Tell me about China's couplets. It's urgent. Please make a handwritten newspaper. If you answer randomly, go away.

Oracle Bone Inscriptions mainly refers to Oracle Bone Inscriptions in Yin Ruins, which was written by the royal family on tortoise shells and animal bones in the late Shang Dynasty in China (14 ~ 1 1 century). It is the earliest and most complete ancient Chinese character discovered by China.

Oracle Bone Inscriptions is an ancient script in China, regarded as an early form of modern Chinese characters, sometimes regarded as a script of Chinese characters, and also the oldest mature script in China. Oracle Bone Inscriptions is also called Wen Qi, tortoise shell or tortoise shell animal bone. Oracle Bone Inscriptions is a very important ancient writing material. Most Oracle Bone Inscriptions were found in Yin Ruins. Yin Ruins is a famous site of Yin Shang Dynasty, located in Xiaotun Village, Huayuanzhuang and Houjiazhuang in the northwest of Anyang City, Henan Province. It was once the capital of the central dynasty in the late Shang Dynasty, so it was called Yin Ruins. These Oracle Bone Inscriptions are basically the divination records of Shang rulers. Shang rulers are superstitious about whether there will be disasters, whether it will rain, whether there will be a good harvest of crops, whether there will be a victory in the war, what to sacrifice to ghosts and gods, and divination based on fertility, disease, dreaming and other things to understand the will of ghosts and gods and the quality of things. The materials used for divination are mainly tortoise's bellybutton, carapace and cattle's scapula. Small pits are usually dug or drilled on the back of Oracle bones for divination. This kind of pit is called "drilling" by experts in Oracle Bone Inscriptions. Heating these pits during divination leads to cracks on the surface of Oracle bones. This kind of crack is called "omen" The word "Bu" in Oracle Bone Inscriptions is like a symbol. People engaged in divination judge good or bad according to the various shapes of divination. According to Oracle Bone Inscriptions in the Shang Dynasty, Chinese characters at that time had developed into a complete Chinese writing system. In the discovered Oracle Bone Inscriptions of Yin Ruins, the number of words has reached about 4000. There are a lot of signifiers, pictographs, knowing characters, and many pictographs. These words are very different in appearance from the words we use now. But from the point of word formation, they are basically the same.

At present, there are about 6.5438+0.5 million pieces of Oracle bones with more than 4,500 words. These Oracle Bone Inscriptions records are extremely rich in content, involving many aspects of social life in Shang Dynasty, including not only politics, military affairs, culture and social customs, but also astronomy, calendars, medicine and other science and technology. Judging from about 1500 characters identified in Oracle Bone Inscriptions, the methods of "pictographic, comprehending, pictophonetic, referring to things, transferring notes and borrowing words" have been developed, which shows the unique charm of China characters. Documents based on tortoise shells and animal bones in Shang Dynasty and early Western Zhou Dynasty in China (about 16 BC-0/0 BC). This is the earliest known form of Chinese literature. The characters carved on Oracle bones were previously called Wen Qi, Oracle Bone Inscriptions, Oracle Bone Inscriptions, Turtle Edition, Yin Ruins, etc. Now they are usually called Oracle Bone Inscriptions. Due to superstition, Shang and Zhou emperors used tortoise shells (common in tortoise shells) or animal bones (common in cattle scapula) for divination, and then carved divination related matters (such as divination time, diviner, divination content, divination result, verification, etc. ) in the Oracle Bone Inscriptions, and preserved by the royal historian as archival materials (see Oracle Bone Inscriptions archives). In addition to Oracle inscriptions, there are some unforgettable inscriptions in Oracle Bone Inscriptions's offerings. Oracle Bone Inscriptions's contribution covers astronomy, calendar, meteorology, geography, country, lineage, family, figures, officials, conquest, imprisonment, agriculture, animal husbandry, hunting, transportation, religion, sacrifice, disease, birth and disaster. It is extremely valuable first-hand information for studying the social history, culture and language of ancient China, especially the Shang Dynasty.

