What are Mo Yan's award-winning works?

By February 20th, 20 19, Mo Yan's winning works are as follows:

1. Title: Frog

Award: Nobel Prize in Literature.

Award winning time: 20 12?

Introduction to the work:

Frog is a novel by Mo Yan, a contemporary writer in China. Based on the fluctuating rural fertility history of China people in the past 60 years, this novel truly reflects the difficult implementation process of the national family planning policy in Gaomi Northeast Township.

By telling the life experience of Wan Xin, a rural female doctor who has been engaged in obstetrics and gynecology for more than 50 years, this paper describes the arduous and complicated historical process that the country has gone through in order to control the rapid growth of population, and at the same time successfully shapes a vivid and touching image of rural gynecologists.

Combined with the complicated phenomenon in the process of family planning, this paper analyzes the humble, embarrassing, tangled and contradictory spiritual world of intellectuals represented by the narrator tadpole. The book consists of four long letters and a nine-act drama group, which inherits the consistent style of the author's local literature, with novel structure, distinct rhythm, delicate brushwork, simple, meaningful and full of tension.

2. Name of the work: Frog

Award: The 8th Mao Dun Literature Award

Award winning time: 20 1 1

Introduction to the work:

Frog is a novel by Mo Yan, a contemporary writer in China. Based on the fluctuating rural fertility history of China people in the past 60 years, this novel truly reflects the difficult implementation process of the national family planning policy in Gaomi Northeast Township.

By telling the life experience of Wan Xin, a rural female doctor who has been engaged in obstetrics and gynecology for more than 50 years, this paper describes the arduous and complicated historical process that the country has gone through in order to control the rapid growth of population, and at the same time successfully shapes a vivid and touching image of rural gynecologists.

Combined with the complicated phenomenon in the process of family planning, this paper analyzes the humble, embarrassing, tangled and contradictory spiritual world of intellectuals represented by the narrator tadpole. The book consists of four long letters and a nine-act drama group, which inherits the consistent style of the author's local literature, with novel structure, distinct rhythm, delicate brushwork, simple, meaningful and full of tension.

3. Name of the work: Life and death fatigue

Award: The Second Dream of Red Mansions Award

Award winning time: 2008

Introduction to the work:

Fatigue of Life and Death is one of Mo Yan's representative works. This novel describes the historical development of rural areas in China during the 50 years from 1950 to 2000.

Focusing on the heavy topic of land, this paper explains the relationship between farmers and land, and shows the life of farmers in China and their tenacious, optimistic and tenacious spirit since the founding of New China through artistic images of life and death.

4. Name of the work: Life and death fatigue

Award-winning award: the first Newman Chinese Literature Award in the United States

Award winning time: 2008

Introduction to the work:

Fatigue of Life and Death is one of Mo Yan's representative works. This novel describes the historical development of rural areas in China during the 50 years from 1950 to 2000.

Focusing on the heavy topic of land, this paper explains the relationship between farmers and land, and shows the life of farmers in China and their tenacious, optimistic and tenacious spirit since the founding of New China through artistic images of life and death.

5. Name of the work: Moonlight Chop

Award-winning award: the first Pu Songling short story award.

Award time: 2005

Introduction to the work:

Moonlight Chop is a short story by Mo Yan, which tells the story of a "murder" of a deputy secretary of the county party committee who was pranked. At the same time, the book is interspersed with two legendary stories about the origin and production of moonlight chop. ?

6. Name of the work: Moonlight Chop

Award: The 5th Maotai Cup People's Literature Award

Award time: 2004

Introduction to the work:

Moonlight Chop is a short story by Mo Yan, which tells the story of a "murder" of a deputy secretary of the county party committee who was pranked. At the same time, the book is interspersed with two legendary stories about the origin and production of moonlight chop. ?

7. Name of the work: sandalwood punishment

Award-winning award: literature prize of the first Dingjun Biennale.

Award time: 2003

Introduction to the work:

Sandalwood Punishment is one of Mo Yan's representative works, published in 2008, which has aroused heated discussion in the literary world.

Based on the historical background of 1900, when the Germans built the Ji Jiao Railway in Shandong, Yuan Shikai suppressed the Boxer Rebellion in Shandong, Eight-Nation Alliance captured Beijing, and Cixi fled in a panic, the novel tells a shuddering, appalling torture and thrilling story that happened in the northeast township of Gaomi.

