How did the huge paintings on Nazca wasteland come into being?

There is a desolate plain in southern Peru-Nazca Plain. In this vast Yuan Ye, there is an incomprehensible miracle. Within 50 square kilometers of Fiona Fang and Fiona Fang, cobblestone lines crisscross, outlining huge birds and beasts and various precise geometric figures. Seen from high altitude, they seem to be drawn with the fingers of giants.

Some people say that South America is a continent full of mysteries, and one of the most difficult mysteries is the radicalization of Nazca Plain.

1939, Paul of Long Island University, new york. Dr. Kirk flew his sports plane over the dry Nazca Plain along the route of the ancient water diversion system. Suddenly, he seemed to see a huge and magical straight line pattern on the plain, which seemed to be a parallel runway. Yes, it is a parallel runway! Because it has obvious starting point and ending point. Dr Kirk couldn't believe his eyes. He looked at these huge figures carefully again and had to say in surprise, "I found the largest astronomical book in the world."

Dr. Kirk's amazing discovery soon caused great repercussions all over the world. Archaeologists and scientists followed closely, especially the German astronomer Maria. Miss Reich has never wanted to leave this land since she was attracted by these mysterious patterns, and has devoted her life to it. Miss Reich recognized hundreds of triangular, quadrilateral or parallel runways from this plain. Those huge intertwined straight lines, sometimes parallel to each other, sometimes in the shape of letters, she found many long and wide stripes running through them, some like roads, some like squares, circles and threads. It looks like a lizard, a lion, etc. And there are many indescribable plants, but the specific form of plants has also been omitted, leaving only simple lines.

Among these strange patterns, there is a famous spider picture. This 50-yard-long spider made of single thread is one of the most moving animal fables of Nazca. This picture may be a totem of a privileged class, or they may have noticed this character on a particular festival. The spider in the picture may be related to predicting the future ceremony, but it may also be a constellation person worshipped by Nazca people.

Another pattern with a name is a bird map, and there are 18 such bird maps on the Nazca wasteland. This bird map is very huge, 30 to 40 yards long. In this magnificent bird map, a 3.7-mile-long sun line crosses the wingspan of 140 yards. Similar birds were found on some pottery unearthed in Nazca. What's more strange is that a huge trident pattern is carved on a faint ridge near pisco Bay. At that time, Indians had never seen a trident. What's going on here?

These patterns and lines are formed by a layer of light pebbles exposed to dark brown topsoil. According to experts' calculation, every time a line is built, several tons of pebbles need to be transported, and the exact position in the pattern line determines that the producer must copy the original pattern according to the carefully calculated design drawings. At that time, Nazca residents were still in primitive society, so how were these huge paintings made? Maria. Reich believes that ancient residents can first make models with design drawings, and then divide the models into several parts. Finally, copy the parts in proportion on the ground. Others believe that these huge paintings are made on the ground according to the projection from the air. Although this explanation can directly solve the difficulties in design and calculation, it leads to more problems. Because it is impossible for ancient Nazca people to master flying technology, then who projected it in the air?

Different interpretations of the production methods of giant paintings are also related to different understandings of their functions. This is a difficult problem that puzzles archaeologists all over the world. Some people say that the straight lines on the Nazca plain are related to some astronomical calendar, because several straight lines in these figures accurately point to the summer solstice and branch to the solstice on the ecliptic. It is also said that some animal and plant figures in the design are replicas of some constellations, and some lines of different lengths and shapes are the orbits of stars.

There is also a view that according to the pictures taken by the American space shuttle, the lines of Nazca's huge paintings can be seen in the space of one million meters high, and the whole picture of these huge paintings can only be seen from the air of more than 300 meters high. So giant paintings can only be painted for people who watch from the air. In distant ancient times, who could watch these huge paintings from high altitude or space? Feng, the author of "God Car". Some people, represented by Danny Ken, believe that this is the runway that whisperd built when he visited the earth. However, it was also pointed out that from the perspective of modern space technology, the space shuttle does not need a runway.

