What are the three plots and characters that moved you most in Home? What's the specific answer and what's the touching plot?

Juexin is the third generation of Ba Jin's Gao family. Chueh-hsin is a weak person in a feudal family, an intellectual image, and a "redundant person" who can clearly realize his tragic fate but dare not act. He is a tragic example of split personality under the poison of feudal family and old ethics, with dual personality, which is mainly reflected in the following aspects: 1 First of all, he has good quality. Gao Juexin has been a obedient and filial boy since he was a child. This is the ideal character of a dutiful son and grandson who conforms to traditional ethics. He is the "son of peace" in the eyes of his parents, but it is also the fatal weakness that leads to his tragic fate. Cowardice is inseparable from his kind nature, which not only doomed him to be passive in life, but also doomed him to "hide" all kinds of disasters and bad luck after all. He once had a dream that he wanted to be a chemist and studied very hard. When he graduated from middle school in four years, he was the top student in the whole school. He wants to continue to go to college after graduation, and even go to Germany for further study. Secondly, his thought and character were seriously distorted by feudal patriarchal clan system and feudal ethics, which was twofold: on the one hand, he was influenced by the May 4th new trend of thought and sympathized with the struggles of his younger brothers; On the other hand, the status of the eldest son and the upbringing of the feudal family made him resigned and objectively played the image of the defender of the old ethical system. Just after graduating from middle school, Chueh-hsin was asked to go home and get married, but the object was not his favorite cousin Mei. Although Chueh-hsin was in pain, he didn't say a word of reluctance. After his father died, Chueh-hsin's responsibility for long-term housing fell on him again, and he was soon involved in the room struggle in the extended family. At first, he tried to resist, but his resistance was useless except to bring him more trouble, so he invented a new way to deal with the world: perfunctory, trying to avoid conflicts with his elders and perfunctory them as much as possible. Chueh-hsin's youthful spirit and young people's dreams gradually disappeared in plain real life. Life dulls his feelings, but he can't get out of trouble and often falls into extreme pain. Under the influence of the May 4th Movement, Chueh-hsin also read some new books and newspapers, absorbed some new nutrition, and sympathized with the younger generation and their struggle. However, his own weakness made him unable to change all the old things. Instead, he often appeared in front of his younger brothers as a defender of the old ethical code and the old system, urging them to yield. He always sacrifices himself for family harmony, but the result is always failure. Sandwiched between conservative elders and radical younger brothers, they are not understood by both sides. He "reads new books and leads an old-fashioned life". He is a decadent gentleman when he is with old-school figures. He was also a new youth when he was with the new school figures. He has accepted some new thoughts in theory, but he still misses his hometown emotionally and in action. The contradiction between thought and action often makes him fall into extreme pain. 3. The formation of Chueh-hsin's cowardly character has its ideological roots. Mainly manifested in the following aspects: ① the status of the eldest son's great-grandson. Chueh-hsin is the eldest grandson of the Gaos. In the feudal family, the eldest grandson is also called "Chengsun". In other words, the future responsibility of the family should be borne by him, and he is the heir of the family. This family structure requires Chueh-hsin to maintain this system and guarantee it everywhere, so Chueh-hsin's fate has been decided since he was born. After his premature marriage and his father's premature death, he adhered to his father's wishes, walked carefully in various personnel relations and trivial matters in order to protect the interests of his family, accepted the pressure from material and spiritual, and played the role of life tragedy. As a result, there is a sharp conflict between reality and ideal, resulting in the duality of Chueh-hsin's character. (2) The feudal hierarchy and feudal ethics have been poisoned for a long time, and the combination of them has become a powerful political force and the power of ideological rule. The poison of feudal ethics, especially the so-called filial piety, and the restriction of the eldest son's special status exhausted Chueh-hsin's vitality and sharpness, resulting in his timid and obedient character. He is afraid of others gossiping, always thinking about glorifying his ancestors, worrying that the downfall of the Gaos could not be separated from him, and being afraid of taking the blame for evil deeds. Therefore, although he can clearly understand the tragedy of his own fate, he always puts his head into the lasso voluntarily, causing one tragedy after another. This is the national character of our nation under the oppression of feudal absolutism. ③ Learn Tolstoy's disobedience and Liu Bannong's bow from the May 4th cultural trend of thought. Under the influence of the May 4th new trend of thought, Chueh-hsin clearly realized that the old family and old ethics robbed him of his youth. However, unlike Chueh-hui and others who learned the concepts of human rights and equality from the May 4th cultural trend of thought, what he learned was Tolstoy's non-resistance and Liu Bannong's bow-down. He believes in this theory because it can combine the theory of New Youth with the reality of their big family without conflict, and convince him on the one hand. (4) Chueh-hsin's tragedy is not only a tragedy of personality, but also a tragedy of society, which sums up the life fate of a whole generation of intellectuals in the last days of feudalism and is profound and typical. Although Chueh-hsin always sacrificed himself for the sake of family harmony, his cruel fate was devoted to playing tricks on an honest man like Chueh-hsin, who lost two dearest women in succession in his life: First, his cousin Main died of lung disease due to long-term depression; Then his wife, Jui-chueh, was driven out of the house by superstitious elders during childbirth and died in a cold earthen house in the suburbs because of dystocia. Only his younger brothers Chueh-min and Chueh-hui can understand Chueh-hsin's utter desolation and loneliness, but they can't help his brother who can't fly. Chueh-hsin's tragedy shows that feudal evil forces can only stand up for the freedom and independence of personality and the happiness of love, and there is no way out for compromise and concession. Chueh-hsin's weak and vacillating character is entirely caused by feudal absolutism and feudal family system, and his tragedy reflects the harm this system has done to healthy human nature. At the end of the novel, Chueh-hsin finally wakes up from the pain and anxiety, realizes that "our family needs a traitor, and I must let them know that not everyone in this family is as obedient as me", and supports Chueh-hui to escape from the Gaos family, which makes him change his mind. Starting from the concept of home, the author tries to compare Chueh-hui and Chueh-hsin's two different ideological personalities and life paths, so as to express the ideological theme of home more completely. They embody the different life pursuits of modern intellectuals. If Chueh-hui is an image that guides young people to walk like this, then Chueh-hsin is a typical one who doesn't do that. Compared with other female victims in the family who bear the function of tragic expression, the image of Chueh-hsin has the most tragic connotation. Qian Meifen, Jui-chueh, Ming-feng, etc. are most famous people. Their tragedies are more from fate, and their fate is a bit dramatic in their works. However, Chueh-hsin's tragedy lies not only in the spread of fate, but also in his timid, weak and contradictory character. The change of this character, his family status and the environment of the times determined that he was bound to be a victim, and created a dual personality of guilt, pursuit and disillusionment, and became a character with great cultural connotation and psychological depth in China's new literature. This is also an immortal image of Ba Jin's contribution to modern literature. On the whole, Chueh-min is a person between Chueh-hsin and Chueh-hui.

