It is difficult for Oracle Bone Inscriptions to write about teachers.

"Teacher's hard work" is spelled out by Oracle Bone Inscriptions:

Oracle Bone Inscriptions is also called "Yin Ruins Characters". Most of its contents are the words of royal divination, so it is also called "Oracle Bone Inscriptions" or "Zhenbu". This kind of handwriting is basically carved by Qi, also known as "Wen Qi" or "Yin Qi".

Oracle Bone Inscriptions has a symmetrical and stable pattern. Prepare three elements of calligraphy, namely, using a pen, finishing words and composing music. Judging from the number and structure of fonts, Oracle Bone Inscriptions has developed into a more rigorous and systematic writing. The "six-character" principle of Chinese characters is reflected in Oracle Bone Inscriptions.

Extended data:

Oracle Bone Inscriptions has a history of over 3000 years. It is not only the earliest and most systematic data for studying the origin of Chinese characters, but also an important wealth for studying oracle calligraphy. From the perspective of calligraphy, Oracle Bone Inscriptions already has three basic elements of calligraphy, namely, using a pen, creating characters and composing a composition.

From the Oracle bones, they have three elements of China's calligraphy: writing, writing and composition. His brushwork lines are neat and thin, straight and thick, and his strokes are multi-folded, which has an influence on the pen and knife of seal cutting in later generations.

As far as pen is concerned, Oracle Bone Inscriptions used a knife to carve on the hard tortoise shell or animal bone, so he used a straight line when carving, and the curve was also carved with a short straight line.

Judging from the knot, Oracle Bone Inscriptions's appearance is mostly rectangular or several squares, with the beauty of symmetry or changeable words. In addition, Oracle Bone Inscriptions also has the structural form of combining Fiona Fang and Kaizi set.

Judging from the composition, Oracle Bone Inscriptions's whole line is clear, and the text size is patchy. Each line is up, down, left and right. Although there are density changes, the whole article can be full of vitality, size dependence, left and right correspondence, and echo before and after.

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