The Fine Collection of Luoyang Museum

Luoyang Museum collects all kinds of precious cultural relics unearthed in Luoyang from prehistoric times to Ming and Qing Dynasties, especially bronze ritual vessels in Xia, Shang and Zhou Dynasties, pottery figurines in Han and Tang Dynasties, tri-colored pottery in Tang Dynasty and porcelain in Song Dynasty. The collection is large in quantity, rich in variety and rich in regional characteristics, which occupies a certain position in the field of cultural relics in China. Name: checked bronze tripod age: Erlitou culture (about 2 1 century-65438+3rd century BC) late specification: 20cm high, caliber 15.3cm Brief introduction:

Xia, Shang and Zhou dynasties lasted for thousands of years and created a splendid bronze culture, which occupies an important position in the history of Chinese civilization. Among them, Ding is the representative of bronze culture in China, which is generally divided into round three-legged and square four-legged. Known as the "heavy weapon of the country", it is a symbol of the country and power.

According to relevant documents, in the later period of clan society, the land of the Central Plains was flooded, and the Huaxia tribe pushed Dayu to control the water. Dayu looked up at astronomy, looked down at geography, guided the situation and made a big fuss. After 18 years of unremitting efforts, he finally surrendered to the flood, realizing a clear river and peace in the world. As a result, China's family elected Dayu as their leader. Dayu divided the world into Kyushu, which made Kyushu offer bronze and cast Jiuding. He carved the famous mountains, rivers and wonders of Kyushu on Jiuding, symbolizing a country with a tripod, and concentrated Jiuding in the capital of Xia Dynasty.

In this way,' Kyushu' became synonymous with China, and' Jiuding' became a symbol of state and power. For thousands of years, Ding has been endowed with too many mysterious colors, condensed into an abstract cultural symbol and became an important symbol of the Chinese nation.

This bronze ware was unearthed at Erlitou site in Yanshi 1975. It has a cone-shaped tripod with a closed mouth, a round belly and a flat bottom. Two ring-shaped ears are cast along the top, and the abdomen is decorated with irregular checkered patterns. The tripod is die-cast and folded, dignified and regular, but slightly childish and rough, with simple decorative patterns. Checked bronze tripod is the earliest bronze tripod found at present. Known as "the first tripod in China", it is a national treasure. Name: Turquoise Dragon Age: Erlitou Culture (about 2 1 century BC-65438+6th century BC) later specifications: about 65cm long, consisting of more than 2000 small turquoise pieces with different shapes. Introduction: In the spring of 2002, when cleaning a tomb in the south courtyard of Erlitou Palace in Yanshi, Luoyang, archaeologists found this turquoise dragon-shaped device-about 65 cm long, which was made up of more than 2,000 small turquoise pieces with different shapes, of which the smallest turquoise piece was only 0.2 cm in diameter and about 0. 1 cm in thickness. Dragon-shaped faucet is oblate, with long whiskers or prominent sideburns, slightly prominent snout, obvious middle frontal ridge and symmetrical fusiform orbit. The dragon body is slightly bent, and the middle ridge inclines downward to both sides. The whole body is covered with rhombic scales, and the tail tip curls inward. Not far from the dragon's tail, there is also a strip pattern of turquoise, which is almost perpendicular to the "dragon body".

Unlike today's people who like gold and jade, turquoise has always been regarded as a gem in Xia and Shang Dynasties, and it was mostly used by nobles. Therefore, tombs with turquoise ornaments are mostly high-grade tombs. "Before the turquoise dragon was unearthed, three bronze ornaments inlaid with turquoise were unearthed at Erlitou site, which were brightly colored and beautifully made, causing a sensation in academic circles at home and abroad." Zhang Yufang, director of the collection department of the Municipal Museum, said that this turquoise dragon-shaped device, like a Youlong, was very rare among the early dragon-shaped devices. It is a well-deserved "super national treasure" and was named "Dragon". Name: Zhang Yu era: Erlitou culture (about 2 1 century-BC16th century) later specifications: 48.5 cm long, flat cuboid, with an inclined blade at one end and a toothed hole at the other. Introduction:

Zhang Yu 1975 was unearthed at Erlitou site in Yanshi. Zhang Yu was mainly popular in Xia and Shang Dynasties, and it was one of the ritual jade used by the ancients in ritual occasions such as sacrifice, court meeting and engagement.

