Who can find the picture of three shrimps drawn by Qi Baishi?

One evening, Qi Baishi was sitting by the pond washing his feet, and he was accidentally pricked by a grass shrimp clamp and bled. As a result, Qi Baishi became interested in painting shrimp, which was unacceptable from now on. Qi Baishi's shrimp painting is famous all over the world, and it was at this time that it began.

1867 (the sixth year of Tongzhi in Qing Dynasty), Qi Baishi's younger brother Song Chun was born in Xiaolin. 1870, the third brother was reborn in spring. When the years were bad and the population increased, Qi Baishi had to keep learning to help at home. During the three years from 187 1 to 1873, Qi Baishi was very young, and he was able to do a lot of things at home, such as carrying water, growing vegetables, sweeping the floor, doing odd jobs, taking his two younger brothers to play and chopping wood up the mountain. The game they like to play is chopping bamboo poles as horses. This simple game brought great happiness to Qi Baishi when he was a child.

Qi Baishi helps his family, and no matter how busy and tired he is, he will never forget to study. He has a strong thirst for knowledge. He kept in mind his grandfather's words that reading can be done anywhere and should be done. Every day when he goes up the mountain to herd cattle and take care of his second brother, Qi Baishi takes books with him. When chopping wood and collecting dung, hang the book on the corner first and read it after you finish your work. I not only reviewed some books I learned in Mongolian Museum, but also wrote down the words I didn't understand and didn't know in reading of the analects of confucius, and then I asked my grandfather after accumulating them for a period of time. Gradually, I actually finished reading The Analects.

Besides reading, Qi Baishi insists on writing and drawing every day. He made up his mind to be a painter, Rainbow Mian. Under such circumstances, Qi Baishi developed the habit of studying hard. Although hard, he was happy and full. Later, he carved the seal "I hung the corner of a book" as a souvenir.

Qi Baishi was weak and sickly since childhood. He helps his family every day and often reads until late at night. My grandmother was worried about his poor health, so she invited a blind man to tell Qi Baishi's fortune, and hung a bronze bell and an inscription. Quot There is no bronze medal of Amitabha in South China. Unfortunately, in the early years of the Republic of China, the copper bell and bronze medal were lost.

Later, Qi Baishi remembered the kindness of his grandmother and mother, specially copied a set and hung it around his waist, and wrote a poem:

Grandma began to cheer up when she heard the bell.

I also hung the horn to herd cattle.

Children and grandchildren still plough the spring rain,

I am always sweating like a pig.

Apricot blossom wind in Xingtang area,

The yellow calf went to the east and returned to the east.

The bell on my body is maternal love,

Now it is also called the bell ringer.

1March 9, 874, Qi Baishi, 12 years old, married fellow countryman Chen Chunjun as a child bride. Child brides are mostly children of poor families with large population and poor family circumstances. Chen Chunjun was born in 1863 and 13 in February. She is one year older than Qi Baishi. The living conditions of her family are similar to those of Qi Baishi. She has been used to working at home since she was a child. Young as she is, she is a good housekeeper. Qi Baishi's whole family likes her very much.

There are unexpected events in the sky. Qi Baishi had just been married for three months when his grandfather died. It was the Dragon Boat Festival. This is like a bolt from the blue for Qi Baishi, and it is the first unfortunate thing he encountered in his life.

After his grandfather died, Qi Baishi felt much older. In addition to his father, the labor force at home is Qi Baishi. As the eldest son, he must help his father shoulder the burden of life.

After this change, the life of Qi Baishi's family was even more difficult. Looking at his father's exhausted appearance in the field, Qi Baishi wished he could not grow up any faster.

1875 at the turn of spring and summer, the rain in Hunan is particularly heavy, and the green and yellow are not connected. Qi Baishi's family broke down again, so he had to dig some wild vegetables to satisfy his hunger. Life is really miserable!

1876, Qi Baishi's fourth brother was born, named Chun Pei and Fang Lin. /kloc-When he was 0/4 years old, Qi Baishi began to help his father farm. Qi Baishi's family grows paddy fields. Rice seedlings have to be soaked in water all day, bent over and dried all day, and they are too lazy to eat rice.

Everything beautiful and vital in life has infinite attraction to Qi Baishi. He often squats beside flowers and plants, carefully observes the shapes of stamens and petals, and compares the different petals between flowers. He observed the growth of leaves, branches and trunks, and even clearly understood the veins and textures of leaves. The collision at the farmer's table is excusable and resistant to dilution. What's the saying? 3R Huan? Why don't you catch up with Fu? Hey, just?

One evening, after a day's work, Qi Baishi sat by the pool and washed his feet. Suddenly, he felt a sharp pain. He hurriedly pulled his foot out of the water and saw that it was a grass shrimp that pinched his toe out of blood. This aroused Qi Baishi's great interest in grass shrimp. After careful observation of grass shrimp, he drew the first shrimp in his life, which was lifelike and never stopped. Qi Baishi's shrimp painting is famous all over the world, and it began at this time.

Qi Baishi once painted a picture of a small fish. After painting, he wrote:

"This kind of fish is commonly known as hemp fiber fish, and its tail is like it." Cheeks are a little green and tails are a little red. "

In Qi Baishi's eyes, everything has its own characteristics, and the rules should not be messed up when painting. For example, a rose: "its thorns grow downward, so it often cares about people's clothes." Another example is wisteria: "The wisteria in the south is full of flowers and leaves, and the wisteria in the north is flowering first and then leaves, otherwise it will be interesting."

Qi Baishi, who later became a master, produced a touching image of little life and a simple image of wild flowers and weeds, which largely benefited from his strong feelings about life when he was young.

In Qi Baishi's works, flowers, birds, insects and fish, especially the ink, shrimps and crabs he painted, are not the reappearance of objects between paper and pen, but are endowed with happy and prosperous figures, infinite nostalgia, infinite vitality and magical charm from an artistic point of view, which makes people feel cordial, excited and reverie.

Everyone has a lovely hometown, and everyone has an unforgettable childhood. Qi Baishi has formed an indissoluble bond with these most familiar little lives since his hometown and childhood. Even if he lives far away in Beijing, he keeps some shrimps and crabs in a glass jar, carefully pondering and observing them, so that he can draw them easily.

The language of painting is the same as that of poetry, both lyrical and emotional. Writing about grass worms and expressing affection for the countryside not only embodies the painter's enduring childlike innocence, but also embodies the painter's strong local flavor.