Appreciation and translation of the original text of Anonymous Mang

Self-protection Original: Self-protection, cloth trading silk. When robbers came to trade silk, they came to me. Sending a child involves gas, as for Dunqiu. When I was a robber, I had no good media. There is no anger in the child, and autumn lasts. Take the other side of the wall to get back to the customs. I didn't see the resumption of customs, so I cried. Seeing the resumption of GATT, I was full of laughter and laughter. Well, Parr, the body is not responsible. Driving your car to bribe me to move. (er Zuo Yi: er) The mulberry tree has not fallen, but its leaves are fertile. Yu Yu, I'm sorry! Don't eat mulberry. What a woman! There is nothing to worry about. It can be said that scholars are worried. You can't say a woman is worried. Mulberry fell, yellow, and fell. Self-pity, poor three years old. Qishui soup, curtain skirt. Women are unhappy, and scholars do their best. Scholars are also extremely useless. Being a woman at the age of three is exhausting. Sleepless all night, there must be a dynasty. As for violence, what you say must be done. My brother didn't know, but he smiled. Calm down and think about it, and you will bow your head and feel sorry for yourself. Being together always makes me complain. Qi has a shore and discipline has a plate. The banquet in General's Corner was talking and laughing, swearing and not thinking about the opposite side. On the contrary, I don't think about it. I'm already embarrassed!

Simple and honest peasant boy, holding cloth for silk. Actually, it's not really a change. Find a chance to talk about marriage. Farewell Lang, farewell Qi Shuixi, to Dunqiu. It's not that I want to miss the ceremony, and you don't have the courtesy of the matchmaker. Don't lose your temper Come and get married when autumn comes.

Climb up that pile of broken walls and look far away. Far away in the clouds, the lover has no tears. My lover came back from the city, talking and laughing happily. If you go to divination and seek immortality, you are happy and have no bad omen. Come in your car with my dowry.

Mulberry leaves are covered with green branches before they fall. Hush, hush, those turtledoves, don't eat mulberries in your mouth. Oh, young girls, don't part with men. If a man falls in love with you, it's too easy to lose it. If a woman loves a man, it's hard to get rid of it.

Mulberry leaves have fallen, yellow and haggard. I have been poor for three years since I married your family. Qishui sent me home, and the water splashed on the car curtain was wet. There is nothing wrong with me being a wife, but your man is too cunning. Self-willed, unprincipled, ruthless and controlling.

Married for many years, she is already a woman and has been doing housework diligently. It is never too difficult to get up early and go to bed late. Who knows that after the family business was completed, it gradually became cruel to me. My brothers don't know my situation, and everyone laughs at me. Calm down and think about it, and throw away your tears alone.

At that time, I vowed to grow old together, but now I am worried before I get old. Qi water eventually has a shore, and the swamp is wide and has an end. Looking back, when I was young, I had more joy and more tenderness between laughter and laughter. The vows of eternal love are still in my ears, but I don't expect to be an enemy. Don't think about going back to the league, just stop now that it's over!

