Xu Zhimo's poems about foreign countries?

19 17 The Law Department of Beiyang University was merged into Peking University, and Xu Zhimo was transferred to Peking University. During his two year

Xu Zhimo's poems about foreign countries?

19 17 The Law Department of Beiyang University was merged into Peking University, and Xu Zhimo was transferred to Peking University. During his two years in the north, he added new contents to his life and injected new factors into his thoughts. I brought the following. Welcome to read!

The original text of Xu Zhimo's poem "The Confession Sound of Tianning Temple in Changzhou"

Hearing Ceremony at Tianning Temple in Changzhou (1)

Like a fire in the lovely sunshine, lying in a long-stemmed, messy bush.

On the grass, listening to the first sound of partridges in early summer, ringing straight into the clouds from the horizon, from

Clouds echoed on the horizon again;

Just like in the desert on a moonlit night, the gentle fingers of the moonlight are touching gently.

Heat-damaged gravel looks like goose down in soft and smooth tropical air.

Just listen to the * * * of a camel, light, light, ringing in the distance, ringing in the vicinity.

Near, near, far ...

As in the desolate valley, the bold evening star shines alone.

The sun died in the universe, and the weeds and wild trees prayed silently. Listen to one

A blind man, holding a child in his arms, knocked on the fortune-telling gong in the dark.

The heavy world echoed with:

Like a rock in the sea, the waves beat like tigers, and the sky

Thick dark clouds stretched tightly in the air, listening to the threatening storm from the sea.

Confess all its sins in a low voice and gently;

It's like jumping on the top of the Himalayas, listening to the wind outside and chasing the clouds outside.

The hurried footsteps echoed in countless discerning valleys;

It's like listening to empty laughter, disappointment and pain on the back of the life stage.

Screaming, killing and lascivious revelry, singing of world-weariness and suicide.

Sound, playing together on the stage of life;

I listened to the ceremony of Tianning Temple!

Where did this god come from? There is no such realm in the world!

This drum, this clock, this stone, this wooden fish and the name of this Buddha. ...

The music echoed slowly and long in the hall, and there were countless conflicts.

The integration of waves and currents has purified countless opposing colors and achieved countless secular heights.

Low elimination ...

This name, a clock, a drum, a wooden fish, a stone, harmony.

The turntable is in the universe-untie the dust for a short time and wrap it up.

Countless centuries of cause and effect;

Where is this great harmony-the glory in the Xinghai and the voice of the world?

Lai, the torrent of real life: stopped all movements and all disturbances;

At the end of heaven and earth, in the rafters of gold paint, in the brow of the Buddha statue, in

In my sleeve, beside my ears and temples, in my official sense, in my heart, in my dreams.

Yes, ...

In the dream, this glance shows that the sky is blue, the water is white, the grass is green and the mother is warm.

Soft-hearted, is it home? Is it home?

Bright wings and feathers fly to infinity!

Great circle feels joy flowing from the bottom, in the great, solemn, silent, no

In Xinjiang, harmony and calm have been realized!

Praise, Nirvana! Yes, Nirvana!

(1) was written in192365438+1October 26th, and was first published in the same year165438+1October/morning paper, with signature.

Appreciation and Analysis of Xu Zhimo's Poem "The Confession Sound of Tianning Temple in Changzhou"

In a sense, the poet is not the "legislator" of the world as the English romantic poet Shelley said.

But a spiritual, sacred and poetic listener, the namer and transmitter of all things. The poet is a poet, not because he has.

He can break and rebuild the real world order because he can stand out from the vulgar life of secularization.

In the dimensions between representation and truth, concealment and openness, materiality and poetry, we welcome the representation of truth and beauty and adopt

The naming of languages makes them spiritual things that can be communicated with the world and enjoyed by human beings.

Just like this chapter's prose poem "The Sound of Confession at Tianning Temple in Changzhou", if you are not a poet, you can listen to it in the sound of confession.

For the harmony between heaven, earth, man and God? Can you feel the call and baptism of tranquility to body and mind from the perspective of human transcendence?

Atheists naturally don't feel drums, bells, incense, wooden fish and Buddhist names.

Breathing, even religious people, may only feel the Buddha's heart and feel the Buddha's meaning of the savior's universal salvation. But our poet heard it.

Silence in The Great Beauty is Silent What is silence? Not just silence. In a silent state, there is only no sound; but

However, here, divinity and poetry enter the mind and become clear.

What happens in the heart is different from the spread of sound and * * *, it is "the brilliance in the Xinghai, the boundless universe."

The voice of the world, the torrent of real life ",the solemn and quiet arrival, is the clear realm that the soul glimpses instantly: the sky,

White water, green grass, gentle heart like a loving mother. Let's take a look at the reappearance of the true colors of people lost in daily degradation.

Poetic spiritual home. "Is it your hometown?" be

This is our origin and future.

It is not so much religion as aesthetics. Because when the poet brought us into this quiet and clear environment,

Instead of crossing over or redemption, we are fascinated and fascinated: first, we will be surprised that the poet is in a ceremony.

"Listen" to the noise and commotion of all kinds of creatures in the world; Then, in the contrast between dynamic and static, we cannot but describe the sum of static.

The status of "God"; Then moved and * * * bright, can not but be brought into solemn, harmonious,

A static field.

Undoubtedly, the imagination and description of the six "Ru Ru" paragraphs in the first half laid the foundation for the success of this chapter.

The foundation of. Here, the poet not only transforms his auditory feelings into visual images, but also develops them through the poet's "second vision"

It has created a huge, conflicting and all-encompassing world. Unlike religious people, the author simply describes the world as one.

A sea of suffering or a nest of evil, but a sound ceremony of keen feeling and imagination, through dynamic and static, virtual and real grasp.

With the organic cooperation, we have built a life world where heaven, earth and people coexist. Ritual and confessional sounds are both a comparison and a measure.

At the same time, as a factor of redemption, it is described as a beautiful partridge singing in the lovely sunshine in early summer and in the warm moonlight in the desert on a moonlit night.

Soft fingers and light camel bells, the "bold evening star" * * * the only light and prophet in the lifeless universe; It's beautiful,

Wise, sacred and solemn, so sin repents to it and the clouds are washed away, making people feel realistic in front of it.

Empty, in order to stand out from the sacred.

Such touching and meaningful sound perception and imagination can easily remind people of Heidegger's poetic discourse.

Said: "The landscape and sound of the sky are integrated with the darkness and heavy silence of things different from God, and God made it with this landscape."

We were surprised.

In this strange landscape, God announced that he was approaching steadily. "* * *" ... people live poetically ... "* * * is there?

In this chapter of prose poems, God also came in this way. What is commendable is that poets can communicate with each other in highly concentrated perception and imagination.

Through the naming of language and proper skill arrangement, we welcome its appearance and make it closely related to human survival.

Build countless conflicting waves, opposing colors and the level of the world, muddy and eager for redemption, and then

Together, they will be brought into a pure and quiet state of clarity. The six metaphors side by side in the first half are very specific and detailed.

Tired, with Xu Zhimo's unique rich and agile style, but the space is very vast and boundless, thus forming a unique.

Artistic atmosphere. In the second half, it moves from dynamic to static, from the outside to the inside, and finally enters the clarity and instantaneous perception of the heart, sending out the heart.

Cheers. Accordingly, the poet adopted the expression technique of combining the parallelism and repetition of poems with the details of prose development.

This is the characteristic of prose poetry: freedom, stretch, purity and richness, which is very suitable for expressing sublimity and mystery.

Experience and feelings.