8. Name of the work: Land of Wine

Award: French Jules Bataillon Prize for Foreign Literature.

Award winning time: 200 1

Introduction to the work:

Wine Country is a satirical novel published by Mo Yan in 1993. This novel depicts China's officialdom ecology with the help of "wine" and attacks officialdom corruption. Ge Haowen, an American sinologist, praised it as the most imaginative and complicated China novel.

9. Name of the work: Niu

Award: Hundred Flowers Award, the 8th Novel Monthly?

Award time: 2000

Introduction to the work:

Niu is Mo Yan's novella, a black comedy. 1998 was published in Donghai magazine.

The novel tells the story that during the Cultural Revolution, the naughty boy Lohan dropped out of school and herded cattle with Uncle Du, the breeder of the production team. Because living in poverty can't afford to raise more cattle, the production team leader asked Comrade Dong of the commune veterinary station to castrate three young bulls, Shuangji and Luxi.

After the operation, Lohan, Uncle Du and Sanniu lived together day and night. After suffering, Luxi finally recovered. However, the unruly double spines died unfortunately after several days of torture due to massive bleeding during operation and postoperative infection.

10. Title of the work: breasts and buttocks.

Award-winning award: Everyone Red River Literature Award

Award winning time: 1997

Introduction to the work:

Chest and Hip is one of Mo Yan's most famous masterpieces. The novel enthusiastically eulogizes the greatness, simplicity and selflessness of the mother, the original creator of life, and the unparalleled significance of life inheritance.

In this life flow chart full of history and war smoke, it is true, without any prejudice, and reproduces a period of history.

1 1. Work name: White Dog Struggle

Award: Taiwan Province United Daily News Literature Award?

Award winning time: 1988

Introduction to the work:

A White Dog's Bucket is a short story published by Mo Yan Yu, a famous contemporary writer in China, in April 1985. The novel tells the story of a scholar who left home for ten years and reunited with his former lover in flashback.

12. Name of the work: Red Sorghum

Award-winning works: The 4th National Novelette Award.

Award winning time: 1987

Introduction to the work:

Red Sorghum is a novel written by Mo Yan, a China writer. Red Sorghum is set in the folk life of War of Resistance against Japanese Aggression and Gaomi Northeast in 1930s and 1940s, and a series of anti-Japanese heroes portrayed in the story are the embodiment of justice and evil.

Red Sorghum reproduces the era of War of Resistance against Japanese Aggression from a folk perspective, showing a strong desire for survival.

Red Sorghum is a classic showing the tenacious vitality of Gaomi people in War of Resistance against Japanese Aggression, full of blood and national spirit.

Extended data

I. Introduction to the author

Mo Yan, formerly known as Guan, was born in Heping Village, Dalan, Northeast Township Cultural Development Zone, gaomi city, Shandong Province. 1955, 17. Vice Chairman of Chinese Writers Association, winner of Nobel Prize in Literature in 20 12, the first China writer to win the Nobel Prize in Literature.

198 1 began to publish the work Rain on a Spring Night, and 1984 became famous for Transparent Carrots.

From 65438 to 0986, the novella Red Sorghum Family published in People's Literature magazine caused a great sensation in the literary world. From 65438 to 0987, he worked as a screenwriter for the film Red Sorghum, which won the Golden Bear Award at the 38th Berlin International Film Festival.

20 1 1 won the Mao Dun Literature Prize for his novel Frog. Nobel Prize in Literature was awarded in 20 12. The reason for winning the prize is to integrate folk stories, history and contemporary society through illusion realism.

20 13 served as honorary president of network literature university. 20 14 12 was awarded an honorary doctorate in literature by the Chinese University of Hong Kong. 20 16 12 was elected as the vice chairman of the 9th National Committee of Chinese Writers Association.

On October 20 17, 165438 10, Mo Yan received an honorary doctorate in literature from Hong Kong Baptist University. In 65438+February of the same year, he won the "20 17 Wang Zengqi China Novel Award" for his work "Peace in the World".

Mo Yan is called a writer of "root-seeking literature" because his series of local works are full of complex emotions of "homesickness" and "resentment". According to incomplete statistics, Mo Yan's works have been translated into at least 40 languages.