Note (1) Mang: "Shuo Wen" is "Mang, people are also. Originally meant to be a foreigner, it refers to people who came here from there, and it is a man's name. Chi(chρ)Chi: You just smiled with a sneer. Say simple and honest, honest. (2) Trade: transaction. Embroidered silk is barter. (3) The phrase "bandits are coming" means that the man didn't really come to buy silk, but came to discuss things with me. The matter under discussion is getting married. Bandit: preach "no" and pronounce "fěi". That is: close, close. Ask: discuss. The ancient yin is dense (mο). (4) Qi: the name of Weiguo River. Qihe River in Henan Province today. (5) Dunqiu: place name. Today's Henan is Qingfeng. Qiu: Ancient books are like "Bullying". (6) qiān: negligence, negligence, here refers to delay. It's not that I want to postpone the agreed wedding date and refuse to get married, but that you haven't found a good matchmaker yet. (7) Yes, please. Do nothing: say "no" and don't. (8) Take: board. Gu Yuan: A collapsed wall. Hey, crash. Wall, wall (9) reentry: 1 reentry and return. Checkpoint: a checkpoint set up on the main passage. The lady is looking forward to attending the meeting as scheduled. He must go through the closed door when he comes. The word "fu" is the key word. Re-entry: the place name of Weiguo refers to the place where "Meng" lives. (10) snuff: tears; Ripple: Tears look dirty. At first, she didn't see Peter come back to close the door, thinking that he had an appointment and couldn't come, so she burst into tears. (1 1) zai: verb prefix, meaningless. (12) Stone: It is called "Bu" to burn tortoise shells to judge good or bad luck. Divination with grass is called "divination". Body: refers to tortoise omen and divination, that is, the result of divination. (13) Nine: Bad luck, disaster. No blame: refers to no evil divination. (14) Bribery: property, which refers to bride price and dowry (inexpensive). The above four sentences mean that you can see good or bad luck from divination. As long as the divination results are good, you can send a car to get married and move a dowry. (15) Woluo: It is still "moist" and as shiny as water. Above two sentences, the flourishing period of mulberry is better than the period when one's love is satisfied and life is beautiful. (16) Yu Xie: Yu: The original meaning of "Xu" (xū) is to express surprise, otherwise, feeling, etc. Both "Xu" and "Xu" here are expressions of feelings. Dove: Turtledove. Legend has it that turtledove will get drunk if she eats too many mulberries. (17) Addiction (dān): infatuation, addiction, too much pleasure. (18) said: get rid of it. (19) meteorite (yǔn): falling, falling. Here, the falling of yellow leaves is used as a metaphor for women's aging and color decline. Yellow: turn yellow. It's yellow and gone: it's yellow, just like the article "All the people in clothes are from China". (20) Li (cu): Go; Pierre: Marry your family. (2 1) Eat poor: live a poor life. (22) soup (shāng) soup: the amount of water is huge. (23) gradual (jiān): soaking. Shang Wei Chang: Curtains beside the car. The above two sentences mean to cross the water and return home after being abandoned. (24) Cool: Wrong. (25) Two: the typo of "special". " "You" means "special" and is synonymous with "cool". This means that love is not exclusive. The above two sentences mean that the woman is not at fault and the man's behavior is wrong. (26) Wang: No, no; Extreme: standards, norms. (27) Ersande: Morally half-hearted, words and deeds differ. (28) It is said that all the work at home is shouldered by one shoulder. Room labor: housework. Nothing: nothing. (29) The second sentence of Su Xing: That is to say, going to bed early and getting up late, so it can't be counted as the DPRK. Su Su: Good morning. G: Get up. (30) Keep your word: the word "Zi" is an auxiliary word and has no meaning. Perfection: In the article Gu Feng, it means "both birth and education", which means that since the wish has come true. (3 1) er (xi): smiling. The above two sentences mean that my brothers don't know what happened to me, and they all laugh at me when they meet. (32) Meditation: Calm down and think about it and say: Syllable auxiliary words have no practical significance. (33) Bowing to mourn: I am sad alone. Bow, yourself; Mourn, grieve. (34) The second sentence of "Jill": At the beginning, I agreed to grow old with you, and I hated it in vain. (35) ⅵ (xi): places with low humidity; Water, named "wet", is a tributary of the Luohe River and the Yellow River and flows through the territory of Weiguo. Pan: It connects the "edge" to the edge of the water and the shore. The above two sentences are a link between the preceding and the following, saying that there must be a shore in the water, which means that everything has its edge and its own worries are endless. The implication is that if you grow old with such a man, it will be endless. (36) Total Angle: In ancient times, when men and women were minors, they tied their hair into a bun, which was called total angle. This refers to childhood. Banquet: Happy. Yan Yan: Happy. (38) Dandan: Sincere. (39) anti: that is, the word "back". Forget it: I never thought I would break my oath. On the contrary, I don't think: I have violated these. Yes, demonstrative pronoun, meaning oath. Is to repeat the meaning of the last sentence and change the syntax of the next sentence, Ye Yun. (4 1) Close and terminate. Yan Zai (pronounced as Z Ρ in ancient times): modal particles are used together to strengthen the tone and express exclamation. The last sentence is equivalent to saying forget it!

For the sake of self-protection, the false word "self-protection" is used to "scoff" and smile. Speaking of sincerity, bandits (bandits come for silk) exclaim through "no" instead of "sigh", expressing feelings of "no" that are not angry (children are not angry), not to mention (you can say) getting rid of it by "taking off" (you have Pan).

