What is Li Bai's poem?

Tang Libai

Early in the morning, I bid farewell to Jiangling city, which is high into the sky, thousands of miles away, and the boat is only one day away.

The cries of apes on both sides of the strait are still unconsciously crowing in their ears, and the canoe has passed the heavy green hills.

The seven famous wonders are not without exaggeration and whimsy. It is beautifully written, shocking and beautiful, but it is not artificial, casual and natural. Ordinary readers don't need to know the author's mood when writing a poem, as long as they simply appreciate the pleasure of sailing along the Three Gorges River conveyed in the poem, they will feel beautiful. In fact, the poet used the magnificence of the countryside and the smooth sailing along the river to express his happy mood when he was pardoned and returned to Jiangling. Understanding the connotation of these situations will enrich the aesthetic feeling. Predecessors gave rave reviews to this poem, such as "Poems of Tang and Song Dynasties" Volume 7: "Sailing with the wind, thousands of miles away, but knowing the scenery in front of you, it is doubtful that there is a help between pen and ink." Three or four colors are propped up to feel at home. "Ding Longyou said," this is the tone of god. Wu Changqi's Annotations on Tang Poems Volume 13: "With the sound of apes, colorful scenery". Timely Li Shiwei Volume 4: "It's easy to say, but it's confusing".

[Edit this paragraph] Appreciate

In the spring of 759, in the second year of Tang Suzong, Li Bai exiled Yelang because of the Yong case and went into exile in Sichuan. When I went to Baidicheng, I suddenly heard the forgiveness, which was a pleasant surprise. I immediately put the boat down to Jiangling, so the title of the poem is "Down to Jiangling". This poem expresses the happy and carefree mood at that time.

The first sentence "between colorful clouds" describes the high terrain of Baidi City, which is ready for the whole article to write about the dynamic of underwater ships walking quickly. If we don't write about the extremely high level of Baidicheng, we can't reflect the huge slope gap between the upper and lower reaches of the Yangtze River. Baidicheng is high above, so the following sentences describe the speed of the ship, the short journey, and the overwhelming welcome from ears (ape voice) and eyes (Chung Shan Man), all of which have landed. "Colorful Clouds" is also a description of the morning scenery, showing a good weather from cloudy to sunny. At this dawn moment, the poet bid farewell to Baidicheng with excitement.

The two words "a thousand miles" and "a day" in the second sentence are obviously compared with the distance of space and the timeliness of time; Its beauty lies in the word "return"-"return" and return. It not only shows the poet's joy of traveling thousands of miles a day, but also reveals the joy of forgiveness. Jiangling is not Li Bai's hometown, but the word "return" is as kind as going home. A word "Hui" is vivid in the dark and worth pondering.

The realm of the third sentence is even more wonderful. In the Three Gorges of the Yangtze River in ancient times, "there were often high apes whistling". However, why not "cry"? We might as well think of a long day in midsummer, driving an express train on a tree-lined road and listening to the cicadas chirping between trees on both sides. Cicadas are different, trees are different, and songs are different, but because of the speed of car dealers, the shadow of cicada trees has become "one piece" between eyes and ears, which is probably how Li Bai felt about the shadow of ape mountain when he left the gorge. How carefree and excited the poet is on this boat, which is like an arrow leaving the string and going downstream! Gui Fu, a poet in A Qing, couldn't help admiring: "The beauty lies in the third sentence, which can make a child old and innocent." ("Zapp")

In an instant, the canoe has passed the Chung Shan Man. In order to describe the speed of the ship, the poet added the word "light" to the ship itself in addition to the ape sound and the mountain shadow. It is naturally stupid to say that the ship is fast; And the word "light" has different meanings. When the Three Gorges was in danger, the poet went upstream, not only feeling that the ship was sinking, but also feeling sluggish. "Three dynasties scalpers, it is too late. It doesn't feel like silk. "

(Upper Three Gorges) Now it's as light as nothing, and its speed can be imagined. As soon as the "Chung Shan Man" ended, the canoe entered a smooth road, and the poet's pleasure of going through difficulties and obstacles was self-evident. These last two sentences are not only a description of the scenery, but also a comparison, an expression of personal feelings and a summary of life experience. They are exquisite and incoherent.

