There is an urgent need to introduce the activity plan in an ancient tone!

This is a hairpin. The gift is a rite of passage for Han girls. Like the coronation ceremony of men, it is a ceremony for adults. Before the ceremony, Secretary Xiao delivered a speech: "Harmony is the most important thing, and responsibility is the most important thing. I hope you understand your responsibilities in class, school and society. " At the same time, he also pointed out that wearing Hanfu is a way to inherit China culture, and culture refers to cultural spirit. The name of "One Robe of the Chinese Literary Association" comes from The Book of Songs Qin Feng No Clothes, which expresses the spirit of patriotism. He added: "To promote China culture is not only to wear Hanfu, but also to inherit the cultural spirit of China, the core of which is patriotism. hope

According to the host, there are many etiquette courses, but this etiquette course has been slightly adjusted. Attending the ceremony were (a talented elderly woman), a teacher from the School of Trade and Management, You Si (a person who carries plates for guests) and Zan (a person who helps salute). Twenty girls attending the group worship ceremony slowly walked to the mat and knelt down, their clothes fluttering and radiant. The ceremony started with ceremony (washing hands as the main guest, giving praise and toasting as the main guest), including the first visit to parents, the second visit to the class teacher and the third visit to Xuanyuan Huangdi (that is, going north). The host introduced the different types, styles and colors of Hanfu to the students at the scene from time to time during the logistics period. The way to salute presents the unique femininity of women: a long hair and a hairpin are combed into a beautiful bun, and the hairpin is solemnly worn ... Ran Bo, a student at the School of Mechanical Engineering, said: "People wear Hanfu, just like going back to ancient times, which can reflect the national cultural characteristics."

Next, the single adult ceremony was held, and Ma Yuecan's parents were invited. Ma Yuecan's father told reporters that they came from the main city to attend their daughter's ceremony, because the adult ceremony is very important to children.

Xiao Tingting, a student of the Institute of Automation, couldn't hide her excitement when she changed into Hanfu. She said, "It is very meaningful to see this group and this gift in college. It gave me a unique adult gift." It is understood that there are a total of 16 sets of Hanfu worn by participants and staff, all of which belong to one person-Sister Lin of the 2006 College of Resources and Environmental Sciences. More than half of her Hanfu is made by herself. Lin Ran has graduated now, but she often finds time to go back to her alma mater to support her favorite cultural activities in China.

Students inherit the fine traditions of their ancestors in various activities, mainly in the form of dancing about hunting and labor. Neolithic rock paintings in Yinshan area of Inner Mongolia depict the image of hunting dance. People dress up as birds, goats, foxes and other animals. Some headdresses include antlers and feathers, while others have tails. The appearance of this dance is closely related to hunting. Due to the lack of understanding of natural phenomena in primitive society, people have a sense of fear and gradually formed a primitive religious belief-totem worship. Animals, plants or natural objects are regarded as circles, totems can pray for people or eliminate disasters, totems are regarded as ancestors, and the images of snakes, birds, faces and beasts that protect gods are seen from unearthed cultural relics and ancient rock paintings, which are the images of clan totems. According to legend, Fuxi and Nu Wa, who have snake heads, are the ancestors of the Chinese nation with "dragon" as their totem. Fu danced in the name of "Fenglai" and sang the song "Jing"; Nu Wa's dance name "Chong Le" is a tribute to Fu's achievements in inventing nets, teaching people to catch birds and beasts, marrying Nu Wa and teaching people to marry. According to legend, Emperor Yan of Niutou is the ancestor of Qiang nationality with "sheep" as the totem. His music and dance "Liv" and his song "Harvest Year" are to praise the achievements of Emperor Yan in sowing grains and inventing agriculture, and are honored as Shennong. Kang Yin's dance is called "Big Dance", which teaches people to do physical exercise to resist damp diseases. Ge's dance is called "Le Guang", in which three people fuck oxtails and sing