. He had to interrupt the competition at Jianhu Palace, and the crocodile god in the South China Sea turned to him as a teacher to stop the Nine Fingers and Mu Rongfu. Finally, the secret exposure of his identity interrupted Duan Yanqing's contention for the throne. His love affair was stopped because he found out that the other person was the illegitimate child of his father, until he met Wang Yuyan, and he couldn't extricate himself. Duan Yu's control of lust is also between Feng Xiao and Xu Zhu. Duan Yu's obsession with Wang Yuyan is not a diabolo-like erotic formation, but closer to an aesthetic worship, which reminds people of the tireless pursuit of beautiful teenagers by the famous writer in Thomas Mann's Death of Venice.

Duan Yu is a beautiful girl in troubled times, ignoring her aristocratic status. His self-indulgence, which is incomprehensible to the secular people, and his love for Wang Yuyan are completely similar to that of an idiot, but look silly like a fool, all of which make him a psychic wandering in the world.

Mu Rongfu

Mu Rongfu is a pseudo-aristocrat. Jin Yong's design of Mu Rongfu does not seem to create a role equivalent to the Three Gorges in Jieyi, nor does it give Mu Rongfu and the Three Gorges the same humanistic connotation and personality charm, but a mirror for them.

Murong Yan enjoyed the country for more than 30 years, and when he arrived in Mu Rongfu, the country was conquered for more than 600 years. Wang Xie's children in the past, the Gusu family today, and their desire for restoration after 600 years are beyond common sense in any case. It is completely absurd that ambition is so persistent and stubborn. It is difficult to classify it as the voice of reviving the ordinary Wang Sun family. It is just an arrogant dream of personal kingship, no different from ordinary civilian careerists. I can't see that this absurdity is a misunderstanding of Jin Yong. Compared with Duan Yanqing's struggle for the throne, the restoration of Mr. Murong's family is even more persistent to the ridiculous point, which is the strangeness and irony in the world of Tianlong Babu. Mu Rongfu is full of opposition to the three heroes, and the achievements of the same three heroes are a mockery of Mu Rongfu.

Virtual bamboo is quiet, quiet and naive. Mu Rongfu is keen on utilitarianism and has a deep talent. Mu Rongfu met a party in 36 holes and 72 islands, took the initiative to join their alliance, and deliberately took their wings, completely ignoring the safety of Wang Yuyan and the surprise of his subordinates. They vowed to kill the little girl (Mu Tong in Tianshan Mountain), but he didn't stop them. However, it was Xu Zhu who won the power of these people in the end. Xu Zhu obeyed human desires and attached importance to human feelings, while Mu Rongfu was celibate and self-controlled. Everything is to revitalize the country's ambitions. He asked Princess Xixia for help. As a result, Wang Yuyan left sadly, and Xu Zhu got Princess Xixia.

Duan Yu often works in Mu Rongfu when he is confident, which makes Mu Rongfu disheveled and flustered. Duan Yu believed in "knowing that the murder weapon is a murder weapon, even saints should use it", but he didn't use force until the critical moment, while Mu Rongfu lost to Duan Yu because of the contest and went to hide weapons and took Duan Yu's life. Duan Yu has a crush on beautiful women. In order to follow and protect Wang Yuyan, he ignored other people's eyes. Although Mu Rongfu regards Wang Yuyan as his fiancee, he doesn't cherish her very much and deliberately avoids taking care of her in public. In the mill, Mu Rongfu, dressed as a Xixia warrior, was angry with Duan Yu and Wang Yuyan, not so much out of jealousy as because he felt that Wang Yuyan and Duan Yu had challenged his dignity. How can a woman who fell in love with him in Mu Rongfu look at other men again? Mu Rongfu's arrogance and jealousy are similar to Kang Min's. Spoony Wang Yuyan finally turned to Duan Yu, while Mu Rongfu was bent on recognizing Duan Yanqing as his father. I'm afraid Duan Yu is Duan Yanqing's own son.

Mu Rongfu and Xiao Feng are competitors. Xiao Feng appreciates Murong Sizi and regards Mu Rongfu as a close friend. In the battle of Shaolin Temple, the evaluation of that man was "Xiao's great hero is as famous as you", so he disdained it and didn't comment. Mu Rongfu was also a "non-Chinese race" in the Han Dynasty, bent on restoring the Xianbei Kingdom. He did not hesitate to build his own armed forces with the help of foreign forces, put forward Xixia, and recognized his ancestors in Duan Yanqing, but he was not rejected by the Wulin of the Central Plains. Xiao Feng, a Khitan, was not allowed to live in the Central Plains, go in and out of Nuzhen and Liao countries, and make friends with the monarch. Finally, in order to quell the Liao-Han war, he was not allowed to live in his own national life. Ran Ran's rising Jurchen leaders, Akuta Wanyan and Duan Yu, the king of Dali, tried to invite each other, but Xiao Feng refused. Xiao Feng almost only has a sense of social responsibility to help the weak and help the poor and quell the war, but has no personal ambition; In order to win people's hearts, Mu Rongfu even helps the weak and helps the poor, and respects the world. Xiao Feng risked his life for a girl with little friendship in Juxianzhuang; Although Mu Rongfu is a martial artist, in order to make Duan Yanqing suspicious and stab loyal Bao Butong, generations of diehard Deng Baichuan and others are also dead set on him.

Mu Rongfu is handsome, intelligent, elegant in speech and superb in martial arts. He is completely happy ever after, while the Three Heroes are somewhat informal. Mu Rongfu enjoys a high reputation and boasts a high reputation. Although it is a Jianghu cloth, it has a noble position like a prince in the Wulin. Mu Rongfu can't work out this chess game because he can't give up. His greed and ambition cost him his reputation, his lover, his friends and even his sober mind. In the end, he was alone, living in the madness of ruling the world, and Wang Tuba was a joke. He stays awake, but