What is the meaning of Ji Kang's angry poems?

Ji Kang's Melancholy Poems Ji Kang's Melancholy Poems are Ji Kang's works in the Three Kingdoms Period. This poem was written by Ji Kang because Lu An was framed, telling the melancholy of his life and the black-and-white reversal of the world. The whole poem clearly shows Ji Kang's own position. He resolutely opposes Sima's political attitude and wants to fight this unfair society to the end.

Angry poems

Regret for the Past is an important work of Ji Kang, and it is also an important reference for studying Ji Kang's personality and thoughts. When we read this poem, we must first understand its writing background. According to historical records, Ji Kang's good friend Lu An was imprisoned for being framed by his brother.

Therefore, in order to prove his brother's innocence, Ji Kang said that Lu An's brother was the culprit, but the court at that time was not what Ji Kang thought, and he did not expect to lose, but Ji Kang did not blame Lu An for it.

This poem was written after Lu An was arrested and imprisoned. In fact, there are deeper reasons behind this poem, which have a great relationship with the poet's unique personality. We know that the politics in the later period of Wei was quite dark, and honest intellectuals in the DPRK could be killed by villains at any time.

The Seven Sages of Bamboo Forest avoided talking about their official career because they saw this darkness, and Ji Kang, the most successful of the seven people, wanted to be a soldier and fight with Sima's family at the front.

Although the direct cause of the writing of Poems of Mourning Anger is the injustice of Rua, the deeper meaning is that the author is in a specific environment where he is imprisoned and expresses his anger at the right and wrong in the world. In this poem, Ji Kang once again shows his stubborn attitude of refusing to cooperate with Sima Shi.

Ji Kang's four songs of long qing, short qing, long side and short side, also known as Ji Four Songs, were very famous in ancient China, and together with Cai's five songs in the Eastern Han Dynasty, they were called "Nine Songs".

Jikangsi lane

Among them, Guangling San, which Ji Kang played before his death, became one of the top ten famous guqin songs, and Ji Kang himself was also called the "pianist" in history.

The two songs "Long Qing" and "Short Qing" take meaning from the snow and want to express the spirit of leading an honest and clean life. Ji Kang wants to tell you that in this Wei-Jin era, the only way out for us literati is not to have anything to do with officialdom. In any dark and disorderly court, we will all bring our own destruction.

At the same time, Ji Kang also showed extraordinary interest. He not only makes himself indifferent and free and easy, but also influences ambitious people around him through his words and deeds. The Seven Sages of Bamboo Forest is a good example.

There are many meanings of long side and short side that need to be explained, and we can't give a clear explanation, but the structure of these two songs should be roughly similar to that of long Qing and short Qing, both of which express their lofty interests and lofty qualities through snow.

Ji Kang's "Four Alleys" also has the same feeling, and they are all expressing their lofty aspirations. In this troubled times, Ji Kang had no choice but to follow the crowd. He shouted to the world by writing articles and composing music. He is a model of the struggle between Wei and Jin Dynasties and bureaucrats. He advocated not being an official, not because he didn't want to serve the country, but because he wanted more people with lofty ideals to realize the corruption of society and the incompetence of officials, even if he was just a blacksmith.

These four songs are meaningful. When people play ball, can they remember Ji Kang's persistence and see Ji Kang's sad tears?

Ji Kang's "Sound without Sorrow and Music" is a book with a lot of research on music. The book not only introduces whether there is sadness and joy in music, but also involves the university of music aesthetics. He discussed the essence and noumenon of music. It is pointed out that music is the influence of objective existence, and funeral music is the emotional expression of people after being touched.

Ji Kang's Theory of Sound without Sorrow and Music

Music itself is not pleasant to listen to, and it has nothing to do with people's emotional understanding of sadness and joy. Ji Kang believes that some people think that there is sadness in music because the listener is in a bad mood and sad, and the music he hears is naturally sad.

Music has the functions of inducing and spreading. Ji Kang objected. Since the Han Dynasty, rulers have regarded music as a tool for political and social interaction. He opposes that only kings can listen to music, and it is illegal for ordinary people to listen to music. He opposes those behaviors that ignore the artistry of music, and Ji Kang can't accept music as a prop for divination.

