Jiang Wen fortune-telling sketch _ Jiang Wen fortune-telling sketch full version

Zhang Beihai's Xia Yin once fascinated Gao. He called for the copyright, but Jiang Wen beat him to it. The Republic of China and Beijing, this is Jiang Wen's favorite time and space setting when making movies. He filmed the trilogy of the Republic of China: let bullets fly, one step away, evil does not suppress right, from Sichuan to Shanghai, all the way up, and finally back to Beijing. Jiang Wen got the novel copyright about 10 years ago, but the script didn't impress him. He went to shoot Let the Bullets Fly and One Step Away first. When he found a reasonable fulcrum for this plot-Black Lee's master was killed, he started filming. Rationality is highly respected by Jiang Wen. He once said that his plays were "found" rather than "made", that is, the characters already existed and were not at his mercy.

The dialogue with the characters is Jiang Wen's dialogue with himself. People who follow their feelings will always show their love unnaturally, like a habit that lasts for many years. He transported the tiles from Beijing to Yunnan and built a 40,000-square-meter roof in imitation of the quadrangle in Beijing. When Black Lee was running on the roof as a knight-errant, it was easy for the audience to see the shadow of Ma Xiaojun in Sunny Days, wandering aimlessly on the roof in the big sun under the action of sexual repression and hormones in adolescence.

Sunny Days 1995 was released and was rated as the top ten movies of the year by Time magazine. Jiang Wen's directorial talent is a blockbuster in the film circle. Zhang Yimou once lamented that Jiang Wen was a talented director, but it was not. Xiaogang Feng said that Jiang Wen's biggest enemy is being too smart.

In the 1990s, Wang Shuo's name often appeared in the original works, scriptwriting and planning of film and television dramas.

199 1 At the end, Wang Shuo accidentally showed his novel Animals Fierce to Jiang Wen, and Jiang Wen also accidentally took it away. I came home at two or three in the morning and wanted to see something. Jiang Wen opened the novel and opened it. It was morning. He and Wang Shuo are both children in the military compound. This novel is like a needle stuck in his veins, and he found a literary matrix for his first film.

Jiang Wen has never written a play. He hoped that Wang Shuo could adapt it into a script, but Wang Shuo finally suggested that he change it himself. He didn't foresee Jiang Wen's talent as a screenwriter, but he was tired.

China film and television 1988 is deeply branded by Wang Shuo. His novels Stubbornness, Half Flame, Half Seawater, Samsara and Panting were adapted into movies. He is the screenwriter of four films.

In the same year (199 1), The Story of the Editorial Department swept the country with the comic atmosphere of Wang Shuo. That winter, in order to get people out of the heavy emotion of desire, Zheng Xiaolong called Wang Shuo and others to the Friendship Hotel and prepared an indoor drama that made everyone happy.

The satire on various social situations is Wang Shuo's specialty. He carefully arranged a series of social common plots such as extramarital affairs, charlatans, back doors, eating and drinking, commercial bribery, doomsday rumors and so on. This makes people who have been immersed in political propaganda TV dramas refreshing. Wang Shuo, who is good at showing Beijing humor, has magnified the charm of Beijing culture to the extreme.

The story in the editorial department completely made Ge You red. Ge You, the first hero who plays Li Dongbao, tasted the sweetness of this charm. Ge You, with his own image and funny lines, brought out the best in each other, and became the "winter treasure" in the mouth of the masses for a period of time after the TV series was broadcast. His first "The First Hero" helped him win the Golden Eagle Award for best actor. Jiang Wen sighed after reading it: What is "the best"? The "best" is none other than him. After the script was written, Xiaogang Feng, one of the screenwriters, saw Ge You's serious and meaningless image in Stubbornness. Ge You, the second generation of Xing, has a unique temperament. Although his father was a famous actor Ge Cunzhuang, Ge You did not show artistic talent in his childhood. After graduating from high school, I went to the brigade to cut in line and fed pigs for three years. As if destiny takes a hand, it is precisely the appearance and experience of grounding gas that makes him comfortable in comedy. "Stubborn Man" fully shows his comic talent, and it can make people laugh when watching it. Xiaogang Feng urged Ge You to play Li Dongbao. After getting the consent, he made an appointment with Wang Shuo, who was stubborn and had a friendship with Ge You, to find Ge You. That meeting was the foreplay of Xiaogang Feng and Ge You's comedy New Year's film, which was equally dramatic. A few years later, Xiaogang Feng recalled that experience in his autobiography. It's a little rainy. He and Wang Shuo waited for two hours on motorcycles and saw a figure in the distance. Wang Shuo said, "coming." He met a real person for the first time in Ge You. Ge You, wearing a brown coat and a hat, is very thin. "It seems that the windbreaker is particularly fat, so he began to kick." Like Ge You in the Spring Festival Evening sketch.