The whole poem gives people a feeling of straightforwardness and ethereal. But it can't be won by its bold momentum and elegant brushwork. The whole poem is permeated with a kind of passion that comes from hardships, so it is full of pride and joy. The speed of the clippers keeps people away. Later generations are full of praise for this article, saying that "you cry when you are frightened by the wind and rain" (Yang Shen's Poems of Sheng 'an). It has been regarded as a treasure for thousands of years. In order to express his carefree mood, the poet deliberately uses "deleting" the rhyme of emptiness, return and mountains as the rhyme, which is melodious and light, and he can never get tired of reciting it.

Name: Wanglushan Waterfall

Genre: quatrains

Year: Tang Dynasty

Author: Li Bai

original text

The purple mist is illuminated by sunlight, and the waterfall hangs in front of the mountain.

On the high cliff, it seems to be thousands of feet high, which makes people think that the Milky Way has fallen from heaven to earth.

Distinguish and appreciate

Incense burner refers to the incense burner peak of Lushan Mountain, "in the northwest of Lushan Mountain, its peak is sharp and round, and the smoke clouds gather and disperse, like the shape of Boshan incense burner" (music history "Taiping Universe"). But when it comes to the poet Li Bai's pen, it becomes another scene: an indomitable incense burner, clouds of white smoke rising slowly in Ran Ran, ethereal between the green mountains and the blue sky, and turned into a purple cloud under the irradiation of the red sun. This not only makes the incense burner peak more beautiful, but also romantic, creating an unusual background for the unusual waterfall. Then the poet turned his eyes to the waterfall on the mountain wall. "Before the waterfall hangs over the river", the first four words are the key points; "Hanging in front of the river" is the first image of "looking", and the waterfall is like a huge white practice hanging high between mountains and rivers. The word "hanging" is wonderful, it turns from dynamic to static, and vividly shows the image of the waterfall pouring in Yuanwang. Who can "hang" this giant? "Zhuang Zaifu"! Therefore, the word "hang" also contains the poet's praise for the magical power of nature. The third sentence also describes the dynamics of the waterfall. "Flying three thousands of feet", stroke by stroke, every word is forceful. The word "fly" vividly depicts the scene of the waterfall spewing out; "Straight down" not only describes the steep slope of the mountain, but also indicates the urgency of the water flow. The sky is falling and unstoppable. However, the poet was not satisfied enough, and wrote another sentence, "It is suspected that the Milky Way has set for nine days". He really wants to fall from the sky and surprise his soul. "Doubt is" is worth pondering. The poet clearly said it in a trance, and the readers know that it is not, but they all think that only in this way can it be more vivid and true. The secret lies in the image that has been bred in the poet's previous description. Look! The towering incense burner peak is hidden in the clouds. Looking at the waterfall in the distance is like flying down from the clouds and falling in the sky, which naturally associates with a galaxy falling from the sky. It can be seen that although the metaphor of "doubt is the milky way for nine days" is strange, it does not appear out of thin air in the poem, but naturally emerges from the portrayal of the image. It is exaggerated and natural, novel and true, thus arousing the resonance of the whole article, making the whole image more colorful, magnificent and magnificent, which not only left a deep impression on people, but also gave people room for imagination, and showed Li Bai's artistic style of "Wan Li fell, but it was still strong in the end". How beautiful!

Wei Qingzhi, a poet in the Song Dynasty, said: "The fifth word of the seven-character poem should ring. ..... the so-called Ringo is committed to the place. " This view seems particularly convincing in this poem. For example, the word "health" not only makes the incense burner peak "alive", but also vaguely shows the scene of smoke rising in Shan Ye. The word "hang" has been mentioned before, and the word "fall" is also wonderful. It vividly depicts the majestic momentum of sudden high altitude and huge flow. It is hard to imagine what this poem would look like if these three words were changed.