2 bronze inscriptions

Bronze inscriptions refer to characters cast on bronze wares of Yin and Zhou Dynasties, also known as Zhong Dingwen. Shang and Zhou Dynasties were the bronze age, with the tripod as the representative ritual vessel and the bell as the representative musical instrument. "Zhong Ding" was synonymous with bronze ware. Therefore, Zhong Dingwen or inscriptions on bronze refers to inscriptions cast or carved on bronzes.

Bronze is an alloy of copper and tin. China entered the Bronze Age in the Xia Dynasty, and the smelting of copper and the manufacture of bronzes were very developed. Because copper was also called gold a week ago, the inscriptions on bronzes were called "bronze inscriptions" or "auspicious words"; This bronze ware was called "Zhong Dingwen" in the past because it had the largest number of characters on Zhong Ding.

The application time of bronze inscriptions is about 1200 years, from the early Shang Dynasty to the Qin Dynasty's destruction of the Six Kingdoms. According to Rong Geng's Jin Wen Bian, there are 3,722 inscriptions, of which 2,420 can be identified.

There are different words in the inscriptions on bronzes. The content of memory is also very different. Its main content is mostly to praise the achievements of ancestors and princes, but also to record major historical events. For example, the famous Mao has 497 words, covering a wide range, reflecting the social life at that time.

3 major seal scripts

The current representative figures are named after a book handed down by Taishi in the Zhou Dynasty. On the basis of the original text, he transformed it and got his name because it was engraved on the stone drum. It is the earliest stone carving text that has been circulated so far, and it is the ancestor of stone carving.

It began in the late Western Zhou Dynasty and traveled in Qin during the Spring and Autumn Period and the Warring States Period. The fonts are similar to those of Qin Zhuan, but the configurations of glyphs overlap.

4 biographies

Also known as "Qin Zhuan". It was in the Qin dynasty. The shape is long, even and neat, and it evolved from Da Zhuan. Xu Shen in the Eastern Han Dynasty, Shuo Wen Jie Zi? Syria said: "Qin Shihuang was the first emperor in the world ... Let it not be combined with Qin Wen. (Li) Company wrote Cang Xie, CZ ordered Zhao Gao to write Love Calendar, and a surname ordered Hu Wujing to write Bo Xue, all of which took history as a big seal, or existed quite a bit, so-called small seal. "

5 official script

Official script is basically evolved from seal script, mainly changing the round strokes of seal script into square folds, which makes writing faster, and it is difficult to draw round strokes when writing with pigments on wooden slips.

Official script is also called "official character" and "ancient book". It is a font produced on the basis of seal script to meet the needs of convenient writing. The seal script is simplified, and the uniform circle lines of the seal script are changed into straight strokes, which is convenient for writing. Official script can be divided into "Qin Li" (also called "Guli") and "Han Li" (also called "Golden Calendar"). The appearance of official script is a great change in ancient writing and calligraphy.

Official script is a common solemn font in Chinese characters, with a slightly flat writing effect, long horizontal drawing and short straight drawing, and pays attention to "swallow tail of silkworm head" and "twists and turns". It originated in the Qin Dynasty and reached its peak in the Eastern Han Dynasty. Calligraphy is known as "Han Li Tang Kai". It is also said that official script originated in the Warring States period.

Official script is relative to seal script, and its name originated from the Eastern Han Dynasty. The appearance of official script is another great change of China characters, which brings China's calligraphy art into a new realm, is a turning point in the development history of Chinese characters, and lays the foundation for regular script. Official script is flat, neat and exquisite. In the Eastern Han Dynasty, stippling such as skimming was beautified as upward provocation, with different degrees of severity and artistic beauty of calligraphy. Styles also tend to be diversified, which is of great artistic appreciation value.

According to legend, the official script was compiled by Cheng Miao who was not in the prison of Qin Dynasty. By eliminating complexity and simplifying, the font becomes round and square, and the strokes become straight. Change "Lian Bi" to "broken pen" and change from line to stroke, which is more convenient for writing. "Li Ben" is not a prisoner, but a petty official, that is, a small official in charge of documents, so in ancient times, official script was called "Zuo Shu". Lishu prevailed in Han Dynasty and became the main style of calligraphy. As a start-up Qin Li, seal script has many meanings, and it has been continuously developed and processed. It broke the writing tradition since the Zhou and Qin Dynasties and gradually laid the foundation for regular script. Under the unification of the thought of "ousting a hundred schools of thought and respecting Confucianism alone", the official script of the Han Dynasty gradually developed into the dominant script, and at the same time, cursive script, regular script and running script were derived, laying the foundation for art.