Good works and creators complement each other. The story of the editorial department not only fulfilled Ge You, but also brought Xiaogang Feng to the center of the stage in the 1990s. Unlike Jiang Wen, who was loved by thousands of people when he made his debut, Xiaogang Feng was originally a marginal person in the film circle. Entering a strange circle, Xiaogang Feng did not emphasize his independence. Wang Shuo is his first Beidou, guiding him. Ye Jing is even more outspoken: as long as a large number of film and television celebrities are involved with Wang Shuo, they are still on fire. Needless to say, Xiaogang Feng got Wang Shuo's full support. From 65438 to 0985, Xiaogang Feng was a great artist and chef in Lin Mang. Zheng Xiaolong went to visit the crew, and he was idle. He was lying by the stream, reading Wang Shuo's novel Surface. While reading, he giggled from time to time, which attracted Xiaogang Feng who was in a daze. He first came into contact with Wang Shuo's novels. One summer afternoon a year later, they met for the first time on the recommendation of Zheng Xiaolong. Xiaogang Feng swept over Wang Shuo as soon as he came up.

Literariness is the pillar of this film, and Xiaogang Feng knows it well. He held the thickest thigh. Two years later, Wang Shuo's novels "Stubborn Master", "Half Flame and Half Sea", "Samsara" and "Big Pant" were adapted into movies, and China film and television industry 1988 was also called "Wang Shuo's Film Year". Xiaogang Feng described his flattery to Wang Shuo as follows: Everything I said was straightforward, so disgusting that everyone present thought I had ulterior motives. Without love for no reason, Wang Shuo is wary of his sugar-coated cannonball: I am alone, and there is nothing worth your spare effort to rob. You have to draw something, right? Xiaogang Feng explained it as a simple worship: I really don't do anything, just to like it and take it out of my chest. 1994 "Never lose my love" is adapted from Wang Shuo's novel. Besides being an artist and a screenwriter, Xiaogang Feng is also a director. Under the wing of Wang Shuo, he directed his debut, and the heroine was his strong new love, Xu Fan. On Wang Shuo's recommendation, he co-directed Peking Man with Zheng Xiaolong, and Xiaogang Feng is well-known in the film and television circle.

When Wang Shuo was ungrateful, Xiaogang Feng wrote his tough response in his autobiography: "To tell you the truth, you are that kind of person. It's nothing. Isn't it a unique style of writing? Isn't it that someone else writes a book and sells tens of thousands of copies? Can you write a book and sell it for one or two million? " "Even if you are Hemingway, what's wrong? You can't work without paying attention to rest! Do you think your body is your own? I tell you, no! He belongs to the people! "

Independent Jiang Wen completed the director's coming-of-age ceremony. Sunny day 1995 was released and was praised as a genius by the outside world. Inviting Wang Shuo to adapt failed, and Jiang Wen began to write the script of Sunny Days himself. A table, a bed, a small window and a 6-square-meter hut, Jiang Wen began to write. "Occasionally, I will open the window and look out the window. I feel that the outside world of this small window is strange and unrealistic. The world on this paper is realistic, touchable and smelly. Slowly, I feel that I have returned to the 1970 s, as if it was a lifetime ago. " The illusion of writing is also reflected in his films. In his childhood, Ma Xiaojun kept his schoolbag in the sky, but he didn't drop it. A stroke of genius opened Ma Xiaojun's dream of youth. Ge You has gone further and further on the road of strength. 1994, he played the role of a rich man in Living. This role has gone from rich and expensive to poor, from losing children to returning to peace. Ge You was alive and won the first best actor in Cannes in China.

Chen Kaige, who worked with him in Farewell My Concubine, rated him as "the best actor in China".

Beijing's past is like smoke, and the salty ones are all left in the past. The circle is an illusory thing, and no one can prove its existence. Everyone is working hard towards their dreams. No matter fame or profit, they are hard-working people, and there are no key figures. That makes no difference.

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