"Peach after rain, willow green with spring smoke. What do you mean, "the flowers are not swept, but the birds are still asleep?" "

This poem is the sixth in Pastoral Music.

The translated meaning of this poem is: the petals of peach blossom still contain the rain beads of last night. After the rain, the willows are green and shrouded in morning smoke. The petals were scattered all over the garden by the rain, and the children haven't cleaned them up yet. Huang Ying is singing, and the guests in the mountain are still sleeping.

Pastoral Music is a set of six-character quatrains written by Wang Wei. This group of poems was written by the author when he retired from Wangchuan, so there is a topic called Six Words in Wangchuan. Poetry shows the endless pleasure of being close to nature after the author retired from Wangchuan, and also reflects the artistic realm of the author's pastoral poetry creation and his spiritual track after retiring from nature. It is a rare artistic treasure and an important material for future generations to study Wang Wei's ideological development and poetry creation.

Pastoral Music is a set of six-character quatrains written by Wang Wei. This group of poems was written by the author when he retired from Wangchuan, so there is a topic called Six Words in Wangchuan. Poetry shows the endless pleasure of being close to nature after the author retired from Wangchuan, and also reflects the artistic realm of the author's pastoral poetry creation and his spiritual track after retiring from nature. It is a rare artistic treasure and an important material for future generations to study Wang Wei's ideological development and poetry creation.

A group of seven poems * * *, each with an independent chapter, together is a whole. This group of poems shows the pastoral life and natural scenery of Wangchuan from different angles, and profoundly and beautifully expresses the poet's attitude towards life and spiritual realm. Writing Wangchuan's other trades in the form of group poems pays attention not to the description of external scenery, but to the expression of inner spiritual life, which is precisely the most remarkable feature of Wang Wei's landscape poems. Because writing about mountains and rivers is not about mountains and rivers, but about expressing one's ambition through mountains and rivers. Mr. Lu Kanru, a famous contemporary scholar, pointed out that the key to the development of Wang Wei's poetry seems to be found in Wang Wei's works, such as Lonely Days and Long Nights, My Heart is Idle with Guang Chuan (Climbing the Hebei Tower) and My Heart is Idle, Like this Clear Water (Qingxi), and this key is the word "quiet". ..... Only when others can be quiet can he appreciate the natural beauty of everything. "

Express emotion

The core of Wang Wei's poetry aesthetics is the word "Jing", and this group of poems is the word "Jing". His tranquility is not to write about the tranquility of the environment blindly, but to express the tranquility of his own mind. This state of mind is static, and it is impossible to achieve the ultimate in ideological cultivation. Although most of the poems in Pastoral Music are quiet, the environment described is cold and the artistic conception expressed is empty. However, the scenery described in the poem is beautiful, and the feelings reflected are all love and praise for nature. Therefore, Wang Wei's yearning for a "quiet" environment is inseparable from his personal love for nature and life.

Life factors

Besides subjective factors, Wang Wei's love for nature also has profound social factors. Wang Wei had a bumpy career all his life. /kloc-at the age of 0/9, he entered his career. At first, he was so happy that he was demoted because of his involvement. He lost his wife, never married again, and lived alone for thirty years. Wang Wei was promoted by Prime Minister Zhang Jiuling. However, the good times did not last long. After Zhang Jiuling's strike, he was hit everywhere and excluded everywhere. After the "An Shi Rebellion", it was framed and hit hard. Such complicated social factors make Wang both touching and sinister, and his career is also arduous. Therefore, he had to hide many grievances and feelings in his chest and hide in the mountains in order to get spiritual relief and comfort. The poet is respectable and awesome!

Fifth.

