It is not easy to meet, and it is also difficult to meet. The height is unusual. Looking at Yaochi in the west, the queen mother will descend, and the purple gas will fill the letter in the east. What

It is not easy to meet, and it is also difficult to meet. The height is unusual. Looking at Yaochi in the west, the queen mother will descend, and the purple gas will fill the letter in the east. What does this mean? This is not a specific poem;

It is not easy to meet each other, and it is also difficult to say goodbye: the opportunity to meet each other is really hard to get, and it is even harder to part when leaving;

High and low shades are unusual: high and low shades are different;

Looking at Yaochi in the west, the Empress Dowager descended, and filling Hanguguan with purple gas in the east: looking at Yaochi in the west, there is the lower bound of the Empress Dowager, and filling Hanguguan with purple gas in the east.

Original text: Author: Du Fu

Penglai Palace Que faces Nanshan, with dewdrops between golden stems and Korean smiles.

Looking at Yaochi in the west and the Empress Dowager in the east, there are many kinds of customs.

Clouds move to Gongshan, and the sun goes around Longlin to know the holy face.

One lying by the Cangjiang River surprised me at the end of the year. I went to several classes.

Vernacular translation:

Penglai Palace Que faces the South Mountain, with exposed copper columns soaring into the sky.

Looking at Yaochi in the west, there is the lower bound of the Empress Dowager, and there is a purple gas irrigation letter valley pass in the east.

The ground is the pheasant tail palace mountain, and the emperor's face can be seen when the sun shines on the dragon robe.

It's too late to be ill by the river. I recall entering the Qing Dynasty and locking the door several times.

Extended data:

It is intertwined with the cold and desolation in late autumn, the loneliness and sadness of the mood, and the decline and ruin of the country. According to the usual writing, we should always use some words such as Qing, sadness, disability and bitterness. But in this group of poems, Du Fu used more flowery words to write the sadness of autumn. At first glance, it seems completely different from the artistic conception in the poem, but under the ingenious drive of the poet, they more effectively contrast the depression of the late autumn scenery and the desolation of the artistic conception.

Such as Penglai Palace Que, Yaochi, Ziqi, Yunyi Tail, Sunrao Longlin, Pearl Curtain Embroidered Column, Jinya Mark, Wudi Banner, Weaver Silk, Beauty Picking up Vegetables, Fairy Couple in the Same Boat, etc.

But in Du Fu's works, these words are used to set off desolation and loneliness, and the courage to use words is out of common sense, and the depth of artistic conception makes people feel that common sense is everywhere. This uncoordinated coordination and unification not only does not damage the integrity of image and artistic conception at all, but also often produces stronger artistic effect than writing with coordinated words.

Just as it is much more difficult to write sadness with laughter than with tears, if you write well, your thoughts and feelings will be more profound and powerful. When Liu Xie talked about duality in Li Ci in Wen Xin Diao Long, he pointed out that "opposition" is better than "right opposition". Its superiority lies in the combination of reason, difference and interest, and it has a positive effect of complementing each other, deepening interest and enriching content.

Expressing sadness and anguish with luxurious words and scenes is also a kind of "combination of reason and interest", which can also be said to be a blending of scenes on a higher basis. The harmony between them is also the unity under the deeper and more complicated ambivalence.