Second, the creative characteristics

1, root-seeking literature

Mo Yan is classified as a "root-seeking literature" writer because of the rise of a series of local works in the mid-1980' s 1980' s, full of complex feelings of homesickness and resentment.

In March 2000, Mo Yan gave a speech at the University of California, Berkeley, "Uncle Faulkner, how are you? He said: "His Yoknapatafa County especially made me understand that a writer can not only make up characters and stories, but also make up geography. "

Mo Yan wrote "Gaomi Northeast Township" on the manuscript paper, which was inspired by Faulkner. Mo Yan said: "I am also determined to write my hometown as big as a stamp."

So from 1985 "White Dogs Swing Up", Mo Yan held high the banner of "Gaomi Northeast Township" and created his own literary kingdom like a rebellious hero. Like Thomas Hardy's "Wessex" in southern England, or Garcia Marquez's South American town Macondo.

Through the description of the lifestyle and general living conditions of his hometown, it conveys some universal human nature contents and human living conditions, and transforms the general description of homesickness into the understanding and discovery of human "survival".

In this way, Mo Yan's works transcend the narrowness and limitations of the general "local literature" and reach the height of universal existence of mankind.

2. Western Modernism

In Mo Yan's novels, it is easy to find the influence of western modernist literature. This kind of influence is various, including inner monologue, psychological analysis, feeling impression, hallucination dream, inversion of time and space, etc.

There are metaphors, symbols, predictions, mysteries and magic in magical realism; There are also exaggerations, distortions and absurdities in absurd plays; There are structuralism, sentimentalism, symbolism and so on.

Among western writers, Mo Yan admires two most, namely william faulkner and Garcí a Má rquez.

The biggest feature of Mo Yan's novel structure is constant scene switching and time-space inversion, which has obvious characteristics of spatial form novel and echoes Faulkner's style from a distance. However, his reference to myths, legends and animal narratives is obviously of Garcí a Má rquez's magical realism.

Stream of consciousness is an important manifestation of Mo Yan's works, which has been clearly reflected in Mo Yan's early works.

For example, the Dry River published by him in 1985 uses the montage technique of stream of consciousness to blend the past with the reality, and replaces the narrative with the emotional description of children's "tigers", making the story poetic as a dream.

In addition, the imagery metaphor in Explosion, the slow-motion description in Ball Lightning and the free association in Joy are all manifestations of Mo Yan's stream-of-consciousness art. In the process of using the stream-of-consciousness technique, Mo Yan completed his pursuit of dreamlike novels and formed his unique illusion realism.

Mo Yan's reference to western modernist literature is extensive and not limited to Faulkner and Marquez. The exaggerated description of farmers' various taxes in "The Song of Young Garlic" has a black humor style; Humorous description of people who become monkeys after entering the city has the absurdity of Kafka's Metamorphosis.

However, Mo Yan has no simple reference. He has the great spirit of exploring western modernism, and Thirteen Steps is one of his representative works. His Wine Country, published in 1993, is an unprecedented innovative experimental novel with postmodern characteristics.

3. China traditional art of storytelling.

While studying western modernism, Mo Yan soon realized that he wanted to escape from the "scorching blast furnace" like Faulkner, Marquez and other western modernist masters, and the result of his escape was to return to his literary hometown "Gaomi Northeast Township".

He tried hard to draw nutrition from Qilu culture, Pu Songling's Strange Tales from a Lonely Studio, Romance of the Gods and Yuan Zaju, and from traditional folk cultural resources such as folk stories and folk art (including high-density ash-throwing New Year pictures, high-density clay sculptures, high-density paper-cutting and Qiang Mao). ).

In particular, Strange Tales from a Lonely Studio had a great influence on Mo Yan, who once commented that Strange Tales from a Lonely Studio was a book that turned decay into magic.

20 12 mo Yan delivered Nobel Prize in Literature's lecture "the storyteller" in Sweden. he said: "more than 200 years ago, there was a great storyteller in my hometown-pu Songling. many people in our village, including me, are his descendants." Fatigue of Life and Death is the novel that best reflects the influence of Strange Tales from a Lonely Studio on Mo Yan.

Mo Yan got inspiration from various folk arts, legends and ancient literary texts that were biased towards the romance of ghosts and gods, such as Tu in The Romance of Ghosts and Ghosts and Strange Tales from a Lonely Studio, which all appeared in the cultural remains of his hometown Dongyi.

