Where is the ash-throwing New Year picture?

The origin of the New Year's picture of throwing ash is gaomi city.

Gaomi Puhui New Year Pictures, also known as "folk freehand brushwork", is a traditional folk art in gaomi city. On May 20th, 2006, Gaomi Pratt & Whitney New Year Pictures were approved by the State Council to be included in the first batch of national intangible cultural heritage lists, and became one of the national intangible cultural heritages.

Gaomi Pratt & Whitney New Year Pictures originated in the early Ming Dynasty and were founded by a Wang Xing family in Gongpomiao Village, Beixiang, Gaomi. High-density ash-throwing New Year pictures mostly use full-open paper for painting, which is good at making great achievements. From the perspective of composition, it is often simple and not complicated. In addition to the flower screen and figure painting, pay attention to the height and fullness of the characters, use less or even omit the background, so that the characters occupy the screen space and form a two-dimensional perspective plane composition, which has a very eye-catching effect.

The Historical Origin of High-density Pratt & Whitney New Year Pictures;

Gaomi ash-throwing New Year pictures originated in the early Ming Dynasty. It is said that its founder is a Wang Xing family in Gongpomiao Village, Beixiang, Gaomi. The family immigrated from other places. Forced to make a living, they copied some posters and temple murals and set up stalls for sale. They gradually mastered some skills and kept exploring. They burned willow branches that were available everywhere into charcoal sticks as brushes, and carved pickles into seals and printing molds. From then on, the high-density ash-throwing New Year pictures with rural soil flavor, farmers' traditional customs and magnificent folk art were born.

During the reign of Emperor Qianlong in Qing Dynasty, the king of in-laws temple village began to accept disciples, first of all, four sons of Zhang in in-laws temple village. After finishing their studies, the Zhang brothers set up their own workshops to paint and sell, with novel themes, which expanded the influence of throwing gray New Year pictures. At the end of Qianlong period, some people from Gaomi, Zhaojiaquan, Dujiaguanzhuang and other places came to the in-laws temple to learn from the Zhang brothers, returned to China with skills, and set up workshops and apprentices. During the Jiaqing period, Gaomi Pratt & Whitney New Year pictures began to use the new technology of combining painting and printing.

At that time, Hu San, who had worked in Tianjin Yangliuqing Painting Shop, came to Gaomi Li Jiazhuang and joined Hu Yuxian. He integrated the techniques of Yangliuqing woodcut New Year pictures into the production of dusty New Year pictures. He carved the line draft and printed it out first, and then finished the picture by hand drawing, so that each painting can be mass-produced in a short time and the efficiency is improved. Because the economic benefits have multiplied, many painting workshops have changed to draw this kind of New Year pictures, which are called half-printing and half-painting.

Baidu Encyclopedia-Gaomi Pratt & Whitney New Year Pictures