Xu Ning, a poet in the middle Tang Dynasty, also wrote a poem "Lushan Waterfall". As the poem says: "Thunder rushes into the river and there is no peace. The ages are like white practice, and the world is broken. " Although the scene is not small, it still gives people a sense of embarrassment, probably because there are waterfalls and waterfalls everywhere. It looks very strong and hard. Although it is a small poem, it still has a strong flavor. Compared with Li Bai's from the inside out, it is real and ethereal, which is a world of difference. No wonder Su Shi said, "The emperor sent the Milky Way to hang down, and there were fallen immortals in ancient times. I don't want to wash bad poems with Xu Ning. " Although the poem "Playing Xu Ning Waterfall" is somewhat extreme, its basic tendency is correct, which shows that Su Shi is not only a famous poet, but also an insightful connoisseur.

Appreciation of Famous Sentences —— "Flying to the Three thousands of feet, it is suspected that the Milky Way has set for nine days"

Lushan Mountain has beautiful scenery, and the waterfall of Luxiangfeng is particularly spectacular. The poet wrote this quatrain with great excitement. The first two sentences roughly describe the spectacular scene of Xianglufeng Waterfall. The first sentence was written by censer peak. In the bright sunshine, the faint water vapor turned into purple fog, giving people a hazy aesthetic feeling. The second sentence describes the waterfall, and the word "hanging" vividly describes the momentum of the waterfall. With exaggerated metaphor and romantic imagination, the two sentences focus on pen and ink, further depicting the image of the waterfall. Fly is about mountains and high waters, Straight Down is about waterfalls, and Three thousands of feet is about exaggerating the spectacular waterfalls. It can be said that every word is good. The last sentence compares the waterfall to the bright galaxy, which is vivid and appropriate. One of the words "doubt" is straightforward and meaningful.

Drinking with the moon (one of the four songs)

Author: Li Bai (Tang, 70 1-762)

Flowers in the next pot of wine, no friends, drink alone.

Until, holding up my cup, I asked the bright moon to bring me my shadow and let the three of us.

Alas, the moon cannot drink water, and my shadow follows me blankly; .

But for a while, I still had these friends who cheered me up at the end of spring.

I sang. The moon encourages me and I dance. My shadow is rolling in the back.

Woke up and had sex, and then I got drunk and we lost each other.

Will goodwill be guaranteed? I see the long road of the Milky Way.

[

Original "Drinking the Bright Moon Alone"

Flowers in the next pot of wine, no friends, drink alone.

Until, holding up my cup, I asked the bright moon to bring me my shadow and let the three of us.

Alas, the moon cannot drink water, and my shadow follows me blankly; .

But for a while, I still had these friends who cheered me up at the end of spring.

I sang. The moon encourages me and I dance. My shadow is rolling in the back.

Woke up and had sex, and then I got drunk and we lost each other.

Will goodwill be guaranteed? I see the long road of the Milky Way.

Poetry appreciation

This poem was written in the third year of Tianbao (744), and Li Bai was in Chang 'an. The poet described himself in Drinking Alone and Mooning among Flowers. "Bring me my shadow and let the three of us" is a wonderful sentence, which shows his lonely and uninhibited feelings. Shi Lizhi's Solution: "It's empty-minded to drink the bright moon alone." Fu Gengsheng's "Examples of China Literature Appreciation": "There is wine in the flowers, and drinking alone is homeless; Although there are no relatives, invite the moon shadow to be like three people; Although it seems like three people, you can't drink in the month, and the shadow follows you; Although you don't know how to drink, chatting can be your partner. Although you take it, you must take it. Eat, drink and be merry. Wandering on the moon, such as listening to songs; The shadows are messy, like dancing. Although I was happy when I woke up, then I got drunk and we lost each other; It seems heartless when we meet, and our feelings are deep and eternal; Cloud phase, blind date alone comfort. Step by step, the more strange this poem is, although it is strange and does not leave its Sect. " Violette is a genius, so she can learn from others. I'm afraid she may not be able to learn from her efforts. "