eight songs (segments) to pray for abundant crops and birds and animals to multiply. The Yellow Emperor takes "Cloud" as the totem, and "Cloud Gate" is the totem dance of the Yellow Emperor. The "Phoenix Bird Tianzhai" dance is a totem dance in the Di Ku era; "Stone-beating, animal dance" is the totem music and dance of all clans during the reign of Emperor Yao. The music and dance of these ancient clans are full of the struggle life of youth and strength, and also reflect the prayer fantasy and witchcraft etiquette of primitive religions. From Yu Xia to Yu Qi, as the epitome of ancient dance, the rites and music of the Zhou Dynasty entered the slave society. From the Xia and Shang Dynasties (2 1 ~ BC 1 1 century) to the founding of the Western Zhou Dynasty, slavery reached its peak, and the ruling class of the Zhou Dynasty had fully realized the social role of music and dance in politics and formulated the system of rites and music. In order to carry out this ritual and music system, the Zhou royal family arranged the music and dances left over from the previous generation, including the music and dances of Huangdi, Tang Yao, Yu Shun, Shang Tang and, which were collectively called the Six Dynasties Sacrificial Music and Dance. And set up a huge music and dance organization "Da Le Si", and the children of nobles should receive strict education in six arts (etiquette, music, archery, imperial examination, calligraphy and mathematics). /kloc-enter school at the age of 0/3, step by step, learn music first, recite poems and dance. /kloc-at the age of 0/5, he began to learn archery, elephant driving and elephant dancing (the legend of elephants is martial arts dance, and some people think it is totem dance such as fish and shrimp). At the age of 20, I learned all kinds of ceremonies and big dances. During the festival, the children of nobles were led by western music for six generations. Play different music and dances on different occasions, and play "Le Kai" in triumph; Yan Shangke, performing "Four generations under one roof" and "Sanqu"; Dance "bow and arrow dance" while holding an arrow. In all ceremonial occasions, on the one hand, it emphasizes the sanctity of being ordered by heaven, on the other hand, it emphasizes the dignity of rank. The ritual and music system in the Western Zhou Dynasty was a great creation of political civilization in slave society and a masterpiece of ancient dance before the Zhou Dynasty. From the Spring and Autumn Period and the Warring States Period to the Spring and Autumn Period, the royal family of the Zhou Dynasty declined gradually, and the princes competed for hegemony. The system of rites and music can not be maintained, and the historical buildings in slave society are facing the trend of falling apart. Witchcraft dance and folk sacrifice dance in primitive society, due to people's worship of totem and superstition of ghosts and gods, gradually produced a kind of "witch" to communicate with people and gods. The "witch" is in charge of divination, asking God to bless or eliminate the ominous. The "witch" was originally a clan leader. The legendary Yu Xia is not only a hero of water control, but also a wizard. His leg was sick in the flood fighting, so he couldn't walk, so he had to move forward step by step. This kind of footwork is called "Ubuntu", which became a dance step imitated by wizards later, also called "Wubu". Ge Hong's Bao Pu Zi in the Jin Dynasty recorded two jumping ways of "Imperial Step". Cheng Tang, the founder of Shang Dynasty, was also a wizard. In the early years of Shang Dynasty, it didn't rain, so Cheng Tang sacrificed himself and prayed for rain in the mulberry forest. It rained heavily. This rain-praying sacrifice was still left over during the Spring and Autumn Period and the Warring States Period. In the Han dynasty, spring drought begged for rain, witches offered sacrifices to workers violently, and children danced eight feet of dragons. Summer drought prayed for rain, offering sacrifices to Chiyou, and the strong danced with the 70-foot red dragon. In the autumn drought, the witch was sacrificed to Shao Hao, and the widower danced with the white dragon. Looking for snow in winter drought, offering sacrifices to the God of Xuan Ming. Dance 6 feet black dragon. It rained continuously, beating drums and attacking to stop the rain. Dragon dance has become a folk dance to celebrate festivals. Wax festival originated from witchcraft, and it is said that it began in the Yi era. It is a festival held at the end of the year to pray for a bumper harvest and thank God. There are