Who does Guo Baochang play in The Big House?

Dazhaimen is called "divine drama" by countless netizens. Everyone familiar with it knows that this drama was not imagined by the screenwriter, but was adapted by director Guo Baochang according to his own story. After decades of creation, the play was finally completed. The drama tells the history of the struggle of Tong Ren Tang, but the description of Guo Baochang's relationship with Tong Ren Tang and his real life experience is not serious. Bian Xiao will share some interesting things today.

Beijing Tongrentang has now developed into a state-owned enterprise, but it was still a private enterprise five years ago, and the boss's surname is Le. Bai Jingqi in the play is based on the old man Le Jingyu. Guo Baochang once said in an interview that he had lived in a mansion for nearly 26 years, but he was later satirized by intentional netizens. According to netizens, he was born in 1940 and has been living in Guo's family since he was born. 12 years old moved to Dazhaimen, namely 1952. The gate of the mansion was confiscated at 1956, which means that he has only lived in Le Jia for about four years.

Perhaps because of the popularity of TV series, Guo Baochang emphasized his relationship with Dazhaimen in many interviews. Later, Le Jia finally couldn't help saying: Guo Baochang was not a young master at all, but was temporarily taken care of by Le Jia because of his parents' death. Mr. Le Jingyu has always denied him, which is the real reason why he has always been surnamed Guo.

Some netizens asked: Isn't Hsiang-hsiu Lee (the prototype of Guo Rong) the wife that Ming Media is marrying? Why not be recognized? Although "Da Zhai Men" is based on the real thing, it will inevitably add some artistic color to the TV series, and "Li" is the addition of the director's emotion.

Hsiang-hsiu Lee is the confidante of the Seventh Master in the play. She is talented and thrifty, and finally becomes a real lady by her own means. In real life, Guo Rong is just an ordinary girl of the old man in Le Jingyu. She has neither a handsome face nor a shrewd business mind. To put it bluntly, it actually belongs to the old man's private nanny.

After being admitted by the elderly, Guo Rong was called a concubine by the servants, and Mr. Le Jingyu was the fourth in the family, so it is not an exaggeration to call her "fourth wife". However, the fourth wife who was really recognized by musicians was not her, but the prototype of Yang Jiuhong in the play, and people nicknamed her "Grandpa Ping". My grandfather has some connections in Jinan, and Le Jingyu can get along well in Jinan, and most of the credit is due to her.

Later, in the middle of the house, I looked down on Guo Rong, who was born a girl. So in Guo Benchang's place, Grandpa Bian was written as an unrecognized prostitute. Maybe director Guo didn't mean to beautify his foster mother, but maybe it was just a plot need.