[Solution]

There are four original poems, and this is the first one. Poets who write poems drink alone in the moonlight, and no one is close. With rich imagination, the poet expressed a complex emotion from loneliness to non-loneliness, from loneliness to loneliness, and then from loneliness to loneliness. Li Baixian is broad-minded and has no tolerance between things and me. This poem fully expresses his thoughts. The first four sentences of the poem are the first paragraph, which describes flowers, wine, people and the moon. The poem expresses loneliness, but till, raising my cup, I asked the bright moon, conjures up the moon, shadows and people; However, the moon cannot be drunk, and the shadow is still lonely. Therefore, the fifth to eighth sentences, from the moon shadow, point out the meaning of "eat, drink and be merry in time, and spring blossoms". The last six sentences are the third paragraph. The poet made unremitting efforts to travel with moonlight and figure, and reunited in the fairyland far away from heaven. The whole poem shows the poet's loneliness and detachment, as well as his wild and uninhibited character. Invitation to the Moon Projection is an eternal quatrain. The front looks like you can really enjoy yourself, but the back is extremely bleak.

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When the poet came to power, the background was a greenhouse, the props were a pot of wine, the role of the poet was only himself, the action was to drink alone, and the words "no blind date" were added. The scene was very monotonous. So on a whim, the poet turned his own shadow, even himself, in the bright moon and moonlight on the horizon into three people, raised a glass and drank, and the deserted scene became lively. This is "Li".

However, despite the poet's hospitality, "Until I raise my glass, I ask the bright moon" and the bright moon are "indissoluble bonds" after all. As for the shadow? Although, as Tao Qian said, "When you see your son, you will never feel sad or happy. If you take a nap in the shade, you will never leave the sun ("Shadow Answer Table"), but after all, the shadow will not drink; So what should we do? Let's keep company with the bright moon and figure for the time being, and have fun in time when spring is blooming ("spring" is the reverse of the word "flower" above)! "Gu Ying was alone, and suddenly he was drunk again." (Tao Qian's Preface to Drinking Poems) These four sentences made the moon shadow unfathomable and overturned the previous case, which was "broken".

At that time, the poet was already drunk and in a good mood, singing and dancing. When singing, the moonlight lingers, reluctant to go, as if listening to good news; When dancing, my own figure, in the moonlight, also became messy, like dancing with myself. Wake up and be happy with each other until you are as drunk as a fiddler. When I was lying in bed, the moonlight and the figure were helplessly separated. "I sang. The moon encourages me and I dance. After my shadow rolled down, I woke up to have sex, and then I got drunk and we lost each other. "These four sentences are the same as" Moonlight and Back "and are written to myself. This is the "station" again.

In the last two sentences, the poet sincerely met the moon and the shadow: "Is goodwill always safe?" I see the long road of the Milky Way. " But "moon" and "shadow" are still heartless things after all, and making friends with heartless things mainly depends on your feelings. In "Is goodwill always safe?" "Ruthless" is broken, "eternal knot" and "tour" are established, and they are broken and established, which constitutes the final conclusion.

The title is "Drinking the Bright Moon Alone", and the poet uses his rich imagination to express a complex emotion from independence but not independence, from independence but not independence, and then to independence but not independence. On the surface, the poet can really enjoy himself, but behind it is infinite desolation. The poet once wrote a poem entitled "If you are drunk in spring, you are determined to win": "If you live a big dream, why bother to make a living? Just lying in front of us all day drunk and slumped. Looking into the court, a bird was singing among the flowers. Excuse me, when is this? The spring breeze is whispering. Feel like sighing, and fall in love with wine. The song is waiting for the bright moon, and the song has been forgotten. " Look at the words "one bird", "self-pity" and "waiting for the bright moon" and you will know how lonely the poet is. Lonely invitation to the moon is not enough. Even in the years to come, you can't find anyone to drink. You can only be friends with the figure in the moonlight forever and meet again in a distant paradise. At the end of two sentences, the poet's sense of coolness is exhausted. (Shen) According to

This poem highlights the word "independence". Li Bai is ambitious and talented, and wants to make a difference, but he can't get the appreciation and support of the rulers, and he can't find many bosom friends and friends. So he is often surrounded by loneliness, feeling depressed and confused. From his poems, we can hear the cry of a lonely soul, which contains the protest against unreasonable society and the desire for freedom and liberation. That irresistible force is really enough to "shock the wind and rain" and "make the gods cry."

