Xin qiji man Jiang hong ti cold spring restaurant

Author: Xin Qiji

Straight section, crown and tassel arched.

Gradually, the Green Valley and the Immortal descend to the east, and the sound is urgent.

Who believes in the heavenly wind enclave and opens the blue wall near the lake?

It was that year that Yufu cut the square pot, and no one knew.

The mountains are wet and humid.

Autumn dew, Joan drops.

Passing through the dangerous pavilion, the jade garden is bright.

Drunk dancing shakes the couple's shadow, and heroic songs don't send dragons to cry.

I hate this. The scenery is my home, and now I'm a guest.

Precautions:

1, Lengquan Pavilion: Tang Dynasty architecture, under Feilai Peak in the southwest of Lingyin Temple in West Lake, Hangzhou, is one of the scenic spots of the West Lake.

2, straight section: straight and straight, referring to fir trees.

3. Crown tassels: hats and hair bands refer to well-dressed literati.

4. Arch: Standing hand in hand.

5. Pei Huan's voice is urgent: This sentence is beautiful, like a fairy wearing Ding Dong.

6. The wind is flying: It is said that in the Eastern Jin Dynasty, a Tianzhu monk came back to see this mountain and praised it: This is the small ridge of Zhongtian Lingshan, and I don't know when it will fly. ("Lin 'an Annals" quoted from "Geography Annals")

7. Square pot: Fairy Mountain in myth and legend is in the east of Bohai Sea. This cloud flying to the top was cut by a fairy and Yufu, but unfortunately no one knows it now.

8. LaVida: originally referred to sapphire, referring to bamboo.

9. Dangerous Pavilion: Gaoting refers to the cold spring pavilion.

10, Yuyuan Garden is completed: the water in the pool is dark green and clear.

1 1. Husband and wife: two legendary birds, often called refined and extraordinary people.

Hogg: Sing loudly.

13, ichthyosaurs cry: the official monster is emotional.

14, the scenery is my home: the scenery of Lengquan Pavilion is very similar to my hometown. Press: Jinan, the author's hometown, is known as the Spring City. At that time, the water, light and mountains were comparable to the Cold Spring Pavilion.

Translation:

Pine trees and bamboo forests stand in the way, strong and straight,

Standing hand in hand like a well-dressed official.

Gradually enter the green valley,

Spring sounds like a group of immortals riding the wind to the east.

The ring on her body jingled.

Who can believe this thousands of feet mountain standing by the West Lake?

Could it be Tianzhu (India)?

Feilai Peak was cut down from Fanghu Mountain by Immortal and Yufu.

No one knows now.

The spring water moistens the vegetation on the mountain.

Soak beautiful stones by the stream.

Crossing the bridge and going to the pavilion,

Overlooking the clear green pool.

Dance with drunkenness and shake your figure like a husband and wife;

Sing loudly, don't make the ichthyosaur at the bottom of the pool cry.

The scenery in my hometown Jinan is as beautiful as here.

Hate being occupied by the enemy now,

It made me stay in the south of the Yangtze River, making it difficult to return to my hometown.

Appreciate:

After returning to the south, the author worked as an official in Lin 'an for three times, but the time was short. In the summer and May of the sixth year of Dadao (1 170), when the author was thirty-one, he served as the main book of Sinong Temple. For seven years, Chunshan knows Chuzhou. This period of time is the longer of the three times, and this word may have been written in Hangzhou this time.

The Cold Spring Pavilion was built by Tang Lashiyuan under Feilai Peak in front of Lingyin Temple in Hangzhou. Bai Juyi's Cold Spring Pavilion says: Yuhang County is in the southeast; As far as the county seat is concerned, Lingyin Temple is especially important. Next to the temple, the cold spring pavilion is one. The pavilion is located halfway up the mountain in the southwest corner of the temple. Tall and wide, not tired, but fascinating, almost impossible to hide. Not only close to Lingyin Temple and Feilai Peak, but also close to Denggao, Tianzhu, Taoguang Temple and Beifeng. The first part of the word is about the mountains and ice peaks near Lengquan Pavilion. Write down the activities and feelings of Tanting Pavilion.

Uptown is written from top to bottom, from nearby mountains and streams.