In the feudal family, Chueh-hsin was a weak man. His thoughts seriously violated feudal ethics. He knows everything, but he is afraid to take action. When Jui-chueh gave birth to a child for the second time, Chueh-hsin decided to move his wife out of the city because of the superstition of "mass annihilation" at home. At that time, he said to Jui-chueh, "Forgive me, I am too weak to protect my wife." He knows all this, but he is afraid to face it. When Chueh-min and Chueh-hui advised him to stand up and resist, he said angrily, "Even the third father has studied law for many years, and he has studied law in Japan, but he still needs to do better." Will my explanation be useful? " I can't afford the crime of unfilial, I just listen to everyone. But it's hard for your sister-in-law ... "To put it bluntly, Chueh-hsin is an intellectual who can clearly realize his tragic fate and dare not act. Chueh-hui and Chueh-hsin are just the opposite. It can be said that he is the other extreme of Chueh-hsin. His temper is too impatient. He is not afraid of anything, and he doesn't want the consequences. As long as he feels wrong, he will stand up and resist. When "chasing ghosts" at home, he just doesn't let the wizard and his family set foot in his home. He stood at the door, as if guarding a pass. He dared to ask contemptuously, scanning everyone's face with hateful eyes. He forgot that it was his elders standing in front of him. But in such a social environment, Chueh-hui's character is acceptable, because what that society needs is resistance, and what it lacks is people who can resist.