The first two sentences "since from a pot of wine among the flowers, I drink alone. No one is with me "highlights the word" independence ". People who love drinking generally don't like drinking alone. They want to talk to one or two confidants, have a drink and pour out what they have been suppressing for a long time. Especially when the scenery is beautiful and the flowers are blooming under the moon, I hope to have a close partner to share the beauty of the scenery and the mellow wine with me. Li Bai was in the same mood when he wrote this poem, but he had no relatives and no wine, so he had nowhere to say, so he had to "hold up my cup, and I asked the bright moon to bring me my shadow and let the three of us" and invited Yue Ming and his own figure to accompany him. These two sentences are from Tao Yuanming's Miscellaneous Poems. Shi Tao said, "There is nothing to say. Shake a glass to persuade the lonely shadow." But it was just "two people". Li Bai invited the bright moon, so it was "bring my shadow and let the three of us".

However, the moon won't drink, and the shadow will only follow itself silently. Alas, the moon can't drink water, and my shadow follows me blankly, leaving me alone. But it's good to have such two partners, "but I still have these friends for a while, let me cheer and spend the end of spring." Eat, drink and be merry with the moon shadow for the time being! Let's continue to write singing and dancing for fun: "I sang. The moon encourages me and I dance. My shadow is rolling in the back. I woke up and had sex, and then I got drunk and we lost each other. " "Wandering on the Moon" means that the moon has been moved by my singing and has been hovering around me, refusing to leave. "Shadow is messy" means that the shadow is also making all kinds of irregular dances with its body. At this time, the poet and they have reached the point of emotional blending. So I went on to say, "I woke up and had sex, and then I got drunk and we lost each other." When they are awake, they are good friends, and when they are drunk, they will inevitably be separated. But Li Bai didn't want to be separated from them. The last two sentences say, "Is goodwill always safe? I see the long road of the Milky Way. " "Ruthlessness" means not being contaminated with the secular, and "heartless journey" means making friends outside the general secular relationship. Li Bai believes that this kind of unprofitable communication is the purest and most sincere. He couldn't find this kind of friendship on earth, so he had to meet the moon shadow, hoping to take a trip with them forever and meet them in the high sky. "Han Yun" is the Milky Way, which generally refers to a paradise far away from the world. Although these two poems express the thought of being born, Li Bai's thought is not completely negative. As far as his disgust and denial of vulgar relations between people in society are concerned, it should be said that it is of profound positive significance.

