The origin of the inscription?

Ci originated from the folk, and later literati wrote new words according to the rhythm of music score, called "Ci" or "Yin". From then on, the word was separated from music, forming a kind of metrical poem with uneven sentence length. Fifth, the seven-character poem is symmetrical and dual, presenting the beauty of neatness; The characters are mainly long and short sentences, showing uneven aesthetic feeling.

Words have epigrams, that is, tunes Some intonations have different "styles" because of different words or sentence patterns. Common aphorisms are about 100. The structure of a word is divided into blocks or pieces, which are monotonous, two are disyllabic, and three are called triple. According to different music, there are differences in order, quotation, approach and slowness. "Ling" is generally short, and the words used by early literati are mostly filled in poems. For example, the sixteen-character order, the dream order, and the child's play order. "Yin" and "gold" are generally long, such as Jiang Mei Yin, Yangguan Yin, Zhu Yingtai Gold, Zhongqing Qingjin and so on. And "slow" is longer than "introduction" and "proximity", which prevailed after the mid-Northern Song Dynasty, and there is a saying that Liu Yong "began to preach slowly". Epigraph such as Magnolia Slow, Lin Yuling Slow, etc. According to the number of words, there are also "Xiao Ling", "alto" and "long tune". According to Mao's Ci Xie in Qing Dynasty, words below 58 are small notes, words between 59 and 90 are medium notes, and words below 90 are long notes. The longest inscription, Preface to Bird Singing, has 240 words.

A epigraph reflects a certain sound and emotion. Most of the origins of epigraph names have not been verified. Only a few capable words such as Bodhisattva Man and Qin Yi E ... The rhyme of words is where music stops. Generally do not change rhyme. Some words, some words, some words. Like five-character poems and seven-character poems, the words are all flush. And the sound should be divided into up, down and in. You can overlap words.

Because most of the ci poems in the late Tang Dynasty, the Five Dynasties and the early Song Dynasty were written for entertaining guests before the banquet, there is a saying that "ci is a path, colorful" and "poetry is charming". With the development of Ci, Liu Yong and Su Shi gradually expanded the theme of Ci until Xin Qiji reached the peak and became a literary genre with the same status as poetry.

A faint scent

"Dimfragrance" and "Sulfur Shadow Song" were both written by Jiang Kui at the same time, with Yongmei flowers as the title, and the first two sentences of "Shade is shallow, Dimfragrance floats near dusk". Later, Zhang Yan recited the lotus leaf in these two tones and renamed it "red love" and "green meaning". 97 words. The first part has forty-nine words, nine sentences and five rhymes; The last one is forty-eight, ten sentences and seven rhymes.

Baliuzi

Eighty-six sons, this tune was first seen in Du Mu's ci in Zun Qian Ji. There are many styles, and the word spectrum takes words with obvious complements as the body. More than ninety-one, the first six sentences are three-level rhyme, and the last eleven sentences are six-level rhyme. The fourth sentence of the last paragraph is the following two six sentences plus one word. The last four to seven sentences are sector syntax. Qin Guan's ci is also called "feeling the oriole" because of the sentence that "Huang Peng shed tears several times".

Klang Ganzhou

Basheng Ganzhou, Tang Jiaofang Daqu has Ganzhou, and Zaqu has Ganzhou Zi, which is a frontier fortress song in Tang Dynasty, named after frontier fortress Ganzhou. Klang Ganzhou was adapted from the big song Ganzhou. Because the whole word is preceded and followed by * * * eight rhymes, it is named eight-tone slow word. It is different from the imperative sentences in Song and Ganzhou Zi of Ganzhou Times. Liu Yong's ci is the main body of ci. Ninety-seven words, forty-six words in the front, fifty-one words in the back, four rhymes and nine sentences in the front and back. Some even added rhyme to the first sentence. The first and third sentences in Part One, and the second and fourth sentences in Part Two use leading sentences. There are 95 characters, 96 characters and 98 fonts, all of which are variants. Also known as: Ganzhou, drizzle, Yaochi banquet.

Bu operator

Divination symbol, "Cipu" takes the meaning of this word as "a person who sells divination and fortune telling". Su Shi's ci is the main body in the ci book. Disyllabic, rhyming, 44 words, up and down four sentences, even sentences rhyming, odd-tailed words flat. Add six words to two sentences to make a sandwich. In addition, "slow operator", 89 words, is an example, which has nothing to do with this tone.

Also known as Baizulou, with fine features, hanging moon trees, Yellow Crane Cave Fairy, Chu Tianyao.

Pick mulberry seeds

"Picking Mulberry" Tang Daqu has "Picking Mulberry under Yang", which may be an independent epigraph intercepted from Daqu. Also known as Ugly Slave Order, Mei Ge and Luo Xiaomei from Luo Fu. The ci spectrum takes the five dynasties and Ning Ci as the empirical subject. Two tones, 44 words, eight sentences. The upper and lower films are inverted sentences, and the following three sentences rhyme. In addition, two words are added to each of the two sentences to form two sentences with the first four words and the last five words. In addition, there are 54 disyllabic fonts, the first five of which have four syllables and the last five have three syllables.

Endless desire

Sauvignon Blanc was originally a folk song in the Tang Dynasty. The name of the song is the sentence of "The Last Episode of Sauvignon Blanc, Farewell for a Long Time" in Gu Yuefu. A famous writer, double red beans, acacia ling, hills grow green, hills grow green, sauvignon blanc ling, sauvignon blanc fairy, green hills in spring, a billion beauties and so on. Most of them were used by predecessors to write about lovesickness between men and women. Look at Bai Juyi's words first. Double tone, flat rhyme, thirty-six characters. The first part has four sentences, each of which rhymes. There are also some in the second part that don't need to rhyme.