6 regular script

Regular script is also called official script, or real book. Its characteristics are: square shape, straight strokes, can be used as a model, hence the name. Began in the Eastern Han Dynasty. There are many famous regular script writers, such as Ou Ti (Ou Yangxun), Yu Ti (Yu Shinan), Yan Ti (Yan Zhenqing), Liu Ti (Liu Gongquan) and Zhao Ti (attached).

In the early days, there were few official handwriting, the structure was slightly wider, the horizontal painting was long and the vertical painting was short. In Wei Jinzhong handed down from ancient times, such as Zhong You's "Declaration Form" (left), "List of Recommended Seasons", Wang Xizhi's "Le Yi Lun" and "Huang Ting Jing" can all be regarded as representative works. Look at its characteristics, as Weng Fanggang said: "Change the wave painting of official script, pick it up, and still keep the vertical of official script."

After the Eastern Jin Dynasty, the north and the south were divided, and calligraphy was also divided into two factions. The calligraphy style of the Northern School has inherited the legacy of Han Li. Its brushwork is simple and rigorous, but its style is simple and rigorous, so it is called "Weibei". Southern calligraphy is more sparse and beautiful than letters. During the Northern and Southern Dynasties, because of regional differences, personal habits and book styles were very different. The books in the North are strong and the books in the South are rich, each of which is wonderful and inseparable, while Bao and Kang Youwei highly admire the books of the two dynasties, especially the epitaphs of the Northern Wei Dynasty. Kang cited ten beauties to emphasize the advantages of Weibei.

Regular script in the Tang Dynasty, like the prosperity of the national situation in the Tang Dynasty, is really unprecedented. Calligraphy style is mature, and calligraphers come forth in large numbers. In terms of regular script, Yu Shinan, Ou Yangxun, Chu Suiliang in the early Tang Dynasty, Yan Zhenqing in the middle Tang Dynasty and Liu Gongquan in the late Tang Dynasty all regarded his regular script works as models of calligraphy.

7 cursive script

Cursive script: a style of Chinese characters. Formed in the Han Dynasty, it evolved on the basis of official script for the convenience of writing. There are Cao Zhang, Cao Jin and Crazy Grass. There are rules to follow in the changes of strokes, such as the urgent chapter of the Three Kingdoms Wu in Songjiang Edition. Today's grass is eclectic and fluent, and its representative works include Wang Xizhi's "The First Moon" and Jin Dynasty's "Getting Time". Mad grass appeared in the Tang Dynasty, represented by Zhang Xu and Huai Su, and its brushwork was wild and uninhibited, which became an artistic creation completely divorced from practicality. From then on, cursive script was only the works of calligraphers imitating Cao Zhang, Cao Jin and Kuangcao. Masterpieces such as Zhang Xu's Abdominal Pain Post and Huai Su's Autobiography Post. Cursive script is a font produced for the convenience of writing. It began in the early Han Dynasty. At that time, it was "Cao Li", that is, scribbled official script, which gradually developed into a kind of "Cao Zhang" with artistic value. At the end of the Han Dynasty, Zhang Zhi changed "Cao Zhang" to "modern grass", and the character style was formed in one fell swoop. In the Tang Dynasty, Zhang Xu and Huai Su developed into "weeds", with continuous strokes and changeable glyphs.

Eight lines of writing

A font between regular script and cursive script, which can be said to be cursive or cursive. It is to make up for the shortcomings of slow writing in regular script and illegible cursive script. The brushwork is not as sloppy as cursive script, and it is not required to be as correct as regular script. There are more methods of mold opening than cursive writing, which is called "mold opening". Cursive calligraphy is more than modular method, which is called "cursive calligraphy". Running script was produced in the late Eastern Han Dynasty.

origin

From the ancient legend of word-making in Cangjie to the discovery of Chinese characters in Oracle Bone Inscriptions more than 65,438+000 years ago, scholars in China have been working hard to uncover the mystery of the origin of Chinese characters. Regarding the origin of Chinese characters, there are many sayings in China ancient literature, such as "knot rope theory", "gossip theory", "picture theory" and "calligraphy contract theory". Ancient books also generally recorded the legend of Cang Xie, the historian of the Yellow Emperor who created Chinese characters. Modern scholars believe that systematic writing tools cannot be completely created by one person. If Cang Xie really exists, he should be a text organizer or publisher.

