Who is Li Shiqi and why are his relatives very angry at Zhang Yunlei's teasing?

Li Shiji is a Peking Opera performance artist. Zhang Yunlei openly poked fun at this Peking Opera female elder when she performed cross talk. Besides, Mr. Li Shiji has passed away and there are only two granddaughters at home.

Gong publicly ridiculed the old female netizen and said that Yang Jiulang had performed cross talk. On the stage, they openly teased the Beijing Opera performance artist Li Shiji (female) and the famous Beijing Opera artist Zhang (female). On the stage, Li Shiqi was detonated as "Ji Ji" and Zhang as "Ding Ding", and they said that they were still taking a bath together two days ago. In this regard, People's Daily criticized Zhang Yunlei: "Learn art first, and you can't come to Zhang Chou!"

Zhang Yunlei's inappropriate remarks aroused public anxiety. Mr. Li Shiji has passed away, and her family situation in her later years is very bumpy.

Mr. Li Shiji's wife, Tang Zaixin, who is also her pianist, is 1 1 year older than her. In order to keep fit when performing on the stage, Mr. Li Shijie didn't give birth to his only son until 4 1 year, but in 200 1 year, Mr. Li Shijie's only son died suddenly in a car accident, and his 79-year-old father and 68-year-old mother lost their children in old age, and white-haired people sent them to brunettes.

Tang Zaixin fell ill after his son died. Mr. Li Shiji must take care of his wife and two young granddaughters. In 2007, his wife Tang Zaixin passed away, leaving Mr. Li Shiqi with only two granddaughters.

Although crosstalk needs to be funny, it is really artistic to tease the late predecessors. Many people mentioned the ex, but they didn't talk about bathing the ex of the opposite sex. This is obviously a joke.

Zhang Yunlei has a large number of fans and has always been regarded as a "public figure". His words and deeds have great influence. Mei Baojiu and Li Shiji have both passed away. Is it appropriate to "tease" the dead?

Who is Li Shiji? For those who don't pay attention to Beijing Opera, Li Shiji's name is strange, but her fame and status in Beijing Opera is very high. She is not only a member of the Standing Committee of China People's Political Consultative Conference, but also the vice-chairman of China Federation of Literary and Art Circles, which is the superior unit of China Music Association.

Mr. Li Shiji was born in 1933. Her great-grandfather and grandfather were officials for generations. Mr. Li Shiji's grandfather was promoted to lieutenant general during his stay in War of Resistance against Japanese Aggression, and his father Li Yizun was the secretary of the founding vice president Li. Because of his father's close relationship with Cheng, a master of Peking Opera, Mr. Li Shiji, who loves Peking Opera, was able to worship Cheng as his adoptive father and study with him at the age of 65,438+02.

Cheng didn't want her adopted daughter to give up studying medicine to get a play, so she didn't accept Li Shiqi as an apprentice. 1958, Premier Zhou decided to personally preside over Mr. Li Shiji's ceremony. Unexpectedly, Cheng died of a sudden myocardial infarction, which made Mr. Li Shiqi become a adopted daughter in the pear garden.

Zhang Yunlei Apologizes Zhang Yunlei finally issued a long apology for his performance storm. Although this letter of apology came a little late, it's better to come than never. Just like a well-known young writer, in the face of plagiarism prosecution, he finally lost the lawsuit and refused to admit his mistake.

I met him by chance, not that he is Mr. Zhang's younger brother. This cross talk joke is an arrogant and ignorant character, even a famous teacher can't explain it clearly to everyone, and it belongs to the nature of smashing.

Conclusion Crosstalk is a folk art, and "vulgarity" is its life. However, if we really study the development history of cross talk and its ancient rules and regulations, we will find that its vulgarity is definitely not bottomless. For example, in the old society, if a picky artist wanted to do "dirty work", he must see if there was "Tangke" under the stage. There is no reason why a crosstalk troupe with a genealogy should not know such an old saying. We don't want to purify crosstalk into "hygienic crosstalk". If you tease your classmates, others won't have a problem, because that's your job, but you can't drag irrelevant people to perform with you.

Ordinary people "don't do to others what you don't want them to do to you", and even crosstalk performers "don't do to others what you don't want them to do to you". Literary and art workers should know how to respect and fear and pass on positive energy; Crosstalk actors must not lose their moral standards, treat disgusting things as children's play, and must not throw stones at people and ruin their inheritance.