Straight section, crown and tassel arched. It is said that on both sides of the mountain road, tall trees are neatly arranged, like officials wearing crowns and tassels, tall and straight. This is personification in rhetoric; Syntactically, the descriptive sentence comes before the main sentence. Tall and straight, describing the arched trees falling out of the halberd, forming an abrupt and majestic momentum, which pinned the author's interest; The second sentence, like the previous one, describes the lush foliage of trees. Gradually, the Green Valley and the Immortal descend to the east, and the sound is urgent. It is said that the spring water flowing in the green valleys on both sides gradually flows down, and the sound is as loud as the ring on the fairy's clothes. Its meaning comes from Liu Zongyuan's "To the Small Stone Pond in the West of Xiaoqiu": through the bamboo forest, you can hear the sound of water, such as singing. This is also anthropomorphic writing. On the first floor, officials lined up to imitate roadside trees, which was magnificent, but it was difficult for readers to understand and a bit obscure; This layer of contrast, from coarse to fine, has a natural and beautiful image and is easier to understand. Xin Qiji is brilliant, often regardless of thickness, handy, but flexible, here is a typical example. The following four sentences focus on Feilaifeng, and whoever believes in it leads directly to the end. Feilai peak is not high, but the situation is as strange as a vulture. The Spring Tour to Lin 'an is quoted from Yan Shu's Jade Emperor. It is said: In the first year of Jin Xianhe, Master Huili boarded a hippo chef, sighing that it was the small ridge of vulture mountain in Zhuguoling, Zhongtian, and I don't know when he flew here. When the Buddha was alive, he was mostly hidden by fairies. Is it the same today? Lingyin Temple, named Feilaifeng, was built by Diaoxi. Rock has the names of dragon, dragon, monkey and so on. Because it feels lofty from a distance. The wind falls to the ground and flies like a bird: by the lake, meaning the shore of the West Lake: thousands of feet is high; Blue walls mean mountain peaks; All day long, the wind fell to the ground: driving into flying. Who believes that the two sentences describing Feilaifeng are magnificent, but compared with the first two sentences, the words are precise, steep and not thick. It was that year that Yufu cut the square pot, and no one knew. Yufu generally refers to the axe of the fairy; Square pot, Liezi. One of the five mountains on the sea written by Tang Wen. Feilaifeng is like a sacred mountain used by immortals to carve husbands. Unfortunately, the vicissitudes of life have changed over time, and now no one can figure out its origin and appearance to supplement the explanation and description of Feilaifeng, and the tone has become comfortable.

The mountains are wet and humid. Under the autumn dew, Zhu Qiong drops, writing the wood and stone beside the pavilion. Lavida, beautiful stone; Zhu Qiong is autumn dew. Because autumn dew drips like pearls, all the wood and stones are wet. These four sentences are parallel in form, but there is a causal relationship between them. Passing through the dangerous pavilion, the jade garden is bright. The first sentence is a pavilion, and the second sentence is a cold spring, and the autumn water is as clear as jasper.

The above words, the tone is still very comfortable with the rest of the beat Drunk dancing shakes the couple's shadow, and heroic songs don't send dragons to cry. I wrote about my own pavilion activities, which touched my pride and life experience, and my style turned into heroic and passionate. Drunk dance sentences write lofty sentiments, husband and wife talk to themselves, magnificent songs write feelings, and fish dragons connect with springs. I hate this. The scenery is home, and now I am a guest. Why do drunken dances make sad songs, fearing that singing will make the dragon cry? These two sentences can explain its inherent complexity. The author's hometown is Licheng (now Jinan), which is the spring of every family in Shandong, the scenic spot where every family weeping willows, and the original 72 springs, some of which are called cold springs; There are many famous pavilions near Daming Lake and Baotu Spring, such as Lixia Pavilion, Shuixiang Pavilion, Shuixi Pavilion and Guanlan Pavilion. And there are quite beautiful scenery, that is, the scenery around the Cold Spring Pavilion, which is similar to the author's hometown. Why hate it? The reason is that after the author returned to the south, the land lost in the north could not be recovered, which was not only difficult to pay, but also difficult to return to his hometown. I can only be a guest in the south for a long time and feel depressed, so I feel nostalgic and infinitely sad. If you want to get rid of this sadness, you can only sing and dance in drunkenness, but in fact you can't get rid of it. Words are plain and implicit, but hatred is deep.

