This paper introduces a kind of lacquerware (pictures and characters) in Han Dynasty.

Lacquerware in the Han Dynasty reached a peak on the basis of production in the Warring States Period. Lacquerware in the Han Dynasty includes utensils such as ding, pot, jar, altar, bowl, cup and plate, cosmetic utensils such as caskets and boxes, and furniture such as cases and screens. There are many kinds and articles, but they are mainly containers containing utensils. In addition, lacquerware has also added large items, such as lacquer tripod, lacquer pot, lacquer ring and so on. Lacquerware replaced bronze ware. There are also lacquer coffins, lacquer bowls, lacquer bowls, lacquer plates, lacquer cases, lacquer ear cups and so on. All of them are wooden tires, mostly black with internal infrared, and the black paint is painted with red or ochre patterns. The shapes of lacquerware in Han dynasty are richer than those in Warring States period. From a practical point of view, such as the convenience of using lacquerware, lacquerware tray and lacquerware box, the diversity and unity of placing volume and patterns, and the abstraction of decorative patterns, people can see the dynamics of lines. Lacquerware in Han Dynasty is a model of handicraft combining practicality and beauty.

Lacquerware in Han Dynasty is a precious object with exquisite production, bright color, beautiful pattern and exquisite decoration. So, the theory of salt and iron? 6? "1 not enough" means "a cup uses the strength of 100 people, and a screen is enough for 10 thousand people." Lacquerware was often used as a tableware in the court of Han Dynasty. Some lacquerware is engraved with the words "big official" and "soup official", which are hidden by the official department in charge of royal meals; Those with the words "Shanglin" written on them are used in the Garden Palace. According to the inscription on the lacquer plate in Xin Mang period, there was only one kind of lacquer plate used in Changle Palace at that time, that is, there were thousands of pieces. Noble bureaucrats also advocate the use of lacquerware, and often write their titles or surnames on it, such as "Changsha Queen's House", "Houjia" and "Wang Jian" as marks to show their treasure. Lacquer ware, as a kind of tableware, has more advantages than bronze ware, so it is loved by the ruling class in Han Dynasty, and its production is extremely fine.

Lacquerware has been unearthed from Han tombs all over the country, which is generally decadent and some are well preserved. Well-preserved lacquerware unearthed from Mawangdui Han Tomb in Changsha, Hunan, Fenghuang Mountain in Jiangling, Hubei and Yunmeng Tomb. , a large number, many kinds.

A large number of lacquerware have been unearthed from Mawangdui No.1 Han Tomb in Changsha, and many shapes show that lacquerware has been widely used in all aspects of life. Among them, the most popular one is the "patent ear cup set box" with seven ear cups in it.

Lacquer ear cup box fits closely, making full use of the effective space in the box body, which is a model of practical and beautiful unity. The rise of Han dynasty is of great significance to the development of lacquer craft! During the Eastern Han Dynasty, the Taoist theory of virtue and the Confucian concept of self-cultivation were popular and accepted by the rulers! From the handicrafts and architectural styles handed down from the Han dynasty, we can see the simplicity and simplicity advocated by the Han dynasty, as well as the simplicity and calmness of its decorative patterns, while lacquerware is characterized by a stable, simple and dignified red and black tone; Practical characteristics such as moisture resistance, high temperature resistance and corrosion resistance; And the special color that radiates brilliant light without losing its ancient charm has always been loved and respected by the ruling class!

After the Han Dynasty, lacquerware industry began to decline slightly, and the quality of lacquerware declined. The reason is that the rise of porcelain has quickly attracted people's attention.