Xia, Shang and Zhou Dynasties are the initial period of the formation of the etiquette system of the Chinese nation. In the process of the initial formation of the etiquette system, jade was gradually endowed with more and more cultural connotations, and became one of the important utensils used by the ancients in ritual occasions such as sacrifice, courtship and engagement. 1975 Zhang Yu unearthed from Erlitou site in Yanshi is a typical representative.

Yuzhang is 48.5 cm long and is a flat cuboid with a narrow and wide front end, flat sides and a slightly concave arc-shaped cutting edge. There are dental ornaments on both sides of the back end, and parallel negative lines are left at the corresponding positions of the dental ornaments on both sides; Rectangular handle with holes in the front and middle of the handle. Zhang Yu was first seen in the late Neolithic period and was mainly popular in Xia and Shang Dynasties. Up to now, the oldest jade Zhang found in China was unearthed at the Simatai site of Longshan culture in Shandong Province. Among the jade Zhang unearthed in China, there are few jade Zhang after Shang Dynasty and few jade Zhang after Warring States Period. Name: bronze square chime of mother drum: Shang specification: Qualcomm 50, shoulder width 33cm Description: square chime of mother drum (léi), 1963, unearthed from Luoyang North Kiln. Qian Fang, the mother drum, is a typical representative of bronze wares in Shang Dynasty.

Money is a kind of wine vessel, which was popular in Shang and Zhou Dynasties. The female drum has copper square shoulders, and the mouth is straight around the foot. The cover is in the shape of four roofs, holding the ears with the animal's head. The lower abdomen has dragon patterns on the neck and shoulders of the animal's head. The belly is decorated with long bird pattern and hanging leaf dragon pattern, and the cover and ring foot are decorated with animal face and dragon pattern. The mouth of the cover has the words "mother drum" respectively. The whole body is decorated with a relief animal face composed of dragon pattern and Yun Leiwen, and the abdomen is decorated with a vertical leaf pattern composed of dragon pattern. The cover is like a roof with slopes on all sides, and the four corners and the middle part of the dome have protruding edges. The word "mother drum" is cast on the cover, which should be the title obtained by a woman in the drum country when she marries a woman. The whole vessel has a steady and elegant shape and gorgeous body. Popular in the late Shang Dynasty, it is an exquisite bronze wine vessel in the late Shang Dynasty. Name: fishing song year: business specification: 48 cm long Description: 1985 The fishing song unearthed in Xizhaizi Village, Chenwu Township, Luoning County, is 48 cm long and has an oblique triangle on the front, which was mainly popular in Shang and Zhou Dynasties. Although its shape is similar to that of later daggers, it is actually a ritual vessel. The ancients called the beauty of stones "jade", and later these exquisite jade were endowed with the connotation of reaching the gods. Ge was a common weapon in Xia, Shang and Zhou Dynasties. Among them, jade first appeared in Erlitou culture and was popular in Shang and Zhou Dynasties. Therefore, fishing songs are generally unearthed in the tombs of Shang and Zhou Dynasties.

The evolution of the shape of Hosta can be divided into three stages: the early Xia and Shang Dynasties saw the rise of Hosta. At that time, the shape of Hosta was generally large, generally about 30 cm, and the longest one was unearthed at Panlongcheng site in Huangpi, Hubei Province, with a length of 97 cm. At the same time, the fishermen's songs in this period were slightly arc-shaped, and most of them had no middle ridge, only blunt ridge, with simple or no ornamentation.

The late Shang Dynasty and the Western Zhou Dynasty were the popular periods of fishing songs. At this time, the size of fishing songs became obviously smaller, with the largest being 15 cm to 20 cm long and the smallest being 4 cm to 5 cm long. Jade Ge is divided into straight lines and curved lines, both of which have middle ridges or three ridges, and the decorative patterns are also very complicated, including coarse yang lines, animal face lines, deformed moire lines and so on. After the Western Zhou Dynasty, fishing songs gradually disappeared, and basically disappeared after the Han Dynasty.