This hatred is not only related to personal homesickness, but also to the fate of the whole country and nation, which will naturally arouse strong resonance among readers. This word touches the author's homesickness with the scenery of the West Lake, associates with the sadness of the country and the nation, and expresses implicit grief and indignation. Writing landscape description forces Xiao, but opens and closes naturally. It is not deliberately managed by the author, but it can show the style, characteristics and skill of the author's words.

Xin Qiji's face was red and he broke away from his sorrow.

Manjianghong broke free from sadness.

Author: Xin Qiji

Broken sorrow, outside the screen window, the wind shakes the bamboo.

People go to the empty building, the flute is broken, and people lean on the building alone.

Eyeful of March dusk, I only feel Qian Shan green when I look up.

But try to send a piece of paper to the book and read it from the beginning.

Acacia words, empty surplus;

Acacia, when is enough?

Lapel fell a little, full of tears.

The grass is not lost, and weeping willows only hinder the human eye.

The most bitter thing is that the moon is full and the song is dry.

Precautions:

1, another poem, Reading Far from Home. The first part is lyrical because of the scenery. This part takes the scenery with emotion, and integrates emotion, scenery and things into one furnace. Break, use strange words. The eyeful connection shows the change of time sequence and the flow of ideas. Looking at the words on it, it comes from two sentences, and the scenery is based on love. The scenery is called love. I hope I can complain very much. The knot should be far away from the building, and it is dusk on the moon.

2, break two sentences: the wind shakes the bamboo, it seems to be broken and full of sadness, which is disturbing.

3, people go to two sentences: after people go, the flute is no longer heard, and people only rely on the building. Broken oral sex: secret use of Shaw History and Nong Yu. See "Jade Case" in the previous note (Thousands of trees bloom in the easterly night). This means that the right person has left.

4, eyeful of two sentences: people can't bear it in late spring, but when they look up, they see the thick green of Qian Shan, which is the early summer season.

5, but try two sentences: open the other party's letter and read it carefully from the beginning.

6, acacia four sentences: words are full of vain acacia, it is difficult to comfort their acacia family.

7, dripping water into two sentences: full of tears dripping clothes. English: My hands are full of tears.

8. Cao Fang's two sentences: Pray that weeds will not fascinate other travelers, and I hope that weeping willows will not cover my sight.

9. The two most bitter words: The most bitter words stand at the bar and stand straight until dusk, when the moon rises.

Appreciate:

( 1)

Judging from the tone, the word seems to have been written by a woman, which is probably the author's imaginary lover's nostalgia for himself. When it is long and warm, it is quiet inside and outside the boudoir. Even the sound of bamboo blowing in front of the window will disturb the people in the boudoir, interrupt her meditation and break her sadness. The beauty of the environment sets off the loneliness and melancholy of the protagonist. Broken, not only reflects the movement in the static, but also sets the static by the movement: points out the love in the word from the word.

These two sentences are combined with scenery, with emphasis on scenery. Although it is the beginning, it is the most exquisite in the whole word. After the person left, the flute was broken, and he leaned against the building alone, writing about the protagonist's living condition: the loved one left, and he was lonely and had no companion, so he had to lean against the building and look far away. Because no one appreciates it, he has no intention of playing the flute. When people leave, they will be alone, which is the reason for leaning against the building to blow a flute. The first character is another person, the person the protagonist misses; The second role is the hero himself. Eyeful of March dusk, I only feel Qian Shan green when I look up. Inherit the sentence of leaning against the building, write the scenery you saw when you climbed the building, and point out the season. Qian Shan green is lovely, but the dusk in March means that the spring is fading and beautiful flowers are dying. For women who cherish their youth, they feel full of eyes. This shows the identity and personality characteristics of the protagonist. But try to send a piece of paper to the book and read it from the beginning. This is the daily general life; These two sentences are written in great detail. The protagonist kept reading letters from her lover from the beginning, which further showed her loneliness and boredom, and also began to deeply reveal her deep feelings of missing her lover. This is to write feelings through actions, and it is also the feelings in the matter.

