Meet in Yang Liuan where the wind blows and the moon sets.

After winning the Plum Blossom Award, Wang Junan is a busy man with a full schedule. Maybe we can only communicate with her by using WeChat-thanks to the development of modern science, people can cross the barriers of time and region and realize communication.

What is she, Wang Junan?

Originally she just wanted to be a teacher. /kloc-when she was 0/2 years old, she came to Fuzhou and Fanghua, and the trajectory of her life changed from then on. Now that he has come out to study drama, let's do what his teacher, Mr. Yin Guifang, taught. Young Wang Junan's idea is simple. Although it is hard to be a Chinese opera actress, as long as she wants to do it, she will stick to it no matter how tired she is. Probably only during the Spring Festival will she show the feelings of girls of that age: I want to go home and miss my parents.

In her mind, rehearsing the Yin drama A Dream of Red Mansions is her happiest memory. At that time, Mr. Yin Guifang, Director Huang Zumo and Teacher Lian Bo were all around her, almost personally guiding and inspiring her. At that time, people were very simple, and it was really difficult for Wang Junan, who didn't know what love was, to interpret such a "spoony seed" of Jia Baoyu, so director Huang Zumo taught her how to experience and feel Jia Baoyu's heart through emotion. For Wang Junan, who just graduated from school at that time and was still a blank sheet of paper, rehearsing Dream of Red Mansions made her feel that Mr. Yin Guifang and others had put a lot of effort into her, and she also realized that the play was coming one step at a time. Many things happen. At the age of 65,438+06, she finally became famous on the Shanghai beach with the Yin School's Dream of Red Mansions, which shocked the Yue Opera circle.

Later, he successively won the honors of "Wenhua Performance Award" and "Magnolia Drama Award". However, in her honor book, the most important thing is always missing, so this became her wish and a goal she worked hard and persisted in-until she met Liu Yong.

An old gentleman once said that Liu Yong is a "self-portrait" of screenwriter Wang Renjie. But on the other hand, isn't Liu Yong a portrayal of Wang Junan himself?

She chose the play herself. She said: "I have been choosing all my life. When you think it's right, do it without hesitation. " So she did it. Whether it is a screenwriter, director or composer, Liu Yong always uses the strongest team, but the rehearsal process is not smooth. The first draft died before it was even published. Then there was a second draft. The performance of this draft was very smooth, but when Wang Junan tried to attack his goal, he was frustrated. "The name of the Wild Goose Pagoda doesn't exist twice" seems to be a prophecy, which locks the fate of two people who are too similar on and off the court-he is a controversial figure, just like her, what he writes and what she plays is between right and wrong, and being yourself is the most valuable. There will always be a slight imbalance between gains and losses. The key is what you want, not what others want you to want. She said it was difficult for her to evaluate Liu Yong's performance, because she was very serious and devoted to every performance: "Liu Yong is an inner drama, which requires high performance from actors." Just as director Xu Chunlan has repeatedly asked me to' feel with my heart, feel with my heart', so I will perform every performance according to these requirements. Because the script is good, the script itself leaves a lot of space for us actors, and you can constantly explore the inner world of the characters. "For some negative comments, Wang Junan was not unhappy, but turned it into a motivation to try harder to interpret Liu Yong-only by working hard can we live up to ourselves. So, now there is a third draft. Walking around like this, looking back, she has been with Liu Yong for five years. This time, however, she finally succeeded, got her wish, achieved her goal, and comforted her teacher.

Excited, she thanked Teacher Wang Renjie for writing the play for her. He made a lot of efforts to write Liu Yong. She also thanked director Xu Chunlan for coming to Fuzhou again and again to rehearse and improve for Liu Yong. She also thanked the leaders of the Cultural Department for their support, the whole delegation for their help, and friends and fans for their encouragement and support. Finally, she thanked Liu Yong. She said that Liu Yong gave her a new knowledge and understanding of her artistic life-whether it is drama or other things, as long as she feels good or right, don't give up. "After winning the plum blossom award, the pressure is even greater," she said frankly. "I deeply feel that I should work harder to perform my skills and learn more about all aspects to enrich myself. The Plum Blossom Award is an artistic affirmation of drama actors, which is hard-won. This award, this honor belongs to everyone! "

Fan Jun and the "Wang Junan phenomenon" that accompanied these people seem to be another "topic" about Wang Junan besides Liu Yong. There is no doubt that the Wang Junan phenomenon is a cultural phenomenon. For fans, Wang Junan is not only a traditional opera actor, but also an entertainment idol. The age span of fans is very large, whether it is a primary school student of seven or eight years old or an old man of seventy or eighty years old, they all show a crazy state at the performance site; Her post bar has long occupied a very high position in Baidu drama star post bar; As long as it's Wang Junan's play, fans will flock to it, and even if it's a good seat, it's getting harder and harder to get tickets.

In fact, traditional Chinese opera is a kind of "corner art". In the early stage of opera performance, from script creation to stage layout, "corner" is the center, and the actor's personal appeal can even become a force to promote the development and reform of opera. However, under the long-term collectivization thinking, this fundamental feature of opera has gradually been forgotten. After entering the 2 1 century, the pace of life is getting faster and faster, and exquisiteness and patience become rare. When people are used to accepting things simply and directly, symbols become the most powerful way of cultural communication. For this reason, it is logical for opera to return to "corner art". Although the times have changed, the audience's aesthetic taste has also changed-perhaps the audience now does not pay attention to singing and performance as in the past, but cares about the beauty of the actor's modeling and whether the characters he created can "reach my heart"-but the attention to "corner" is still consistent.

