Miyuki Nakajima MV "One Phase, One Meeting"

Four years after "Riding on the Silver Dragon", Miyuki Nakajima was invited to write songs/sing for TV programs again, and was entrusted to broadcast the popular program "URURUN" which lasted for 12 years. From April 15, this program will be dressed in new clothes and meet the audience with a brand-new host lineup, narration and dubbing, and Miyuki Nakajima's creation will be "widely adopted" in music. This article also has some news about Miyuki Nakajima's latest album in 2007.

Regarding this cooperation, Miyuki Nakajima said: "This program is a new type of creation for me, and it is really amazing and pleasant to conceive such an interesting combination. "URURUNN" not only invited Miyuki Nakajima to compose/sing the theme song "Session by Session" and the ending song "Rain from the Past", but also interspersed with other people's singing from time to time. So the theme song, the ending song and the episode will all be Miyuki Nakajima's songs. As far as the content of the new episode just started is concerned, BGM such as Hao Dai, Song of Bamboo, Song of Keeping Heart, Twisting Mobile Band, Dance of Salmon, Song of Fox Hunting, etc. have been broadcast, and different tracks will be changed in each episode. Such amazing and beautiful program planning is not so much "turning a deaf ear" as kidnapping beautiful fans.

In the past, many TV programs used Miyuki Nakajima music, but only "For Dear People" series can be compared with such large-scale adoption. (The theme song "Shallow Sleep", the single B-sided song of the same name, the script inspiration "Southern Three Articles", the episode "Time" and "Cold Parting", and the title of the episode "Signature after Retirement" and "Tong". ) Both of them are very rare Miyuki fans' crazy tribute: P (I don't know which Miyuki fan "did it" at present: P)

In the past, when Miyuki Nakajima wrote songs for TV programs, he always focused on the content of the programs, and this time was no exception. URURUNN is based on the process of artists living overseas, and Miyuki Nakajima writes songs with the theme of people meeting as a reference. Please read the title and lyrics and experience it slowly. :)

After the release of 1 1 single "One Phase, One Meeting" in July, MV also began to play on music websites, record stores, television and other media. Although "One Issue, One Meeting" gives people an old-fashioned feeling from the cover to the music, the filmed MV has an unexpected sense of the future, using montage and computer animation, which is a rare work in Miyuki Nakajima's MV. Except for the fortune teller played by Miyuki in the MV? Fate? In addition, the five characters, the little girl, the little boy, the girl, the teenager and the middle-aged man, have developed a complex story relationship in the ever-changing narrative picture, which has aroused many speculations from fans. First of all, there are several places that are most curious: first, when a young girl is sitting by the bed, the man behind her wants to raise his hand (hit her? ), the shadow of the hand on the wall has become the appearance of catching a bug net when I was a child (meaning that he wants to catch girls? )。 Second, young men and women look at candlelight, and then men hold women, but holding young girls becomes little girls? Thirdly, behind the film, a middle-aged man holds a little girl and swings, and then becomes a lonely little boy. Fourthly, after the tears of middle-aged men dripped into the crystal ball with images through Miyuki, rays of light lit up around Miyuki in different spaces, and a little light fell into the candles opposite men and women, which made the candles bigger and men embraced each other. Are the sad tears purified by Miyuki and turned into blessings for young men and women?

Other curious questions are: What is the relationship between young girls and middle-aged men? Is it neither fish nor fowl? Or are you married with a ring? What does the fork in the road ahead in the forest mean? Is it a watershed in life? What does strawberry/peach mean? Function? Or, as the flower language says, to show respect and love, a slave in a happy family/love? Why do girls wear mourning clothes backstage? Is she resisting the young boy in the forest? In the last scene, the lens shoots the beautiful snow and the young boy in front of the crystal ball at a downward angle, forming an eye-like composition. You mean seeing through fate?

At first glance, it looks like a fragment of a piecemeal combination, but there are hints linking the plot everywhere; All kinds of puzzling pictures set off imagination among Japanese fans. Different explanations vary from person to person. Some people say that childhood friends, some people say that close relatives are traitors; Some people say it's the goddess of fate, others say it's the beauty of the underworld. And what do you think of this MV?