He also gets fresh nourishment from rich real life, and at the same time simulates history and reality in part or in part, inserting the wings of free imagination into his creation, thus achieving a near-perfect combination of high authenticity and superb artistic creativity psychologically and logically.

Therefore, on the basis of inheriting modernist masters such as Kawabata Yasunari, Kafka, Faulkner and Marquez, literature is rooted in the land of local culture and literature and art, and has achieved a leap from "modernism in China" to "modernism in China".

4. Aesthetics of violence

Mo Yan's works are violent. Red Sorghum, published by 1986, is a primary text, as if it were a primitive dictionary, which contains some basic violent words such as adultery, drinking, beheading and peeling.

They are a witness to verify the existence of "national primitive vitality".

After that, Mo Yan became a staunch writer of cool words, such as Braised Baby in Wine Country, Stripping Dogs by Building Roads, Stripping Cats by Herbivorous Family, Gutting the Dead in the Elixir, and Hitting People in the Cotton Washing Machine. Mo Yan shows the physical and psychological feelings brought by violence with his unique sensory description.

Sandalwood Punishment is the pinnacle of Mo Yan's violent aesthetics. In the ninth chapter of his masterpiece, he used more than 14,000 words to describe the process of money's death. With his profound language skills and amazing imagination, Mo Yan presented vivid and thrilling torture scenes for readers.

Every time a sharp knife is cut, the victim cries out in pain, and all of them converge into a strange pleasure of writing, flowing between the sentences of the novel, as if it were a tragic light from hell.

This is not Kafka's gloomy punishment, but a kind of physical carnival mixed with extreme abuse and abuse, just like the last feast before the collapse of the empire. This extreme description of violence polarized readers' evaluation. People who don't like it immediately throw books and spit, and people who like it can't stop.

As Ge Haowen, an American sinologist and translator of Mo Yan's works, said, "Sandalwood punishment is cruel and terrible, but you still want to read it. Finally, you will ask yourself why you want to read? " ?

5. Language Carnival

Throughout Mo Yan's creation, he observes the world with carnival eyes, takes the marginal figures such as clowns and fools who are degraded by official culture as the protagonists of the novel, and tries to dig out the carnival spirit of the local people by mixing vulgar language extracted from the folk with monologues, thus making his novel creation have the avant-garde color of carnival.

Mo Yan's innate rebellious spirit and imagination made him constantly explore the text form and innovate the language. For example, the abnormal modification of language is mainly reflected in the modification of logical contradictions.

For example, "Gaomi Northeast Township" in Red Sorghum is undoubtedly the most beautiful, ugly, detached, secular, holy, filthy, heroic, jerk, drinkable and loving place on earth.

In the novel Red Locust, Mo Yan described a pair of ancestors who fell in love with their loved ones and suffered family fire, and kisses and hugs died in a blazing fire.

He commented on this: "this vigorous love tragedy, this shocking scandal in the family history, touching feats, inhuman beasts, great milestones, dirty shame, great progress and stupid retrogression."

Similar languages abound in his works. This is a mixed language, which embodies Mo Yan's carnival thinking and artistic feelings.

Mo Yan's language carnival is also reflected in the hodgepodge of genres, and the hodgepodge of language also reflects the equality, subversion and popularity of carnival.

In addition, Mo Yan also mixed slang, proverbs, mantras, jingles, folk songs, official languages and so on in his novels.

The fragments of these words are embedded and mixed with each other, which eliminates the vulgar and lofty hierarchical interface and is submerged in the torrent of multi-voice reverberation words. This reverberation sound forms a typical carnival style, which is not only the carnival of senses, but also the carnival of words.

The carnival color of Mo Yan's novels is also reflected in the description of carnival festivals and scenes.

For example, the "meat sacrifice" in "Forty-one Artillery", the snow collection in "Big Breasts and Fat Buttocks", the beggar parade in "Sandalwood Punishment" and the "ten thousand cats chorus" in the execution of Sandalwood Punishment and so on. Describe social phenomena in a carnival way, and establish a fictional discourse world under the carnival principle, which is in sharp contrast with the institutionalized life world.

Baidu Encyclopedia-Mo Yan (the first Nobel Prize in Literature winner in China)