As for the ancient meaning, the ancient meaning: to; Meaning: To reach a certain level. Indulgence, ancient meaning: indulgence; Meaning: procrastination. Thinking, ancient meaning: regarded as; Meaning: thinking. Weep, ancient meaning: tears; Meaning: tears and runny nose. Bribery, ancient meaning: property; Today's meaning: bribe with property. Banquet, ancient meaning: happiness; Today's meaning: banquet. Three years old, ancient meaning: many years; Modern meaning: refers to age.

Flexible use of yellow in part of speech for Mongolians (its yellow gradually disappears): turn yellow (adjectives as verbs) 23 (virtue): change frequently (numerals as verbs) (staying up late): get up early (nouns as adverbials) and stay up late (staying up late): stay up late (nouns as adverbials) Poverty (eating at the age of three): poverty (adjectives as adverbials).

For the sake of self-awareness, my son will not get angry, and autumn will last for a while. (prepositional object sentence)

Mang's Feng Weimang is an ancient folk song, which tells a woman's emotional changes and profound experience frankly. It is a vivid portrayal of love scrolls, and it also left valuable information about local conditions and customs at that time for future generations.

This is a short narrative poem mixed with lyricism, which makes a love story true and natural. In this poem, women are affectionate, open-minded and enthusiastic. Even the resentment after marriage is a manifestation of hidden intentions. What a vivid image, understanding, diligence, intelligence, courage, frankness and understanding. Before marriage, she bravely broke through the shackles of etiquette and resolutely lived with Meng, which was commendable at that time. It stands to reason that married life should be harmonious and beautiful. However, contrary to expectations, in order to protect herself, she was used like an ox or a horse, even beaten and abandoned. The reason is that at that time, women had no position in society and family, but were only vassals of their husbands. This political and economic inequality determines the inequality between men and women in marriage, which enables Mongolians to play with and abuse women at will with impunity, and have the right to abandon their wives and dissolve their engagement. The word "beginning chaos and ending abandonment" can summarize the evil behavior of self-protection to women. Therefore, although she bravely broke through the feudal shackles, she ended up with the fate of a woman who resigned under the pressure of her parents' orders and matchmakers' words. "I can also say that I am a scholar; You can't say that women are worried! The poet complained bitterly about the unfairness of this society, which deepened the ideological significance of this poem. The tragic experience of the heroine in the poem can be said to be the epitome of Qian Qian's female fate which was absolutely oppressed and hurt in the class society, so it can win the admiration of later readers.

Although the poem is mainly lyrical, the narrative story is not complete and detailed, but it truly reflects the heroine's experience and fate, lyrical narrative is integrated, and sometimes accompanied by lamentation. In these respects, this poem has initially possessed some features of China's narrative poems. These characteristics have more or less influenced the narrative poems of the next two thousand years, which can be seen in Peacock Flying Southeast, Song of Eternal Sorrow and Double Sorrow of Modern Yao Xie.

The structure of the poem "Dream" accords with its story, and also with the passionate and ups-and-downs emotion when the author narrates it. Each chapter has six chapters and ten sentences, but different from other chapters in The Book of Songs, it is written naturally according to the development order of characters' fate. Give priority to with fu, also use BiXing. It is better to strengthen narrative and lyricism than to give it narrative and enhance lyricism.

In the first chapter or two of Biography of Poems, I wrote: "Ye Fu. Describe the process of a man proposing to the heroine and even getting married. It was at a market where a man confessed to the heroine in the name of buying silk. Giggling and losing your temper, carrot and stick. But this simple woman can't see through his essence, saying that someone must be a matchmaker, and finally set the wedding date in autumn. Since then, women have been thinking about "I hope to re-enter the customs through the wall", but I can't see the customs where men live, and I can't stop crying; Seeing the re-entry is like seeing someone you love, and you can't help smiling. She also used divination to predict the good or bad of marriage. The man sent a car to marry her, and she married her with all her belongings. These two chapters are vivid and vivid, and the poet's self-image as a pure girl is also vividly portrayed. Fang Yurun commented on this cloud: "If you don't see it, you will be worried. If you see it, you will be happy. If your husband can't stand himself, your woman will be obsessed with it. " (The Book of Songs) A word "stupid". Point out the depth of this woman's love.