As a ritual vessel, Yugo is mainly used to pray for strength and victory, showing majesty and rank. Brother Dayu can put it in the house or hang it on the wall to ward off evil spirits. Small fish can be hung around the waist or neck to demonstrate strictness or pray for victory. This kind of jade ge is also common in Jinsha and Sanxingdui sites in Sichuan, which should be the result of cultural exchanges between the Central Plains and surrounding areas. Name: hostel year: Shang Dynasty (BC 1600-BC 1046) Specification: length14.3cm, width1.3cm and thickness1.5cm. Introduction: As the source of the axe-shaped jade and the word "king", Jade Ear is the symbol of kingship and represents the power of life and death. The graupel should have evolved from a stone axe.

Because of its broad and heavy characteristics, Hosta became one of the most important ritual vessels in Shang and Zhou Dynasties, symbolizing power and majesty. According to Shuowen, "Yue, Wang Fuye." "Shangshu" contains: "Wang Zhangzuo Huang Yue." This shows that Yu Shuo symbolizes kingship, the power of life and death and punishment. In the earliest Oracle Bone Inscriptions in China, the word "Wang" was painted as a cymbal. Gao Xi Province said that the earliest word "Wang" evolved from "Yue", indicating that during the period of military democracy on the eve of civilization, military leaders and political leaders became one, "and these people held Yue and became a symbol of power".

In ancient China, due to the relative lack of understanding of nature, people often used the best things to offer sacrifices to heaven and gods. "Jade is the best sacrifice that people offer to God." Gao Xi said that not only that, the ancients also gave full play to their imagination, endowed jade with purity, strength and other connotations, and expressed some wishes and thoughts through jade, thus forming a jade culture with a long history in China. Name: Shuyi Age: Western Zhou Dynasty (BC 1046- BC 77 1) Specification: height 32.6 cm, mouth length 23.5 cm, width 19 cm, weight 7.75 kg Description: 1947. A large number of precious cultural relics have been unearthed in the ancient tomb, including bronze ritual vessels, ancient, Yi, Zun, weapons, spears, bells, horse ornaments, jade articles and jade knives. Most of these precious cultural relics were lost overseas after being unearthed. 1960 during the cultural relics survey, the municipal cultural relics department found and collected a bronze ware-Uncle Fang Yi, which is now in Luoyang Museum. Uncle Fang Yi is a cuboid, which is a typical wine container in the early Western Zhou Dynasty. The cover, body and seat are decorated with three-layer semi-relief patterns based on Yun Leiwen. The main pattern of the belly cover is gluttonous, and only the mouth edge, the circle foot and the top cover are decorated with a phoenix and bird pattern. The pattern is dense and meticulous, and the casting is exquisite.

The shape of this square dress is very similar to that of the famous Fang Ling dress and the concealed dress. On the cover and abdomen, there are three lines of 12: "Uncle Juan presented the shell as a treasure to show his respect for foreigners", and Mr. Guo Moruo, a master of literature and history, regarded it as "a weapon when he was a king of martial arts or became a king" and the inscription "Wang Cong" was Princess Taicong. It is a royal heavy weapon and a typical bronze ritual vessel of the Western Zhou Dynasty. This is the only one in China, which is very precious. Name: Cuoyin bronze tripod era: Warring States Period (475 BC-22 BC1year) Specification: height 16.5 cm, abdominal diameter 13.2 cm. Introduction:

During the period of 1979, villagers in Xixiaotun village of Luoyang city found a cellar while working. Cultural relics workers arrived at the news and found the wrong gold, silver and bronze tripod in the cellar. The bronze tripod cover is spherical, with ears and short flow. The foot covers and ventral backs of the three animals are decorated with staggered gold petals and triangular moire patterns, which are rare handicrafts. Ding is an instrument for holding liquid food. The first ring is a component used for carrying, which is common in the abdomen of pots and pans. However, the shape of the head ring with cover buckle is extremely rare in Shang and Zhou bronzes. This kind of cookware with wrong gold and silver is only available to the royal family, and the place where this tripod was unearthed is just in the ruins of the Eastern Zhou Dynasty in Luoyang City. Therefore, it can be considered that this exquisite and luxurious musical instrument should be the product of the royal family in the Eastern Zhou Dynasty.