Nazca plain is barren and desolate. It only rains for half an hour at most every year. It is estimated that there may be no official heavy rain here for thousands of years, so that those mysterious figures can last for 1500 years and remain intact. Nasa is also shocked by the harsh ecological environment here, which is somewhat similar to the environment on Mars. It sent people to study this area and wanted to use it to carry out experiments on whether life on Mars can survive.

Corresponding to the dry and desolate geographical environment, the development of indigenous society here is very low, and some fields are still in the Stone Age. This has a lot to do with the design, measurement and calculation ability of giant paintings and their strong understanding of geometric figures. It is hard to imagine that these indigenous people who still don't understand giant paintings created these works to show to the sky as early as 1500 years ago. They are showing their talents. Or summon some kind of creature to come again?

Introduction of giant paintings in Nazca wasteland

There are many strange wasteland patterns in some mountainous areas and wilderness in Peru, among which Nazca's paintings are the most famous and unbelievable. Nazca Valley is located in Ica province of Peru, where there is a desolate highland of 250 square kilometers. When we look down from the plane, we can see many huge figures. Some are rectangles, parallelograms and triangles; Some are spiral and star; Some graphics are made up of many simple graphics. These patterns are somewhat like lizards and spiders; Some are like hummingbirds, parrots or seagulls, and some are like some kind of plants. Not only that, they also appear repeatedly at precise intervals, and the images of the two patterns are almost like replicas. The lines that make up these patterns, after removing the dark soil layer on the surface, reveal light-colored gravel, which is several hundred meters short and several kilometers long. What's even more amazing is that if you climb a nearby hill in the morning to observe, the lines of the huge painting are very clear under the sunlight. But as soon as the sun rises, the huge painting disappears in front of us because of the change of light angle. Who made this wonderful design and ingenious artistic creation? How was such a huge project completed?

Archaeologists speculate that these patterns may have been built by residents living in Nazca from the end of 1000 BC to around 450 BC. These patterns were first designed into small patterns, then piled and arched with straightened ropes, and the surface soil was dug up along these arched lines, exposing the deep gravel with lighter colors. This is the ground painting we see today.

Nazcaline on Nazca Plain in Peru is mysterious and desirable. It doesn't matter whether these giant paintings are local totem worship or the airport guide line of alien spacecraft. You can't help but feel shocked when you see these huge figures and lines that have existed in the wasteland for thousands of years.

The endless huge birds and beasts and geometric circles on the wasteland are like giant's handwriting. Because we can only see the giant paintings from an altitude of more than 300 meters, people think that the giant paintings are made by aliens of unknown origin, and even think that these patterns are designed according to the actual size and coordinates to guide the take-off and landing of spacecraft. Simply put, these people think that Nazca was a cosmic airport thousands of years ago. Of course, this is all speculation, and there is no reasonable argument to support this statement of space visitors. However, in a confusing situation, many people do believe it.

The most curious thing is that some lines are thousands of meters long, but no matter what terrain they cross, or even mountains, the deviation per 1 km is only one or two meters.

Nazca people certainly don't have accurate measuring instruments today, so they can complete such a straight line, perhaps by arranging a few sticks on the predetermined ground and pulling a straight rope between the two sticks, and naturally they can draw a straight line. This method is simple, but very effective. Some remaining sticks were dated by radioactive carbon 14 isotope, which was the product of 500 AD.

Every scholar who participated in the investigation wanted to know why Nazca people left these marks in the wilderness. The only thing they can be sure of is that these marks can never be works of art, because no one could fly to the air to appreciate them at that time. And this is not a great or outstanding project, because as long as 1000 workers can work for three weeks, a 3000-meter-long straight line can be completed.

What people want to know most is not how these lines are drawn, but why they are drawn. This issue is still controversial, and various viewpoints emerge one after another, including the above-mentioned cosmodrome theory, Inca empire road theory, religious pilgrimage route theory, large-scale architectural relics theory, celestial observation graph theory and so on. There are some possible reasons behind all kinds of statements, but the more powerful statement is the celestial observation map. Nevertheless, why we can only see the whole picture of the huge painting from the air is still the biggest question.