It depicts a long-term vision. "Under the mountain" means not a nearby mountain, but a distant mountain, because there is a "distant village" under the mountain. It can be seen that "far village" means distant mountains. The mountain is adjacent to the "horizon", which is even more visible. Judging from the rendered atmosphere, there is no bustling scene of the city, only sparse villages. Although the poet did not positively express the activities of the characters, few people started from touching the word "solitary smoke". In particular, "unique" is relative to "solitary smoke", and "plateau" is connected with "distant village", which is even more desolate and lonely. Here, the poet described the distant mountains in the north, with obvious local characteristics. Above, the color is light. The most we can realize is that the solitary smoke in the distance still carries a ray of light gray, and there seems to be a layer of light yellow on the plateau that day. In this quiet world, there is a sense of elegance like Yan Hui and Tao Qian, and how comfortable and free it is. Without the ultimate practice, it is impossible to reach this wonderful place. If the first two sentences focus on depicting diluted scenery, then the last two sentences focus on expressing diluted emotions. The diluted scenery blends and permeates each other. Dilution has the characteristics of leisure, quietness, lightness and remoteness. This is the case with Wang Wei's pastoral poems. The lonely village under the mountain appears as a distant word, and the whole poem is leisurely, quiet, light and distant, which is a diluted swan song. Others, such as "People are idle and sweet-scented osmanthus falls, and the mountains are empty at night when spring comes" ("Bird Singing Creek"), and "The lonely households are falling in succession" ("Wu Xinyi"), respectively show the diluted scenes of leisure, loneliness, quietness, emptiness, silence, absence and loneliness. All these show the weakening of the artistic conception of Wang Wei's poems.

Lonely Village under the Mountain washes away human disputes, without external interference, only the tranquility of nature. Poets are addicted, appreciative and intoxicated, and throw themselves into the embrace of nature and blend in with it. The mountains, solitary smoke, distant villages, skylines, solitary trees and plateaus described by the poet all beat the poet's pulse, whirled the poet's voice and shook the poet's soul. Therefore, nature is personified. The nature in Wang Wei's works reflects Wang Wei's diluted state of mind. The poet blends in with nature. This melting means dilution. The poet is not detached from things, but melts into things. What the poet pursues is this kind of ethereal realm of selflessness, selflessness and self-reliance. This phenomenon of endowing nature with a poet's personality, and this coarsening and humanization of nature are all manifestations of Wang Wei's love for life. Visible Wei Wang dilution is not as chicken ribs as some people say. It's just the smell of fireworks, but it's intermittent. If there is anything, it can only be understood and difficult to explain. In terms of color, we don't need thick ink, not gorgeous, and pursue simplicity and lightness. In calligraphy, it is neither carefully carved nor outlined with thick lines, but dyed bit by bit, meaning to follow the pen. As far as taste is concerned, I don't make amazing remarks, advocate exaggeration, be full of lofty sentiments, cling to reality, pay no attention to disputes in life and personnel disputes. But to lead an honest and clean life, to be alone, to be alone, to show deep affection for mountains and rivers, to sing romantic songs, and to always maintain inner peace and indifference. The poem "Lonely Village under the Mountain" is a portrayal of the poet's diluted mood.

Brief introduction of the author

Wang Wei (70 1—76 1), whose real name is Momo, was born in Qixian County, Taiyuan (now Shanxi), and his parents moved to Zhou Pu (now Yongji, Shanxi). Jinshi Ji, Ren Cheng, was demoted to Jeju treasurer to join the army. He once sent messengers to the fortress and returned to the imperial officials' secluded city. An Shi rebellion, trapped by rebels, collecting fake posts. Be punished by an officer. Its name is taken from the Buddhist monk, and his heart is towards Buddhism. Although he was an official of the imperial court, he often lived in seclusion in Linchuan, Lantian. Versatile, able to write good paintings, poetic achievements are good at landscape poetry, detailed description, full of Zen. In Song Dynasty, Su Shi said that "there is a picture in poetry" and "there is a poem in painting", which just pointed out the characteristics and achievements of his poetry and painting. He is a representative of the pastoral poetry school in Tang Dynasty.