Chueh-min is different from the two of them. He is a steady and gentle man. At home, he is the second child, and his personality is between Chueh-hsin and Chueh-hui, unlike Chueh-hsin who is too obedient and has no opinion, or Chueh-hui who is too impulsive and irrational sometimes. If Chueh-hsin, Chueh-min and Chueh-hui are put together, it is worrying that Chueh-hsin bowed his head and did not resist, while Chueh-hui's rebellion is worrying, which makes Chueh-min look too inconspicuous. Chueh-min has a strong rebellious factor, but in action, he pays more attention to strategy and the result of behavior. The most important thing is that he ran away from marriage. On Gao's 66th birthday, Feng Leshan proposed to his family to betroth his niece to Chueh-min, and Gao agreed. Chueh-min of Aegean objected at once. After the objection was invalid, Chueh-hui escaped from the marriage with his help. After the divorce, Chueh-min and Chin encouraged and supported each other. In particular, Mei's death strengthened their determination to resist. Chueh-min wrote to Chueh-hsin that Chin would never be the second Mei. Chueh-min is determined to fight for his happiness to the end. Finally, it forced Lao Gaoman to make concessions before his death and ended in victory.

Both Chueh-min and Chueh-hui belong to the rebels of feudal families in Home, but there are great differences between them. Chueh-hui is full of enthusiasm for all anti-feudal things. He took part in student strikes and uprisings and organized a newspaper. In contrast, Chueh-min is not very enthusiastic about these things, and he doesn't care. He will go to Qin as soon as he is free. It seems that Chueh-min's rebellious thoughts are influenced by Chueh-hui, and he also has progressive thoughts, but he is not firm, which is something between conservatism and progress. Chueh-hui asked him to pay attention to the newspaper before leaving, but Chueh-min hesitated and agreed after Chueh-hui's repeated requests. In love, Chueh-min's love is the most complete of the three brothers.

Chueh-hsin and Mei were childhood friends. Mei's mother and Chueh-hsin's stepmother Zhou had an opinion at the poker table and took revenge for refusing marriage. Chueh-hsin obeyed his father's wishes and married Jui-chueh. Soon, May got married. In less than a year, she returned to her family as a widow. During the warlords' scuffle, Mei and his wife Zhang and Qin took refuge in Gaofu and reunited with Chueh-hsin. Neither of them can forget the old love. In contradiction and pain, Mei became depressed and vomited blood to death. Chueh-hsin was sad to be alone. However, his love tragedy is not over. Jueer's second child died after giving birth because she could not take care of it because she moved out of the city.

Chueh-hui and Ming-feng fell in love. Ming-feng promised Chueh-hui that she would not marry anyone but him. When Mr. Gao wanted to marry Ming-feng to Feng Leshan, who was over 60 years old, Chueh-hui was busy with newspaper activities and knew nothing about it. The night before her wedding, Ming-feng came to Chueh-hui with her last hope. Chueh-hui sent her away because she was in a hurry to write a manuscript. So the love between Chueh-hui and Ming-feng ended in Ming-feng throwing herself into the river. When Chueh-hui learned the truth, he looked for Ming-feng everywhere, but it was too late.

Only Chueh-min's love didn't end in tragedy. After escaping from marriage, he walked with Chin.

It seems that at home, Chueh-min is separated by a film between Chueh-hsin and Chueh-hui, which is both related and different. But one thing is certain: Chueh-min's character is not as prominent as Chueh-hsin and Chueh-hui's. Chueh-hui is the third young master of the third generation Chueh-hui in Ba Jin's Home. He grew up in the Republic of China, where social changes were fierce. Chueh-hui longed for democracy and dared to resist the high-handed rule of the Gaos. People usually compare Chueh-hui with his brother, the second young master Chueh-min and the first young master Chueh-hsin. It is generally believed that Chueh-hsin is a victim of feudalism, while Chueh-hui is a progressive youth.