Shang Kan wrote about scenery and things, but he didn't express his feelings directly. Acacia words, empty surplus; Acacia, when is enough? Speak your mind: the letter from your lover is full of lovesickness words, which shows that he has not forgotten himself. The words in the letter can not comfort and satisfy his lovesickness, but also contain the meaning that he has no chance to talk to his lover about his lovesickness and get compensation.

Besides reading letters, I miss my lover and try to comfort myself, but I still can't help crying. Small tears, gently, constantly dripping on se, not only dyed the clothes red, but also almost full. These two sentences reflect the characteristics of identity and personality, and it can be seen that the protagonist is a woman. The grass is not lost in the guest road, and the weeping willows only hinder the human eye, and then add lyricism to the scenery. Cao Fang's words originally came from Chu Ci. Recruit a hermit: Wang Sun swims without returning, and the grass grows and the warbler flies. Compared with the symphonic poem "Fishing", which says that the grass in and heaven remains our neighbourhood is lost on the road (or this one has no way back, but it has the same meaning), then those who are not lost in this sentence have the meaning that it is not difficult to expect him to come back home: the weeping willow sentence means that the willows grow thick in late spring, but it hinders people's vision and makes people unable to see the distance. These two sentences are written on both sides, but the meaning is self-related. Because there is hope that tourists can return to their homes, they lean against the buildings, expecting or returning naturally; But weeping willows only hinder the human eye, and every word has a strange and resentful emotional color. Blaming weeping willows has no other effect, but hinders people's vision. Two sentences spread the subtle feelings of missing the women in the building.

The most bitter thing is that the moon is full and the song is dry. Finally, I am still engaged in China's love writing. The first sentence is from morning till night, and the second sentence echoes the upstairs. The weeping willows covered their eyes, but they still stood by the railing upstairs until the moon came out at dusk. Therefore, the word "the most bitter" is fully modified, which not only expresses these two sentences in detail, but also expresses the feelings of the whole word in detail.

(2)

Xin Qiji wrote a large number of patriotic words, which are famous for their heroic style. But Jia Xuan's words are also mixed with charming words. (Zou Zuomo: Yuan Zhizhai's Ci) There are also many wonderful chapters in these works as charming words, and this "Man Jiang Hong" belongs to this kind of works.

This is a word to write about the suffering of the refugees.

In the first three sentences, the wind is swaying outside the screen window, and the broken sorrow is written in the first sentence, which is not only the need of rhyme, but also plays a role in opening the topic and fastening the reader's heartstrings. Knocking words makes the human body feel, the hero's heart is hit, and breaking is the result of knocking. In other words, the protagonist's already sad mood because of leaving his lover is even more disturbed by the sound of bamboo being shaken by the wind. After people go, the flute is broken, and people are alone in the building. Writing about the silence of the environment also describes the lonely and boring scene of the protagonist after his lover leaves. Eyeful of March dusk, I only feel Qian Shan green when I look up. In late spring and March, it is already the season of falling flowers, which seems to hurt spring. Actually, I'm still thinking about people. It's unbearable to think about people. Feeling that Qianshan is green means climbing a tall building in sadness and depression, and unconsciously finding that the mountains and plains are already green. These two sentences are a link between the preceding and the following, setting off the atmosphere. I can clearly remember the scene where people in the boudoir are listless because they miss going out. But try to send a book and read it from the beginning. I miss my lover and can't meet him, so reading his letters repeatedly is a common thing in people's daily life. The poet writes this kind of life phenomenon directly in his own words in vernacular, which is particularly kind to read. Su Shi has a poem "Spring in the Garden", which contains several words: I look forward to going to Iraq, so I always open it, watch it once, and close it with tears. This means that the author estimates that the recipient will always open it; Xin Zi writes directly. The receiver reads the letter from the beginning many times. The two poets describe from different angles, but their artistic conception is similar, or the two masters have the same thoughts. Or Jiaxuan was influenced by Dongpo.

The next one continues to write about the suffering of lovesickness. Acacia words, empty surplus; Acacia, when is enough? Lapel fell a little, full of tears. Reading the letters from afar, the words expressing the feelings of lovesickness are full, that is, the spoken words are full of paper now, but people can't meet each other, and the pain of separation is still not relieved, and finally it is full of tears and soaked. It is a vivid stroke to explain endless hatred with sufficient words and describe tears with exaggerated words. The above words strongly exaggerate the pain that lovers can't meet.