First of all, the audience's worship of Joule is essentially the worship of the art of traditional Chinese opera schools. Therefore, the worship of opera fans is basically the worship of Yin school art in Yue Opera. The singing method of Yinpai seems simple, but it is actually difficult to learn. Therefore, the fans of Yin School will have more admiration for the disciples who sing Yin School to the extreme. Secondly, Fanghua's brand was founded by Mr Yin Guifang. The Sri Lankan people have left, but for many old audiences, the Fanghua Yue Opera Troupe, which bears the painstaking efforts of Mr. Yin Guifang's life, has become a continuation of Mr. Yin Guifang's artistic life. As a result, they naturally transferred their enthusiasm for Mr. Wang to carry the banner of Yin School in Fanghua. Thirdly, when Wang Junan made his debut, he won the selfless support of Mr. Yin Guifang. Twenty years ago, Mr. Yin Guifang toured Shanghai, Hongkong and other big cities with Fanghua Yue Troupe. After each performance, Yin Guifang would drag himself onto the stage to accompany Wang Junan and other young actors to make a curtain call. Judging from the current market operation, Mr. Yin Guifang used his powerful influence to package Wang Junan and others in a very successful market. Emotion and aesthetics come down in one continuous line. From Yin Guifang to Wang Junan, opera fans have perfectly interpreted the phenomenon of "empathy" in psychology. It can be said that "empathy" and opportunity are the internal causes of "Wang Junan phenomenon".

Having analyzed the internal cause of "Wang Junan Phenomenon", we might as well analyze the external cause of "Wang Junan Phenomenon". First of all, in this era of information explosion, visual impact is often more effective than language or other promotion methods. For those who are new to China traditional opera, the "face value" of the "corner" is very important-new audiences may not immediately understand the essence of singing and figure when they come to the theater. At this time, in addition to reading stories, they can only form their first impression of the actors by dressing up. Therefore, attracting the audience into the theater with a "bright eyes" has become an effective means to tap new audiences, which is also an important reason why all kinds of "Youth Edition" operas are being promoted in full swing. Wang Junan's outstanding stage image and elegant typhoon make her have the innate conditions to become a "corner". Many fans were really attracted by her stage image at first, and then they gradually learned about the repertoire, dramas and genres. Secondly, under the constant controversy of new dramas, many experienced audiences began to miss the old dramas with backbone-the so-called old dramas with backbone, most of which were created by masters. After several years of tempering and polishing, it took more than ten or even decades to survive. They are highly recognized by the audience and play an irreplaceable role in the inheritance of operas or genres-but the reality is that the inheritance and performance of old operas are not satisfactory. Wang Junan is relatively conservative in his choice of performances. She has a nickname "Wang Sanchu", which refers to three plays she often plays: Pan Looking for a Wife, Jade, and Dream of Red Mansions, all of which are classic old plays of Yue Opera and Yin School. Her persistence has turned many fans who deeply love Yin's old dramas into fans of The Emperor, because Wang Junan has become a symbol of maintaining the spirit and interest of the drama in their eyes.

At the beginning of 20 15, she took a young actress from Fanghua as an apprentice, which was her first disciple. As a non-genetic inheritor of the Yin Sect, this may mean that she began to learn to use the temperature of "Wang Junan Phenomenon" to incubate the next generation of Yin Sect, just as Mr. Yin Guifang hatched her. The core of the legacy is live broadcast, and assuming this responsibility is her best reward for Yin Guifang.

As for acting, Wang Junan's biggest expectation at present is that he has started shooting the new drama Yin Guifang. It's not easy for her to play Yin Guifang. At first, Xing in "Love" in "stage sisters" made people feel that she was still a minority, but if she can shape it well, it will be a greater breakthrough for her than Liu Yong.

After work, Wang Junan's life is very simple. I go to bed early and get up early. I like walking, exercising, drinking tea and climbing mountains. After working and living in Fuzhou for nearly 30 years, she is also full of feelings for the city of Fuzhou: "Fuzhou is the place where I grew up. There are my good friends for many years, Fanghua's teachers, and the troupe sisters who grew up together today. Fuzhou is a livable city. I like to eat fish balls and meat swallows in Fuzhou, and I like three squares and seven lanes ... Although Yue Opera is a foreign opera in Fujian, I personally feel that the conditions for promoting Yue Opera in Fuzhou are much better than those of Mr. Tai at that time, not only because there are a group of loyal Yue Opera lovers in Fuzhou, but also because of the spread through the Internet and the convenience of high-speed rail. As long as you have a good performance, no matter where you perform, the audience will come to see the play. "

At this point, our communication is over. What kind of person is she, Wang Junan? I can't answer. Maybe you have a better answer in your heart.

Faye Wong's Legend is playing on TV. On second thought, Wang Junan seems to be such a person-just because she took one more look on the stage, she will never forget her charming figure. When I miss her, I will meet her in Liu 'an, with all kinds of amorous feelings.