Introduction to the author of Lao Wang

Jiang Yang, Mrs. Qian Zhongshu, daughter of Yang Yinhang, whose real name is Yang Jikang, was born in July 20071917. Her ancestral home is in Wuxi, Jiangsu, and she was born in Beijing. She 1932 graduated from Soochow University in Suzhou and became a foreign language graduate of Tsinghua University Research Institute. 1935—— 1938 studied in Britain and France with her husband Qian Zhongshu. After returning to China, she taught in Shanghai Aurora Women's College of Arts and Sciences and Tsinghua University. After 1949, he worked in the Institute of Literature and the Institute of Foreign Literature of China Academy of Social Sciences. From 65438 to 0953, he served as the Institute of Literature of Peking University and the Institute of Literature of China Academy of Sciences. Researcher, Institute of Foreign Literature, China Academy of Social Sciences. Ms Jiang Yang is a famous writer, translator and foreign literature researcher. The main literary works are Bathing and Six Chapters of Cadre School. In 2003, she published The Three of us, recalling the life of a family of three for decades. At the age of 96, she wrote a book called Walking on the Edge of Life, with plays such as Making a False Reality, Being Satisfied and Catching the Wind. 1970, he sent cadre schools to work in vegetable gardens in Xixian County, Henan Province. 1972 back to Beijing. After the Cultural Revolution, he continued to study and translate foreign literature, and engaged in prose creation. He wrote a collection of essays, Spring Mud Collection, and translated Don Quixote, a famous novel by Cervantes of Spain. The collection of essays about the life of cadres in cadre schools, Six Records of Cadres in cadre schools, is highly respected and won the full prize in the new period.

China Excellent Prose (Collection) Award, and translated into various languages. Other essays, such as Drinking Tea, Two Memories, Memories of Qian Zhongshu, Fortress Besieged, etc. , are ordinary life notes and articles about family memories. The novel Bath (the first edition of Sanlian Bookstore 1988) records the life experiences of a group of intellectuals in the process of ideological transformation in 1953, as well as their different attitudes and performances in the political movement. After its publication, it was highly praised by critics.

Masterpieces: Satisfied, False and Real, Wind and Flour, Drinking Tea, Two Memories, Qian Zhongshu and Fortress Besieged, Novel Bathing, The Three of us, Six Notes of Prose Collection on Cadre School.

The success of Jiang Yang's literary language is obvious to all. Its condensed language looks unremarkable, without rain or shine, but it is not poverty, with rain or shine hidden in it, and it has its own gorgeous color in the painstakingly managed simplicity after rinsing. Clean and clear language has become a great expressive force in Jiang Yang's works. Sometimes changing the word order is unconventional, but it is more unique and readable. For example, there is a saying in "Wu Bingding is not old": "You wear a high hat when you go on stage." It is usually possible to say "wear a top hat on stage" because it is obviously forced. However, Jiang Yang's words are a little beaming, which reminds people of "Happy New Year is lucky money" and so on. This is totally out of step with the environment at that time, so we have to interpret it as a kind of irony: it not only shows the helpless mood of the author in distress situation, but also implies her deconstruction attitude towards the environment at that time. The word "Pingping" is full of charm, with protests in calm and sadness in ridicule. Sometimes cold, but a little more clever because of humor. Therefore, quiet and serious language has its own vitality, static but not boring, alive but not floating, static in motion and static in motion. There is a kind of calm, sophisticated and elegant style in silent humor, and a kind of neutral, quiet and transcendental beauty after the edge is restrained.