Ba Shen's wax sacrifices: ① Xian Si (Shennong); 2 Sisi (Hou Ji); 3 agriculture (Saturnalia); (4) column, platform, (hut, field, well god); (5) cats and tigers (cats and tiger gods); 6 parties (earth gods); ⑦ Shui Yong (River God); ⑧ One hundred kinds (Hundred Valley Gods), witches in Huang Guan sang sacrificial songs in yellow clothes during the wax festival, and the band played Ode to You, played drums and danced Ice Dance and Dance. The twelfth lunar month festival has become a day for farmers to rest and entertain. Both the cat god and the tiger god in the wax sacrifice appear in the concrete image of the corpse, and the image of the god is played by the wizard in the song and dance "Nine Songs" in Chu. From the poem "Nine Songs", we can see the performance of this large-scale witch dance: the altar is decorated with Qionghua Cao Fang and cinnamon sauce; The priest wears jewelry and holds a sword; The band played a pentatonic ensemble and drummed An Ge; The "gods" danced in colorful clothes. In the early years of the Han Dynasty, witchcraft was still very popular, and Emperor Gaozu often sacrificed mountains and rivers with witchcraft. The famous witches in Jin Dynasty were Zhang Dan and Zhu Chen. Legend has it that they are good-looking, good at dancing, laughing like ghosts, drawing swords and breaking tongues, and invisible. The Record of Ancient and Modern Music contains the song of 1 1 Shenxian, which is a witch's spiritual song. Witchcraft dance is popular in vast areas. Emperor gaozu used Qin wizards and Jin wizards in the north and Jing wizards and Han wizards in the south to worship the mountains and rivers. To a great extent, the spread of witchcraft entertains people by singing and dancing, makes use of the beauty of witches, and uses acrobatics, magic, opera, painting and other artistic means to pray for people, exorcise evil spirits and cure diseases, which is dazzling. "Witch" and "dance" are homophonic, and there is also "witch who dances down the gods". Witches of all ethnic groups who have survived all over the world so far, such as: the God Witch of the Han nationality, Duan Gong of the Qiang nationality, Shaman of the Manchu nationality, Shigong of the Zhuang nationality, Dongba of the Naxi nationality, Dongsa of the Jingpo nationality, Qiang Mu of the Tibetan nationality and Tea Horse of the Mongolian nationality, although their gods and customs are different, their activities are nothing more than praying for exorcism, which is directly related to primitive witchcraft. Emperor Gaozu once let the world build the Ling Xing Temple, and offering sacrifices to Ling Xing became a national ritual activity. Ling Xing is a daily star, the main valley. Dance the spirit star dance during the sacrifice. The dancers are 16 boys and girls, and the dance action is to teach people the labor process of farming: weeding, farming, ploughing, driving birds and weeding. "Zhong" and "Ling Xing Xiao Dance Score". Folk music and dance flourished in the Han Dynasty and Qin and Han Dynasties. There was Yuefu in the Qin Dynasty, and Qin Ershi was once in Ganquan Palace. In the early years of Han Dynasty, great-grandfather Liu Bang liked the folk songs and dances of Chu State and used them for court sacrifices. Emperor Wu of the Han Dynasty expanded the institution of Yuefu, appointed Li Yannian as the governor of Yuefu, and made great efforts to collect folk music and dance, recording 365,438+04 songs and poems of Wu, Chu, Yan, Dai, Qi and Zheng, and more than 800 Yuefu musicians and dancers. For political needs, he also performed "The Great Corner" to entertain foreign guests. The angle of arrival is increasing year by year, and the content is getting richer and richer, so it is also called a hundred plays. Hundreds of operas include: ① acrobatics-pursuit, pill jumping, rope walking, narrowing and so on. (2) illusion ── swallowing a knife, spitting fire, easy to cattle and horses. (3) Wushu-stick dance, sword dance, knife dance, duet, etc. (4) Pseudo dance-phoenix dance, fish dance, dragon dance, etc. ⑤ Dance-towel dance, dance, Tudor dance, dance, long-sleeved dance, pan-drum dance, "Bayu dance", Jian-drum dance and duet. ⑥ Musical drama-The Duke Huang of Donghai is always advocated by the gods. It can be seen that the proportion of dance in the hundred plays is very large. Music and dance in Han Dynasty is an era of wide acceptance and integration of various skills. Under the influence of acrobatics, illusion, corner arrival and exorcism, dance has developed to a difficult stage, enriching the means of expressing feelings and