There were many decorative techniques in ancient times. "Embedding" means embedding something in the periphery or adding edges. "Embedding" means embedding things in cracks, and "wrong" means polishing them with Cu stone to make them smooth. Wrong gold and wrong silver, also known as wrong gold and wrong silver, is to first cast or chisel grooves on the surface of bronzes, and then embed gold and silver wires and chips. Hammer them firmly, then polish them with stones to make them flush with the surface of the utensils, and finally polish them with charcoal and clear water to make the bronze surface and gold and silver patterns show different colors, setting off magnificent patterns, thus achieving the decorative effect of highlighting patterns and inscriptions. The fine technology of gold and silver dislocation is the product of the development of ancient science and technology to a certain stage, and it also shows the glory of the Eastern Zhou Dynasty from another side. Name: Warring States Jade Age: Warring States Period (475 BC-22 BC1year) Specification: Sapphire with a height of 7.50 cm Brief introduction:

1987 jade figures from the warring States period unearthed in Luoyang copper processing factory, with their hands crossed in front of their bellies and sitting upright. The flippers go through the hips. Wear a mask, a bun, heavy eyebrows, a wishful nose, high cheekbones and a big mouth, and a beard on the lips. The mask was tied behind the head with a rope. Short hair on the top and big ears. Wearing a short-sleeved suit with a chicken heart collar and shorts. Decorate with squares, triangles and stripes.

Most of the tombs of jade carving people were unearthed in the late Shang Dynasty and the Western Zhou Dynasty. Many people stand on their knees, and their uses have universal religious significance. During the Spring and Autumn Period and the Warring States Period, there were not many discoveries of jade people, and their shapes were relatively short. The appearance of this jade man was extremely rare at that time. The costumes and clothes of jade people were even rarer in the past. The image of wearing a mask shows its mysterious identity, although it is still inconclusive. However, it is generally believed that his identity should be the image of exorcism. This provides important material data for studying the costume and religious history of the Warring States period in China. Name: Stone Age of Eastern Han Dynasty: Eastern Han specifications: 1.9 meters high, 2.9 meters long and 8 tons in weight. Introduction:

1992, 1 villagers are nervously digging canals 0 km south of the mausoleum of Emperor Guangwu of Han Dynasty in Menghui Town, Mengjin County. When digging to a depth of about 5 meters from the surface, a boulder prevented the villagers from digging further. After hearing the news, the county cultural relics department immediately organized the excavation. Many large stone carvings are presented to archaeologists. After the restoration, a giant stone beast with a height of 1.9 meters, a length of 2.9 meters and a weight of 8 tons stands proudly. The stone beast has long wings and looks like liger.

This stone exorcist is carved from a complete blue stone. It is like a tiger, like a leopard, with a lion's head, sharp teeth, long wings, long tail mopping the floor and straight horns. Its shape is very strange, as if it had the feeling of taking off. The whole stone beast's body proportion, expression and muscle lines are just right, and its image is vigorous and dignified, full of pride and imagination; From the perspective of carving techniques, round carving, flat carving and line carving naturally blend, and point, line, surface and body are perfectly combined, showing the perfect stone carving art in Han Dynasty.

So far, among the cultural relics unearthed in China, only one stone has such a big body and exquisite artistic skills to ward off evil spirits. Name: Zhengshi Shijing era: Cao Wei Zhengshi two-year specifications: 75.4 cm long and 50 cm wide Brief introduction:

After Cao Wei founded Luoyang, imperial academy flourished again. After Cao Fang ascended the throne, he decided to sort out the stone tablets in Xiping Shijing and carve them as a supplement. So there was the "Zhengshi Shijing" engraved in the second year of Zhengshi (AD 24 1). In the Northern Wei Dynasty, local official temples lacked stone materials, so they used local materials and used some stone tablets. Yecheng was the capital of the Eastern Wei Dynasty, and the rulers wanted to transport these two kinds of stone classics from Luoyang to Yecheng by water. However, when they were transported to Mengzhou City, the riverbank collapsed and nearly half of the stone classics fell into the Yellow River. When it was shipped to Yecheng, there were only 52 stone scriptures left in the Han and Wei Dynasties. In 579 AD, the rulers of the Northern Zhou Dynasty moved the Book of Songs from Yecheng to Luoyang. After the establishment of the Sui Dynasty, the rulers transported some stone classics from Luoyang to Chang 'an, and were soon transformed into column bases by a government department of the Sui Dynasty. In the early years of the Tang Dynasty, when Wei Zhi wrote "The Stone", he had already "ten don't save one". At present, there are only 2,500 words left in all the "Zhengshi Shijing" in China.

