Why is everyone complaining about Conan, who didn't grow up, but can tolerate Daxiong in the robot cat?

I think it's because * * * has a lot in common.

Doraemon and detective Conan are both famous novels in the history of Japanese comics. Mainly for teenagers and children, they are all unit dramas ... The main difference lies in the theme, regardless of painting skills and other issues unrelated to the story itself.

The theme of Detective Conan is a mystery cartoon (although the plot has been declining all the way in recent years, which is beside the point), while Doraemon, a cartoon with magical props as the main story, seems to belong to science fiction.

What science fiction needs is whimsy. Of course, reasoning cartoons can be fantastic and ingenious, but they should be based on reality. This is not only the requirement of writing, but also the expectation of most people for these two kinds of works.

And any work, whether it is animation, comics, movies or novels, must make people have a virtual sense of identity. This doesn't mean that readers should agree with the idea of the story, but don't deny or question whether the story itself can really happen, just concentrate on reading.

Then let's get back to the topic ... I won't count the murdered victims in Detective Conan, I really can't count them. But since 1994, this cartoon has been published in 93 volumes, and hundreds of incidents have occurred. Every incident was reported, and the police intervened. Conan has been to countless places from Hokkaido to Kyushu.

However, it took Kudou Shinichi 23 years to enter the second grade of primary school. At that time, he was injected with the shrinking drug APTX4869, became Edokawa Conan, and went to Mihua Primary School to study in the first grade.

What about the children who watched Detective Conan?

Their children may all be in the second grade of primary school-it's too hard to spit!

But for Doraemon, this is not a problem.

Because it told all the readers from the beginning, this story happened in a world where you can go at any time as long as you jump into the drawer.

Of course this kind of thing can't happen, but the story doesn't need to appear in reality.

This is to promote the plot, explain the story you tell, and make readers feel a sense of identity-although it will never happen in reality-but let us look forward to it.

So we don't talk about Nobita.

Moreover, who knows that so many episodes of Doraemon are not believers ... no, Mr. Fujio Fujio, they are assumed and depicted by telephone booths or brushes? All the above are personal opinions.