expanding the performance ability of dance, which is reflected in the program Pan Encouragement. There are not only elegant and wonderful dances, but also superb and complicated skills of "falling on your knees". "Pan Encouragement" not only pays attention to the improvement of dance form, but also emphasizes that the external dance expression expresses the internal poetry and pursues the artistic conception of dance. Another result of the integration of various skills is the emergence of musical dramas. The East China Sea yellow public word has a false shape. The wizard Huang Gong hates the white tiger, and it is a typical routine to stage a fight between man and beast. Huang Gong's magic was ineffective, and he was finally killed by the white tiger, which was full of satire and comedy. Another book, The General Meeting of the Immortals, is the further development of totem dance and witch dance. Due to the consolidation of feudal system and economic prosperity in Han Dynasty, people's life was improved, and music and dance in various places developed accordingly. Famous songs and dances around the country are: Dong Song, Dong Dance, Zhao Dance, Jingyan Dance, Chu Dance, Yin Dance and Zheng Dance. The exchange of music and dance cultures of all ethnic groups The ancient music and dance culture of the Chinese nation is formed through the continuous exchange and integration of music and dance cultures of all ethnic groups. This kind of communication existed in the Xia Dynasty. The Chronicle of Bamboo Books records: "Shao Kang acceded to the throne and invited guests from other countries to dance with music." Later, he ascended the throne. In the first year, Bao Yong would go to the pool and all foreigners would dance. "The Six Dynasties Dance in the Zhou Dynasty is also the concentration and exchange of music and dance of all ethnic groups. The introduction of music and dance in the western regions began in the Qin and Han Dynasties, and there was a "Yue Yue" in the court in the early Han Dynasty. Emperor Wu of the Han Dynasty sent Zhang Qian to the Western Regions and introduced the song Mahadule. Li Yannian, the captain of shoes, created 28 new sounds because of Hu Yue, and created and developed them under the influence of foreign music and dance. Ban Gu's Ode to the East describes the grand occasion of four major Yi music and dance performances in Luoyang in Han Dynasty, including gun dance of Dongyi, feather dance of Southwest Yi, halberd dance of West Yi and dry dance of North Yi. Emperor Ling of the Eastern Han Dynasty liked to dance with Hu, and all the nobles in Kyoto danced together. There are images of Hu people performing acrobatics, magic and inspiration on the Han stone reliefs. The drum dance in Han Dynasty combined the elegance of the Central Plains with the enthusiasm of the Western Regions, and formed the aesthetic characteristics of the dance in Han Dynasty. This dance disappeared in the Six Dynasties and did not appear in Anhui and Shaanxi until the 2nd/kloc-0th century. Another achievement of music and dance exchanges between the Central Plains and the Western Regions was produced in the Northern Dynasties. In the Western Jin Dynasty, Guanzhong people took refuge in Liangzhou, bringing Han and Wei Chuantong music and dance. Lv Guang, an Adi nationality, and Ju Qu Meng Xun, a Hun, combined Qiuci music obtained in the Western Regions with the old music of the Central Plains that spread in Liangzhou, and produced a new type of music and dance-Xiliang Music. Dunhuang in Gansu is the capital of Xiliang, and the murals in Dunhuang Grottoes record the rhythm of Xiliang's music and dance. Hu dance has been the most important dance in the north since the Southern and Northern Dynasties. Of the nine ci poems in Sui Dynasty, the Western Region Music Department accounted for six, and Gao Changle was added to ten ci poems in the 16th year of Tang Zhenguan (642). Hu Teng Dance, a healthy dance in the prosperous Tang Dynasty, and Hu Xuan Dance from Kangju were all the rage. The branch-folding dance written by a stone country in Central Asia was still very popular in the Song Dynasty. The fusion of the Song Dynasty's branch-folding dance and the Central Plains Daqu song and dance changed the original appearance of Hu dance and developed into a new form of national dance. " "Zhezhi Dance" can be said to be another typical product of the combination of Chinese and Western music and dance after the drum dance in the Han Dynasty and the cool music in the North Dynasty, which enriches the treasure house of Chinese traditional dance.