Folk Art in Dabao Township

Shadow play is a unique and ancient folk art in China. It integrates painting, sculpture, music and performance. According to textual research, shadow play began in the Han Dynasty, flourished in the Tang Dynasty and flourished in the Song Dynasty, and lasted for thousands of years. Even today, when a hundred flowers blossom and even the film is a fiasco, it is still welcomed by thousands of families in rural areas. Shadow play, also called shadow play. According to Song and Wu's Records of the Dream Beam, the sculptor said: "Bianjing was carved with plain paper at the beginning, and later generations carved with sheepskin for gorgeous decoration to avoid damage." Facial makeup, helmet style, hairstyle, clothing, graceful posture, fine makeup, stringed joints, free movement, beautiful music, mellow singing and just right performance are simply intoxicating. A person in a small home, or enjoying a cool rest, or surrounded by jealousy, looking at ancient sages and listening to elegant songs, is really as happy as Tao Tao. No wonder you're up to your ears.

The origin of shadow play in Xiangtan is not recorded in writing. There is a saying handed down from our ancestors: During the prosperous Tang Dynasty and Kaiyuan period, Princess Yin Ping, the daughter of Ming Taizu, loved music and dance, and the ladies-in-waiting invited artists to show some historical stories in the form of shadow play to enrich the cultural life in the palace. Shadow play was originally the birthplace of Dali, Shaanxi, and its Hunan disciples were introduced to Hunan. By the time of Xianfeng and Tongzhi in Qing Dynasty, there was already a shadow play team here. In the late Qing Dynasty, the famous shadow puppeteers in Tanheng Township were brothers Wang (Wang Yi) and Wang Er. They are a pair of wonderful flower stones, staying in the field, playing in the field, scattering leaves and enjoying a high reputation. Taking nephews Fu Yusheng (performer) and Fu Guisheng (complete performer) as disciples, they planted artistic roots for today's Wa Ye Tang shadow play. Fu Guisheng is over eighty years old. Although he is senile off the stage, he is full of energy on the stage. The old man sang forcefully, deeply and forcefully, with clear pronunciation and clear pronunciation. Tao Shu in Tao Shu's Journey to the South, Gan Long in Gan Long's Journey to the South and Zhuge Liang in Jiang Wei are all his specialties. Singing young people is romantic and charming, especially Dong Zhongshu in Double Kirin and Fang Qing in Fang Qing Playing Fishing Drum. He can also sing Hua Dan sideways. That frivolous, cheerful, soft and moving song will never be believed to come from an old man. You can get used to playing orchestra. As for playing Bodhisattva, it is handy and flexible. In his artistic career of more than 70 years, he moistened the hearts of people in his hometown with traditional moral culture. People remember him.

Compared with Fu Guisheng, Hu is a rising star in Ran Ran. By blood, he is the nephew of Fu Yusheng and Fu Guisheng. As far as art is concerned, he is a disciple trained by his second uncle. Because he is smart and diligent, he is never satisfied with his present achievements. He is already shine on you and better than Blue. Hu studied opera at the age of seven and began to sing opera at the age of eight. After being taught by master and uncle Fu Yusheng, he was instructed by his cousin Wang Lao. Later, I learned to sing with the famous artist Wang Jiuru. At this time, his xiang opera Tieben Opera, South Road Eight Bantou, Ten Bantou, Eight Banban and a Half, and North Road Coloratura have all gone up a storey still higher. His vocals are even in rhyme and harmonious in rhythm. He expresses his feelings with light and heavy speed, which makes people clap their hands and laugh, full of anger and even cry with the sound. Really reached the point of perfection. Later, he met Guo, a famous musician in the province, and asked for advice modestly. After hard practice, he used everything freely and profoundly on the stage, whether it was strings, bamboo slips or gongs and drums. He also practiced neat and beautiful fine print, classified and analyzed the scripts he copied, and the books he wrote were fresh and bright, even burning. His outstanding talent and superb skills have won the support of his peers and praise from all walks of life. He has been a member of the county shadow play association for a long time and served as the secretary of the county association for one to four times.

Hu's class has participated in shadow play performances in Xiangtan city (county) many times. He won the performance award every time. Among them, Xiangtan Shadow Play was performed in 1979,1kloc-0/7, and the drama "Bright Moon Heart" won the first performance award. There are 179 traditional operas in xiang opera, and 3 13 other water operas, especially Fang Qing's Fishing Drum, Water Manjin Mountain, Shoujiangwei and Lu Junyi's Shangliangshan, which are well-known and widely read. The performance is reasonable and vivid. On the basis of improving their respective skills and harmonious cooperation, they are also striving for the overall structure and layout, and strive to be at the forefront of the times. Filmmakers buy the latest products to make their clothes bright and radiant. Electronic sound system, clear and bright sound, vivid emotion, screen lighting, autocratic lighting, strong luminosity, soft strength and subtle discrimination; Love and evil can be learned. In the ups and downs of the plot, beautiful music, exquisite performances and emotional singing have brought the audience into the paradise of art and the fairyland of stories. With such achievements, it is no wonder that all localities are scrambling to hire. Some people would rather wait for months or even half a year than sing in Hu's class. Now, their footprints are not only in neighboring villages, but also in Hekou, Yisu River, Zhu Ting, Lukou, Hengshan and Fiona Fang, Hunan.