Zhu's Biography of Poems refers to the third chapter and the fourth chapter, that is to say, these two chapters are mainly lyrical, and the poems are all sang Shuxing, from the poet's youth and beauty to his decline, and at the same time reveal the process of men's love for her to their rejection. "Before the mulberry leaves fall, their leaves will flourish", using moist and shiny mulberry leaves as a metaphor for a woman's beautiful face. "When the mulberry leaves fall, they will turn yellow and fall." The withered and yellow falling of mulberry leaves symbolizes the haggard and abandonment of women. "In the nest, there is no food for mulberries; If you are a woman, you will have nothing to do with literati, and then you will say "Don't eat pigeons, mulberries and revive the next sentence" (Biography of Poetry). Mulberry is sweet, and it is easy to get drunk if you eat too much; Love is beautiful, but people who are infatuated with love are easily deceived. A man who is addicted to love can still be freed. Once a woman falls in love, she can't get rid of it. What a painful language this is! From green mulberry leaves to yellow mulberry leaves, it not only shows the age of women from prosperity to decline, but also implies the passage of time. It is generally believed that women have been married for three years, but there is another explanation: "Three years old, many years. "According to' three' is an imaginary number, which is said to be more than three years." (Cheng Junying's The Book of Songs) In fact, it refers to the relationship between husband and wife gradually falling apart and eventually breaking down after a woman has been married for several years. The woman had to get into the car again, cross the ice water and return to her family. On second thought, she found that there was nothing wrong with her, but the man's "two virtues". Here, women look back on their married life in a reflective tone, looking for the reasons for being abandoned, and finally get a lesson: in a man-centered society, there are only spoony women and heartbroken people.

The fifth chapter of the poem describes the situation before and after being abandoned by Fu. The first six sentences continue the previous chapter "I am self-sufficient and poor at the age of three" to make up for the suffering of being a woman for many years. She gets up early and goes to bed late and works hard. Once her life became better, her husband became violent and cruel. The word "violence" can be reminiscent of the ferocious face of her husband and the scene of the heroine being abused. The last four sentences wrote that she was ridiculed by her brothers after returning to her parents' home. "Biography of Poetry" explains this cloud: "Gai follows people and is not hated by his brother, so he abandons them and returns without the sympathy of his brother. Inevitably, he was accused, but he only mourned himself. It is not enough to say that the heroine is "slutty"; But other words can help the reader understand the mental stress she suffered at that time and the inner contradictions arising from it.

The sixth chapter, Fu and Bi Xing, is narrated in a lyrical way. They talked and laughed when they were in love. Men swear that they will grow old together. But he had a grudge before he was old, and it was irreparable. There are two metaphors here: in the vast soup, there is always a bank with water; The vast and continuous swamp is also a marginal zone. The implication is: Why isn't my pain over? "Biography of Poetry" points out that "this prosperity" is actually more prosperous than China. With these two metaphors, the poet strongly expressed his resentment and told the endless pain of abandoning his wife. In order to get rid of these pains, she made up her mind to sever the emotional connection with the man: "On the contrary, it is useless to think! After that, I don't want him to change his mind. Forget it, forget it. But can she really do it? Fang Yurun said, "Although I have spoken, how can I forget my heart? Yes, judging from the character that this woman has always loved, she can't make a clean break with men emotionally. This is the tragic character that is often said today.