Although this poem says "bring my shadow and let the three of us", it mainly explains the moon. Li Bai likes the bright moon since he was a child. "Gulang Moon Journey" said: "When I was a child, I didn't know the moon, so I called it Baiyupan. I also suspect that Yao Taijing is flying on the other side of Qingyun Mountain. " In the eyes of young Li Bai, the bright moon is already a symbol of light. He often pinned his ideals on the bright moon and eagerly pursued her. At the beginning of "Quench thirst by drinking poison", I said, "When will the moon in the blue sky come? I'll stop for a drink and ask. People can't go to the moon, and the moon walks with people. " The poem "Farewell Secretary of Xie Tiao Village in Xuanzhou" also said: "We are both far-sighted and want to go to the sky to embrace the bright moon." He wants to climb the moon and embrace it, which shows his yearning for a better future. It is precisely because he hates the darkness and filth of society and pursues brightness and purity that he places such deep feelings on the bright moon. Even his death is legendary, saying that he died after drinking wine and catching the moon in the water. The bright moon often reminds Li Bai of his hometown. When he was in Sichuan in his youth, he visited Emei Mountain, and Emei Mountain left a deep impression on him. He wrote a song "Emei Mountain Moon Song", which said that "Emei Mountain falls in the first half of the moon and falls to the Qianghe River", which is well known. In his later years, he wrote a song "The Moon Song of Emei Mountain" in Wuchang, which was written to send a Sichuan monk to Chang 'an. The poem said that when he saw the bright moon in the Three Gorges and thought of Emei, Wan Li accompanied him to the Yellow Crane Tower. Now that I meet you, a guest from Emei, Emei Mountain will definitely send you to Chang 'an. Finally, he hoped that the monk Shu would "make a name for himself in the Imperial Capital and return to be the Emei Moon". The bright moon aroused Li Bai's homesickness, so in the famous poem "Thinking of a Quiet Night", he would say, "Looking up, I found it was moonlight, and then sinking, I suddenly remembered home". When he saw the bright moon, he thought of Emei and his hometown of Sichuan. Yue Ming is another close friend of Li Bai. "Dream on Mount Tianmu" says: "My heart and dream are in Wu and Yue, flying over Jinghu overnight. The moon shines on my shadow, and I shine on Yanhe. " In another poem entitled "Walking down the Mount Zhongnan to Good Pillows and Bowls in Hu Si", he said: "Walking down the Blue Mountain at night, moonlight is my escort home." It's like watching the moon with a child's innocence. More interestingly, when he heard that Wang Changling had moved to the left Dragon Label, he wrote a poem for Wang Changling. The poem says: "I am worried about the bright moon and will follow you to Yelangxi." In Li Bai's imagination, Yue Ming could follow Wang Changling to distant places with his sadness.

When we know that the bright moon is so important to Li Bai, it is easy for us to understand why Li Bai pinned such a deep friendship on the bright moon in the poem "Drinking Alone with the Moon". "Until, holding up my cup, I asked the bright moon, give me my shadow, let the three of us" and "Goodwill always be safe? I see the long road of the Milky Way. Being with Li Bai since childhood symbolizes brightness and purity, which often makes Li Bai miss the moonlight in his hometown and is worthy of his love for her. Li Bai, a great poet who is aloof and naive, also deserves to be Yue Ming's friend.

This poem describes drinking with the moon. It was lonely to drink alone with the moon, but the poet used his rich imagination to weave the moon and his own figure into the so-called "three people." From the word "flower" to the word "spring", from the word "injustice" to "song" and "dance", the lonely environment is rendered very vividly, not only vividly with pen and ink, but more importantly, it expresses the poet's broad-minded character and his feelings of being good at self-resolving.

On the surface, the poet seems to really enjoy himself, but behind it is full of infinite desolation. Poets are lonely enough to invite the moon and the shadows, but not enough. Even in the later years, it is impossible to find someone to drink with. So I can only be friends with the figure in the moonlight forever, and meet again in the fairyland of heaven.

Liang Author: Li Bai

When can I see Yangchun?

If you don't see me, I'm going to sing a song to kill thorns in Tianjin, and I'm going to catch Weibin in the west eighty miles.

I would rather be ashamed of my white hair and think about the economy every time.

Fishing is wide and wide, and the wind is dark and close.

The Great Sage Tiger became stupid and unpredictable, and it was quite ordinary in those days.

Don't you see, Levin drinkers are drafting, and they have already paid tribute to Shandong Long Zhun Gong.

Beginners don't worship bravado, but two women quit washing and follow suit.

Qi chengdong seventy-two, directing Chu Hanru to Peng.

Crazy people are still like this, not to mention our generation is the best!

I want to go to the dragon to meet the Lord, and Lei Gong plays drums.

There were many jade girls around the emperor. They smiled and turned on the lightning at three o'clock.

It began to rain in a blink of an eye, and nine doors were blocked, and everyone who touched the shovel on his forehead was angry.

If the weather is not sincere with me, Qi has nothing to worry about.