Zheng Shi Jing was unearthed in Taixue Village, Dianzhuang Town, yanshi city on 1922, and it was preserved immediately after it was unearthed. It is 75.4 cm long and 50 cm wide. The tablet is engraved with Shangshu and Chunqiu, with about 600 words. Year: Tang Dynasty (68-907 AD)

Unearthed: Geely District, Luoyang 1987.

Specification: height 45.5cm, seat diameter 22.6cm

Brief introduction: Tri-color lamps are lighting appliances used in the Tang Dynasty. It consists of four parts: seat, handle, plate and lamp. It is decorated with green, brown and white glazes. A pot with a round cover, a concave chord on the surface, a round bamboo-shaped handle, a lotus-connected seat, and pots at both ends, with beautiful shape and bright glaze color. It is the first archaeological discovery in Luoyang and an extremely rare artistic treasure among the three colors. Date: Western Jin Dynasty (AD 265-3 16)

Specification: 2.60 cm in height, 2.20 cm in length and width, 83.2 g in weight and 70% in gold content.

Shape: the printed surface is square, the word "Wang" is engraved in white, and the printed button is camel-shaped.

Introduction: This seal was bought by Jin Meng merchants in Gansu from antique dealers in the1940s. 1973 was handed over to Luoyang Museum for collection.

Judging from the seal printed here, there is no doubt that it is the seal of Jin Dynasty. Righteousness means domestication and surrender. Hu refers to the Xiongnu, a minority in the north at that time. Judging from the seal of Gansu, the Hu Jinquan referred to should be the Xiongnu leader who lived in Liangzhou and was sealed by Di Chin. According to the documents, the Xiongnu's conversion to righteousness in the Jin Dynasty occurred during the reign of Emperor Wu of Jin Dynasty, so the sealing of the country should have happened during the reign of Emperor Wu in the early Jin Dynasty, which shows that this is also a concrete measure for the Jin Dynasty to appease ethnic minorities, establish friendly relations with each other and reduce border wars. Camel-shaped buttons also inherited the traditional custom of granting seals to minority leaders since the Han Dynasty. The layout of this seal is neat and steady, the handwriting is regular and vigorous, and the shape is concise and concise. It is also a typical example of strictly inheriting the seal style of China and a masterpiece of ancient seals of China. At the same time, it provides valuable information for the study of ancient seal cutting and plastic arts in China. The basic exhibition is located on the first floor of the exhibition hall and is divided into three exhibition halls. The exhibition shows the development of Heluo civilization in prehistoric times, Xia, Shang and Zhou Dynasties, Han and Wei Dynasties, Sui and Tang Dynasties and Northern Song Dynasty in chronological order. A collection of cultural relics from past dynasties shows the vicissitudes and lofty sentiments of "ask about ancient and modern things, please only look at Luoyang City". Among them, the important exhibits include Shang and Zhou bronzes, Western Zhou lead wares and various shapes of "primitive celadon", the fish treasure of Qi Hou in the Spring and Autumn Period, the cauldron in Jincun and the "Jin Jian in Jintang" in the Warring States Period, the colored pots in the Western Han Dynasty, the ritual vessels of princes in the Northern Wei Dynasty and the colorful tri-colored Tang Dynasty. There are a number of national first-class cultural relics in the exhibits, including some orphans, and quite a few of them are exhibited for the first time. The exhibition, supplemented by modern scientific and technological means, reflects the ancient capital Luoyang's long history, splendid culture and important position in the history of China from different aspects. In 20 13, Heluo civilization was selected as one of the top ten exhibitions of the 10th National Museum (201-2012).

Prehistoric period: Star cultural relics belong to pottery kindling devices, which were used by the ancients to store kindling, and were first seen in prehistoric archaeology in China.