Meng's artistic achievements (1) Realistic creative methods

The poem Dream is a representation of the poet's typical emotions in real life. Poets unconsciously used realistic creative methods to express their tragic experiences through singing, which played a reflective and critical role in the social reality at that time. Dream is a folk song, and it is written orally. At first, it was widely circulated among the people. After repeated singing and constant revision by countless working people, such a complete poem was formed until the time of writing. In the process of spreading, people have permeated their feelings about love and marriage into singing, so the works are full of realism. The heroine in the poem describes her own personal experiences and feelings, all of which are true feelings. And this kind of true feelings is universal and typical in class society. Poets are good at grasping all kinds of complex contradictions in the subject matter. She caught the contradiction between herself and Meng, as the agent of husband's power. They changed from the relationship between husband and wife to the relationship between oppression and oppression, revealing the social reality of the patriarchal system. She grasped the contradiction between herself and her brother, reflected the social morality and public opinion at that time, and was the thought centered on husband's rights and the reality of abandoning her wife and helplessness. She grasped her inner contradiction: can she live together without parents' orders and matchmaker before marriage? I am happy when I see self-protection, but I am sad when I don't see self-protection. How to solve the contradiction between seeing and not seeing? These intricate contradictions constitute the main contradiction of poetry-the contradiction between feudal ethical code system and women's desire for a happy family life. This was an extremely remarkable and universal phenomenon in the society at that time. Secondly, the poet Meng is good at portraying characters. There are two distinct images in Meng. One is a cunning and ungrateful "self-protection", and the other is a kind abandoned "woman". Self-protection means that farmers go into exile from other places in order to defend the country. "Embrace Trade Silk" points out that he is still a small businessman. At first, he was false honesty, false warmth and false loyalty. He cheated an innocent and beautiful girl by hypocritical means and got her love, body, labor and furniture. After marriage, he showed his true colors. I used to swear every day, but now I have changed my mind. I used to be very affectionate with her, but now I am very "violent", not only abusing her, but even kicking her out of the house. Some people say: Meng was a sheep before marriage and a wolf after marriage. This metaphor is vivid and accurate. The image of self-protection is the product of the husband's power system and the product of businessmen's mercenary. The poem also depicts the image of a kind working woman. At first, she may be engaged in some sideline business of sericulture and reeling, so she has some savings. She was innocent and inexperienced, so that she agreed to her heart at once. Seeing that Meng was unhappy, she quickly comforted: "I will have no regrets, and autumn will continue for a while." She is affectionate and really loves to protect herself. When she can't see him, she will "cry" and when she sees him, she will "laugh". She is brave and dares to live with Meng without media. She was very loyal and moved herself and her belongings to Meng's house by car. After marriage, she lived in poverty and lived a hard life of self-protection. She works hard and does housework together. She is very down-to-earth. When her family gets better and her husband abuses her, she always loves to protect herself (and her daughter is unhappy). After being abandoned, she was strong and resolute, calm and rational, saw the hypocrisy and ugliness of self-protection, and resolutely refused to fight against self-protection. She changed from a simple, affectionate and brave girl to a hard-working and humiliating wife, and then to a strong and determined divorcee. Her character developed with the change of her relationship with Mongols. Through the sharp contrast between self-protection and female images, it is clear who is true and who is false, who is good and who is evil, who is beautiful and ugly. The true face of the unequal society between men and women at that time was as it is now. Therefore, the author Meng unconsciously used realistic creative methods. Zhou Yang said: "Where there is literature, there are creative methods. Myths and legends are the source of romanticism, and The Book of Songs is the source of realism. " His summary accords with the actual situation in the history of China literature.

(B) than a harmonious and prosperous artistic approach

The poet is a rural woman, and the natural scenery around the countryside is familiar to her every day. When a poet touches something, he sings. The third chapter, "Mulberry leaves will flourish before it falls", is a metaphor for the happiness of a beautiful young girl at her first marriage. The fourth chapter, "Mulberry has fallen, but it has fallen yellow", is also a metaphor for the haggard face of abandoned women and the pain of being abandoned. The third chapter "I fall in love with pigeons and don't eat mulberries" is a metaphor, which means two sentences: "I fall in love with women and don't have to worry about scholars." The sixth chapter "qi has a shore, discipline has a plate" is inversely proportional, and the change of heart is endless and unpredictable. All these have played a positive role in shaping the image, highlighting the theme and strengthening the ideological significance of poetry.

(C) the expression of contrast

This is due to the reflection of realistic contradictions in people's minds. There are two forms: 1. Syntactic contrast, such as "women are unhappy, scholars do their best"; "The scholar's worry is worth mentioning; Women are too lazy to say anything. " This is the contrast between scholars and women. The contrast between Mulberry Not Falling and Mulberry Already Falling, and the contrast between Not Seeing Re-entry and Seeing Re-entry are all against each other, which is more effective in shaping images and expressing feelings. 2. Contrast before and after, for example, Meng was "laughing and swearing" before he got married; After marriage, "the words are finished, as for violence." Different attitudes set off each other, depicting the essence of hypocrisy.

