Peisi Chen is the originator of sketches, and sketches have entered a strange circle. Who is the source of happiness and sadness?

Peisi Chen gave me a more comprehensive impression. Is an honest and frank character, a decent tough guy; He is also a famous actor with first-class acting skills, which makes people laugh; He is also an ascetic monk, who delights in suffering and strives for it diligently. He is a celebrity, an ugly star, a funny man, a comedian, the originator of sketches, a playwright and an actor. He has many fans who like him and many colleagues in the art world who know him. He is really a genius, a strange man!

Although I have left the Spring Festival Gala stage for more than 20 years, I still feel less and less like his Spring Festival Gala. In the memory of many people, there is a representative of the Spring Festival Gala who has real memories, such as Zhao Benshan, Song Dandan, Guo, Feng Gong, Pan Changjiang ... Many netizens said, "Who do you want to appear on the stage of the Spring Festival Gala most?

With the excellent performance of this sketch, people laughed and became an instant hit. Peisi Chen ranks first. "Because in the memory of the Spring Festival Evening 35 years ago, the director kept asking Peisi Chen and Zhu Shimao to eat Noodles with empty bowls one after another. With the excellent performance of this sketch, people laughed and became an instant hit.

The most classic is "Mutton kebabs", which plays a vendor who buys mutton kebabs, distinctive Xinjiang costumes, and two generations of beards. Every look and every movement gives people endless humor. In the leading role and supporting role, in order to argue how to play the roles of the Red Army and the "traitor", the two men fought and said, "Captain, don't shoot, it's me!" Conquered the audience with acting skills and brought happiness to everyone.

Peisi Chen thought that "every comedy has a tragic core", and Peisi Chen thought that "every comedy has a tragic core". I think this is not necessarily universal, but it is still a very insightful comedy point of view. Peisi Chen's comedies in recent years are still typical "elaborate dramas". Whether it's early old houses, balconies, parenting, or the stage in recent years, comedy is produced by many coincidences.

But on the stage, we can see that on the one hand, the exquisiteness of fine structure is very mature and interlocking. On the other hand, it finally puts the main idea on the artist's difficulties, which just shows the theme of Peisi Chen's "tragic core of comedy" and makes the well-made drama more profound. Therefore, the stage is successful because of these two points. I think this is the best reward for Peisi Chen's concentrated comedy research. He is a man who loves comedy and doesn't like glitz.

Peisi Chen has been away from our familiar Spring Festival Gala for more than 20 years.

Peisi Chen has been away from the famous Spring Festival Gala for more than 20 years. Although he refused the invitation of the Spring Festival Gala many times, the memories he brought to people are still so familiar and beautiful. Peisi Chen is an indelible serial number on the stage of the Spring Festival Evening. He has created countless classic sketches, is an admirable comedian and a leading figure in drama. He is also full of people who dare to be true, pursue truth and pursue dreams!

1982 played the role of the second son of comedy in the film Zhao Xi Street, and then formed the first comedy series film "The Second Son Series" in China. Two sons 1985 opened a shop, silly manager 1987, father and son's classic car 1988, father and daughter opened a karaoke bar 199 1 successively cooperated with their father Chen Qiang to open up the mainland drama and film genre in the 1980s.

At that time, Peisi Chen had already begun to have mixed feelings. Some people may ask, since Peisi Chen was already "mixed", the audience at that time didn't feel anything. Why can't you accept it now? The reason is simple: the former "sad ending" is just the finishing touch, and now the "sad ending" is the core of the whole work and the most important!

The greatest charm of the sketch lies in the audience's curiosity about the content, and they don't know where the next plot will develop, which is similar to the burden in cross talk. The actor said the last sentence and immediately thought of the ending, so the work was unnecessary!

The threshold for sketching is really too low. After some amateurs come in, they have no ability to be funny, so they can only start with the theme, which will also aggravate the development of "happy head and sad tail"