Chueh-hui is the third young master of the third generation of Chueh-hui in Ba Jin's family. Chueh-hui is a rebel with preliminary democratic and humanitarian thoughts, a "bold and naive traitor" in a feudal family, and a typical figure full of vitality. Chueh-hui started from simply loving laborers and hating feudalism, to bourgeois reformism and democracy, and finally to social struggle. Through the development of his thoughts, the author shows the ideological course experienced by advanced intellectuals in China in the past hundred years. Ideological characteristics

Chueh-hui's ideological character mainly includes two aspects: 1, and rebellion is the core of his character. Chueh-hui's rebellious thought was formed under the influence of the ideological trend of the times, and was strengthened in social struggle and family struggle. Specifically, it includes three aspects: First, it has accepted the influence of new ideas and new education. In foreign schools, under the influence of western education, progressive newspapers and the May 4th Movement, Chueh-hui woke up for the first time in Gaos, and his thoughts changed greatly. In society, his main task is to resist the old system and write critical articles. In the family, he consciously resists the die-hards who are dominated by the Gaos. He hates all moral norms and customs that violate and harm human nature. He felt painfully that home was a narrow cage and a grave for burying young people's ideals and happiness. He made up his mind not to be the gentleman expected by his predecessors. He didn't want to endure it like his eldest brother Chueh-hsin. He wanted to keep happiness for himself. He devoted himself to social revolutionary activities with great enthusiasm, edited progressive journals, wrote anti-feudal movements, participated in student petitions against warlords, rebelled against Gao's father's will, supported and helped Chueh-min escape from marriage, opposed the behavior of asking gods to exorcise ghosts, persuaded Chueh-hsin to fight for the safety of his sister-in-law, and finally resolutely left home. Secondly, I abandoned the traditional secular prejudice and hierarchical concept, fell in love with my maid Ming-feng, and expressed my pure love to her, which reflected the thoughts of democracy, equality and freedom and the thorough anti-feudal spirit during the May 4th Movement. 2. Chueh-hui still bears the ideological imprint of his family and class. Many of Chueh-hui's thoughts and actions draw strength from bourgeois ideological trends. Personal resistance, human rights equality and humanitarianism are his basic ideas, but at the same time they inevitably have the historical limitations and weaknesses of the May 4th youth. In the process of accepting the influence of new ideas, he hasn't had time to completely eliminate the influence of his feudal consciousness. In thought and behavior, he sometimes presents a contradictory state, such as simple, naive, immature, easily discouraged, self-doubt, and unconscious feudal hierarchy in love. Subconsciously, Chueh-hui did not open the natural barrier between the young master and the girl. On the one hand, he loves Mingfeng, and on the other hand, he loves Qin. Unfortunately, Ming-feng's position is not as good as Qin's. His love for Mingfeng is far less firm and faithful than Mingfeng's love for him. He hesitated on this issue until he finally forgot his previous promise at the critical moment and gave up Ming-feng painfully. The reason for supporting this behavior, that is, the excuse he found, is "the enterprising spirit and enthusiasm of young people with progressive ideas, as well as the self-esteem of the petty bourgeoisie", which means that love and career cannot be taken care of at the same time. In fact, it is his personal view of gain and loss. This description fully conforms to the historical conditions at that time. At that time, Chueh-hui lived in an environment that allowed him to form a love view with democratic thoughts, not an environment that allowed him to practice this love view. Although Chueh-hui's concept of love has got rid of the interests of the feudal class and started to focus on Ming-feng's value, that is, human value, it is actually impossible for him to cross that class gap. Chueh-hui was a rebel of the feudal family, the first grave digger of the Gaos, and the driving force of the surging torrent in the Gaos' mansion. In spring and autumn, Chueh-hui continued to exert great influence on this family. The novel highlights Chueh-hui's enthusiasm, rebellion and pursuit, which is a typical feature of radical young people who were impacted by new ideological trends during the May 4th Movement, and is also the main reason why this image gives people great encouragement. The writer's image is vivid, and his advantages and disadvantages are unique to the advanced young people of that era. His image shows that only revolution is the only way out, and escaping from family and liberating personality is only the first step. In this respect, Ba Jin's thoughts obviously exceeded the level of ordinary writers in the same period. Chueh-hui's resistance to the old family and his final departure typically show the strength of the May 4th new ideological trend and the growth of a new generation of democratic youth. Chueh-hsin is the most abundant, complicated and authentic image in the book. He is Ba Jin's unique creation and discovery, which profoundly exposes the evils of feudal family system and ethics. This image has extremely profound typical significance.

