Brief introduction of Liu Gongquan's life

Brief introduction of Liu Gongquan's life

Liu Gongquan was born in the Tang Dynasty, a famous calligrapher and writer. Together with Ou Yangxun, Yan Zhenqing and Zhao Meng in the Yuan Dynasty, they are also called "four masters of regular script" and enjoy a high reputation in the calligraphy field. , "Diamond Sutra Engraving" and "Mysterious Tower Monument" are all classic masterpieces of Liu Gongquan.

Liu Gongquan was born in 778 AD and died in 865 AD. He is 88 years old and comes from Tongchuan, Shaanxi. Liu Gongquan was born in an official family. His father was a secretariat, and his brother Liu was a famous minister in the Tang Dynasty. Liu Gongquan, born in an official family, was influenced by the family since childhood and was very talented in literature. At the age of twelve, Liu Gongquan was able to write poems and fu. At the age of twenty-nine, Liu Gongquan took part in the imperial examination, won the Jinshi in one fell swoop, entered the DPRK as an official, and worked as a school book assistant.

Liu Gongquan worked as a librarian in Tang Muzong, Tang Jingzong and Tang Wenzong. When Liu Gongquan was in power in North Korea, he dared to speak out and was appreciated by Tang Wenzong. On one occasion, Tang Wenzong talked about the frugality of China literati in their living habits, taking sleeves as an example, claiming that he had washed this dress three times. The ministers present praised the frugality of literate Sect, with the exception of Liu Gongquan. Wenzong asked him why he didn't speak. Liu Gongquan said that the monarch's big festival is to appoint talents and listen to the advice of loyal ministers. Washing clothes is just a small step, and the princess should not like it. Tang Wenzong appreciated Liu Gongquan's advice and appointed him as the advice doctor. After Tang Wenzong's death, Tang Wuzong acceded to the throne, and Liu Gongquan was appreciated and reused by Tang Wuzong, becoming an official of Taibao. After Liu Gongquan died, the emperor named him a teacher.

Under the guidance of regular script works, Liu Gongquan carefully studied Yan Zhenqing's calligraphy techniques and fonts, and combined them to create "Liu Style". Later, Liu Gongquan's Liu Ti works became one of the representatives of "Tang Shu Shang Fa".

Appreciation of Liu Gongquan's Mysterious Pagoda Monument

Engraved in 84 BC1year, written by calligrapher Liu Gongquan. At present, this work is hidden in the forest of steles in Xi 'an, Shaanxi Province, and it is still well preserved, and the handwriting is still clearly visible.

Su Feng Monument, known as the Monument to the Mysterious Pagoda, is a work praising merit. The font on the screen is regular script. There are 1302 words on the tablet, with 28 lines and 54 words in each line. This work has high appreciation value and research value.

It is also considered as the masterpiece of the famous calligrapher Liu Gongquan. Its beautiful font and form reflect the characteristics of Liu's calligraphy. The font is thin and hard, and the writing is strong enough; Calligraphy works are clean and beautiful, stroke by stroke, relatively coherent and smooth; In addition, the structure of calligraphy works is rigorous, and the fonts are full of a sense of integrity and strength.

Although this work has a history of thousands of years, its artistic value has not faded with the passage of time. The fame is getting bigger and bigger, and many overseas people will visit this calligraphy work. In addition, the mysterious tower monument has attracted many people to copy and learn. Since the Tang Dynasty, calligraphy masters and calligraphy lovers have copied a mysterious pagoda inscription and preface inscribed by ankokuji to Master Qi Dada. Today, people who come to visit and study are still in an endless stream.

It is worth mentioning that "Mysterious Tower Monument" was written by Liu Gongquan at the age of sixty-four, with vigorous brushwork. On the basis of style, Liu style and innovation are added, the font is compact and vigorous, and the whole picture is clean and beautiful.

Appreciation of Liu Gongquan

It is an introductory calligraphy book made by later generations to learn Liu Gongquan's fonts. The copybook summarizes the form of Liu Gongquan's Liu Ti for future generations to copy.

The highest achievement of Liu Gongquan's calligraphy is regular script. His regular script works are very beautiful, with fine and hard fonts and vigorous writing style. Calligraphy works are clean and beautiful, stroke by stroke, relatively coherent and smooth; In addition, the structure of calligraphy works is rigorous, and the fonts are full of a sense of integrity and strength. Later generations wanted to learn Liu Gongquan's regular script calligraphy skills, so they made it into a pagoda monument.

There are many styles of this copybook, and the font content of each age group and different learning stages is different. For example, primary school students learn calligraphy, mostly from the most basic introduction. In order to lay a good foundation, they bought the simplest introductory book of Liu Ti. The font is simple and the strokes are few, which is convenient for beginners to practice.

In addition, the square characters advocated now, from a certain perspective, are very similar to regular script. Learning Liu Gongquan's regular script works is also helpful for writing Chinese characters well. Calligraphy lovers who are interested in Liu Gongquan's calligraphy have been copying and studying Liu Gongquan's calligraphy works for a long time and summing up Liu Ti's writing skills. Then, I wrote a book with copybook, and introduced in detail the writing steps and skills of Liu Gongquan's regular script, such as how to write one by one and how to get the form of "Liu Ti".