(D) Metonymy rhetoric

Poetry is thinking in images, not preaching in images. We should use concrete things to express the artistic conception in images. Image language can easily stimulate readers' imagination and enhance the charm of poetry. The poet "Mang" represents Mang with the place where Mang lives "Re-entry" and his childhood with "General Angle". Look into the distance and express your love through the wall. Bribery moved from car to table and lived together, and "aligning water with Tang Tang and gradually curtain dresses" showed great returns. "Three years old" for many years, "two or three" for many years. This is the same as the poet who picked Wei used "willow" instead of spring and "rain and snow" instead of winter. The language received is meaningful and thought-provoking.

(5) the authenticity of rhetoric

Chen Wangdao's "The Origin of Rhetoric" said: "Topping really means using the end of the previous sentence as the beginning of the next sentence, so that the ends of adjacent sentences are linked together. There is a kind of rhetoric that is interesting. This rhetoric is common in songs. This may be due to the collective singing method, word of mouth, this singing method and that singing method are interrelated and easy to remember a sentence pattern. Such as "exchange cloth for silk, bandits for silk", "I look forward to the resumption of customs, but I don't see the resumption of customs", "I don't care about scholars, but I am worried about them", "I will grow old with my children and always complain about others" and "I don't think about it, but I don't think about it" are all true sentences in the poem "Self-protection". Not all the re-elected words are at the beginning of the sentence, but some of them have the same function in the sentence, all of which are to strengthen the musicality of the poem.

(6) Application of interjections

When poets express strong feelings or profound thoughts, they often express them with sounds or sighs. For example, when she recalls her love life before marriage, her feelings are relatively stable and there is no need to sigh. The third chapter is passionate, with two "Yu" (alas), three "Xi" (ah) and two "Ye" (ah). The fourth chapter has some feelings about "Mulberry Fall" and uses the word "one". The fifth chapter tells that she was abused by her husband and ridiculed by her brother, and her emotions were the most exciting. She used six words "Yi" to express her deep feelings and tone. In the last chapter, I expressed my indignation and rejection of self-protection, strengthened my tone, prolonged my tone and resolutely sang "What's the matter?" (Forget it! The word "gorgeous" is used together, just like the end of the curtain of a traditional Chinese opera, which makes people feel the lingering sound.

(seven) the expression of the call.

Because the poet's feelings are very strong, although he is not in front of the person he loves or the person he hates, he feels that if he is in front, he will complain or reprimand, which is the characteristic of calling. It is most commonly used in lyric poetry. In the third chapter of the poem, "Self-protection", the poet described her abandonment and her anger, and linked her personal fate with the fate of ordinary women at that time, as if there were a group of young women in front of her, and she told them her pain. In the process of falling in love, she should be wary of men changing their minds in the future. It is difficult for her to get rid of the scourge: "If you are a woman, you will have no worries with a gentleman!" The anxiety of scholars can still be said; You can't say a woman is worried! "These slogans sang a strong indignation at the social phenomenon of gender inequality. The sixth chapter turns to cry. "Being the boss with my husband makes me complain." At this time, it seems that self-protection stood in front of him and rebuked his oath as cheating. Then, with the scenes of harmonious feelings, laughing and swearing when I was young, I set off today's ingratitude. Grief, and reached the * * *. At last he shouted, "I don't think about it, but I don't think about it." What a pity! "If you don't call for self-protection reprimanded here, it's not enough to trap to feel avenged.

The tone of this poem is sonorous and natural, full of true feelings. The overlapping of adjectives such as "Chichi", "Lianlian", "Tang Tang", "Yan Yan" and "Dandan" is used in the poem, which not only plays the role of imitating sound and painting posture, but also enhances the musicality of the poem. The composition of folk songs in The Book of Songs is mostly repetitive. Because of the poet Meng's complicated feelings and tortuous narration, he stopped singing in the form of chapters, which is rare in folk songs.

