What is the "baggage" mentioned in the sketch? ....

Baggage: refers to the comedy effect achieved through careful organization and preparation.

Baggage is a term for cross talk. The purpose of adding a burden to a work is to increase the comic effect of the work. This process is called "shaking the burden".

However, it is possible that the person who has this burden has not achieved the expected effect after speaking, and the person next to him (that is, the person who plays the role of comedian in cross talk) should make a supplement to make this burden ring, which is called turning over the burden.

The use of luggage has to go through the process of binding, unpacking and shaking. The content of the burden comes from ridiculous people and things in social life.

To activate the ridiculous things in reality and truly achieve the purpose of making people laugh, we need to go through a "pad" (paving the way for revealing things and tying up the baggage), "support" (attracting the audience's attention in the opposite direction and tying up the baggage), "planing" (unexpectedly unbundling the baggage and digging out the real bottom of things to make people laugh) and "shaking" (shaking off the baggage, shaking it)

Extended data:

Many people equate "baggage" with jokes, which is wrong. "Baggage" is a term of crosstalk, which refers to the comedy effect achieved through careful organization and bedding. A joke is simply to make the audience laugh instantly through language actions.

The actor tells jokes to the audience. As the main artistic means of cross talk, ballads such as storytelling, double reed, counting treasures, Shandong Kuaishu and Allegro are often used. Usually, when portraying characters and evaluating the world, cynicism is used to create comedy situations to adjust the performance atmosphere and enhance the audience's appreciation interest.

Whether Bao Er can shake or not is very important, and it is very important to use language skills flexibly. There is a saying in the art proverb called "Smooth and steady", which points out that only by carefully considering the psychological situation of the audience and skillfully binding "Bao Er" with the language layer by layer in a timely and appropriate manner can the effect of suddenly shaking off and resounding through the room be achieved.