The expression of the concept of opposition between yin and yang at the level of aesthetic concept

The expression of the concept of opposition between Yin and Yang at the aesthetic level is the doctrine of the mean.

yin and yang

First, yin and yang

1, Yin and Yang is a simple and broad philosophy.

2. The philosophy of Yin and Yang has three characteristics: opposition, reciprocity and unity. In thinking, it is an inseparable metaphysical node between calculation (arithmetic) and divination (logic). Biological genes in nature and duality in artificial intelligence fully show the vitality of Yin and Yang.

3. Yin and Yang are the descriptions of the basic factors hidden behind the laws of nature and promoting the development and changes of the laws of nature in ancient China. They are the motive force for the gestation, development, maturity, decline and even extinction of all kinds of things, and the core elements for laying the foundation for the logical thinking of Chinese civilization. Generally speaking, according to Yi-ology, it describes the most basic elements of the universe and their functions, which is one of Fu's basic concepts.

4. There are four pairs of Yin-Yang relationship: Yin-Yang mutual body, Yin-Yang cultivation, Yin-Yang opposition and Yin-Yang same root.

According to the traditional concept, Yin and Yang represent the most basic opposition of all things. It is the objective law of nature, the origin of the movement and change of all things, and the basic law of human understanding of things. The concept of Yin and Yang originated from the view of nature of ancient people in China. The ancients summed up the concept of yin and yang in a philosophical way by observing various opposing and related natural phenomena in nature, such as heaven and earth, sun and moon, day and night, cold and heat, men and women, up and down, etc.

doctrine of the mean

The pinyin of China's idiom "The Doctrine of the Mean" is "Harmony", which means an impartial, eclectic and harmonious attitude towards life. From the Analects of Confucius Yongye.