The earliest carved symbols were more than 8000 years ago.

In recent decades, Chinese archaeologists have published a series of unearthed materials about the origin of Chinese characters earlier than Oracle Bone Inscriptions in Anyang Yin Ruins. These materials mainly refer to the carved or painted symbols that appeared on pottery in the late primitive society and early historical society, and also include a few symbols engraved on Oracle Bone Inscriptions, jade and stone tools. It can be said that they provide a new basis for explaining the origin of Chinese characters.

Wang, a doctoral supervisor of Zhengzhou University, made a systematic investigation and comparison of the carving symbols on pottery pieces unearthed from more than 100 archaeological sites in China, and thought that the earliest carving symbols in China appeared in Jiahu site in Wuyang, Henan Province, with a history of more than 8,000 years.

As a professional worker, he tried to comprehensively sort out these original materials by comprehensively using scientific methods such as archaeology, ancient Chinese character configuration, comparative philology, scientific archaeology and high-tech means, so as to compare some clues about the occurrence and development of Chinese characters before Shang Dynasty.

However, the situation is not so simple. In addition to the existing small-scale data of Zhengzhou Shangcheng site and Xiaoshuangqiao site (in recent years, more than 10 cases of Zhu Shutao's early characters of Shang Dynasty have been found), other symbols before Shang Dynasty are scattered and lack of contact with each other, and most of them are out of touch with Shang Dynasty characters. There are also some symbols with heavy regional colors and complex backgrounds.

The 500 most commonly used Chinese characters

One is that when we want people, we can't be a great country. We can use them when we are born and when we go out. We can work in pairs. We can also work together every year. We can study law after hard work. People have to go through 13 years of equal education, and the electricity is as high as water, which increases the reality of small things. We should make full use of it. We should open it up. It is also because of other reasons that social justice is the same as the previous four days. However, this change in mass and gas direction has not been solved. For people who have no military ties, building a moon is the most important thing. They want to make a phone call and ask questions directly. The five fruit images of the party exhibition have been put in place, and the total defective products have been set up and managed. The long-term demand for capital and low-grade roads has been compared with the understanding of mountain systems. On the root of her hand, she means to forcibly release the ninth district to the west, fight well first, and then go back to the government. That is to say, the North will accept the right to license, change to the United States, and then adopt a more simple style. It is really necessary to achieve every goal. It is difficult to get close to the mine. Just like a history of the Millennium Committee of Qinghai Province.

Word-building principle

Liu Shu is the basic principle of Chinese character combination, which is mentioned in Zhou Li, but the specific content is not explained. Xu Shen in the Eastern Han Dynasty expounded the structural principles of the Chinese character "Liu Shu" in Shuo Wen Jie Zi: pictographic, ideographic, comprehensible, pictophonetic, phonological, transliteration and borrowing.

Pictographic characters: This method of creating characters is described according to the appearance characteristics of an object, so it is also true to draw it as its object. Such as the sun, the moon, the mountains and the water, originally depicted the patterns of the sun, the moon, the mountains and the water, and then gradually evolved into the present shape.

Refers to things: this refers to the expression of abstract things, and so does the so-called "each refers to its thing". If you write "up" on it, people will write "down" on it.

Shape and sound: this is a unique sound expressed by a specific shape (root) in the text. For example: Hu, the word can also be a root, combined with different attribute roots, can be synthesized into: butterfly, butterfly, lake, gourd, Hu, gas and so on. And use the same pronunciation to express different things (some only have initials). However, due to the phonological changes of ancient and modern languages, many similar ancient pictophonetic characters have no homophones in today's Mandarin.

Understanding: This method of word formation is to combine two radicals and derive new meanings. For example, when the sun and the moon merge into one, the sun and moonlight become "bright". The word "people" and "words" together is the word "faith", which means what people said before; There is a letter that this man abides by what he says.