You gnash your teeth and fight for human flesh.

Hand in hand to fight and carve tigers, the side feet are not bitter.

Wise men can make fools rich, and the world regards me as a feather.

It takes two peaches to force the three strong men in Nanshan to kill each other.

Wu Chu's tactics were in vain, but Yafu's efforts were in vain.

Fu Liang sings, and his voice is sad.

A bow and two dragons and two swords, God and things sometimes meet.

A sense of wind and cloud will lead to killing fish. Adults should be safe.

This poem may have been written by Li Bai when he left Chang 'an in the third year (744). Through the stories of Lu Shang and Li Shiqi, as well as some myths and legends, the author expresses his frustration and his desire to be a confidant of a wise monarch. The whole poem is full of ups and downs, sudden changes, dripping and tragic. Ge Yun Zai (Volume 11): "At first, it was said that the fisherman met the king of Wen, and that the drinker met his great-grandfather, and he regretted his misfortune." In the Qing Dynasty, Zhao Wei, Volume 12: "This is a great poem, with a clear meaning and a sparse paragraph". Zeng Guofan's Reading Record of Xunquezhai: "Taibai Poetry International Conference". Wu Sheng's "Ancient and Modern Poems" Volume 9: "Magnificent and magnificent, the so-called radiant person in the Han Palace." The metaphor is perfect, so it is scattered and magnificent. "Some critics also think that' the style of writing is not very stable' and' the meaning of words is chaotic'.

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Fu Liangyin is a folk tune used to make songs in ancient times, with a sad tone. The old saying is no longer passed down today. There is a poem by Zhuge Liang in the Poems of Yuefu written by Guo Maoqian, a Song Dynasty poet, which is about Yan Zi's "killing three scholars with two peaches" in the Spring and Autumn Period. By mourning the dead, he condemned the slanderer's plot to hurt the sages. In Li Bai's poems, there is also the phrase "forcing the three strong men in Nanshan to kill each other and spend two peaches", which is obviously based on Zhuge Liang's idea. This poem was probably written by Li Bai after he left Chang 'an. This poem, one of Li Bai's representative works, expresses the pain after setbacks and the expectation of ideals, with unrestrained momentum and passionate feelings.

The first two sentences: "When will I see Yangchun?" "Long whistle" is a more harsh and exciting emotional expression than singing. As soon as this poem came up, it went straight to the point, showing that the poet was very upset at this time and set the emotional tone for the whole poem. There is a saying in Song Yu's Nine Arguments that "I am afraid of death but don't see Yangchun", so "seeing Yangchun" means being reused from burial and showing my ambition from depression. The following poems are all born from this.

Then put forward two historical stories with two groups of "I didn't see you". First, Lv Wang (that is, Jiang Taigong) in the Western Zhou Dynasty buried the people for a long time. At the age of 50, he was a peddler in Jinjin, a butcher in Chao Ge at the age of 70, and a fisherman on the Weihe River at the age of 80. He fished for ten years (one fishing a day, 10 years, 3,600 fishing) before meeting King Wen, and he showed his lifelong ambition. One is Shi Li, a scholar at the end of Qin Dynasty. Liu Bangyuan regarded him as an ordinary Confucian scholar and looked down on him. However, this Confucian scholar, who claimed to be "drinking from Levin", not only changed Liu Bang's attitude with eloquent eloquence, but also persuaded Wang Qi to lead 72 cities to the Han Dynasty and became the man of the hour in the dispute between Chu and Han. By quoting these two historical stories, the poet actually embodies his own ideals and ambitions: "The great sage and tiger became stupid, quite like ordinary people in those days", "The madman is still down and out, let alone a strong man is a hero". He doesn't believe that he will go up in smoke for a long time. The poet has a firm belief in the future, so the tone here is high and the language rhythm is bright. Although the rhyme was changed once in the middle, it was all flat and the tone was flat.