The Songs of Chu

Chu ci style, also known as "Sao style". It is a kind of ci. Chu originated in the Warring States period, with Qu Yuan's Lisao as his masterpiece. It is characterized by strong romantic atmosphere, more lyrical elements, breaking through the four-character frame, free form, long words, and leaning towards prose, using auXiliary words such as "xi" and "you". Later generations took Li Sao as a model, hence the name Sao Style.

Cui loufen

Cui Lou complains, this song is played by Jiang Kui. During Xichun's stay in Song Xiaozong, Anyuan Building in Wuchang was completed. Jiang Kui and his friends boarded the balcony and wrote this word. There is a sentence in the word "the story is high, the threshold is red, and the teeth are flying green", hence the name "Cuilou Complain". This piece of music has 10 1 words. The first part is fifty words, eleven sentences and six rhymes; The last film consists of 51 words, 12 sentences and seven rhymes. The seventh sentence in the upper and lower film and the second sentence in the lower film are both one-word bean syntax.

tease

Playing tricks on me. There are eight anonymous words in Meiyuan edited by Huang Dayu in Song Dynasty, one of which starts with "playing tricks on me", that is, it is named after the lyrics. Or cloud: "Ci, that is, reciting, is also the ontology of Tang Ci." (See "Sheng 'an Ci Pin") Predecessors are often used to thinking of what their husbands have done for women. Monotonous, 27 words, 5 sentences and 3 rhymes. Another dual-tone 38-character font is larger, a variety of order.

Dianjiangchun

The touch of crimson lips is named after the sentence "The snow is beautiful and the beads touch the lips" in Liang Jiangyan's poem Ode to Spring. Feng Yansi's Ci is the main body of Ci Shu. The first four sentences of the 41-character rhyme with three from the second sentence; The last five sentences are also four stops from the second sentence. According to the law of words, the first word of the second sentence of the last part should be voiced and "flat tone". According to the words of the predecessors, use a flat voice, such as Wang Yu's words "Jiangnan is still called a beauty", Su Shi's words "This year's health is still high" and "The Last Banquet of the Romantic Childe". Jiang, Jin and Feng are all flat-voiced characters, and the melody here is harmonious. Why can't they be tuned? This can't be said.

Also known as Sakura Dian, Eighteen Fragrances, Nanpu Moon, Shatou Rain, Yao Cao Xun and Wan Nianchun.

Teasing sequence

In the Tang dynasty, this tune had many names, such as ancient banter, palace banter, teasing words, English-translated songs and so on. In the Southern Tang Dynasty, Yan Feng was renamed Santailing. According to Bai Juyi's calligraphy poem on behalf of Wei Yuan, "there is a play order in throwing songs", it can be seen that this song was sung when throwing games in the court or banquet hall at that time. Look at Wei's words first. Monotonous, 32 words, eight sentences, four rhymes, two levels and two stacks. Even and even rhymes are passed three times. The fourth and fifth sentences are turned from flat to flat, and the sixth sentence is turned from flat to flat. The overlapping sentences of the sixth and seventh words must be reversed from the last two words of the fifth sentence, which is the origin of this song "Turn to English". After the Northern Song Dynasty, this kind of tone only used rhyme, no longer changed rhyme, and the number of words and sentence patterns also changed, which is a variation of this tone.

A butterfly in love with flowers

Death, Tang. Real name is magpie pedal. Schumann's words were renamed. The topic is selected from three words in Liang Jianwen's poem "Climbing the steps and falling in love with butterflies". The upper and lower parts are disyllabic, sixty words, ten sentences, five sentences and four rhymes.

Also known as golden wisp, wind and wind, a basket of gold, fish and water gather together, the drizzle blows the pond, the moon is born in Nanpu, the bead curtain is rolled, and the river is like practice.

Ding Fengbo

It was Tang's name that caused the storm. It first appeared in Ouyang Jiong's post-Shu ci. Flat and even rhymes, 62 words. The first five sentences, three spans, three levels and two rhymes; The next six sentences, 32 words, four rhymes and two flat rhymes. Because the sentence patterns are uneven and flat, the melody has its own characteristics. There is also a rhyme style, written by Liu Yong, with the word 100, the upper and lower parts 1 1 sentence and six rhymes.

Also known as "air spring", "calm wind", "calm storm order" and "drunken qiongzhi".

Dong Xian ge

Fairy song, named Tang. It was originally used to read Buddha in caves. There is this tune in Dunhuang Quzi, but it is different from the style of the word written by Song people. There are two styles: alto and long tone. The middle key is 83 to 93 words and the long key is 1 18 to 126 words. The lyrics of Su Shi and Xin Qiji are the initial body. Eighty-three words, thirty-four words and six sentences on the first film; The next page is forty-nine words and seven sentences. Each song has three rhymes. The second sentence of the last film is a one-word joke syntax, and it is also a sentence pattern of upper two and lower three. The next eight-character sentence leads to seven words in one word. At the end of two sentences, two four sentences are led out by one word. Tuned to chant immortals, so the rhythm is slow and the mood is detached.

Also known as Yu Xian Qu, Dong Xian Qu, Dong Xian Ci, Dong Xian Qu Preface and Dong Xian Qu Slow.