Note turn: this is used to annotate two words, which are synonymous but have different shapes. Xu Shen explained in Hanshu: "Building a class, agreeing to accept each other, and taking the test as usual." , how do you say this? In ancient times, the word "test" could be used to mean "longevity", and "old" and "test" had the same meaning, that is, the so-called old people took the test and the candidates were old. Is The Book of Songs elegant? Bai Pu also said, "Zhou Wangshou test. "There are also some immortal ancients in Su Shi's poem Qu Yuan Tower. Why do you want to compare them? In a word. Among them, "Kao" means "Lao", and it is particularly noteworthy that later generations of philologists have also made a lot of explanations on the aforementioned definition of Xu Shen. Among them, there are three types, namely, shape shift theory, sound shift theory and meaning shift theory. But some people think that these three statements are not comprehensive enough. Jelly Lin, a contemporary archaeologist, also explained that "Zhuan Zhu" is a form (root) to record two words with completely different pronunciations and meanings. Such as "broom and woman" and "mother and daughter" in Oracle Bone Inscriptions.

Borrowing: In short, the word borrowing is used to express something else. Generally speaking, there is a new thing that can't be described, so we borrow a root with similar pronunciation or attribute to express this new thing. For example, "You" originally meant the right hand (first seen in Oracle Bone Inscriptions), and later it was disguised as "You". Smell means to listen to things with your ears. For example, "University? In Chapter 7, there is a sentence "Turn a blind eye, listen but don't smell, eat but don't know its taste", but it was later used as an olfactory verb (although some people think it is misused).

Summarize the above six books, the first two items, "word-making method" also; Second, the "combination method" is also; The last two items, "using Chinese characters", are the same. These six principles are philological theories summarized by ancient philologists. The rules of Chinese character creation included in it have evolved over a long period of time, and are not created by any one person. Edit the structure of this Chinese character.

Chinese characters are formed by arranging one or more radicals (one-dimensional characters in European languages) into a square in a specific space, so they have another name for square characters. Structurally, Chinese characters have the following characteristics:

There is a high information density in a word. When you express the same thing, you can express the same information in a shorter space than phonetic notation, so the reading efficiency of Chinese characters is very high.

A Chinese character consists of more than 400 pictographs such as gold, wood, water, fire and earth, which are combined together like building blocks.

The meaning of an unknown character can be separated, and its meaning can be inferred from the composition of the root and the configuration of the space. When new things are difficult to express in the evolution of the times, new words can be synthesized and used according to the principle of radical combination. For example, the Chinese word uranium is a new word created in modern times to express a newly discovered chemical element.

The spatial configuration of Chinese character roots has an influence on the meaning: if it is the same combination of "dead heart", the left and right rows of "busy" and the upper and lower rows of "forgotten" are arranged differently, which leads to different meanings; The part with the word "Ai" on the right side of the text indicates that the right hand (left hand means left hand) is holding something and doing something to the left root (bronze inscription and Oracle Bone Inscriptions discovered in archaeology). If the right hand holds something on it, it becomes "Ai". Almost all people with this root are aggressive or use violence to achieve a certain purpose, such as attacking, defeating, knocking, collecting and so on. Edit this paragraph font

(China's Calligraphy): The strokes of the Chinese character "Guo" are written in different ways, that is, the fonts are different; Different fonts have different fonts.

Chinese characters written in regular fonts (such as regular script, Song style, official script, seal script, etc. ) is a kind of square character, and each character occupies the same space. Chinese characters include letter combination words and combination words, and letter combination words can't be separated, such as "Wen" and "Zhong". Combined Chinese characters are composed of basic components, accounting for more than 90% of Chinese characters. Common combinations of compound words are: upper and lower structures, such as "smile" and "tip"; Left and right structures, such as "word" and "family"; Semi-closed structure, such as "similarity" and "inclination"; Fully enclosed structure, such as "group" and "meeting"; Composite structure, such as "win" and "point". The basic components of Chinese characters include single words, radicals and other non-word-forming components.

The smallest constituent unit of Chinese characters is strokes.