Since the sentence "I want to climb the dragon to meet the Lord", the poet has suddenly fallen into pain from optimism. In addition, the change of tone makes people feel like a sudden storm. This passage is very similar to Qu Yuan's Li Sao in writing. The poet puts himself in the mythical realm of fantasy and fantasy, and reflects his feelings about real life by describing strange experiences. You see, in order to meet the "wise Lord", he came to heaven with a flying dragon. However, the fierce Lei Gong beat gongs and drums and threatened him with deafening drums. The "wise master" he wants to see only cares about the female pets in the same class playing pot-throwing games. When they laugh happily, the sky flashes with dazzling lightning. When they are angry, it makes the world dark and stormy. Nevertheless, the poet was desperate to knock off the custom with his forehead and risked his life to see him. Unexpectedly, it angered the Tianmen defenders. In this description, the poet's feelings are so strong, just like the mighty river suddenly enters the canyon rapids from the wide riverbed, spinning around, rushing and unstoppable. The poet's experience in heaven is actually his experience in real life. With the help of mythical fantasy, he poured out his anger and grievances.

The following twelve sentences are another paragraph. The poet expresses his inner worries and pains through various allusions, either explicitly or implicitly, and lashes out at the unreasonable phenomenon in real life: the Lord of the country can't see my sincerity to the country, but says I am "worrying about the sky". Are traitors like evil beasts? It hurts people to gnash their teeth like that, and the poet's ideal is to govern the world with benevolence. He is confident that he has enough talent and courage to rectify Gan Kun, just like the ancient warriors caught flies with their left hands and beat tigers with their right hands. Although he is in danger, he still doesn't feel bitter. Poetry seems to have fallen, but it has fallen heavily again. In real life, only mediocre people can hold their heads high, while truly talented people can only put away their intelligence and wisdom, and the world will be as light as a feather to me. In the ancient state of Qi, three valiant warriors were killed by Guo Xiang Yanzi, which shows that talents are often suspected. With such an able person as Meng, the future of the country is really unimaginable. The remarkable feature of this passage is that the arrangement of sentences breaks through the convention. If the meaning is required to be coherent, then after the sentence "flying hand in hand", it should be the sentence "pressing Nanshan", and after the sentence "the wise can roll up", it should be the sentence "Wu Chu makes soldiers". But the poet deliberately arranged them up and down, avoiding straightforward narration. The poet's surging emotional torrent twists and turns, becoming a circuitous trend, more arrogant and vigorous. The tone and rhythm of this passage also fluctuate with the development of feelings, suddenly rushing and slowing, suddenly stretching, suddenly leveling and suddenly changing rhyme. In a short sentence of 12, the rhyme changes and changes a lot.

At the beginning of the last paragraph, "Fu Liang's voice is just sad" directly echoes the first two sentences of the article, with a sad and sad tone. Suddenly, the poet's pen folded again, and the four sentences below "Zhang Gong Er Long" still confidently answered the question "When can I see Yangchun". The poet is convinced that, just as the two swords of Lieutenant and Mo Xie won't be dusty for a long time, I will be separated from the "Democratic Lord" for a period of time and eventually meet. Since Lv Wang, a butcher and fisherman, can finally get lucky and make contributions, let's wait for the day when the situation improves. Although frustrated poets are immersed in confusion and pain, they are still comforting themselves in various ways and never give up their pursuit of ideals.

When writing about Long song, we should avoid being dull. The greatest artistic feature of this poem lies in its peculiar layout and unpredictability. It uses allusions throughout, but its expressions change with time. Both Lv Wang's and Shi Li's stories are positive descriptions, which play the role of "taking history as a mirror", and then contain their own painful experiences with the help of various fairy tales. In the third paragraph, several unrelated allusions are intertwined. As Shen Deqian of A Qing Dynasty said, "Although the stories in the second half are mixed, there are no traces", so the artistic conception of the poem appears fantastic and scattered: sometimes it is sunny and full of spring. Sometimes words are simple and profound, sometimes vague and unfathomable. Coupled with the constant changes and ups and downs of language rhythm, the poet's strong and complicated thoughts and feelings are vividly expressed.