Su Shi's Butterfly Loves Flowers. Yu Biyun's evaluation of this poem in Selected Readings of Song Ci "Flocculation flies, and every time it hurts spring, porcelain is broad-minded." "

Flowers wither, red apricots are small, swallows fly, and green water surrounds people.

As soon as the word started, it showed a scene of late spring. The author's sight begins with an apricot tree: the flowers have withered, the little red is fading little by little, and the green apricots are beginning to bear fruit on the branches. "Residual red" means that there are not many red flowers left. The word "light" is deepened, which not only costs less, but also is light and more emotional.

Seeing the scenery at the end of spring and expressing the feelings of hurting spring are common meanings in ancient poetry. However, when people write about feelings that hurt spring, they always express their feelings of loneliness to the extreme. Su Shi is more open-minded Where there is prosperity, there is decline, and where there is withering, there is new life. He paid special attention to the newborn "green apricot", and his tone showed pity and love, which consciously diluted the previous strong sadness.

Then, the author turned his eyes away from a flower and turned to a more open place not far away. I saw swallows flying low on the water, and green water surrounded people's walls. A few strokes outline a picture of a country with endless spring. Flying swallows add dynamic beauty to the picture; "Green water family" brings the breath of life, paving the way for the appearance of "beauty in the wall" below.

Some people think that the word "around" in "Green Water Around People" should be the whole word "Xiao", and there is no outstanding scenery to show that it is an early morning scene, so it is uncertain. Swallows fly around the house, green water flows around the house, pedestrians walk around the house, and the word "around" is very real.

There are few willows blowing on the branches, but there are many herbs in the sea.

These are the two most praised sentences. There are fewer and fewer catkins in blowing in the wind; All over the world, where is there no green grass? "Liumian" is catkin. Catkin flying, spring will be exhausted, although sad; And the grass is green, which is a realm. Su Shi's broad-mindedness can be seen. Qu Yuan's "Tianya" sentence in Li Sao, "Why don't you care about the past?" It was Bu Zheling who inspired Qu Yuan, and his thoughts were consistent with what Su Shi said in Ding Feng: "This peaceful place is my hometown."

Even so, these two sentences still contain a lot of bitterness and sorrow. According to "Talk about Ci under the Forest", "Zi Zhan is in Huizhou, sitting around with Chaoyun. The young woman (Frost God) first arrived, her wood was rustling and she was sad for autumn. She told Yun to tell the truth and sang' Flowers fade, stay red'. The cloud will sing, and tears will fill her skirt. Zi Zhan criticized the reason and replied,' I can't sing, but there are few willows blowing on the branches, and there are plenty of fragrant grass in the world.' "It is quite thought-provoking to contact Su Shi's experience at that time. Su Shi drifted all his life and was finally banished to Lingnan, far away from Wan Li. At this time, he has reached an old age. Looking around, his hometown is almost far away. How similar this situation is to catkins flying in the wind!

Swing inside and outside the wall, outsiders inside the wall, beauty inside the wall laugh.

There is a swing in the wall and a path outside the wall. Pedestrians walk on the path outside the wall, and the laughter of beautiful women rings inside the wall.

The author pays great attention to the relationship between concealment and manifestation in artistic treatment. Here, he only writes about the swing that shows the wall and the laughter of beautiful women, and the others are hidden for "pedestrians" and readers to imagine, which has produced infinite significance in imagination.

Small words are the most taboo to repeat words, but these three sentences are always sixteen characters, and "inside the wall" and "outside the wall" are repeated respectively, which actually accounts for half. The reading materials are fragmentary and intriguing. The home is inside the wall, and the road is outside the wall; There is a cheerful life in the wall, a young and energetic life; Outside the wall are pedestrians on the road. The author left a blank about the mood and attitude of pedestrians. However, in this silence, we feel cold and lonely.

Laughter dies in silence, but passion is mercilessly annoyed.

Perhaps pedestrians have been standing for a long time, and the beauty in the wall has returned to the room; Maybe the beauty is still having fun, but the pedestrians have gradually gone away. In a word, the beauty's laughter gradually disappeared, and it seemed quiet all around. But the hearts of pedestrians can't calm down. "Sentimental" and "heartless" here are often interpreted as love, which means that people walking on the road are in love, and beautiful people don't know it at all. Pedestrians' "sentimentality" encounters the beauty's "ruthlessness" and feel helpless, so they are very distressed. This is like a unrequited love comedy.

If this is the author's own experience of witnessing others, it may be said that such a common contradiction in life is written with love. But the word "pedestrian" is closer to the author's own portrayal, and the connotation of "love" is also extremely rich, not limited to love. The author has gone through many vicissitudes of life, has feelings of longing for spring and dying, has feelings of life experience, homesickness, longing for a young life, serving the country, and so on. He is indeed a "sentimental" person. Beauty is young, simple and carefree. She has neither the feeling of hurting spring nor the worry about her life experience. It can really be said that she is "heartless".

The author is so affectionate. What kind of thoughts will "heartless" people arouse him? Perhaps it evokes his yearning for a better life, perhaps it is a kind of comparison and association of the relationship between monarch and minister, perhaps it doubles the feeling of being absent during the New Year, perhaps it is a kind of thinking and understanding of the philosophy of life ... The author did not make it clear, but left a rich blank for readers to ponder and imagine.

Comments and explanations

This word expresses the feeling of hurting spring, which is both affectionate and ethereal, blending scenes and touching. In the Qing Dynasty, Wang Shizan praised "flowers and plants are all picked up": "Liu Mian is on the branch". I am afraid that the love of wasteland (Liu Yong) may not spread. What do you mean by the river of no return? "This evaluation is pertinent. Besides being bold and unconstrained, Su Shi also wrote many graceful and restrained words. His graceful words are also full of vitality and flowing, which is different from the weakness of Huajian words.

The interest contained in ci is also valued by ci writers. "Ancient and modern thorns" said that writing this word of pedestrian amorous feelings and heartless beauty is "extremely reasonable and interesting". The so-called "things are heartless and people are sentient" is a very common phenomenon in life. Others commented that it was full of "Zen". It is not only the wall surrounded by green water, but also the "heart wall" of human beings that prevents all beings from communicating with each other mercilessly.

Although the author has experienced the ups and downs of life, he still pursues his ideals passionately and persists in life, but he is annoyed by his ruthlessness. This just shows his attitude towards life-not forgetting the real world. His sadness in this poem is based on his love for real life.