The Biography of Poetry said in the first chapter or two of The Level of Self-protection: "Ye Fu. Describe the process of a man proposing to the heroine and even getting married. It was at a market where a man confessed to the heroine in the name of buying silk. Giggling and losing your temper, carrot and stick. But this simple woman can't see through his essence, saying that someone must be a matchmaker, and finally set the wedding date in autumn. Since then, women have been thinking about "I hope to re-enter the customs through the wall", but I can't see the customs where men live, and I can't stop crying; Seeing the re-entry is like seeing someone you love, and you can't help smiling. She also used divination to predict the good or bad of marriage. The man sent a car to marry her, and she married her with all her belongings. These two chapters are vivid and vivid, and the poet's self-image as a pure girl is also vividly portrayed. Fang Yurun commented on this cloud: "If you don't see it, you will be worried. If you see it, you will be happy. If your husband can't stand himself, your woman will be obsessed with it. " A word "stupid". Point out the depth of this woman's love.

Biography of Poems refers to the third chapter "Bi Xing" and the fourth chapter "Bi Xing", that is to say, these two chapters are mainly lyrical, and the poems are all about mulberry trees, from the poet's youthful beauty to the decline of body color, and at the same time reveal the process of men's love for her to rejection. "Before the mulberry leaves fall, their leaves will flourish", using moist and shiny mulberry leaves as a metaphor for a woman's beautiful face. "When the mulberry leaves fall, they will turn yellow and fall." The withered and yellow falling of mulberry leaves symbolizes the haggard and abandonment of women. "In the nest, there is no food for mulberries; If you are a woman, you will have nothing to do with literati, and then you will say "Don't eat pigeons, mulberries and revive the next sentence" (Biography of Poetry). Mulberry is sweet, and it is easy to get drunk if you eat too much; Love is beautiful, but people who are infatuated with love are easily deceived. A man who is addicted to love can still be freed. Once a woman falls in love, she can't get rid of it. What a painful language this is! From green mulberry leaves to yellow mulberry leaves, it not only shows the age of women from prosperity to decline, but also implies the passage of time. It is generally believed that women have been married for three years, but there is another explanation: "Three years old, many years. "According to' three' is an imaginary number, which is said to be more than three years." (Cheng Junying's The Book of Songs) In fact, it refers to the relationship between husband and wife gradually falling apart and eventually breaking down after a woman has been married for several years. The woman had to get into the car again, cross the ice water and return to her family. On second thought, she found that there was nothing wrong with her, but the man's "two virtues". Here, women look back on their married life in a reflective tone, looking for the reasons for being abandoned, and finally get a lesson: in a man-centered society, there are only spoony women and heartbroken people.

The fifth chapter of the poem describes the situation before and after being abandoned by Fu. The first six sentences continue the previous chapter "I am self-sufficient and poor at the age of three" to make up for the suffering of being a woman for many years. She gets up early and goes to bed late and works hard. Once her life became better, her husband became violent and cruel. The word "violence" can be reminiscent of the ferocious face of her husband and the scene of the heroine being abused. The last four sentences wrote that she was ridiculed by her brothers after returning to her parents' home. "Biography of Poetry" explains this cloud: "Gai follows people and is not hated by his brother, so he abandons them and returns without the sympathy of his brother. Inevitably, he was accused, but he only mourned himself. It is not enough to say that the heroine is "slutty"; But other words can help the reader understand the mental stress she suffered at that time and the inner contradictions arising from it.

The sixth chapter, Fu and Bi Xing, is narrated in a lyrical way. They talked and laughed when they were in love. Men swear that they will grow old together. But he had a grudge before he was old, and it was irreparable. There are two metaphors here: in the vast soup, there is always a bank with water; The vast and continuous swamp is also a marginal zone. The implication is: Why isn't my pain over? "Biography of Poetry" points out that "this prosperity" is actually more prosperous than China. With these two metaphors, the poet strongly expressed his resentment and told the endless pain of abandoning his wife. In order to get rid of these pains, she made up her mind to sever the emotional connection with the man: "On the contrary, it is useless to think! After that, I don't want him to change his mind. Forget it, forget it. But can she really do it? Fang Yurun said, "Although I have spoken, how can I forget my heart? Yes, judging from the character that this woman has always loved, she can't make a clean break with men emotionally. This is the tragic character that is often said today.

Poetry: Meng Poetry Author: Pre-Qin anonymous poetry classification: The Book of Songs, narrative, funeral march, folk songs.