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What color should Xiang Yu use in Peking Opera facial makeup?
Xiang Yu has a three-tile face with black flowers, a white eyebrow with patterns, a nasal cavity with nostrils, a white cheek with patterns and a black forehead with patterns.
On Facebook, black represents courage and frankness. The color is black and white, and there are no other colors. It is dignified and solemn, with long eyebrows and a sad face. It shows an arrogant, willful and reckless failure hero.
Chu and Han contended, and Xiang Yu, the king of Chu, was besieged on all sides, lamenting that the tide was gone. Princess Yuji committed suicide after dancing a sword for Xiang Yu. Xiang Yu was heartbroken and broke through the Wujiang River. He was ashamed to see his elders in Jiangdong and committed suicide in Jiangdong. His facial makeup not only has a crying face, but also shows extraordinary strength and temperament, vividly depicting the expression of this desperate hero. Double eyebrows are longevity eyebrows.
Extended data:
Through the shape, color and pattern of Facebook, we can clearly tell the audience the character and moral and ethical characteristics of this character. This division makes the characters on the stage clearly visible, and the appreciator need not bother to guess, reason and judge.
China's dramas with a long history, such as Han Opera, Qin Opera, Kunqu Opera and Beijing Opera, all have facial expressions.
The function of Facebook can not only show the character, but also hint at various situations of the character. For example, Xiang Yu's eyes are painted as "crying face", implying his tragic ending, Bao Gong's frown implies that he is in trouble, and the Monkey King's monkey-shaped face implies that he is a monkey.
Another function is "distance", which opens the psychological distance between the drama and the audience. The picture on the face makes the audience can't tell the true face of the actor. It looks very different from the real person in life, like wearing a mask.
This makes it difficult for the audience to "get into the play" and avoid hallucinations, but concentrate on aesthetics and appreciation. In addition, the simultaneous appearance of "big face painting" and "handsome disguise" is in sharp contrast, highlighting the handsome appearance and ugly grotesque appearance of life and Dan.
At the same time, the thick and bright oil painting pigments and masks with various patterns, coupled with the rough voice of Roar, have formed a strong artistic stimulus, which has played a role in inspiring, venting and vibrating the audience.
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