What eggs are there at the end of the movie Shen Feng I?

The egg at the end of the movie "Shen Feng No.1" includes resurrection, fishing, the appearance of Master Wen, four generals of the Magic Family, Deng Chanyu and so on.

The first egg at the end of "Shen Feng I" is that da ji, the fox demon, saw Yin Shou's death and was heartbroken, trying to bring him back to life by healing and licking his wounds. See useless, da ji entered Yin Shou's body in the form of a nine-tailed fox, and finally brought Yin Shou back to life.

In the second egg, Jiang Ziya has fled from Chao Ge to Xiqiao, and "Jiang Taigong is willing to take the bait" was staged in Jiang Ziya, deep in Qishan. In real historical records, in order to attract Zhou Wenwang's attention, Jiang Ziya fished by the river with a straight hook without bait on his way back to the capital of Huiwen Wang. King Wen thought this man was very strange after seeing him, so he took the initiative to talk to him. Unexpectedly, Jiang Ziya was a talented person and made a reservation immediately.

In the third egg, Wen Zhong, the master of the Yin and Shang Dynasties, fought in the North Sea for ten years with male and female whips, and now he finally returned home in triumph. Followed by four generals of the Magic Family and Deng Chanyu. Wenzhong studied under the mother of Dolly when he was a child. His third eye can emit several inches of white light to distinguish evil spirits from loyalty to the liver.

As an orphan, not only Shang Zhouwang extended his life, but even Fox Da Ji was in awe of him. Wenzhong fought all his life, and this expedition to the North Sea lasted for ten years. Now that I have just returned to Chao Ge, this chaotic situation has spread. In the second part of Shen Feng, Wen Zhong will also help Yin Zhengxi.

Evaluation of the film Shen Feng No.1

The release of "Shen Feng I" has actually become the ceiling for the production of magical myths in China. "Shenfeng No.1" has a high degree of completion, and it is a work far beyond the industrial level. As you can imagine, it contains a large number of Wu Ershan directors' persistence, persistence and high standards of image quality.

Although the commercial profit prospect and industrial innovation of Shen Feng Part I: Chao Ge Fengyun cannot escape, the content of the film is still the greatest value of the film. Although the film is a magic film, its story adaptation must conform to a certain legendary trend.

Just like the story of Tang and Yang Guifei, no matter how you change it, the basic relationship between the characters can't be greatly changed. On this basis, the film retains many familiar allusions, but it reshapes a story logic that conforms to the historical evolution in the shaping of characters' motives and environmental situations, and also makes modern audiences understand the emotions and choices of various characters.

Generally speaking, it has become a "historical film" of fictional history. The plot trend is generally in line with the story of the change of Chinese dynasties: a bad king and a tyrant, because they could not govern the country in a hedonistic way, made the people miserable, and many princes with more wisdom and courage joined forces to resist tyranny and finally overthrew the new dynasty established by the bad king.