Fortune-telling Chen Douling _ Chen Douling numerology

The Riverside Scene at Qingming Festival is one of the top ten famous paintings handed down by China. It is a genre painting of the Northern Song Dynasty and the only masterpiece that Zhang Zeduan, a painter of the Northern Song Dynasty, has ever seen. This is a national treasure, which is now in the Palace Museum in Beijing.

The Riverside Scene at Qingming Festival is 24.8 cm wide and 528.7 cm long, and it is in silk color. In the form of a long scroll, the work vividly records the city appearance of Tokyo (also known as Bianjing, now Kaifeng, Henan), the capital of China in the Northern Song Dynasty in the12nd century, and the living conditions of people from all walks of life at that time. It is a witness to the prosperity of Bianjing, the capital of the Northern Song Dynasty, and also a portrayal of the economic situation of the Northern Song Dynasty.

This is unique in the history of painting in China and even in the world. In the five-meter-long picture scroll, a large number of various figures are drawn, including cattle, mules, donkeys and other livestock, cars, sedan chairs, large and small ships, houses, bridges and towers, reflecting the architectural characteristics of the Song Dynasty. It has high historical value and artistic value. Although the scene of The Riverside Scene at Qingming Festival is lively, it is not a bustling city scene, but a "bustling and dangerous picture" with a sense of urgency. Officers and men are lazy and pay heavy taxes. ?

Extended data:

Distinguish and appreciate

From the Riverside Scene at Qingming Festival, we can see several very distinctive artistic features: this painting is written with pens and works, and its color is elegant, which is different from the general boundary painting, that is, the so-called "number of families". The composition adopts a bird's-eye panoramic view method, which truly and intensively depicts the typical area in the southeast corner of Bianjing at that time. The author uses the traditional hand-rolled form and "scattered perspective" to organize the picture. The picture is long but not redundant, complicated but not chaotic, tight and compact, in one go.

The scenery in the painting is as big as the silent Yuan Ye, as big as the vast rivers and as big as the towering battlements; As small as the characters on the boat, the goods displayed on the vendors and the words on the market, there was no loss. The picture is interspersed with various plots, which is coherent and interesting at the same time.

References:

The Riverside Scene at Qingming Festival (a genre painting of Zhang Zeduan in Northern Song Dynasty) _ Baidu Encyclopedia