The mystery of Nazca's wasteland pattern caused a sensation all over the world, and many people called it "the eighth wonder of the world". Some people even think that compared with the Seven Wonders of the World, the mystery of the mysterious patterns on the wasteland of Nazca is more confusing, so what's the secret? When and how did these patterns come into being? What are the meanings of these patterns? What is it used for?

Many scholars have made in-depth and detailed research on this series of problems, but they are all puzzling and have different opinions, which is still a mystery of human culture that has not been completely uncovered.

Some people abroad have put forward different views. They boldly linked the mysterious patterns with the so-called "aliens"-whispering, and thought that the Nazca wasteland was once a "space airport" set up by "aliens" on the earth in that extremely distant ancient time. They pointed out that those parallelograms are signs or "runways" to guide the "alien" spacecraft to land. They also believe that some unknown giant animals in the wasteland pattern are not only not found on today's earth, but also unprecedented on the ancient earth. These are unique things on other planets. These patterns were created by "aliens" during their stay in Nazca, and they were used as signs to send messages to other "whisperd". People who hold this view put forward rhetorical questions as their own reasons: many of the edges of these mysterious patterns are made of bright stones 0.3 ~ L high, which are simply not found in the local area and its vicinity. The animal and plant images that we don't know and whose patterns can't be named on the Nazca wasteland are the creatures on other planets. If not "aliens", who can create these monsters?

Research data show that flying saucers have frequently visited South America since 1948. In 10000 UFO incidents, Peru accounted for more than 70%. Some researchers say that Peru has four UFO landing bases, among which Nazca wasteland is its well-deserved base camp. After testing, the surface of Nazca wasteland can not be damaged at all whether it is drilled with a pneumatic drill or exploded with explosives. Its plane inclination is the same as that of the rocket launching pad. The geographical position of Nazca wasteland is just one of the weakest magnetic fields in the world. This situation is suitable for flying objects in the universe to land and take off with little effort. Obviously, without the accurate calculation of gravity and magnetic declination, it is impossible to determine such a suitable landing site.

Since ancient Egyptians could build magnificent pyramids, why couldn't ancient Peruvians create these magical patterns? Many scholars are skeptical about the so-called alien whisper, or even completely deny it. They think that the above statement is subjective speculation without scientific basis.

After years of hard research and exploration, some scholars believe that the Nazca wasteland pattern is probably created by ancient Nazca people. The ancient Nazca people were a tribe of ancient South American Indians. They lived in the coastal areas of southern Peru from the 4th century BC to the 6th century AD, and once created a high degree of civilization. Ancient Nazca culture is famous for its colorful patterns and novel patterns. According to textual research, ancient Nazca people used spiral paste technology to make glazed pottery. The common shapes are open bowls, lined pots and so on, which are characterized by bright colors and simple and elegant shapes. Brick red or orange yellow background is painted with seven colors: red, yellow, brown, purple, white, gray and black, mostly with red as the background and outlined with black lines. The patterns of painted pottery are generally birds, animals, flowers or religious monsters with decorative patterns. Archaeologists have found a large number of ceramic ware fragments fired by ancient Indians in Nazca area. Some patterns on these fragments are very similar to giant painting images on the wasteland. Not far from the wasteland pattern, archaeologists also found tombs and architectural remains of ancient Indians. Wool and cotton cloth unearthed from Nazca tombs include not only embroidery, but also tapestries, brocade cultural relics and silk flowers. Colorful, up to 190 different shades. The mummy suit unearthed near Pisca on the southern coast is called "the textile miracle of the world". These textiles are not only well-made, but also have different patterns within the scale, which reflects the special mathematical talent of ancient Indians.

In fact, as early as 1926, it was discovered that Nazca's strange lines were used by Indians as a route for religious sacrifices, but no evidence was found. Morrison thinks this view is quite credible, and in a Spanish history book that records the history of South America after 1653, he found that it records how the Indians in Cuzco, the capital of the Inca Empire, started from the Sun Temple in the city and went through a straight path extending in all directions to worship in a small temple along the way. Then, the piles of stones beside the Nazca wasteland are not like small temples?

Without any explanation, we can give a satisfactory answer to these huge paintings.