The grass is not lost, and weeping willows only hinder the human eye. This sentence of fragrant grass is easy to remind people of Su Shi's famous sentence "Where there is fragrant grass in the sea" ("Little Red Apricot Flowers Fade"), which is just the opposite here. It means that exotic herbs can't make travelers go astray, and the implication is that they will eventually return; The last sentence said that the willow branches blocked the line of sight (so the boudoir could not see his lover far away); This vividly describes her longing for the return of pedestrians. The most bitter thing is that the late moon has passed and the railing has been bent. Exaggerated at the end of the sentence, because I wait until dusk every day, leaning against the railing and looking forward to it, so the railing is also bent, which is of course the most bitter. The ending echoes the man leaning against the building alone in the last film, taking care of the topic and writing with sadness.

This lyric work, which expresses parting feelings, is undoubtedly a reflection of real life in the social turmoil in the Southern Song Dynasty. The north and south of the motherland split, countless families separated, and were deeply hurt by their loved ones. Xin Qiji himself is far away from his hometown and has a deep understanding of this phenomenon. Therefore, such a poem expressing the feelings of his children and the pain of leaving others appeared in his pen. There is no need to look for any political sustenance by penetrating collateral meetings and looking for literary significance. As long as it truly and vividly reflects social life, it should also fully realize its literary value.

Xin Qiji's Manjiang red lighted cherry.

Manjiang red lights cherry.

Author: Xin Qiji

Ignition cherry,

Take a picture, it looks like snow.

Spring is just right, seeing the dragon and the sun wear away,

Purple moss and pale walls.

Ru Yan's ability to lead young people is very weak.

The warbler called her friend in a timid voice.

Asking for spring return, mourning and refusing to return,

Intestinal thousand knots.

Looking at the building, the spring mountains are green;

Where is home?

Smoke and wave separation.

Who told him that, past lives?

Butterflies don't fly thousands of miles,

Sub-rule cancels the third night of this month.

Listen to the sound, convince people to go back to their pillows,

It's hard to come back.

Appreciate:

The writing date of this word cannot be verified, and there are no other materials to refer to. But judging from the artistic conception of this poem, it may be his homesickness after middle-aged political frustration. The center of the whole poem is the homesickness of the poet due to his return to spring. With spring scenery as the medium, it fully embodies his lament about his own life experience and national destiny, and is an excellent work full of political color. The reason why it has been handed down is that it is loved by people, not only because it is full of deep affection and goodwill, but also because the author did not tell it plainly when writing, but created a long and profound lyric realm in vivid artistic conception description.

The last one hurts spring. The poet's artistic touch is very keen: he not only appreciates the beauty of spring scenery in the south of the Yangtze River, but also regrets its brevity.

In his pen, the scenery in late spring is so dazzling! Lighting a cherry, like a close-up of a color movie, pushes the splendid spring scenery in the garden to the readers. Cherry, full of fruit, red as fire; A kind of tea is in full bloom with snowflake-like flowers, which complement the flame-like cherries. The whole garden is wrapped in red makeup, which is very delicate. Spring is just a simple and affectionate compliment. Spring is good, but it is also good to be full of vitality. Spring bamboo shoots pierce the moss-covered soil steps and thrive; Chun Yan took the newborn chick and flew slowly; Calling a friend, a street warbler, is like playing a lyric song in spring. However, the good times didn't last long, just as the famous saying of the predecessors marked that after the climax, Miss Chun would go back and couldn't stay if she wanted to. Perhaps because of a hunch that spring is short, Ru Yan has no interest in flying, and his power to soar is also very weak; Those comfortable street warblers, therefore, can't sing well, which actually makes people feel timid. Yan's weakness and timid response are actually the externalization of the poet's sentimental spring psychology. Readers should not blame how this once-powerful hero infected his young children with the feeling of hurting spring. Xin Qiji has something on his mind here. For a person who has lost his political ideal and suffered setbacks in real life, the return of spring is not a symbol of disillusionment! The change of natural landscape and the relentless passing of seasons touched the poet's heart, so he sent a message of resentment to Springfield: he asked Springfield to return, refused to bring it back with sadness, and his intestines knotted. These three sentences are related to the author's masterpiece Zhu Yingtai. The ending of Late Spring is that he brought sadness to spring, but he didn't understand it and brought sadness to spring. Language and meaning are similar, but here the tone is more urgent and the meaning is more straightforward. The author seems to be shouting from a distance: all kinds of troubles and sorrows in spring are caused by you; Now you walk neatly by yourself, but you leave your worries to others. You know I have a thousand knots in my heart and I can't untie them! This string of complaints about spring is extremely unreasonable, but it is also very affectionate and complicated, which can especially exaggerate the poet's depressed and upset mood.