First, the freshness under the influence of the old culture.

China is a ceremonial country with thousands of years of civilization history, with a long history of cultural thoughts, among which Confucianism is the most influential. In the Spring and Autumn Period, Confucius, the founder of the Confucian school, advocated benevolence and propriety. In the Warring States Period, Mencius advocated "five principles" and "benevolent government". At the end of the Western Han Dynasty, Dong Zhongshu proposed "to oust a hundred schools of thought and respect one family alone". In essence, the cultural psychological structure of the Han nationality, which is based on Confucius' thought of benevolence, defines the whole set of "rites" as "filial piety" which is dissolved and satisfied in interpersonal relationships with parent-child relationship as the core, so that the concept, emotion and consciousness of benevolence are integrated with secular ethics and daily psychology, without guiding people's emotional psychology to external worship objects or mysterious realms. Through the spread of feudal cultural thoughts for thousands of years, it has penetrated into people's lives, customs, behaviors and thoughts, leaving an important trace in shaping the character of the Han nationality. A prominent manifestation of its shortcomings and weaknesses is that the combination of Confucianism's thoughts of "knowing destiny" and "keeping the Tao poor" with Zhuangzi's transcendence and self-sufficiency in the secular world often inhibits and suppresses the natural expression of inner feelings, which plays a very bad role in forming a slave character of resignation, self-deception and muddling along. This traditional culture has played a great role in the formation of Chueh-hsin's character, and also created his sadness. When he encountered difficulties, he had to follow the principles under the framework of feudal traditional thought, and filial piety was the first. He always obeys the high arrangement symbolized by the supreme ruler, whether it is accurate or not.

Chueh-hsin and Mei were childhood friends. While he was looking forward to the hazy love, one day Mei's mother had an opinion with Chueh-hsin's mother at the poker table, thinking that she had been wronged, and she retaliated by refusing to get married. At this time, his father gently brought him a bolt from the blue: "Your grandfather is going to have a great-grandson." So his father got engaged for him by drawing lots. He didn't say a word of resistance, but nodded to show his willingness to listen to his father. But then he went back to his room, closed the door, fell on the bed, covered his head with a quilt and cried for his broken dream. However, his nightmare has just begun, whether it is life or death, it will have a great impact on him. He never thought about going against his will and disrespecting him, even though he was dead.

When death reached out to Haichen, a young and innocent life, Chueh-hsin knew that western medicine was better, but because of his consistent personality and everyone's pressure, he obediently invited ignorant Chinese medicine practitioners again and again, but failed to save his favorite person. This could have been completely avoided, but his weakness only taught him to escape from reality and paralyze himself. Watching happiness slip away quietly, but having no intention of staying. He only knows acting, being played like a puppet, but he is very tired and dare not resist. The feudal education and personal moral responsibility in his mind always monopolize his thoughts, dominate his actions, and approach the grave he dug.

China's traditional culture can be passed down from generation to generation, and the most important way is to carry it forward with family culture as the core.