When writing Chinese characters, the direction and order of strokes, that is, the order of strokes, are relatively fixed. The basic rules are: first horizontal and then vertical, first left and then down, from top to bottom, from left to right, first outside and then inside, then sealed, first in the middle and then on both sides. The stroke order of Chinese characters with different writing styles may be different.

The development of editing Chinese characters in this paragraph.

1 Oracle Bone Inscriptions

Oracle Bone Inscriptions mainly refers to Oracle Bone Inscriptions in Yin Ruins, which was written by the royal family on tortoise shells and animal bones in the late Shang Dynasty in China (14 ~ 1 1 century). It is the earliest and most complete ancient Chinese character discovered by China.

Oracle Bone Inscriptions is an ancient script in China, regarded as an early form of modern Chinese characters, sometimes regarded as a script of Chinese characters, and also the oldest mature script in China. Oracle Bone Inscriptions is also called Wen Qi, tortoise shell or tortoise shell animal bone. Oracle Bone Inscriptions is a very important ancient writing material. Most Oracle Bone Inscriptions were found in Yin Ruins. Yin Ruins is a famous site of Yin Shang Dynasty, located in Xiaotun Village, Huayuanzhuang and Houjiazhuang in the northwest of Anyang City, Henan Province. It was once the capital of the central dynasty in the late Shang Dynasty, so it was called Yin Ruins. These Oracle Bone Inscriptions are basically the divination records of Shang rulers. Shang rulers are superstitious about whether there will be disasters, whether it will rain, whether there will be a good harvest of crops, whether there will be a victory in the war, what to sacrifice to ghosts and gods, and divination based on fertility, disease, dreaming and other things to understand the will of ghosts and gods and the quality of things. The materials used for divination are mainly tortoise's bellybutton, carapace and cattle's scapula. Small pits are usually dug or drilled on the back of Oracle bones for divination. This kind of pit is called "drilling" by experts in Oracle Bone Inscriptions. Heating these pits during divination leads to cracks on the surface of Oracle bones. This kind of crack is called "omen" The word "Bu" in Oracle Bone Inscriptions is like a symbol. People engaged in divination judge good or bad according to the various shapes of divination. According to Oracle Bone Inscriptions in the Shang Dynasty, Chinese characters at that time had developed into a complete Chinese writing system. In the discovered Oracle Bone Inscriptions of Yin Ruins, the number of words has reached about 4000. There are a lot of signifiers, pictographs, knowing characters, and many pictographs. These words are very different in appearance from the words we use now. But from the point of word formation, they are basically the same.

At present, there are about 6.5438+0.5 million pieces of Oracle bones with more than 4,500 words. These Oracle Bone Inscriptions records are extremely rich in content, involving many aspects of social life in Shang Dynasty, including not only politics, military affairs, culture and social customs, but also astronomy, calendars, medicine and other science and technology. Judging from about 1500 characters identified in Oracle Bone Inscriptions, the methods of "pictographic, comprehending, pictophonetic, referring to things, transferring notes and borrowing words" have been developed, which shows the unique charm of China characters. Documents based on tortoise shells and animal bones in Shang Dynasty and early Western Zhou Dynasty in China (about 16 BC-0/0 BC). This is the earliest known form of Chinese literature. The characters carved on Oracle bones were previously called Wen Qi, Oracle Bone Inscriptions, Oracle Bone Inscriptions, Turtle Edition, Yin Ruins, etc. Now they are usually called Oracle Bone Inscriptions. Due to superstition, Shang and Zhou emperors used tortoise shells (common in tortoise shells) or animal bones (common in cattle scapula) for divination, and then carved divination related matters (such as divination time, diviner, divination content, divination result, verification, etc. ) in the Oracle Bone Inscriptions, and preserved by the royal historian as archival materials (see Oracle Bone Inscriptions archives). In addition to Oracle inscriptions, there are some unforgettable inscriptions in Oracle Bone Inscriptions's offerings. Oracle Bone Inscriptions's contribution covers astronomy, calendar, meteorology, geography, country, lineage, family, figures, officials, conquest, imprisonment, agriculture, animal husbandry, hunting, transportation, religion, sacrifice, disease, birth and disaster. It is extremely valuable first-hand information for studying the social history, culture and language of ancient China, especially the Shang Dynasty.

