What kind of person is Hiro in the Tale of Genji in Japan?

Hirohara was born at the beginning of 1 1 century, that is, in the middle of the Heian Dynasty in Japan, which was the heyday of Fujiwara's aristocratic society.

Guangyuan's image is almost perfect. He conforms to all the aesthetic concepts and ideals of the author Zi Shi. Guangyuan is a little prince born by Emperor Tonghu, who changes clothes lowly. He has been called "Guanghua Childe" since he was a child. The book says, "This little prince is so cute that even soldiers or enemies will laugh when they see his posture." The beauty of the little prince's appearance is evident here.

Without spending too much ink, Murasaki shikibu endowed Genji with peerless talent and romantic feelings. "All kinds of knowledge that need to be learned are self-evident, even the piano and flute are proficient, and the voiceless sounds resound through the sky." Moreover, his "elegant, charming and shy" posture is even more amazing from an early age. In the seventh "Red Leaves", the description of Guangyuan's solo dance "Qinghai Wave" has brought his beauty to the extreme, making people still recall his dancing and demeanor in the shadow of high red leaves after watching the whole work.

The mystery hanging over Guangyuan is quite strong. When he was seven years old, a clever fortune teller told him that he was an emperor and could ascend to the supreme position. But because of his beautiful appearance, if he is the emperor, it will make the country chaotic, but if he is the pillar of the imperial court, it will help the world politics, but his appearance does not match. Because of this prophecy, Guangyuan is doomed to be neither a gentleman nor a minister. He is the son of Emperor Tonghu and the father of Emperor Lengquan, and his position is very embarrassing. Fortunately, the two emperors were very kind to him, so they were able to turn defeat into victory many times. When he was exiled to graphite, there was no possibility of returning to Kyoto. However, due to the blessing of Emperor Tong Hu in the spirit of heaven, he had many dreams for the then Emperor Suzaku, and the predictions in his dreams were consistent with the real natural and man-made disasters. Guangyuan finally had the opportunity to return to Kyoto to occupy a high position and master the Korean program. These prophecies and descriptions of dreams give Guangyuan a strong fatalistic color.