What do you mean, "the former is rich in gold, the latter is rich in silver, and those who are broad-minded are noble"?

Front width refers to forehead width, and back width refers to chin width. And if they are both wide, they are rich and old, much like the square face we are talking about now. People with such faces will be either rich or expensive. Therefore, in the old society, rural people liked Fiona Fang's face, which was sky-high and wide. Moreover, this face would bring wealth to the family, and it might even be an official, because officials are all tall people with straight faces.

When China was still in the old countryside, there was a job called? Fortune teller? They can judge a person's future fate by his face, eyes and nose. When reading physiognomy, he said that children's paradise is full of Fiona Fang, which is undoubtedly a layer of gold plating for newborn children, and the children's goodwill at home will definitely be high. But now, generally speaking, there is only one such situation for a child, either rich or broad-backed. People of both widths are rare.

At that time, due to various conditions, the countryside could only farm all its life, which was very different from today. We can completely jump out of the countryside through study and testing, believe that fate is in our own hands, not by appearances, but by our own efforts, and emphasize that man can conquer nature. So now there are fewer and fewer fortune tellers, and they are less and less worthy of recognition.

If a girl is rich in Fiona Fang, it means that she will have a rich husband in the future. Whoever marries her means a lot of wealth in the future. In the old society, rural people didn't read much, lacked knowledge, and even said they couldn't read, so they were easily persuaded by fortune tellers. In modern times, this kind of fortune teller undoubtedly has the meaning of feudal superstition, similar to what we now call fortune tellers. If this square head really appeared in real life, it would have been far away from the modern aesthetics of taking thinness as beauty and bones as beauty.