2 bronze inscriptions

Bronze inscriptions refer to characters cast on bronze wares of Yin and Zhou Dynasties, also known as Zhong Dingwen. Shang and Zhou Dynasties were the bronze age, with the tripod as the representative ritual vessel and the bell as the representative musical instrument. "Zhong Ding" was synonymous with bronze ware. Therefore, Zhong Dingwen or inscriptions on bronze refers to inscriptions cast or carved on bronzes.

Bronze is an alloy of copper and tin. China entered the Bronze Age in the Xia Dynasty, and the smelting of copper and the manufacture of bronzes were very developed. Because copper was also called gold a week ago, the inscriptions on bronzes were called "bronze inscriptions" or "auspicious words"; This bronze ware was called "Zhong Dingwen" in the past because it had the largest number of characters on Zhong Ding.

The application time of bronze inscriptions is about 1200 years, from the early Shang Dynasty to the Qin Dynasty's destruction of the Six Kingdoms. According to Rong Geng's Jin Wen Bian, there are 3,722 inscriptions, of which 2,420 can be identified.

There are different words in the inscriptions on bronzes. The content of memory is also very different. Its main content is mostly to praise the achievements of ancestors and princes, but also to record major historical events. For example, the famous Mao has 497 words, covering a wide range, reflecting the social life at that time.

3 major seal scripts

The current representative figures are named after a book handed down by Taishi in the Zhou Dynasty. On the basis of the original text, he transformed it and got his name because it was engraved on the stone drum. It is the earliest stone carving text that has been circulated so far, and it is the ancestor of stone carving.

It began in the late Western Zhou Dynasty and traveled in Qin during the Spring and Autumn Period and the Warring States Period. The fonts are similar to those of Qin Zhuan, but the configurations of glyphs overlap.

4 biographies

Also known as "Qin Zhuan". It was in the Qin dynasty. The shape is long, even and neat, and it evolved from Da Zhuan. Xu Shen in the Eastern Han Dynasty, Shuo Wen Jie Zi? Syria said: "Qin Shihuang was the first emperor in the world ... Let it not be combined with Qin Wen. (Li) Company wrote Cang Xie, CZ ordered Zhao Gao to write Love Calendar, and a surname ordered Hu Wujing to write Bo Xue, all of which took history as a big seal, or existed quite a bit, so-called small seal. "

5 official script

Official script is basically evolved from seal script, mainly changing the round strokes of seal script into square folds, which makes writing faster, and it is difficult to draw round strokes when writing with pigments on wooden slips.

Official script is also called "official character" and "ancient book". It is a font produced on the basis of seal script to meet the needs of convenient writing. The seal script is simplified, and the uniform circle lines of the seal script are changed into straight strokes, which is convenient for writing. Official script can be divided into "Qin Li" (also called "Guli") and "Han Li" (also called "Golden Calendar"). The appearance of official script is a great change in ancient writing and calligraphy.

Official script is a common solemn font in Chinese characters, with a slightly flat writing effect, long horizontal drawing and short straight drawing, and pays attention to "swallow tail of silkworm head" and "twists and turns". It originated in the Qin Dynasty and reached its peak in the Eastern Han Dynasty. Calligraphy is known as "Han Li Tang Kai". It is also said that official script originated in the Warring States period.

Official script is relative to seal script, and its name originated from the Eastern Han Dynasty. The appearance of official script is another great change of China characters, which brings China's calligraphy art into a new realm, is a turning point in the development history of Chinese characters, and lays the foundation for regular script. Official script is flat, neat and exquisite. In the Eastern Han Dynasty, stippling such as skimming was beautified as upward provocation, with different degrees of severity and artistic beauty of calligraphy. Styles also tend to be diversified, which is of great artistic appreciation value.

According to legend, the official script was compiled by Cheng Miao who was not in the prison of Qin Dynasty. By eliminating complexity and simplifying, the font becomes round and square, and the strokes become straight. Change "Lian Bi" to "broken pen" and change from line to stroke, which is more convenient for writing. "Li Ben" is not a prisoner, but a petty official, that is, a small official in charge of documents, so in ancient times, official script was called "Zuo Shu". Lishu prevailed in Han Dynasty and became the main style of calligraphy. As a start-up Qin Li, seal script has many meanings, and it has been continuously developed and processed. It broke the writing tradition since the Zhou and Qin Dynasties and gradually laid the foundation for regular script. Under the unification of the thought of "ousting a hundred schools of thought and respecting Confucianism alone", the official script of the Han Dynasty gradually developed into the dominant script, and at the same time, cursive script, regular script and running script were derived, laying the foundation for art.

