Which dynasty does The Riverside Scene at Qingming Festival belong to?

1. Who painted the Riverside Scene at Qingming Festival?

Who painted the Riverside Scene on Qingming Festival?

China is one of the top ten famous paintings handed down from generation to generation. The genre painting of the Northern Song Dynasty, with a width of 24.8 cm and a length of 528.7 cm, is the representative work of Zhang Zeduan, a painter of the Northern Song Dynasty. It is a first-class national treasure. The Riverside Scene at Qingming Festival vividly records the urban life of China in the12nd century, which is unique in the painting history of China and even the world.

The center of the Riverside Map on Qingming Festival consists of a rainbow-shaped bridge and the street surface of Qiaotou Street. At first glance, crowded and chaotic; A closer look shows that these people are from different industries and engage in various activities. There are some vendors and many tourists on the west side of the bridge. There are knives, scissors and groceries on the stall. There are tea sellers and fortune tellers. Many tourists lean against the railings by the bridge, or point at them, or watch the ships coming and going in the river. On the sidewalk in the middle of the bridge, there are bustling people; There are people who ride cars, ride horses, carry loads, drive donkeys, transport goods and push unicycles ... The south side of the bridge is connected with the street. On both sides of the street are teahouses, pubs, pawn shops and workshops. There are many vendors with big umbrellas in the open spaces on both sides of the street. The street extends eastward and westward to the quiet suburb outside the city, but there are still pedestrians on the street: some are carrying goods, some are driving ox carts to deliver goods, some are driving donkeys to pull trucks, and some stop to watch the scenery of Bianhe River.

There are many boats coming and going on the Bian River, which can be described as a race in Qian Fan. Some are parked near the dock, and some are driving in the river. Some big ships were overloaded, and the owners hired many trackers to tow them. A big ship carrying goods has passed under the bridge and will soon cross bridge opening. At this time, the boatman on this big ship is very busy. Some people stood at the top of the canopy and put down their sails; Some people are struggling to support the pole by the boat; Some people hold the ceiling of bridge opening with long poles, so that the boat can pass safely with the water. This tense scene attracted the attention of tourists on the bridge and nearby boatmen, who stood by and cheered. The Riverside Scene at Qingming Festival vividly depicts the busy and tense traffic scene on the Bianhe River, adding more vitality to the painting.

Zhang Zeduan has a high artistic generalization, which makes The Riverside Scene at Qingming Festival reach a high artistic level. The Riverside Scene at Qingming Festival is unprecedented in its rich content, numerous characters and grand scale. The picture of Riverside Scene on Qingming Festival is dense and orderly, from quiet suburbs to bustling city streets, attracting people everywhere.

Based on Qian's Zhuo? According to the statistics in Volume 8, there are 1659 people and 209 animals on the riverside scene in Qingming Festival, which is more than any of the classical novels Romance of the Three Kingdoms (1654, 38+095 people), Dream of Red Mansions (975 people) and Water Margin (785 people).

The whole picture of Riverside Scene at Qingming Festival can be divided into three sections. When the picture unfolds, the first thing you see is the scenery on the outskirts of Bianjing. The middle section mainly depicts the busy scenes on both sides of Shangtu Bridge and Bianhe River. The second half depicts the street view of Bianjing City. The size of the word is less than 3 cm, as small as a bean. If you look at them carefully, they are both physically and mentally interesting.

According to the textual research on the inscription of Li Dongyang, a Ming Dynasty man, there should be a landscape map of the outer suburbs in front of The Riverside Scene at Qingming Festival, which is inscribed with Song Huizong's fine gold lettering and Ssangyong's small seal for his collection, but now these have disappeared from the painting. There are two reasons. One possibility is that this picture has been circulated for too long, and the beginning part was broken after being enjoyed by countless people, so it was cut off when later generations mounted it; One possibility is that Song Huizong's inscription and Ssangyong Xiao Zhuan are valuable, and later generations deliberately cut them off and sold them as another painting.

Many experts suspect that the second half of The Riverside Scene at Qingming Festival is missing, because this painting should not come to an abrupt end just after entering Kaifeng City, but should be painted all the way to Jinming Pool.

Whose work is The Riverside Scene at Qingming Festival?