Xia Shang Zhou: Four thousand years ago, Luoyang began to become the political and economic center of the Chinese nation. Erlitou site in Yanshi, Luoyang was confirmed as the old capital of Xia Dynasty, and Luoyang Museum opened an independent exhibition hall to display bronzes, pottery and jade articles of Xia Dynasty, which is unique among domestic and foreign collection institutions. Among them, the micro-carved turquoise beast is only half a centimeter high, which is of great value for studying the development of micro-carving technology in China. The excavation of Erlitou site makes people have a comprehensive understanding of the development of Xia culture in western Henan. The model of Erlitou Grand Palace's base site on display makes people feel the architectural scale of the capital of China Dynasty 4,000 years ago. The cultural relics unearthed from the site of Yanshi Shangcheng show the cultural characteristics of the early Shang Dynasty. Zi Shenfu's bronze tripod is a representative of Shang bronzes. Exquisitely made, especially bird-shaped flat feet, are typical artifacts of the late Shang Dynasty.

Cultural relics in the Western Zhou Dynasty include Fang Yishu, square bamboo, weapons, gluttonous Fang Yi, Yongzhong and so on. There are many artifacts in the Eastern Zhou Dynasty, such as gold, silver, bronze tripod, bronze statue, jar, figurine, plate, card, copper pot, stone chime and so on. Among them, Qi Hou Baoyu jar is the largest and heaviest bronze unearthed in Luoyang, weighing 75 kilograms and with a diameter of 70 centimeters, which can be described as "the king in the jar". Inscriptions are important materials to study the marriage relationship between Zhou royal family and princes. The sword of Fu Cha, the King of Wu, and the spear of the King of Yue on display are evidence of social unrest and frequent wars during the Spring and Autumn Period and the Warring States Period. Among them, Fu He and the bronze spear are the weapons of Fu He, the son of Gou Jian, which were discovered in Luoyang for the first time and are of great significance to the study of the relationship between the Zhou royal family and Yue State. The bronze square mirror adopts bronze carving technology, which is novel in concept and rare in China. Another Jade Man is an orphan of China. In addition, the four-series celadon enamel has bright glaze color, uniform glaze application, weak water absorption, simple and elegant patterns and complete preservation, and is a fine product in the original celadon. The number of primitive celadon unearthed in Luoyang accounts for more than half of the country, which proves that Luoyang was the center of primitive porcelain firing at that time. It is rare to decorate the neck with vivid rabbit patterns for a week. Ai Chengshu bronze tripod, the inscription records the life of Ai Chengshu, ***54 words. Such a long inscription is extremely rare in the Eastern Zhou Dynasty and has important historical value.

Han and Wei Dynasties: This period includes the Western Han Dynasty, the Eastern Han Dynasty, the Cao Wei Dynasty, the Western Jin Dynasty and the Northern Wei Dynasty. Through the display of cultural relics in this period, it reproduces the features of Luoyang as the political, economic and cultural center of China during the period of great development of feudal society and great ethnic integration in Han and Wei Dynasties. The cultural relics on display include: various acrobatic figurines, painted pottery pots, glazed pottery, folly coins, bronze mirrors, jade articles and so on. The most striking ones are Xiping Shijing and Zhengshi Shijing. Imperial academy was the largest educational institution in the Eastern Han Dynasty, with more than 30,000 students. Imperial academy carved stone classics before, in order to unify Confucian classics and calm the dispute between ancient and modern versions. The existing fragments are treasures in the cultural history.

In the funeral customs of the Han Dynasty, paintings on the tomb walls were popular, ranging from the sun, the moon and stars, playing ghosts, historical allusions to welcoming guests and singing and dancing feasts. There are both ideas and life scenes. This exhibition includes Travel Map (the original product of the Eastern Han Dynasty), Ascending to the Immortal Map (the manuscript) and Big Nuo Banquet Map.