6 regular script

Regular script is also called official script, or real book. Its characteristics are: square shape, straight strokes, can be used as a model, hence the name. Began in the Eastern Han Dynasty. There are many famous regular script writers, such as Ou Ti (Ou Yangxun), Yu Ti (Yu Shinan), Yan Ti (Yan Zhenqing), Liu Ti (Liu Gongquan) and Zhao Ti (attached).

In the early days, there were few official handwriting, the structure was slightly wider, the horizontal painting was long and the vertical painting was short. In Wei Jinzhong handed down from ancient times, such as Zhong You's "Declaration Form" (left), "List of Recommended Seasons", Wang Xizhi's "Le Yi Lun" and "Huang Ting Jing" can all be regarded as representative works. Look at its characteristics, as Weng Fanggang said: "Change the wave painting of official script, pick it up, and still keep the vertical of official script."

After the Eastern Jin Dynasty, the north and the south were divided, and calligraphy was also divided into two factions. The calligraphy style of the Northern School has inherited the legacy of Han Li. Its brushwork is simple and rigorous, but its style is simple and rigorous, so it is called "Weibei". Southern calligraphy is more sparse and beautiful than letters. During the Northern and Southern Dynasties, because of regional differences, personal habits and book styles were very different. The books in the North are strong and the books in the South are rich, each of which is wonderful and inseparable, while Bao and Kang Youwei highly admire the books of the two dynasties, especially the epitaphs of the Northern Wei Dynasty. Kang cited ten beauties to emphasize the advantages of Weibei.

Regular script in the Tang Dynasty, like the prosperity of the national situation in the Tang Dynasty, is really unprecedented. Calligraphy style is mature, and calligraphers come forth in large numbers. In terms of regular script, Yu Shinan, Ou Yangxun, Chu Suiliang in the early Tang Dynasty, Yan Zhenqing in the middle Tang Dynasty and Liu Gongquan in the late Tang Dynasty all regarded his regular script works as models of calligraphy.

7 cursive script

Cursive script: a style of Chinese characters. Formed in the Han Dynasty, it evolved on the basis of official script for the convenience of writing. There are Cao Zhang, Cao Jin and Crazy Grass. There are rules to follow in the changes of strokes, such as the urgent chapter of the Three Kingdoms Wu in Songjiang Edition. Today's grass is eclectic and fluent, and its representative works include Wang Xizhi's "The First Moon" and Jin Dynasty's "Getting Time". Mad grass appeared in the Tang Dynasty, represented by Zhang Xu and Huai Su, and its brushwork was wild and uninhibited, which became an artistic creation completely divorced from practicality. From then on, cursive script was only the works of calligraphers imitating Cao Zhang, Cao Jin and Kuangcao. Masterpieces such as Zhang Xu's Abdominal Pain Post and Huai Su's Autobiography Post. Cursive script is a font produced for the convenience of writing. It began in the early Han Dynasty. At that time, it was "Cao Li", that is, scribbled official script, which gradually developed into a kind of "Cao Zhang" with artistic value. At the end of the Han Dynasty, Zhang Zhi changed "Cao Zhang" to "modern grass", and the character style was formed in one fell swoop. In the Tang Dynasty, Zhang Xu and Huai Su developed into "weeds", with continuous strokes and changeable glyphs.

Eight lines of writing

A font between regular script and cursive script, which can be said to be cursive or cursive. It is to make up for the shortcomings of slow writing in regular script and illegible cursive script. The brushwork is not as sloppy as cursive script, and it is not required to be as correct as regular script. There are more methods of mold opening than cursive writing, which is called "mold opening". Cursive calligraphy is more than modular method, which is called "cursive calligraphy". Running script was produced in the late Eastern Han Dynasty.

Respondent: lihai 4458- Level II 2008-11-1719: 20.