The author once described "home" like this:

"The buildings with black doors stand side by side quietly in the cold wind. Two stone lions, silent all the time, crouched at the door. The door is open, like a monster's mouth. There is a black hole in it, and no one can see anything in it. Each residence has gone through quite a long time, or changed several surnames. Every mansion has its own secrets. The black paint on the gate has fallen off and a new one has been painted. Although these changes have been made, their secrets are still kept secret. ..... This mansion, like other mansions, has a pair of stone lions at the door and a pair of red paper lanterns hanging under the eaves, except for a pair of rectangular large stone jars under the front steps and a pair of wooden couplets hanging on the door wall. On the red paint foundation, there are eight black characters in official script:' Serve the country and celebrate your birthday.' Inside, two doors were opened, and on each door stood an indomitable colored keeper with a broadsword. "

Family is the cell of society. The so-called "ruling the country with the same family" is the first step. The family is like a shrinking society. In a sense, whether the family culture can be carried forward is reflected in the "eldest son". Ba Jin pointed out in "Home": "Gao Juexin is called" Big Brother "by the Chueh-min brothers. Although he, Chueh-min and Chueh-hui were born of the same parents, they lived together. Chueh-hsin is the eldest son in this room and the eldest son in this big family. It is for this reason that his fate was decided as soon as he was born. " Chueh-hsin is in such an environment where traditional culture shines everywhere. As the "eldest son" of this feudal family, he shoulders the historical mission of the whole family's prosperity, just as he himself said, "the Gaos insisted that I keep up the show." In order to shoulder this heavy responsibility, Chueh-hsin consciously put on the shackles of feudal ethics, took feudal ethics as a conscious concept of life, only obeyed the orders of feudal parents, and used this law to put his behavior completely in the feudal class's ideological mode, which caused his tragedy. At the same time, his social role determines the characteristics of his behavior norms. Gao Jiasi is the eldest son and grandson, and the phenomenon of declining stage is reflected by his personality, and many contradictions and entanglements within the extended family are inevitably concentrated in the center of his contradiction vortex.

In Chueh-hsin, the elder is Grandpa Gao and Ke Ming, the younger is Chueh-min, Chueh-hui, Mei, Jui-chueh and Qin, and the younger is Ming-feng. Chueh-hsin is the hub that runs through these people. As a feudal parent, Grandpa Gao must convey his will and decision to Chueh-hsin and instruct him to carry it out. However, Chueh-min and Chueh-hui were very angry with Chueh-hsin and their resistance to Grandpa Gao's will and decision. In addition, after receiving the following feedback, Mr. Gao should also reprimand Chueh-hsin if he thinks that the implementation is unfavorable. Chueh-hsin is also the link between the Gaos and the Zhang, Zhou and Feng families. He is often bossed around by the elders of the Zhou family in JiaHe Zhang. Things that need contact, help and handling often need Chueh-hsin to come forward. No matter what he does badly, he will be offended if he does well. The special interpersonal relationship of the extended family made him feel that "what are the benefits of constantly colliding with the elders?" Formed his bow doctrine, and his perfunctory life was out of helplessness.

As the eldest son of a generation, Chueh-hsin certainly has a weak side. His cowardice has hurt many people he cherishes most, but should we realize that his cowardice is endowed by the society and the special status of his eldest son, and everything he does is fulfilling his duties. "A person's nature is always inevitably accompanied by social factors." The social control of the ruling class, through the guidance and restraint of group members, also through the mutual influence on social members. Gao Juexin's "emotion, appearance and behavior" can confirm his upbringing and living environment. This has a typical influence on him and can profoundly remind him of the social essence of new development, which is entirely due to the author's comprehensive grasp and in-depth understanding of real life. The author puts the characters in the whole historical background and reflects them from the deeper nature of life. Based on real life, the author sensitively felt the universality and profound social foundation of this character image in his creation.

The second is the freshness under the impact of new culture.

Mr. Lu Xun once said: "Tragedy is to destroy beautiful things for people to see." Chueh-hsin's tragedy can become a tragedy, not only because he suffered a tragic ending. People hate fake, ugly and evil things. The disappearance of such things can only be said to be a great pleasure for people, and it can't make people feel sad. The destruction of truth, goodness and beauty can make people feel sorry and sympathetic, and even follow the hero's heart and lungs, resulting in lasting and far-reaching tragic effects. Therefore, since Chueh-hsin's image is a tragedy and can arouse people's sympathy, it must have its truth, goodness and beauty.

