Introduction to the second season performance of office ghost

Talking about Ghosts in the Office and Job-hopping were staged in 9 cinemas in Beijing from February 30th, 2008 to October 30th, 2009.

Talking about Ghosts in the Office was staged at Beijing People's Art Theatre from February 24th to March 22nd, 2009.

Talking about Ghosts in the Office was performed at Shanghai Theatre Art Center from May 5th to May 3rd, 20091.

Talking about ghosts in the office, from May 6, 2009 to May 3, 20091day, performing posters at Beijing Oriental Pioneer Theater. This is a magical comedy story of "people and gods are excited".

An office building that has experienced N years of wind and rain has witnessed the survival of countless companies. In this office building, a company named "Limited Capacity" is about to enter an unprecedented "Ice Age". The boss of the company-a middle-aged crisis man who is extremely stingy and likes to take advantage of petty advantages-has a high ——VC, and has no choice but to abandon all the problematic employees of the company and commit suicide, but at a critical moment, he has attracted a deep feeling/funny/unreliable death.

When "death" comes, do employees with "limited ability" like Zhang Xiaohe stay or run away? In the face of three OL beauties in the office, how will death start an office romance? Who will shout out the best job-hopping in the cold winter of the workplace and the game of life and death?

Declaration, who won this "Jedi counterattack" to reverse the career bottleneck?

If you are too tired and bored to go to work, the best way is to stand with your boss and colleagues and smile at "death"! Introduction of some actors in Shanghai Edition:

My hero: Play VC Gao.

My hero: Wei Bin plays Zhang Xiaohe.

Introduction of some actors in Beijing Edition:

Murphy plays death Brando.

Play VC Gao.

Zhou Tienan plays Zhang Xiaohe.

Part of the second season stills

The third season of Ghost introduces "Nodding is shaking"

There is a ghost in the office. Yes, shake your head. No will be staged in Beijing People's Art Experimental Theatre from July 6th to August 2nd, 2009.

Poster; playbill

abstract

"Choice phobia" is spreading. After the "limited ability" company experienced the "death storm", under the infection of "epidemic situation", in the face of new big orders, everyone had different symptoms, and the company was in chaos again.

Amai, the host of the big TV show Yes or No, is looking for an heir to the property. By flipping a coin, Amai stumbled upon Zhang Xiaohe and begged him to inherit the property. Faced with the pie falling from the sky, VC Gao and Zhang Xiaohe launched a "money-grabbing war". In desperation, Amai made them PK, and the only topic was that Zhang Xiaohe, who said "yes" to everything, said "no!" ; A VC who says "no" to everything can only say "yes". A simple but full of waves. "Yes" and "No" have opened new doors for the two protagonists, and also brought a lot of troubles. In the process of PK, Amai and Zhang Xiaohe explored their own careers together. ...

On the PK stage, it is difficult for the two to win or lose. Where did the legendary huge property finally flow?

Mike decided to toss a coin again, but the coin magically stood in the middle ... "If you think that Degang Guo is too poor,' Little Shenyang' is too vulgar, and you want to have a good time, but you are not worried about being suspected of' taste', then I suggest you watch" Office Ghost ". A friend of mine said with a smile, wow, now the drama can be so' engaged'. It's really' fuck'. It's embarrassing to do this. "

-Chen Tong, a famous writer and screenwriter of The New Marriage Age and Marvin's War.

"Compared with the imitation show of" Ghosts in the Office "by Murphy and others, or the string burning of popular songs in Zhou Tienan, Little Shenyang has no advantage in the" talent show "link. In Ghosts in the Office, laughter is not bad. Just like in the literary and art circles, Ghosts in the Office has some aftertaste besides laughter, which provides some thinking space for white-collar audiences under the economic crisis. This kind of thinking is obviously better than that in abduction.

-Ye Weiyang, Senior Cultural Commentator

"This drama reflects its sense of city and fashion. Almost all the paragraphs inside are picked out from the world around us, even accurate to yesterday's life, which often makes us smile, or laugh without a definite view ... In the laughter in the play, we occasionally hear some sporadic wisdom of life. These words have a shallow background for the cheerful and humorous stage, and even a little detached and sublimated. "

-Senior Planning of Vogue Magazine

I once participated in the introduction of ghosts in Creative Office.

Director and screenwriter: Guo Guo

Producer: Jia Zhu

Creative Consultant: Gelei Chen Box Creation Association.