Author brief introduction Zhang Zeduan, also known as Zhang Zhengdao Gender: Male Dynasty: Song Dynasty Country: China Native place: Northern Song Dynasty painter in Zhucheng, Shandong Province. Zi Zhengdao was born in Wu Dong (now Zhucheng). He studied Bianjing (now Kaifeng) in his early years, and then he studied painting. When Hui Zong was in Hanlin Painting Academy, he was good at genre painting, especially at painting boats, shops, bridges, streets and Guo Cheng. It depicts the life scenes of all walks of life in the suburbs of Bianjing during the Qingming Festival. It is true and vivid, and it is an excellent genre painting with important historical value. In addition, Jinming Pool is also an artistic masterpiece. The Riverside Scene at Qingming Festival is one of the most famous works in China's painting history. It not only has superb artistic level, but also has many interesting stories circulating around it. In the history of painting, there are many frames called The Riverside Scene at Qingming Festival. But after all, there is only one original. After many scholars and experts have studied this topic, everyone's opinions are basically the same. They all think that this painting in the Palace Museum in Beijing is an original of Zhang Zeduan in the Northern Song Dynasty. Other paintings of the same name were later copied or imitated by Zhang Zeduan. During the Northern Song Dynasty, Bianjing was extremely prosperous, with four rivers passing through the city and four land routes. It used to be the national land and water transportation center, and its commercial development ranked first in the country. At that time, the population reached 1 10,000. There are many lively markets, various shops and even night markets in Bianjing City. On holidays, the capital is even more lively. The Riverside Scene at Qingming Festival shows the land and water transportation and busy market in the capital of Northern Song Dynasty. Before the Northern Song Dynasty, China's figure painting was dominated by religion and aristocratic life. Although Zhang Zeduan worked in the Hanlin Painting Academy, his works were all called "courtyard paintings" or "courtyard paintings", but he extended his brush to the lives of people from all walks of life and created social genre paintings depicting urban and rural life. The Riverside Scene at Qingming Festival painted a large number of various figures. Moreover, Zhang Zeduan vividly depicts the movements and expressions of each character, which fully shows that Zhang Zeduan's life is very rich and his creative skills are very skillful.

The Riverside Scene at Qingming Festival is a painting of that dynasty. Kangsong

The Five Dynasties and the Song Dynasty were the heyday of China's painting art. With the establishment of the Academy of Fine Arts, the palace painting in China's art history showed a prosperous and active scene, and later literati paintings usually traced the painting tradition back to this period. New painting contents such as folk painting began to appear, such as The Riverside Scene at Qingming Festival by Zhang Zeduan in the Northern Song Dynasty, which vividly depicted the bustling scene of Bianjing (now Kaifeng) with a long scroll composition. Truthfully showed the social life at that time. The last part of landscape painting in this period, Hao Jing and Guan Tong, who lived in the Central Plains during the Five Dynasties, and Dong Yuan and Ju Ran, who lived in the south of the Yangtze River, used different pen and ink techniques to describe mountains and rivers in different regions, with different painting styles, which had an important impact on the development of landscape painting in later generations. Li Cheng painted in the Northern Song Dynasty, with mountains and rivers in Fan Kuanli, wild forests and rivers in Xu Daoning, and Guo. Hui Chong and Zhao Lingqi's lyrical landscapes and Mi Fei and Mi Youren's father and son's Yunshan ink paintings made the landscape painting in the Northern Song Dynasty highly mature. During the Southern Song Dynasty, the painting style of Dashan Tang Tang was replaced by a large number of blank paintings. Li Tang inherited the previous dynasty, but developed a unique axe chopping technique to describe rocks. Later painters such as Ma Yuan and Xia Gui basically followed Li Tang's style, but in the Southern Song Dynasty,

What season is the riverside scene on Qingming Festival?

