Brief introduction of Jiang Yang

Jiang Yang (1911July 200617-2065438+May 25th), whose real name is Yang Jikang, is a native of Wuxi, Jiangsu, a China woman writer, literary translator, foreign literature researcher and Mrs. Qian Zhongshu.

Jiang Yang was born in Beijing on July 17, 2007. 1923, Jiang Yang went to school in Qi Ming, and his family moved to Suzhou. 1928, Jiang Yang wanted to apply for the foreign languages department in Tsinghua, but there were no places in the south, so Jiang Yang had to transfer to Soochow University in Suzhou. 1932, I borrowed from Soochow University in Suzhou to Tsinghua University, and met Qian Zhongshu.

1935, Jiang Yang married Qian Zhongshu and went to study in Britain and France with her husband in the summer of the same year. From 65438 to 0938, Jiang Yang returned to China with Qian Zhongshu's one-year-old daughter. After returning to China, she successively served as a professor of foreign languages department of Shanghai Aurora Women's College of Arts and Sciences and a professor of western languages department of Tsinghua University.

Jiang Yang is proficient in English, French and Spanish, and her translation of Don Quixote is recognized as the best translation. By 20 14, more than 700,000 copies have been published. Her early play "Satisfaction" has been on the stage for more than 60 years, and it is still being shown in 20 14 years. At the age of 93, Jiang Yang published the prose "The Three of us", which is well-known at home and abroad, and reprinted more than one million copies. At the age of 96, he published a collection of philosophical essays, Walking to the Edge of Life, and at the age of 102, he published eight volumes of 2.5 million words of Jiang Yang's Collected Works. ?

On may 25th, 20 16, Jiang Yang passed away at the age of 105.

Extended data

The success of language in Jiang Yang's literary works is obvious to all. Its calm and concise language seems dull, without yin or shine, but plain and not bad, with yin and shine hidden in it. In the simplicity of painstaking management after rinsing, gorgeous and gorgeous, clean and clear language has become a great expressive force in Jiang Yang's works.

Sometimes it's cold, but it adds a little agility because of humor, so that quiet and serious language has its own vitality, static but not boring, alive but not floating, static in motion and dynamic in motion. There is a kind of calm, sophisticated and elegant style in silent humor, and a kind of neutral, quiet and transcendental beauty after the edge is restrained. (Excerpted from The Marginal Man ── On Jiang Yang's Creation, Literature Review No.5, 1995).

Jiang Yang's writing is elegant and unique. What's even more rare is that when she used this wet pen to describe those painful past events, she had a calm mind, which was more tense and thought-provoking than those tearful stories.

Baidu Encyclopedia-Jiang Yang