What kinds of musical vocals are there in Cantonese opera?

Xue Juexian's Xue Qiang is unique and elegant, with strong charm.

Ma Shiceng's "horse accent" is half singing and half white, and ghosts are popular.

Little star's "star cavity" has delicate feelings, low back and forth, and is full of soul.

Luo Jiabao's "Shrimp Chamber" is fresh and pleasing to the ear with its combination of true and false sounds.

There is also Sinuhong's "red cavity", which is characterized by sweetness, crispness, roundness, embellishment and femininity.

Sun Masi Zeng-Qing Yue's novel "New Horse Cavity",

He wrote Fan Fei's Fan Qiang, Fang Yanfen's Fang Qiang and Chen Xiaofeng's Feng Qiang and so on.

At present, Cantonese opera vocal music has retained the high-pitched tunes such as Banqiang, Xipi and Furong, Kunqu opera brands and a large number of ditties imported from other provinces, such as Jade Beauty, Cut Flowers, Dressing Table, selling groceries, Eight Bantou and Miss Wang's Fortune-telling. In Banqiang Opera, professional operas such as Papaya Opera, Pagoda Sacrifice Opera, Huilongguan Opera, Jiaozi Opera, Wuer Jiagui Opera, Cave-making Opera and Maizi Opera were successively created, and temple music (Sanskrit) was absorbed, thus enriching the accents of Fan Yi and ice cloud. Among them, Huang Er has the most abundant cavity, including cross, eight-character, long sentence, half, dripping beads, flowing water (second-rate), and inverted music.

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