The next paragraph expresses in detail the sadness and hatred moved by spring. The four characters of changing the head: watchtower, overlapping spring mountain; Where is home? Smoke and wave separation. It's not the sadness of spring flowers and autumn moon, but the deep sadness of missing my hometown. The poet climbed the stairs and looked at his hometown. The endless spring mountain blocked his eyes, and the endless smoke blocked his way home. This spring mountain, this smoke wave, symbolizes the division of the motherland, symbolizes the sinister political situation, and symbolizes the countless difficulties and obstacles encountered by poets in their persistent pursuit of the great cause of resisting Jin Guangfu! Next, I want to say a few words about ancient and modern grievances with him. His sadness is vast, his meaning is sad, and the loneliness of the protagonist is vividly on the paper. The so-called ancient and modern resentment, literally, naturally refers to hatred from ancient times to the present, but nostalgia for the past means hurting the present, so the ancient and modern here focus on the present. Today's hatred is nothing more than hatred for the fall of the Central Plains and the split of the motherland.

It can be seen that these two sentences are telling people that the content of the poet's hatred is by no means a little hatred for ordinary literati, but a deep and sad hatred for his home country; The poet fought for this deep hatred of snow and rarely responded. This hatred is almost nowhere to talk about, which is his own deeper sorrow and hatred! Next is the butterfly sentence, Wanli, the butterfly dreamer of Cui Tu in Tang Dynasty, who joined Zigui branch in the third night of last month and changed his meaning. Zhuangzi said that Zhuang Zhou dreamed that he had become a butterfly. Later, scholars called dreams butterfly dreams. A dream of a thousand miles refers to a person's dream of homesickness. Zi Gui's crying seems to say, it's better to go home. These two sentences are a situation created by the pen of sadness, and the content described above further extends to a vast space-time with the painful scene of sleepless nights. One is not passed on, the other is broken, which is the language of turning the stone into gold, so these two sentences express the sadness of homesickness more sadly than Cui Tu's original poems. It should also be pointed out that from the author's life, thoughts and the above-mentioned ancient and modern feelings, the so-called homesickness here is not to miss his apartment in Jiangnan, but to miss his hometown in Jinan, Shandong Province, which is far away under the rule of the Jin people in the north. It's rare to hear the sound of persuasion. Sound, Sheng Zigui's cries come and go, which can be said to be good at echoing and locking tightly. Persuading people to return is a rare word, which is called truth in rhetoric, and its function is to pour out their pain in a literary way. It ends with a love story, but because it is linked with the previous image description and the implication is sincere and touching, the ending is still full of charm, which makes people feel the pain of this patriot's family.

Xin Qiji's political lyric poems can be divided into two types: direct expression and beating. The so-called express, refers to the mouth to speak, the voice of discussion gushing, tragic feelings, heroic aspirations, telling the whole story, without any hint, never relying on foreign things, not relying on comparison and other means.

The so-called Qu Da means that you have something you really want to say, but considering your dangerous situation, you dare not say what you think, but rely on flowers and birds to express your anxiety and anger. This word belongs to the latter category.

Xin Qiji Manjiang Hong Liang Xia Zhanyan

Manjiang Hong Liang XiaZhan Yan

Author: Xin Qiji

You swim in Qingfeng Gorge and rhyme with Zhao Fu.

The two canyons are full of rocks,

Who is occupying the old building?

More eyeful, clouds come and birds go,

Rivers, red mountains and green ones.