The stone unearthed in the south of the mausoleum of Emperor Guangwu of Han Dynasty exorcises evil spirits, which is a complete blue stone carving, majestic and dignified. Glazed pottery Boshan furnace, hollow relief Lux and many animals are lifelike. Glazed pottery Boshan furnace is rarely found in Han tombs in Luoyang. Pottery windmills and rice husks are scientific in production and complete in function, which are important physical materials for studying the history of ancient agricultural machinery. Painted pottery hundred flowers lamp, 92 cm high, has shaped many images of people and animals with feathers, painted in red and black, beautiful and gorgeous. The shoulder of grass-leaf glazed pottery pot is decorated with four groups of white S-shaped grass-leaf patterns, which are extremely rare patterns in the funerary objects of Han tombs. The blue glazed pottery jar with fighting beast pattern has bright glaze color and rare embossed fighting beast pattern in Han Dynasty, which is a fine product in low-temperature glazed pottery. Jin Guiyi, Hu Jinyin and India were the titles of the leaders of the Huns' naturalized tribes at that time, which reflected the history of ethnic integration. Celadon pot with the head of a chicken, with a whole body of green glaze and a delicate and even opening, is a fine product among celadon in the Northern Wei Dynasty.

Sui and Tang Dynasties: The exhibition of cultural relics of Sui and Tang Dynasties unearthed in Luoyang reflects the heyday of feudal society in China and the historical elegance of Luoyang, an international metropolis. The sand table model of Luoyang City, the capital of eastern China, was exhibited, and the unearthed architectural structures, various painted figurines, tomb animals, the world-famous tri-colored Tang Dynasty, various bronze mirrors and gold and silver wares were discovered. The East Roman gold coins and Persian silver coins on display were cast in Sui Dynasty and Northern Wei Dynasty respectively. They spread to Luoyang through the business travel of the Silk Road, which also confirmed the view that the Silk Road originated in Luoyang.

There are many kinds of tri-colored glazed pottery in Tang Dynasty. Among them, there are figurines with different expressions, lifelike animal figurines, and simple and elegant living utensils, especially the female figurines in the Tang Dynasty, which are plump and comfortable, luxuriant in clothes and diverse in hair accessories, reflecting the social outlook of the Tang Empire, enriching the people and strengthening the country, singing and dancing peacefully. The sand table model of Miyagi, the capital of the Sui and Tang Dynasties, reproduces the scale of square inches of land. The capital of Sui and Tang Dynasties has a rigorous layout and natural design.

The cultural relics unearthed from Bai Juyi's former residence, Tang Gongling's mourning queen's tomb and Shen Hui's tomb are the unique highlights of this exhibition area. The site of Luoyang Bai Juyi's former residence is the first excavation of a celebrity's homestead in China, and classic buildings, inkstones and other cultural relics related to Bai Juyi have been discovered. Tang Gongling is the only tomb of the Tang Dynasty in Luoyang. The exquisite blue-and-white red glazed pottery unearthed from the tomb of the mourning queen is full in shape and crystal clear in glaze, especially the blue glazed pottery is extremely rare and is a rare treasure. Among them, the blue glazed lamp is the first blue glazed object discovered by China. God is the seventh ancestor of Zen in Tang Dynasty. Many precious buddhist supplies unearthed in his tomb, such as a long-handled incense burner, a copper box at the top of the tower, a copper net bottle, etc., are all important physical materials for studying Zen in the Tang Dynasty.

Other treasures include: silver-plated gold, golden flowers, fish and water-patterned begonia-shaped lamp holders. The lamp holders are in the shape of begonia flowers, and the trays are in the shape of oval lotus leaves. Water waves and roe patterns surround Pisces, which are fine works of the Tang Dynasty. The stone toad on the stream of Luoyang Shangyang Palace is the only material object to study Shangyang Palace in Tang Dynasty.

Five Dynasties and Northern Song Dynasty: This part of the fine works includes: porcelain chess, complete chess pieces and exact time, which is the best-preserved porcelain China chess with clear archaeological discovery date and unearthed place. In the early Tang Dynasty, the stone statue of the Sangha, the great sage of Sizhou, who was born and raised in the western regions, was regarded as the embodiment of Guanyin Bodhisattva. It is extremely rare that the statue monument is well preserved, vivid in image and accurate in commemoration. The first floor of the annex building on the east and west sides of the main entrance of Luoyang Museum is the Peony Flower Capital Specialty Exhibition Hall, covering an area of about 3,600 square meters, which mainly collects famous specialty foods, peony foods and agricultural and sideline products from Henan Province, especially Luoyang.