Chueh-hsin has a handsome face and has been smart since childhood. He is loved by his parents at home and praised by his husband at private schools. Everyone who met him said that he would make great achievements in the future. When the history steps into modern civilization, the western artillery opened the door of China, and the western learning spread to the east, and the feudal culture was seriously challenged. The May 4th New Culture Movement is a movement in which modern consciousness collides with traditional ideas. Everyone, especially young people, is experiencing this kind of confrontation, thinking and change. Chueh-hsin grew up in a loving environment. He is very interested in chemistry. He plans to go to a famous university in Shanghai or Beijing for further study after graduation. He also wants to study in Germany. His mind is full of beautiful fantasies. The outbreak of the May 4th Movement awakened his forgotten youth. In this cultural shock, he and his younger brothers were attracted by new ideas and eagerly read progressive publications such as New Youth and China Teenager, which advocated self-reliance and equality for all. Chueh-hsin's sense of responsibility has changed.

First of all, Chueh-hsin did not consciously safeguard the will of his elders.

What happened to Cousin Mei was the pain of Chueh-hsin's life. Over the past few years, his body and mind have suffered too much on himself. Chueh-min is his brother. When Mrs. Gao wants to betrothed Chueh-min to him, if he continues to follow the instructions of the old man, Chueh-min will be the second self. Chueh-hsin doesn't want Chueh-min to follow in his footsteps. On the surface, he promised the old man's request, but secretly he wanted to help Chueh-min. He even planned to bribe fortune tellers. No matter from which angle, he should not let Chueh-min accept all this. As a dutiful son, he has suffered too much in recent years. He can understand his brother's present situation and imagine his endless pain in the future. As the eldest brother, he certainly didn't want his younger brother to suffer endless pain, and finally supported Chueh-min to escape from marriage. Psychologically and behaviorally, he has begun to unconsciously safeguard Grandpa Gao's wishes.

When Chueh-hui left this "home" for the light, he took out the travel expenses for Third Brother and the dead Jui-chueh. Don't underestimate the controllability of this pen. It makes Gao Jue-xin's whole ideological track clearly presented, and makes the levels of characters rich and unified. No wonder Jui-chueh stood up and said, "He's not like this" when the third brother denounced the elder brother for his incompetence. It can be seen that he is still influenced by the new trend of thought in consciousness.

Secondly, Chueh-hsin's thoughts began to change obviously. He began to analyze the root of the tragedy and had a certain aversion to the problems existing in feudal thought.

Where there is oppression, there is resistance! Chueh-hsin's resistance is not obvious, but they do exist.

In the seventh chapter of Spring, there is a conversation between him and his cousin about going to school:

"What do you mean? Don't you want to go to school? " Chueh-hsin asked.

"I don't mind. I don't think my father's opinion is wrong," Jin Shifu replied in a cool low voice.

Chueh-hsin gave him a surprised look and was very unhappy. "How did he become such a person again?" At least I'm not that timid in my heart He said, "Don't you think about it carefully? It is common for men to go to school now. What's the use of reading four books and five classics at home? "

Next, there is a paragraph about the treatment of western medicine:

"Western medicine?" Jin Shifu shook his head and said, as if he had heard something unpleasant. "Dad hates western medicine. I don't think western medicine can cure internal medicine. Dad said, please come and see one or two Chinese medicine practitioners in a few days. "

Chueh-hsin hesitated. He was not satisfied with the young master's answer, but he didn't refute it. He knows it's no use arguing. More than ten years of strict family education has left such a profound impact on the young man's body and mind. Chueh-hsin knows this better than anyone else, and he has had this experience himself. His past wounds have been tempted again, and his heart is slightly painful.

Influenced by the May 4th movement, China's traditional culture was strongly impacted by western culture for the first time. The mutual exclusion and integration of Chinese and western cultural information led to the special cultural environment of Chueh-hsin's youthful glow, which had a spiritual impact on him and made him wander in pain. This made him say to his young son, "What I want to do but can't, my son should do for me." He said so and did the same. It can be seen here that Chueh-hsin is not ignorant of his own heart, but unintentional. I've had enough! Chueh-hsin burst into tears and interrupted him. "I lost your deposit, lost your stock, I gave it to you and I will fight with you to the end! You drive