There are different views. 1. The word "Qingming" in The Riverside Scene at Qingming Festival in summer and autumn does not refer to Tomb-Sweeping Day, but refers to the gradual refreshing and clear weather in summer and autumn. Needless to say, there are three points to prove: first, the clothes on the painting are thin and the children are still naked; Second, no one holds objects to mourn the dead; Third, there are fallen leaves on the ground. Secondly, people think it depicts the scenery in spring. The first skeptic was Mr. Kong, a teacher in Kaifeng. In the second issue of Art magazine of 198 1, he published the article "The Riverside Scene at Qingming Festival Queries Qingming Festival", listing eight reasons. It is considered that the riverside scene at Qingming Festival is autumn scenery. First, there is a donkey carrying 10 basket of charcoal at the right end of the painting. Meng Yuanyuan's Dream of Tokyo in the Northern Song Dynasty records that every October in the lunar calendar, Bianjing began to "put charcoal in the heater, put wine in front of it and have a warm party". It is against the customs of Song people to say that Tomb-Sweeping Day used to burn charcoal in the heater. The historical events mentioned above should be credible. Secondly, there is a farm hedge full of eggplant and other crops. What's more interesting is that several children are playing and chasing naked, which is not a thing in Qingming Festival. Third, there are more than a dozen people with fans in the picture, some with fans and some with sunshade. Common sense tells people to use fans in dog days, and few people use fans in early spring. Fourth, there are straw hats and bamboo hats in many places in the picture. It doesn't rain in the picture, so it must be for the emperor's grandson. According to the climate of the capital of song dynasty at that time, Tomb-Sweeping Day seems unnecessary, which deserves our suspicion. "Fifth, there are many wine shops in the picture, and the word" new wine "is written on the wine flag, while" Tokyo Dream China "is written:" Before the Mid-Autumn Festival, all the shops sold new wine ... drunk and fairy brocade, and the city people fought for it. Otherwise, there will be no new wine. Sixth, there is a small tea stall on the screen, which reads "Kouxia Tree Seal". "If the word" Xia Shu "in" Kouxia Shu Yin Zi "is good, it is enough to explain its season." Seventh, there are several vendors' tables with cut watermelons on the banks of the river and on the bridge. It is impossible for the capital of song dynasty to be warm and cold in early spring. After careful analysis, although these people may go to the grave, it is more appropriate to say that they are hunting in autumn, because it is possible to go to the grave all year round. As far as flower arrangement is concerned, it can be explained in spring and autumn. Now, judging from various phenomena in the picture, it is more realistic to say autumn.

Who is the author of the Chinese painting The Riverside Scene at Qingming Festival? It reflects the life in which dynasty and where.

The Riverside Scene at Qingming Festival was written by Zhang Zeduan, a painter in the late Northern Song Dynasty. The whole painting is about 24 cm wide and 528 cm long. In the form of a long scroll, it depicts the bustling scene and natural scenery of the capital city of Bianliang and the banks of Bianhe River in the Northern Song Dynasty during the Qingming period in China. There are many people in this painting, and the scene is grand, including intellectuals, farmers, businessmen, fortune tellers, doctors, monks, telegraph operators and so on. Cattle, camels and other livestock. There are different opinions about how many people are painted in the painting, some say 500-600 people, some say more than 700 people, and some say 1000 people. Various activities and plots are interspersed in the painting, such as going to the market, buying and selling, hanging out, drinking, chatting together, pushing a boat, pulling a car, riding a car, getting married and so on. These are very vivid. The whole painting is lifelike, ranging from the vast Yuan Ye to the vast rivers, from nails and rivets on boats and cars to small commodities on vendors. During the Northern Song Dynasty, Bianjing was extremely prosperous, with four rivers flowing and four roads accessible. It is a national land and water transportation center, and its commercial development ranks first in the country. At that time, its population exceeded 1 10,000. There are many lively markets in Bianjing. The capital is very busy. In order to show the prosperity of Beijing, Zhang Zeduan chose the scene of Qingming, an important festival, for 59 performances. The Riverside Scene at Qingming Festival shows the land and water transportation and busy market in the capital of Northern Song Dynasty. The center of The Riverside Scene at Qingming Festival consists of a rainbow bridge and Qiaotou Street. At first glance, it's crowded and messy. A closer look shows that these people are from different industries and engage in various activities. There are some vendors and many tourists on the west side of the bridge. There are knives, scissors and groceries on the stall. There are tea sellers and fortune tellers. Many tourists lean against the railings by the bridge, or point at them, or watch the ships coming and going in the river. On the sidewalk in the middle of the bridge, there are bustling people. There are people who ride cars, ride horses, carry loads, drive donkeys and carry goods, and push unicycle ... The south of the bridge is connected with the street. There are teahouses, pubs, pawn shops and workshops on both sides of the street. There are also many small vendors with big umbrellas in the open spaces on both sides of the street. The street extends from east to west to the quiet suburbs outside the city, but there are still pedestrians on the street: some are carrying burdens, and some are driving ox carts to deliver goods. Some people stopped to watch the scenery of the Bianhe River. There are many ships coming and going on the Bian River. It can be said that Qian Fan is racing and hundreds of ships are fighting for the trend. Some are parked near the dock, and some are driving in the river. Some big ships are overloaded, and the owners hire many trackers to pull them. A big ship carrying goods has passed under the bridge and will soon cross bridge opening. At this time, the boatmen on this big ship are very busy. Some. Some people are struggling to support the pole by the boat; Some people hold the top of bridge opening with long poles, so that ships can pass safely. This tense scene attracted the attention of tourists on the bridge and nearby boatmen, who stood by and cheered. The Riverside Scene at Qingming Festival vividly depicts the busy and tense traffic scene on the Bianhe River, adding more vitality to the painting.