It is welcomed by calligraphy lovers from all walks of life and has become one of the necessary books for learning calligraphy.

The story of Liu Gongquan's vigorous calligraphy practice

Liu Gongquan was very interested in calligraphy when he was a child. Once, he held a "book club" with several friends, and Liu Gongquan wrote "I can write about Feng Fei's family background and dare to boast in front of people".

At this time, an old man selling tofu passed by him and saw Liu Gongquan's works. Liu Gongquan frowned at the thought of being so arrogant at an early age. He pondered for a while and said that Liu Gongquan's handwriting was not good at all, just like the tofu he sold. Soft, crumbling, without any beauty and tendons. It is better to show a work written by others with your feet, so that such a work can dare to show off in front of people. Liu Gongquan was very angry after listening to the old man's words, so he pinched the old man and asked him to try to write a picture.

Hearing this, the old man smiled and said that he was a clown and couldn't write well, but there were many good words in Beijing. After hearing this, Liu Gongquan wanted to go to Beijing to find out. The next day, Liu Gongquan got up and went to Cheng Huajing. As soon as he entered the city gate, he saw many people gathered around a locust tree. Liu Gongquan is very curious. He squeezed into the crowd to find out and saw an old man without arms writing with his feet. The old man sat on the ground, with a pen in his right foot and paper in his left foot, writing couplets leisurely. The old man's calligraphy was free and won applause. Liu Gongquan was surprised. Liu Gongquan knelt on the ground, hoping that the old man would accept him as a teacher. The old man laughed at himself for being humble and unable to be a teacher. Under the pleading of Liu Gongquan, the old man took out a piece of paper and wrote: "I wrote eight pots of water, and the inkstone dyed the waterlogged pool black, and I got hundreds of parents, dragons and phoenixes."

Liu Gongquan suddenly realized that after returning home, he practiced calligraphy day and night, grinding thick cocoons on his hands, but Liu Gongquan still didn't give up and eventually became a generation of calligraphers.

What are there?

Writing poems to help others is one of Liu Gongquan's anecdotes. During the Tang Wuzong period, a female official angered Tang Wuzong. Tang Wuzong was very angry and wanted to punish the female official. So, Tang Wuzong called the female official and said to Liu Gongquan, if I can get one of your works, I won't deal with the female official.

If Liu Gongquan can't write works that satisfy Tang Wuzong, the life of this female official will be in danger. After weighing the pros and cons, Liu Gongquan picked up the paper that Tang Wuzong gave him and wrote a poem. Tang Wuzong saw Liu Gongquan's quatrains and was very satisfied. She not only spared the female officer, but also rewarded Liu Gongquan with 200 brocade. Today, this poem by Liu Gongquan is still popular all over the world. The content of this poem is: "I am willing to be lonely and keep Nagato, regardless of the previous time." Today, however, I will be taken care of by the king, and I will go back to the pepper room to wipe my tears. "

Everyone knows the story of seven steps into a poem and his brother, and Liu Gongquan also has the story of three steps into a poem.

In other words, both Tang Wenzong and Liu Gongquan have been to Weiyang Palace, and it is natural to feel relaxed and happy to see such beautiful scenery. Tang Wenzong suddenly stopped and said to Liu Gongquan, there is a very happy thing recently, that is,

Which dynasty was Liu Gongquan a calligrapher?

Liu Gongquan was a famous calligrapher and writer in the Tang Dynasty, one of the "four masters of regular script" and enjoyed a high reputation in the calligraphy field. Mysterious Tower Monument and Mysterious Tower Monument are all classic masterpieces of Liu Gongquan.

Liu Gongquan was born in Tongchuan, Shaanxi in 778 AD. Liu Gongquan was born in an official family. His father was a secretariat, and his brother Liu was a famous minister in the Tang Dynasty. Liu Gongquan, born in an official family, was influenced by the family since childhood and was very talented in literature. At the age of twelve, Liu Gongquan was able to write poems and fu. At the age of twenty-nine, Liu Gongquan took part in the imperial examination, won the Jinshi in one fell swoop, entered the DPRK as an official, and worked as a school book assistant.

Liu Gongquan worked as a librarian in Tang Muzong, Tang Jingzong and Tang Wenzong. At that time, Liu Gongquan's brother Liu Gongchuo knew that Liu Gongquan loved calligraphy, so he wrote a letter to Prime Minister CoCo Lee, hoping that Tang Wenzong could replace his brother Liu Gongquan with a sinecure and let him learn calligraphy. Soon, Liu Gongquan was transferred to Hong Wen Pavilion as a bachelor. Shortly after Liu Gongquan left, Tang Wenzong missed him so much that he was recalled as a bookkeeper. In addition, Liu Gongquan dared to make bold suggestions during his stay in North Korea, which was appreciated by Tang Wenzong. On one occasion, Tang Wenzong talked about the frugality of China literati in their living habits, taking sleeves as an example, claiming that he had washed this dress three times. The ministers present praised the frugality of literate Sect, with the exception of Liu Gongquan. Wenzong asked him why he didn't speak. Liu Gongquan said that the monarch's big festival is to appoint talents and listen to the advice of loyal ministers. Washing clothes is just a small step, and the princess should not like it. Tang Wenzong appreciated Liu Gongquan's advice and appointed him as the advice doctor.