No one in the world can laugh at,

There are guests in front of the door to welcome.

When you are afraid of desolation and no company,

Plant more bamboo.

It's beautiful, Kethleen.

Poetry is good, and it smells good.

Sighing that only today's characters are enough.

People like Qiu Hong,

Things like missiles need to be cooked.

Laugh at the prince, accompany the wine, accompany the song, Yang Chunqu.

Appreciate:

According to the Records of Lead Mountain County. According to the selected records, Zhao, whose name is not pedantic, was a scholar in the 24th year of Shaoxing (1 154). His official position is doctor, and he directly applied for Govin's bachelor's degree. Qingfeng Gorge is located in the lead mountain (now Jiangxi), and there is Qingfeng Cave in the east of the gorge, which is the place where Liu Xuan, the top scholar admitted by Ouyang Xiu, studied in his early years. Xin Qiji's poem "Red River", with the theme of swimming in Qingfeng Gorge and rhyming Zhao, mainly writes Zhao, saying that the characters in Qingfeng Gorge are also subordinate to the description of characters. It is inevitable that this poem praises Zhao with ancient and modern figures, but it is very reasonable from the artistic conception of the whole article. Since Zhao is such an outstanding figure, why can't he be reused by the court, but he is calculated by a villain and left idle in the hinterland? In fact, it is not difficult for people who know Xin Qiji to find out that he retired as an Anfu ambassador in Fujian during his five years in Anfu, Shao Xi (1 194), and retired to lead mountain countryside 10. At this time, Zhao was relieved of Cao's post as ambassador in Jiangxi, and also came to live in Lead Mountain. At this time, both of them are in lead mountain, and their experiences are very similar. The author feels the same. After understanding these writing backgrounds, we can appreciate the word carefully, and it is not difficult to realize how painful and real the author's worries are.

Write a sentence about Qingfeng Gorge, and then turn your pen to Zhao. Qingfeng Old Building refers to Qingfeng Cave where Liu Xuan once studied; Who owns it now? Needless to say, this is where Zhao, who is traveling with him, lives. Living in Qingfeng Cave can not only overlook the Three Gorges, but also enjoy the clouds and birds, and the mountains and rivers are green. But it's lonely here, isn't it The following sentence answers this question. No one in the world can laugh at it. It is better to live here and enjoy the natural scenery. This is the first floor. Even if there are guests in front of the door, it is generally vulgar. It is better to take a break to welcome guests. This is the second floor. If you feel pain because you have no company, don't be afraid. It would be nice to plant more bamboo. This is the third floor. Advancing layer by layer, Zhao's noble character, which is transcendent and free from vulgarity and refuses to go with the flow, is vividly displayed.

The next movie is very splendid, with Kethleen as the background. Praising Zhao's simplicity is a summary of the last film. Poetry is good, and it smells good. Praise the character and then the literary talent. New Tang book Du fu praised: others are insufficient, but they are tired of others, and the residual paste is still fragrant, and it is stained with beggars' descendants. Zhao's poems are rich in paste, and the descendants of beggars can also be moved. Then use Han Feizi. The story of "The Theory of Foreign Storage" is enough, and Zhao is even more admired, so there is no need to say more.

So I changed my pen and thought, from feeling people and things to lingering poems and wine. People are like wild geese in autumn. They stay here today, fly there tomorrow, and have no fixed abode. I'm just like you. Things are like flying projectiles, they should be mature, so why be so stubborn. On this trip, you accompany the wine and the song. This is a once-in-a-lifetime meeting! At the end, follow the accompaniment, refer to Zhao's original music, and naturally bring out your own harmony chapter. Song Yu's "Ask the King of Chu" says: When there were singers in the Song Dynasty, there were "Xialiba people", and there were thousands of people in the genus, who lived in peace. This is "spring snow", and only a few dozen people belong to middle schools. It is its high music and sparse harmony. In the early days, Cen participated in Jia Zhi's Poem of Daming Palace: Besides, he was alone on Fenghu Lake, and he sang the Song of Ming Spring very well. Xin Qiji's poem "Red River" was sung in Zhao's original song. Praising the original song as "Yang Chunqu" is self-humility, which can be described as killing two birds with one stone. Proper use of allusions has achieved excellent artistic effects.