What Ji Kang saw was the formal beauty of music, and it was the contradiction between discussing the performance content of music and appreciating music that Ji Kang first proposed. Ji Kang saw people's misunderstanding of music and correctly realized that the essence of music is to express the beauty that the composer wants to show to all listeners.

The music thought reflected in Sound Without Sorrow and Music advocates that music should be divorced from feudal politics and that "both ceremony and music should be punished", which is a precedent for understanding music in feudal society in China and the source of two major ideological trends of China's music aesthetics.

Ji Kang's research on music is obvious to all. His articles greatly influenced the trend of ancient music and made people have a deeper understanding of music.

Ji Kang Guang Ling San Guang Ling San is a large-scale Qin music of Han nationality in ancient China, and it is a very famous guqin music in the history of China music. Ji Kang played this song before his death, making Guangling San known to people.

Jikang Guangling Powder

Ji Kang not only left valuable materials for future generations to study the Wei and Jin Dynasties in literature, but also left valuable wealth for future generations in music. Ji Kang loves music since he was a child, has a special sense of music and has a very high talent in playing musical instruments. It is said that Ji Kang's contact with the piano is almost self-taught.

Ji Kang's love for Qin and Qin music has aroused people's speculations about him, and Ji Kang has also left a series of beautiful legends for future generations with his music.

Ji Kang has a very expensive piano. For this piano, he sold his family business, begged a piece of jade from Shang Shuling and put it on the piano. Ji Kang loves this piano very much and guards it day and night. On one occasion, Ji Kang's friend Dan Tao joked that he would play the piano while Ji Kang was sleeping.

Ji Kang's four tunes, Changqing, Short Qing, Long Side and Short Side, are called "Ji's Four Pavilions" and are very famous in ancient China. It can be seen how influential Ji Kang is.

Legend has it that Ji Kang was seen gathering herbs in the mountains at night, keeping warm with long hair in winter and using woven straw as clothes in summer. It is because of his free and easy performance that Ji Kang is noticed by more and more people in music.

"Guangling San" played by Ji Kang is a piece processed by Ji Kang. In the long-term spread, it affects people like a folk song. It is because Ji Kang played this famous song Guangling San before his death that people knew it, and Ji Kang's name has always been associated with Guangling San.

Ji Kang travels at night. Ji Kang lives in Sendai at night. After a day of sightseeing, Ji Kang is preparing to have a good rest and relax. Suddenly, he heard the sound of the piano deep in the valley. Ji Kang was very curious. Why does the piano sound in the middle of the night? It sounds so lonely that people really want to know the piano player.

Jikang night tour

Why don't I pay a visit to the musician who plays the piano late at night, so Ji Kang decided to give up his rest. He followed the sound all the way to a thatched cottage. Far away, he saw a solitary lamp in the room, swaying in the wind. It must be this room.

As we get closer, the melodious sound of the piano makes Ji Kang want to stop. He is eager to meet the pianist. Entering the thatched cottage, Ji Kang knocked on the door and volunteered to sign up. A beautiful woman came out of the room with a faint fragrance. The mysterious woman in front of me filled Ji Kang's heart with doubts. He has too many problems to get rid of this beautiful and moving woman in front of him.

The woman said to Ji Kang, Sir, it's really my pleasure for you to come to my humble abode. Why don't you come in and sit for a while? You see, the night is so dark. In this quiet world, it is also a kind of fate that you and I meet.

Ji Kang walked into the room and found that the seemingly simple hut was well decorated. The ladies' furniture is neatly arranged, not a bit messy. The smell in the air makes the body extremely relaxed. It's really pleasant to play a song in such an environment.

The woman made tea for Ji Kang. After chatting with them for a while, Ji Kang realized that the woman was a female ghost in the mountains. Just because she is worried, she can't be the patron saint of this mountain. When the weather is fine at night, she will think of the memories of past lives and play a little song to entertain herself.

Unfortunately, I brought my husband here today, so I have a companion. Ji Kang also thinks that it should have been arranged long ago. This meeting must not be a coincidence. The two chatted all night.